Why you're suddenly seeing everyone filming in the gym
A new trend is sweeping through gyms and fitness studios around the world – filming workouts for social media.
Whether it's aspiring wellness influencers, established fitness pros, or even casual gymgoers, more and more people are recording their routines on camera, sharing them online, and, in the process, raising a lot of ethical questions.
Filming in public spaces means that other gymgoers, often at their sweatiest, can end up in the background of someone else's video, without their consent or even their knowledge.
According to Velotric, a fitness equipment business, 23 per cent of people now avoid public workouts altogether for fear of being filmed and posted online.
The issue recently came to a head when a woman named Kelsey Jamison took to TikTok to recount an uncomfortable experience in a recent pilates class.
The pilates incident
'I was just at pilates, and I was already being brave because I had to take a spot at the front,' Ms Jamison began.
'I look over, and the beautiful woman next to me has a tripod set up, and I've never moved faster. I respect the hustle. And in her defence, maybe she would have cropped me out, but, like, when I go to a workout class … me and my tummy did not sign up to be in your video.'
'The fear I have of someone screenshotting a video and being like, 'lol, you're in the back of this'. I didn't sign up for cyber-bullying today,' she added.
She suggested that if someone has to film their workout, people should always blur or cover up other people's faces.
Her post was captioned: 'Let's normalise not filming our workouts anymore'.
People flooded the comments sections with messages of support.
'It feels so invasive,' one commenter wrote.
Another added, 'A tripod in a class is INSANE to me'.
Others pointed out that this trend can also impact someone's enjoyment of a class that they paid for.
'Even if she cropped me out later, I wouldn't be able to relax and enjoy the class,' someone admitted.
Another user went further, calling filming in the gym 'entitled'.
The workout filmer hits back
Things took a turn when the woman with the tripod, who was revealed to be @lettyunfiltered, posted the clip of the exact moment Ms Jamison got up and moved spots.
In her video, she is seen stretching and warming up before class, with her camera pointed at herself, while other class members, including Ms Jamison, are visible in the background.
Ms Jamison is seen picking up her belongings and moving to another spot, while Letty gives a side-eye and an eye roll.
She captioned the clip: 'POV: you're sensitive to people's energy'.
The video was later deleted, reportedly after the gym asked for its removal, but not before the internet pieced together both sides of the story.
The overwhelming response from the TikTok community was in support of Ms Jamison, with users calling Letty's behaviour 'gross' and 'high-school mean girl vibes'.
One commenter wrote, 'We are all on your side'.
Another added, 'She's acting like you're the villain for quietly getting up and moving'.
A larger conversation
This incident is part of a much larger conversation, as many gyms have begun banning filming and tripods outright.
Doherty's Gym in Melbourne made headlines in 2024 when it banned members from filming themselves after the owner, Tony Doherty, noticed his gym had become a 'circus'.
'The tripods were doing my head in,' he said. 'Not only because they were a trip hazard, but because I am really big on people's privacy. Not everyone wants to be in someone else's movie in the background.'
Mr Doherty also pointed out a more serious concern.
'There are women with intervention orders against ex-partners who want to hunt them down and kill them, and they are just waiting to see them in the background of something so they know where they are. So no, not on my watch,' he said.
Other gyms have followed suit, such as PureGym, which has more than 340 facilities across Britain and has implemented similar bans.
Where did the trend come from?
The trend of filming workouts for social media began around 2015, as fitness influencers began building their personal brands on YouTube and Instagram.
Classes offering unique workouts – like aerial yoga, hot pilates, Barry's Bootcamp, and SoulCycle – became viral sensations around this time too, and trainers at these studios became mini-celebrities in their own right.
Attending these classes became a status symbol, and everyone wanted to be seen there.
The trend gained even more traction during Covid, when fitness classes were paused and people began filming their home workouts.
As lockdowns lifted, this habit carried over into gyms and studios.
But as the trend boomed, so has the backlash, so much so that there is now a whole subgenre of social media content dedicated to calling out gym filming.
Popular TikToker Joey Swoll has built a massive following of eight million by highlighting this issue, often calling the trend selfish and narcissistic.
What do the experts say?
Ben Lucas, co-founder of Flow Athletic in Sydney, says that while his boutique gym in Paddington doesn't currently have rules around filming, he wouldn't hesitate to implement them if it became a problem.
'We want everyone to feel welcome,' he told news.com.au before sharing some tips on the best etiquette.
'Shooting outside of class hours is ideal, as you don't want to make the other members feel uncomfortable,' he said.
'If for any reason you really feel the need to shoot in class, go to a back corner of the room so you avoid getting anyone else in the shot, and make sure your tripod is not getting in the way of any other class members.'
Nichola Stevenson, owner of Club pilates in Sippy Downs, Queensland, echoed this sentiment.
Her studio also allows filming, and trainers even do it for marketing purposes, but 'sensitivity and consent' are always front of mind.
'We always let clients know if filming is taking place and check in with everyone beforehand. Clients are encouraged to give us a discreet wave if they'd prefer not to be included,' she said.
Ms Stevenson acknowledges that filming in a gym can be done, but stresses the importance of respecting personal boundaries.
'If it's adding value and lifting others up – wonderful. But it should never come at the cost of someone else's comfort,' she said.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

News.com.au
41 minutes ago
- News.com.au
Home closest to Los Angeles' iconic Hollywood sign hits market
A rare home below the Hollywood sign has hit the market for the first time in almost 40 years for USD$2.25 million ($A3.5 million). Nestled into the hillside of Beachwood Canyon, the A-frame chalet isn't just close to the famous sign — it's the closest residence to it, the New York Post reports. 'It is extremely limited,' agent Christopher Soffer told the outlet. 'Being the closest house to the Hollywood sign in the world is as limited as it gets.' 'It's perched up in the trees, almost like a treehouse. 'You have this sense when you're there that you really feel like you're entrenched in this lifestyle and this period of time that seems to have faded away with the modern age.' Built in 1963 and tucked at the end of a private road, the three-bedroom home is a rarity in both style and setting. Its A-frame design — uncommon in Los Angeles — is clad in wood inside and out, creating a cabin-in-the-woods ambience in the middle of one of the city's most iconic neighbourhoods. 'There's tons and tons of wood,' Mr Soffer said. 'You kind of also feel like you're in a cabin in the woods, which is beautiful because the entire A-frame is essentially made out of wood.' The home's current owners, digital effects pioneer Jeffrey Kleiser and sculptor Diana Walczak, have used the space as both a residence and creative incubator. Ms Walczak, best known for sculpting the Michael Jackson HIStory statue and designing its digital version for the album cover, and Kleiser, whose credits span 'Tron' to 'X-Men,' are consolidating their property portfolio, according to Mr Soffer. 'They've absolutely loved living there and they are creatives themselves,' Mr Soffer said. 'They've actually recorded in that house, numerous bands over the years.' One of the most famous is The Association, the 1960s band behind hits like 'Cherish' and 'Windy'. Their connection to the property earned it a cameo in Linda McCartney's photography book, 'The Sixties'. The home's creative legacy doesn't stop at music, and has quietly played host to artists, sculptors and filmmakers over the decades. 'That place kind of attracts a very interesting crowd and has a very interesting creative energy to it,' Mr Soffer said. Though it's tucked into the hills, the property is not without modern acclaim. It has been featured on 'Staycation,' the Emmy-winning travel show, and was recognized by Travel + Leisure as one of California's best Airbnbs. The owners even produce 'Hollywood Honey' on the premises, courtesy of a small hillside apiary tended by a local beekeeper. The house's positioning on the ridge yields dual vistas: the Hollywood sign at its back and sweeping views of downtown LA, Griffith Park, and — on clear days — the Pacific Ocean at its front. 'When you are building on a site like that, the Hollywood sign is as direct as it gets,' Mr Soffer said. 'When you're sitting on either of the rooftop decks, all you can see is the Hollywood sign … and on the front of the house, you have these panoramic views of the city.' The listing also marks a nod to the roots of the surrounding area. 'Originally, Beachwood Canyon was built by a single guy and he had done it because he wanted to create a neighbourhood that was perfect for Hollywood and studio production,' Mr Soffer said. 'When they first built the Hollywood sign, it was actually almost like an advertisement for the neighbourhood.' At the time, the sign was even illuminated at night — a touch of glamour that has since disappeared. 'They actually used to have lights on the Hollywood sign, believe it or not,' Mr Soffer said. 'I would love to see that today, but I think it might be a little bit too bright for the current landscape of the neighbourhood.' Despite its proximity to a tourist magnet, the property offers peace and privacy. 'They said everyone is so enamoured by the sign, everyone's in such a good mood when they're up there,' Mr Soffer said of the owners. 'They've never had any issues with break-ins or trespassing or anything like that over the years.' There's little risk of competition either: 'To the right of the property, if you're facing the property, there's only one other lot that can be developed,' Mr Soffer noted. 'As of now, there's nothing on it. It's just a raw piece of land. And beyond that, it's pure wilderness.' It's that blend of exclusivity, architectural significance, and Hollywood history that Mr Soffer believes makes the home one-of-a-kind. 'The architectural community loves these types of houses — A-frame houses,' he said. 'They aren't typical for Los Angeles, and when they do pop up, it's something to be cherished.'

ABC News
an hour ago
- ABC News
Prosecution and defence rest in Sean 'Diddy' Combs sex trafficking trial after six weeks
Warning: This story contains details that may be distressing to some readers. Sean "Diddy" Combs's legal team has rested its case in his federal sex trafficking and conspiracy trial after making arguments for only about 20 minutes. Its short presentation comes after more than a month of testimony from over 30 witnesses brought by federal prosecutors. Mr Combs's lawyers argued that the government failed to prove any of the charges against him and that the judge should drop the case against him. The 55-year-old music mogul also confirmed to the court that he would not take the stand in his own trial. "Is it your decision not to testify in this case?" US District Judge Arun Subramanian asked Mr Combs. "That is my decision, your honour," he replied. It is standard practice at federal criminal trials for the judge to directly question the defendant about the decision to testify or not. This is, in part, to ensure that the defendant knows it is his decision, regardless of what his lawyers have told him. Later on Tuesday afternoon, the prosecution rested its case without calling additional witnesses, bringing the trial closer to an earlier-than-expected conclusion. Mr Combs, who was arrested in September, has pleaded not guilty to charges of racketeering, sex trafficking and transportation to engage in prostitution. If convicted on all counts, he could face up to life in prison. Since the trial began more than six weeks ago, jurors have heard testimony from 34 witnesses. This includes two ex-girlfriends of Mr Combs, R&B singer Casandra Ventura and a woman known in court by the pseudonym Jane, who both testified they felt coerced into marathon sex sessions called "freak-offs" or "hotel nights" with male sex workers. Over several days of testimony, both said Mr Combs beat them, threatened to cut off financial support and leak sex tapes. Mr Combs's lawyers acknowledged that its client was occasionally violent in domestic relationships, but argued the "freak-offs" were consensual. Although the defence called no witnesses, it submitted into evidence several text messages between its client and his ex-girlfriends. Defence lawyer Anna Estevao read jurors several messages, ranging from tender to sexually explicit, that Ms Ventura sent Mr Combs during their decade-long relationship. In one message from 2012, Ms Ventura wrote: "Besides making love, talking to you is my favourite thing." Five years later, Ms Ventura told Mr Combs in a series of messages that she missed him, asked him to send a picture of his genitals, and pledged to "be your little freak". Outside the jury's presence, Ms Estevao told the court the messages showed Mr Combs believed the "freak-offs" were consensual. "That she's telling Mr Combs that she will be his little freak is probative as to his state of mind as to whether or not she was willing to engage in this kind of sexual activity," Ms Estevao said. One prosecution witness, forensic psychologist Dawn Hughes, had told jurors that victims of sexual violence often develop "trauma bonds" with their partners, making it difficult to leave abusive relationships. In the past week, prosecutors and defence lawyers have shown jurors more than 40 minutes of recordings Mr Combs made of the "freak-offs". Other witnesses that took to the stand included several of Mr Combs's former employees, male escorts, rapper Kid Cudi, singer Dawn Richard, law enforcement agents and more. When it came time for Judge Subramanian to question Mr Combs after prosecutors rested, he asked the accused how he is doing. "I'm doing great, your honour," the rapper told the judge, before volunteering a compliment to him before another question could be posed. "I want to tell you thank you, you're doing an excellent job." The judge laughed after receiving the compliment.

News.com.au
an hour ago
- News.com.au
Arnold Schwarzenegger reveals surprising movie that's made him the most money throughout career
Arnold Schwarzenegger, who starred in blockbuster films like Terminator and Predator, surprisingly made the most money from his '80s comedy film Twins – raking in more than $US40 million ($61 million). The action star explained that he and co-star Danny DeVito were not paid a salary for the film, and instead got 'a piece of the backend.' 'It was fantastic,' he said Monday on Watch What Happens Live with Andy Cohen. 'We went all the way to the bank with that one.' The backend means the 77-year-old actor and DeVito, 80, were paid a percentage of the film's profits after it was distributed. The 1988 comedy starred Schwarzenegger and DeVito as genetically engineered twins separated at birth who reunite as adults. The movie, directed by Ivan Reitman, grossed over $US200 million ($308 million) worldwide, according to Box Office Mojo. It was also Schwarzenegger's first stab at comedy after starring in action flicks. He followed that up with movies like Kindergarten Cop, Junior and True Lies. When Cohen asked the former bodybuilder if he had earned $US20 million ($30 million) from it, Schwarzenegger scoffed. 'Oh, much more, come on! What's the matter with you?' he jokingly said. The True Lies star confessed that it was 'more than' $US40 million. 'It was more than any movie I've ever made, let's put it this way,' he shared. Schwarzenegger added that there had been plans for a sequel called Triplets, co-starring Eddie Murphy, but it was shelved 'because the director Ivan Reitman passed away just before we wanted to start shooting.' Last month, Schwarzenegger shared a photo of himself, DeVito and former British UK Prime Minister Tony Blair. 'I love bringing old friends together! It was fantastic to see my dear friend Tony Blair and introduce him to my brother, @dannydevito,' he wrote alongside it. He can currently be seen in the Netflix series Fubar, opposite Monica Barbaro, in which he plays a CIA operative on the verge of retirement.