
‘As the Doors Closed, I Realized I Had Left My Laptop on the Bench'
Subway Luck
Dear Diary:
I was on the subway platform at Eighth Street and Broadway heading uptown. I was sitting on a bench near the front of the train.
The train rolled in, and I got on. As the doors closed, I realized I had left my laptop on the bench. I pounded on the door to no avail. I watched the computer sitting there in its little white-and-blue polka dot case as the train began to leave the station.
I managed to call my husband, Peter. Maybe he could get to the platform before someone took the laptop. When I couldn't reach him, I called a friend who was at my apartment and asked her to tell my husband to try to get to the platform. It was only two blocks from home.
I got off at 14th Street, ran to the downtown side of the station and waited five minutes before an R arrived.
When I got back to Eighth Street, I raced across Broadway, ran onto the uptown platform and looked for the laptop case. It was gone. Everything, every thought in my head, every draft of my latest play, was gone with it.
I called my husband. This time he answered.
'I've got it,' he said.
'Where are you?'
'On the platform.'
I looked down the platform, and there he was, carrying the case. Some kind person had picked it up and turned it into the station agent.
Whoever you are, thank you from the bottom of my heart.
— Delia Ephron
Hey, Hey
Dear Diary:
On July 15, 1967, my brother drove my best friend and me, two 13-year-old girls, to Forest Hills Stadium to see the Monkees. We rode squeezed into his 1957 TR-3 with the top down.
The show was one of eight that Jimi Hendrix opened for the band, but we went to see them, and Davy Jones, my idol, in particular.
The next morning, Sunday, we and about 20 other fans waited outside the Waldorf Astoria, where the band was staying. Jimi Hendrix emerged from the hotel first. He signed autographs as he walked to a cab. Then I caught a glimpse of Micky Dolenz and Michael Nesmith.
Davy Jones came out next and got into a cab alone. As it drove off, I ran after it up the empty avenue. Out of breath, I caught up to it at a red light.
Davy was sitting in the rear seat with the window open. We looked at each other. I didn't know what to say. One word came out: 'Shake.'
I stuck my hand through the window, and Davy Jones shook it. The light turned green, and the taxi drove off, leaving me with the indelible memory of his hand in mine and the look of his beautiful eyes.
— Dinah Wells
Wedding Plans
Dear Diary:
It was a rainy day, and I was heading uptown on a crowded M104 bus.
A woman sitting toward the back was talking loudly on her phone about her upcoming wedding, describing the decorations, the venue, her dress and the guests.
As she got up to get off the bus, a voice shouted from the front: 'Are we all invited?'
— Emily T. Dunlap
Ferry Farewell
Dear Diary:
On a February afternoon, I met my cousins at the Staten Island Ferry Terminal. Their spouses and several of our very-grown children were there too. I brought Prosecco, a candle, a small speaker to play music, photos and a poem.
We were there to recreate the wedding cruise of my mother, Monica, and my stepfather, Peter. They had gotten married at City Hall in August 1984. She was 61, and he, 71. It was her first marriage, and his fourth.
I was my mother's witness that day. It was a late-in-life love story, and they were very happy. Peter died in 1996, at 82. My mother died last year. She was 100.
Peter's ashes had waited a long time, but finally they were mingled with Monica's. The two of them would ride the ferry a last time and then swirl together in the harbor forever. Cue the candles, bubbly, bagpipes and poems.
Two ferry workers approached us. We knew we were in trouble: Open containers and open flames were not allowed on the ferry.
My cousin's husband, whispering, told the workers what we were doing and said we would be finished soon.
They walked off, and then returned. They said they had spoken to the captain, and they ushered us to the stern for some privacy. As the cup of ashes flew into the water, the ferry horn sounded two long blasts.
— Caitlin Margaret May
Good Manners
Dear Diary:
I was strolling through Joan of Arc Park on the Upper West Side. An older woman was walking her little dog in front of me.
A young man, evidently in a hurry, passed me and cut right in front of the woman, causing her to stop short.
'Sorry,' the young man said. 'Please excuse me.'
The woman nodded and said it was fine.
'I was actually talking to your dog,' the young man said.
— Jim Pavia
Read all recent entries and our submissions guidelines. Reach us via email diary@nytimes.com or follow @NYTMetro on Twitter.
Do you have a tale of a memorable encounter with, or sighting of, a celebrity in New York City? Please submit it below or share it in the comments. While you're there, join the conversation.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
2 days ago
- New York Post
The Monkees drummer Micky Dolenz recounts the first time he met Paul McCartney
Micky Dolenz and Paul McCartney came together in the 60s. The Monkees drummer, 80, is looking back at the first time he ever met the Beatle, 82, decades ago. 'The first Beatle I met was Paul [McCartney], the night before at dinner at his house,' Dolenz told People in an interview published on Wednesday. 'I'd gone over to England to do a press junket, just myself. As it turned out, a publicist got involved and made it a 'Monkee Meets Beatle' thing at Paul's house for dinner. Just me, him and Martha the sheepdog.' 6 The Monkees, from left: Micky Dolenz, Mike Nesmith, Davy Jones and Peter Tork get a star on the Hollywood Walk of Fame in Los Angeles in 1989. AP From what transpired next, it seems like the fellow musicians quickly formed a friendship. 'He invited me to Abbey Road [studios] the next day,' recalled Dolenz. 'I don't even know if he told me the name at the time, but they were working on 'Sgt. Pepper.' I just about peed in my pants, but I'm trying to be cool. I got all dressed up thinking … I don't know what I was thinking.' 6 'The Monkees.' NBCUniversal via Getty Images 6 This June 4, 1967 photo shows The Monkees posing with their Emmy award at the 19th Annual Primetime Emmy Awards in Calif. AP 'I guess I thought it was gonna be some sort of Beatlemania fun-fest freakout psycho-jello happening thing,' the singer confessed. 'So I got dressed up in paisley bell bottoms and tie-dyed underwear and my glasses and beads and hair. I looked like a cross between Ronald McDonald and Charlie Manson.' But when Dolenz got to the session, things weren't what he expected. 'I walk in and, well … there's nobody there! I was like, 'Where are the girls?!'' he shared. 'It was just the four guys sitting there under fluorescent lighting, like my high school gymnasium, in the middle of the day. John Lennon looks up and says, 'Hey Monkee Man, you want to hear what we're working on?' From then on he called me Monkee Man.' Along with McCartney, the Beatles included the late John Lennon and George Harriso and Ringo Starr, 84. 6 The Beatles. Bettmann Archive Dolenz rose to fame after being cast in the 1966 television sitcom 'The Monkees' before landing the role as the drummer and lead vocalist in the band that was created for the series. The performer is the only surviving member of the group after Michael Nesmith died in 2021. Peter Tork passed in February 2019, and Davy Jones died in 2012. The show ran for two seasons from 1966 to 1968. 6 The Monkees perform live. Splash News Looking back at what he would tell his younger self when first being cast in 'The Monkees,' Dolenz told the outlet, 'Get a good lawyer. I am not kidding. I won't say much more except this: Have you heard the term 'unconscionable bargain'? How about the phrase 'pact with the devil'? Faust? You know the musical 'Damn Yankees?' I'm doing one called 'Damn Monkees!'' Now, this summer, the performer is set to tour the country and sing those Monkees classics. 6 Davy Jones, Peter Tork, Micky Dolenz, Mike Nesmith. AP 'I've tried so much different material over the years. It's all about the audience, as far as I'm concerned … You know, I'm not the kind of artist who's gone down the path of reinventing,' Dolenz said about what fans can expect. 'At least musically. We've all seen it happen with big acts. I've been to concerts for big acts who have a lot of nostalgic hit tunes and they don't do 'em. Or if they do, they do it with some contempt. Like, 'Oh, I guess you want to hear this piece of s–t.''


News24
6 days ago
- News24
Weekender playlist: From Hendrix to Nirvana, Whitney to Winehouse... some iconic song covers
In this edition of The Weekender's playlist, Joel Ontong has you covered. He takes a look at some of the best and most iconic covers of all time. When Nine Inch Nails' Trent Reznor first heard country legend Johnny Cash cover his song, Hurt, he said it was like 'someone kissing your girlfriend'. 'I knew where I was when I wrote it. I know what I was thinking about. I know how I felt,' Reznor told The Sun in 2008. 'It felt invasive.' But, after watching Cash's music video, Reznor was floored: 'It really, really made sense, and I thought, what a powerful piece of art.' 'I never got to meet Johnny, but I'm happy I contributed the way I did. It felt like a warm hug. I have goosebumps right now thinking about it.' Cash's version of Hurt is hailed as one of the best covers of all time. What made it great was that he sang as if he meant every word, like it was coming straight from his heart. This raises the question: What makes a great cover? It's not better or more theatrical vocals or upscaled production, but rather the ability to make a song one's own and find ways to reinterpret, not just redo. News24's Weekender playlist looks at some great or notable covers. Another iconic cover is Jimi Hendrix's take on Bob Dylan's All Along the Watchtower. Hendrix's recording is the stuff of guitar legend. Midway through the song, he delivers arguably the greatest guitar solo put to wax. The song showcases what happens when cutting-edge guitar technology falls into the hands of a visionary. Plenty of Hendrix's peers had access to wah-wah pedals, reverb, and delay effects, but none of them could play like him. If Hendrix hadn't covered All Along the Watchtower, and Dylan hadn't written it, rock music wouldn't be the same. Dylan was also so impressed by Hendrix's version that he even changed the way he played the song live. READ | Weekender playlist: From Oklou, Internet Girl and Weed420... to prog rock by Pope Francis Sometimes, a bit of theatricality can help make an iconic cover – case in point, I Will Always Love You by Whitney Houston, written by Dolly Parton. Parton's original is lovely, but Houston's version is monumental. Though the 1992 version is backed by a dated adult contemporary instrumental, Houston gives a vocal performance for the books. In the song's coda, Houston lets it rip, but not at the expense of emotional rawness. A similar case is Aretha Franklin's cover of Respect, originally by Otis Redding. In an era where everyone was covering each other's songs without really adding much, Franklin's performance defined the Southern Soul sound of the 1960s. Amy Winehouse and Mark Ronson's cover of The Zutons' Valerie is, to many, the definitive version of the song. The Zutons might not have known it at the time, but Valerie was made for Winehouse. A great cover can also simply highlight great songwriting, especially when it's overlooked. When Nirvana decided to add David Bowie's The Man Who Sold the World to their MTV Unplugged setlist, they probably didn't put that much thought into it. Their raw and rugged rendition is simple but brilliantly highlights Bowie's compelling songwriting, much better than the original ever did. Mainstream jazz music has also been noted for artists frequently doing covers, and there are many great ones by the likes of Miles Davis, Bill Evans and Abdullah Ibrahim. For our playlist, we included John Coltrane's take on Sound of Music's My Favourite Things. It's a significant departure from the original, but it is one of the best cool jazz recordings ever. We also included two songs you might not have known were covers: I'm a Believer by Smash Mouth (used in Shrek) and Red Red Wine by UB40. Both songs were written by Neil Diamond and appear on his debut album.


Indianapolis Star
29-05-2025
- Indianapolis Star
Jim Irsay left behind 'greatest guitar collection on Earth.' What happens to it now?
INDIANAPOLIS -- As Jim Irsay immersed himself in professional football for the past four decades, first as general manager of the Indianapolis Colts and then as owner, he always had a side gig -- rock 'n' roll relic collector extraordinaire. Especially guitars. Irsay amassed a colossal collection of guitars (199 to be exact) and other musical instruments, spending tens of millions of dollars on what Guitar Magazine once called "the greatest guitar collection on Earth." When Irsay died last week, many of the instruments in the collection were on loan throughout the country, including at the "Amped at IU" exhibit at Indiana University and at the Museum of Pop Culture in Seattle for "Never Turn Back: Echoes of African American Music." The items in those exhibits will remain at those locations until the displays are scheduled to end. The long-term plan for The Jim Irsay Collection, which also includes artifacts of American history and pop culture, has not been determined. The team told IndyStar on Wednesday it would be "getting more info on the collection in the coming weeks." Irsay had a penchant for obtaining rare musical instruments and items that were used by some of the greatest artists in history. Among them: Bob Dylan, The Beatles, Prince, Eric Clapton, Sir Elton John, Jerry Garcia, Les Paul, David Gilmour, Jim Morrison, Pete Townshend, Jimi Hendrix, John Coltrane, The Edge, Janis Joplin and Kurt Cobain. But Irsay's collection goes beyond music and includes eclectic items like an Apple II manual signed by Steve Jobs, Hunter S. Thompson's Red Shark convertible and Jack Kerouac's original typewritten manuscript of "On The Road." Experts have valued the collection at close to $1 billion, should it ever be sold in its entirety. 'My purpose in building this collection," Irsay wrote on his collection's website, "is to preserve, protect and share items that tell inspiring stories about dreaming big, overcoming obstacles and accomplishing great things in life." The "Amped at IU" exhibit includes pieces from Irsay's collection that help illustrate the instrument's history, including an 1850s CF Martin, a 1910 Gibson U Harp, 1939 Rickenbacker Silver Hawaiian Lap Steel and more. The display also feature artifacts from The Beatles, their manager Brian Epstein, Jimi Hendrix, Janis Joplin, Johnny Cash and others. Details: "Amped at IU" runs through September at University Collections at McCalla, 525 E. 9th St. in Bloomington. McCalla's galleries are open noon to 5 p.m. Tuesday through Friday. The "Never Turn Back: Echoes of African American Music" includes three items Irsay loaned to the Museum of Pop Culture in Seattle -- James Brown's stage-worn, red sequined cape from the 1960s and 1970s, John Coltrane's 1966 Yamaha alto saxophone and Miles Davis' 1980 Martin Committee trumpet. The exhibit explores "the rich legacy of African American music, tracing the deep cultural roots of gospel, blues, jazz and soul. Through evocative photography, rare concert flyers, instruments and costumes, the exhibit showcases the profound influence of Black communities on the evolution of these genres." Details: Runs through early 2027 at the Museum of Pop Culture, 325 5th Ave N, Seattle, WA. Info and tickets