
Clipse Drop New ‘Let God Sort Them Out' Album, Hip-Hop Fans Rejoice On X
Let God Sort Them Out , the fourth album from the Brothers Thorton, is more of the pair's usual technical flair and clear diction, with the requisite brick talk that serves as a metaphor more than anything. With longtime producer and collaborator Pharrell Williams handling the entire bulk of production, the clear-eyed vision of Push and Malice never wavers.
The album opens with 'The Birds Don't Sing,' featuring John Legend and Voices of Fire. Pusha T opens up with a moving verse depicting the passing of his mother, mentioning his young son, while also referring to his brother by his given first name. Malice continues the autobiographical bent with his verse centering on their father.
An early crowd favorite follows in 'Chains & Whips,' which was previously heard last year when the brothers teased the track during a Louis Vuitton fashion show last year. However, the surprise appearance of Kendrick Lamar solidified the excitement, and K-Dot delivers a sinister verse that may or may not be directed toward a certain Canadian superstar.
According to X, other highlights include 'P.O.V.' featuring a blistering verse from Tyler, The Creator, the previously-released 'Ace Trumpets,' and 'Inglorious Bastards' featuring their longtime partner, Ab-Liva. Nas also shows up on the track 'Chandeliers,' which appears on the tail end of the strong album title cut. Stove God Cooks, who works alongside Westside Gunn and the sprawling Griselda collective, shows up for 'F.I.C.O.,' as he's one of the top 'coke rap' stars in the game now.
We've got reactions from X to Clipse dropping their new Let God Sort Them Out project below.
Check out the album at your preferred DSPs below.
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Photo: Getty
Clipse Drop New 'Let God Sort Them Out' Album, Hip-Hop Fans Rejoice On X was originally published on hiphopwired.com
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Los Angeles Times
2 hours ago
- Los Angeles Times
South Koreans are obsessed with Netflix's ‘K-pop Demon Hunters.' Here's why
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The fact that ramyeon is often conflated with Japanese ramen — which inspired the invention of the former decades ago — has long been a point of exasperation for many South Koreans and local ramyeon companies, which point to the fact that the Korean adaption has since evolved into something distinct. It's a small difference — the Korean version is pronounced 'rah myun' — but one that it pays to get right in South Korea. The girls' cravings for ramyeon during their flight also caught the eye of Ireh, a member of the real-life South Korean girl group Purple Kiss who praised the film's portrayals of life as a K-pop artist. 'I don't normally eat ramyeon but whenever I go on tour, I end up eating it,' she said in a recent interview with local media. 'The scene reminded me of myself.' South Korean fans have also been delighted by a pair of animals, Derpy and Sussy, which borrow from jakhodo, a genre of traditional Korean folk painting in which tigers and magpies are depicted side by side, popularized during the Joseon Dynasty in the 19th century. In the film, Derpy is the fluorescent tiger with goggle eyes that always appears with its sidekick, a three-eyed bird named Sussy. Though they have long since been extinct, tigers were once a feared presence on the Korean peninsula, at times coming down from the mountains to terrorize the populace. They were also revered as talismans that warded off evil spirits. But much like Derpy itself, jakhodo reimagined tigers as friendlier, oftentimes comical beings. Historians have interpreted this as the era's political satire: the magpie, audacious in the presence of a great predator, represented the common man standing up to the nobility. The movie is peppered with homages to Korean artists throughout history who are seen today as the progenitors of contemporary K-pop. There are apparent nods to the 'Jeogori Sisters,' a three-piece outfit that was active from 1939 to 1945 and is often described as Korea's first girl group, followed by the Kim Sisters, another three-piece that found success in the U.S., performing in Las Vegas and appearing on 'The Ed Sullivan Show.' Longtime K-pop fans might recognize the demon hunters from the 1990s as S.E.S., a pioneering girl group formed by S.M. Entertainment, the label behind present-day superstars Aespa and Red Velvet. (Bada, S.E.S.'s main vocalist, recently covered 'Golden,' the film's headline track, on YouTube.) For a long time, South Korean audiences have often complained about outside depictions of the country as inauthentic and out of touch. Not anymore. 'Korea wasn't just shown as an extra add-on as it has been for so long,' Kim said. ''K-pop Demon Hunters' did such a great job depicting Korea in a way that made it instantly recognizable to audiences here.'


Chicago Tribune
2 hours ago
- Chicago Tribune
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UPI
21 hours ago
- UPI
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