
Jim Irsay left behind 'greatest guitar collection on Earth.' What happens to it now?
Irsay amassed a colossal collection of guitars (199 to be exact) and other musical instruments, spending tens of millions of dollars on what Guitar Magazine once called "the greatest guitar collection on Earth."
When Irsay died last week, many of the instruments in the collection were on loan throughout the country, including at the "Amped at IU" exhibit at Indiana University and at the Museum of Pop Culture in Seattle for "Never Turn Back: Echoes of African American Music."
The items in those exhibits will remain at those locations until the displays are scheduled to end.
The long-term plan for The Jim Irsay Collection, which also includes artifacts of American history and pop culture, has not been determined. The team told IndyStar on Wednesday it would be "getting more info on the collection in the coming weeks."
Irsay had a penchant for obtaining rare musical instruments and items that were used by some of the greatest artists in history. Among them: Bob Dylan, The Beatles, Prince, Eric Clapton, Sir Elton John, Jerry Garcia, Les Paul, David Gilmour, Jim Morrison, Pete Townshend, Jimi Hendrix, John Coltrane, The Edge, Janis Joplin and Kurt Cobain.
But Irsay's collection goes beyond music and includes eclectic items like an Apple II manual signed by Steve Jobs, Hunter S. Thompson's Red Shark convertible and Jack Kerouac's original typewritten manuscript of "On The Road."
Experts have valued the collection at close to $1 billion, should it ever be sold in its entirety.
'My purpose in building this collection," Irsay wrote on his collection's website, "is to preserve, protect and share items that tell inspiring stories about dreaming big, overcoming obstacles and accomplishing great things in life."
The "Amped at IU" exhibit includes pieces from Irsay's collection that help illustrate the instrument's history, including an 1850s CF Martin, a 1910 Gibson U Harp, 1939 Rickenbacker Silver Hawaiian Lap Steel and more. The display also feature artifacts from The Beatles, their manager Brian Epstein, Jimi Hendrix, Janis Joplin, Johnny Cash and others.
Details: "Amped at IU" runs through September at University Collections at McCalla, 525 E. 9th St. in Bloomington. McCalla's galleries are open noon to 5 p.m. Tuesday through Friday.
The "Never Turn Back: Echoes of African American Music" includes three items Irsay loaned to the Museum of Pop Culture in Seattle -- James Brown's stage-worn, red sequined cape from the 1960s and 1970s, John Coltrane's 1966 Yamaha alto saxophone and Miles Davis' 1980 Martin Committee trumpet.
The exhibit explores "the rich legacy of African American music, tracing the deep cultural roots of gospel, blues, jazz and soul. Through evocative photography, rare concert flyers, instruments and costumes, the exhibit showcases the profound influence of Black communities on the evolution of these genres."
Details: Runs through early 2027 at the Museum of Pop Culture, 325 5th Ave N, Seattle, WA. Info and tickets
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Time Magazine
4 hours ago
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Los Angeles Times
5 hours ago
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And because it's 2025, there's a lot that feels very different, from ridesharing and microaggressions to all-gender public bathrooms and goat therapy. To say that the connections 'King of the Hill' cast members have with the show are personal would be a huge understatement. Not only did the animated series' original run and its new batch of episodes address American culture in sharp and satirical ways while simultaneously being gentle and humane, it created memorable, perhaps iconic, roles for three of the women who play lead characters on 'King of the Hill.' Adlon, Najimy and Lauren Tom, who plays both Connie Souphanousinphone and her mother Minh, all say that the show's continued high quality and influence on their lives for so long helped draw them back. Along with co-creators Judge and Greg Daniels, and new showrunner Saladin K. Patterson, the cast faced a formidable modern TV challenge many have failed: reviving a beloved show without ruining what made it great in the first place. 'The best job I've ever had' Najimy, who plays Peggy Hill as a kind but frequently overconfident retired substitute teacher, remembers very clearly her audition for 'King of the Hill' 27 years ago. 'I was pregnant with my daughter,' she says, 'so I will never forget that time in our lives.' Najimy and the rest of the cast had no idea at first if the show would work. 'I thought, 'This is a really good script and I love that there's some great writing for women characters, which isn't always the case.' ' Unlike the family dynamic of many sitcoms of the '90s era when 'King' started, and even now in some cases, Hank and Peggy aren't a schlub and a hot wife trading insults — they're partners who respect each other and who did a great job raising their son. 'They fight and they spar, but they really, really love each other, which I find refreshing,' Najimy says. In the new season, Peggy's adventures include portraying the made-up wife of Hank's buddy Bill (Stephen Root), dealing with a cover-up involving a neighborhood lending library and bedbugs, and wrestling with empty nesting. Judge says that Najimy gets credit for bringing Peggy to life on the original run. 'We, on the writing side at least, didn't have all that much for Peggy in the very beginning. 'Something happened when Kathy started doing the voice — something about the way she played her as this know-it-all who can be completely wrong with complete confidence — and we started writing to that and Peggy was born,' he says. Najimy says she appreciates that the storylines continue to be character-driven, even when they're observing or commenting on modern culture. 'It's really hard to bring something back,' Najimy says in praise of the show's creators and writers. 'I think it's a miracle that they've done it so seamlessly… it's the best job I've ever had.' Bobby and Connie all grown up One of the new storylines finds Bobby reconnecting in Dallas with his childhood crush Connie. How that develops through the 10 episodes is one of the most emotionally satisfying parts of the revival. While other actors on the show were voicing older versions of adult characters, Adlon and Tom had to decide with the showrunner and creators how to age their characters into adulthood. At one point, using technology to change the pitch of their voices was considered. But in the end, the actors made the vocal adjustments themselves. 'I feel like since Connie's in her 20s now, that was actually easier for me because it's close to my own voice; I'm about that age emotionally,' Tom jokes. 'For me, it was a relief to age her up.' 'King of the Hill' was Tom's first animation job before she went on to play roles on 'Futurama,' 'Teen Titans Go!' and 'Rick and Morty.' Adlon said that Bobby's vocal journey into manhood had to be grounded in an authentic portrayal with a subtle adjustment: 'I just did a little thing,' Adlon says, cupping her hand for emphasis, 'get him more into, you know, the balls. Cradling the balls of age.' When the new season begins, Connie has a boyfriend; it's an ethical nonmonogamous relationship. 'In a way, she is sowing her wild oats,' Tom says. As Bobby, Adlon interjects, 'Well, I don't wanna talk about that.' Patterson, a veteran of several TV series including 'Frasier' and the well-received 2021 version of 'The Wonder Years,' says the actors were able to bring a huge amount of complexity to characters that fans have grown to love for 27 years. For Bobby, 'What Pam does is so specific and so magical,' Patterson says. 'Fans are coming back to this show because they want to recapture that magic, right? Let's not try to fix what isn't broken. Let Pam continue to do the magic that she does with Bobby Hill.' With Tom's challenge of playing two characters, Patterson says, 'When we have scenes with Minh and Connie, not only is she doing two voices, but she's capturing all those layers and nuances that exist in the mother-daughter relationship.' Living in 2025 … and beyond? The actors and creators are careful to say that 'King of the Hill' has never been as political as some might ascribe to the show, despite it being set in a red state featuring a conservative-passing family. But in 2025, it seems impossible not to take a side and the new 'King' season arrives just two weeks after 'South Park' unloaded a stinging critique on President Trump and his administration. The new 'King of the Hill' season takes aim at misogynist bro seminars, cultural appropriation in the restaurant world and how divorce is still stigmatized in many cultures, among other topics. The cast members and creative leaders of the show say that while they're big fans of what 'South Park' is doing, 'King' mirrors things very differently. 'The world needs someone to shake things up like that,' Tom says, 'and then the world needs our approach, which has a lot more kindness and love and gentleness and inclusiveness to it. It's a nice balance.' 'Now seems like the perfect time, this window of opportunity when people are just going, 'What the f—?' with everything,' Adlon says. Judge says 'King of the Hill' is 'a calming presence in the midst of all the divisiveness. People often tell me they watch it before they go to sleep, and I'm totally good with that.' How long that calming presence will be with us when it comes to getting fresh episodes in the future is not completely clear. Season 14 debuts with all 10 episodes available. Will there be more? There are certainly more scripts and the actors on the show confirm they've continued working on episodes beyond this initial batch, but Hulu has not yet announced whether 'King of the Hill' will continue for a 15th season or more. Reviews so far from critics have been universal raves; the 14th season has a 100% rating on Rotten Tomatoes, with one reviewer calling it the best TV revival of all time. For the 'King' crew, who have been working on the show since the COVID-19 pandemic forced them to do voice recording separately, seeing 'King of the Hill' come back together successfully after so long has been incredibly rewarding. 'I think it was a big relief reading the first episode and realizing the writing was just as strong as the original and feeling like, 'Oh, we're going to be in good hands,' ' Tom says.