Review: Tick, Tick... BOOM at Theatr Clwyd in Mold

Leader Live

5 hours ago

Twenty-years since it first premiered in London, the musical follows the story of Jon, a struggling composer anxiously awaiting his big break, his best-friend Michael who has traded his passionate dreams for the corporate ladder, and dancer girlfriend, Susan, who is ready to settle down.
(Image: Johan Persson)
And there's only one big question as Jon approaches his dreaded 30th birthday; should he continue chasing his fragile hopes and dreams, or follow Michael's footsteps to pursue a stable career that pays?
It closely reflects the life of Larson before his 1996 hit-sensation RENT refined what a musical looks like for an entire generation. Sadly, he died before he became knowing of the success he'd created.
Both RENT and Tick, Tick...BOOM! explore the emerging epidemic of AIDS, while challenging traditional musical beats and storytelling.
And with just three players to tell the story, there was nowhere to hide. I'll admit I was sceptical, and yet Ryan Owen, Christina Modestou and Tarik Frimpong move across the stage with so much conviction, wit and flair that I instantly transported to a bitterly-cold New York apartment in 1990.
(Image: Johan Persson)
Their professionalism and talent allowed us to feel completely at ease in their presence for an undisturbed 90-minutes.
In fact, despite rapid character changes, each fully-fledged personality on the stage is distinctly likeable which isn't achieved by the script alone.
Christina's note-perfect performance of 'Come To Your Senses' as Karessa receives a roaring applause, not to mention her charismatic model of Joey's agent Estelle from hit sitcom Friends.
(Image: Johan Persson)
Her commanding energy and emotional connection with the boys only enhances the vibrant and dynamic bond shared on stage.
Jon and Michael also draw out plenty of laughs amid their beautifully timed and crafty choreography, in addition to the gentle humour that fuels the action.
Frimpong's delightful animation is endearing, and grounds Owen's restlessness wonderfully in the heavier moments.
At times, it isn't obvious that Owen is the lead which is a testament to his undeniable talent. Jon remains at the heart of it all; relatable, doubtful and charming as he battles the internalised ticking of a clock.
Oh, and the vocals and harmonies are faultless throughout. In fact, they're effortless. Gorgeous. And complimented by the band and additional character voices visible above the stage.
The set and visual elements deserve their own round-of-applause, particularly the extraordinary use of the revolving floor, used to showcase the passing of time and physical journeys.
From the rooftops to Moondance American Diner to Victory Towers, the set is visually stunning from start to finish. The striking lights and bold colour create a make-believe 90s New York masterpiece, and I didn't want to go home.
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Themes of love and relationships, crippling doubt and artistic expression pace the stage, and as the audience we're plunged into a confrontation of our own dreams and reality. A universal struggle.
And two-decades later, the production is just as relevant. A timeless monologue acted out by most 20, 30 and 40-somethings. A ritual and annual crisis as the number of candles on the cake creep up.
Tick, Tick... BOOM! is the perfect opening to showcase the new and improved theatre, symbolising new beginnings and unbounded creative expression. An absolute must see.
You can catch it at Theatr Clwyd before June 28.