logo
UK Filmmaker Joanna Quinn Dedicates Annecy Honor To Gaza Animator Haneen Koraz

UK Filmmaker Joanna Quinn Dedicates Annecy Honor To Gaza Animator Haneen Koraz

Yahoo09-06-2025
UK filmmaker Joanna Quinn paid tribute to Gaza animator Haneen Koraz as she received the Annecy International Animation Film Festival's Honorary Cristal at its opening ceremony on Sunday evening.
The Bafta-winning and three-time Oscar-nominated The Canterbury Tales and Affairs of the Art director praised Koraz's work in the Gaza Strip spearheading women-run animation workshops for children.
More from Deadline
UK Comedian Dawn French Apologizes For "Clumsy Tone In One-Sided Gaza Video"
Goodfellas Racks Up Sales On Annecy-Bound 'Little Amélie', 'Arco' & 'Angel's Egg'
'Wallace & Gromit' Studio Aardman Partners With France's Foliascope On Cross-Border Stop-Motion Training Program
'One day, she'll be stood here, holding one of these, hint, hint,' she continued, referring to her Cristal award. 'Wouldn't it be wonderful if the kids could come here and watch their films.'
Quinn's was speaking amid growing international criticism of Israel's military campaign in the Palestinian territory – aimed at annihilating Islamist militant group Hamas in response to its October 7, 2023 attacks and retrieving Israeli hostages – which has left more than 54,000 people dead and the population on the brink of starvation.
Speaking to Deadline afterwards at the opening night party, Quinn revealed she has just launched an initiative entitled 'To Gaza, With Love: A Global Anijam', inviting animators and artists from around the world to create 10 to 30-second animated messages of love and support to the Palestinian people.
The contributions will be collected in an online interactive map, which Quinn hopes to premiere via livestream in August with the works then touring animation festivals around the world.
Sunday night's ceremony also recalled late Gaza artist and photojournalist Fatima Hassouna due to the presence of Iranian-French director Sepideh Farsi in the main feature film jury during alongside composer Pablo Pico (Sirocco and the Kingdom of the Winds) and György Ráduly, Director of the Film Archive at the National Film Institute Hungary Hungary
Following animated feature The Siren, which opened the Berlinale in 2023, Farsi turned to documentary to capture Hassouna's life in her film Put Your Soul On Your Hand And Walk. The film recently played in the ACID line-up in Cannes, having been announced for the parallel section just 24 hours before the young woman was killed in an Israeli airstrike on her home.
On a far lighter note, Quinn recalled her first trip to Annecy in 1987 with short Girls Night Out. The work which introduced her signature figure, Welsh housewife Beryl, on a trip to see a male stripper, won the Special Jury Prize.
'I remember 1987 so well. My film was right at the end of the festival. I spent the whole festival looking at people having fun through misty windows, thinking how do I get in? Anyway, I'm in now,' she recalled.
Quinn also gave a special mention to her life partner, producer and writer Les Mills.
'Animation is a team effort, so I want to say a big thank you to Les, my partner because we're a team,' she said.
Since 1987, Quinn has continued to garner acclaim with subsequent credits including Bafta-winning and Oscar-nominated children's 30-minute film Famous Fred (1997/98), adapted from Posy Simmonds' book about a kitten who becomes a famous singer; Dreams and Desires: Family, which reprised Beryl and won Annecy's Special Jury Prize, and Oscar and Bafta-nominated Affairs of the Art, also featuring Beryl.
Commenting on the short compilation of extracts from her films which played prior to her receiving her award, Quinn said ruefully to laughter: 'Animation is so sad – that was my entire life and it only took, what? a minute? And it takes so long.'
Breaking with tradition, Annecy opened with five animated short this year rather than a single feature film this year.
Canadian Oscar-nominated, stop-motion directorial duo Chris Lavis and Maciek Szczerbowski, who work under the banner of Clyde Henry Productions, opened the program with charming rags to riches fable The Girl Who Cried Pearls.
The pair revealed they had finished the film just six days prior to unveiling it in Annecy.
'We've been here before and it's aways been a super good time, but we've never had the joy to show you a premiere for a film, which we finished on Monday, six days ago,' said Szczerbowski.
Further titles in the line-up include 9 Million Colours, an underwater tale of unexpected friendship between a predatory shrimp and vulnerable blind fish, by Czech director Bára Anna Stejskalová; Shinya Ohira's Star Wars: Visions – 'Black', from Japanese anime studio david production, produced by Lucasfilm for Disney+, and French directors Marjorie Caup and Olivier Héraud's Carcassonne-Acapulco about a flight which takes an absurd turn.
Bulgarian Oscar-nominated director Theodore Ushev, who won Annecy's Best Short Award in 2020 for he Physics of Sorrow, also returned with timely political allegory Life with an Idiot, adapted from a collection of short stories written by dissident Soviet writer Victor Erofeyev.
'If you follow an imbecile, the chance you'll become an imbecile is very high; if you admire an idiot, your risk of becoming an idiot is very high,' said Ushev.
He then apologised to the festival's Artistic Director Marcel Jean, before declaring,'F**k Putin, F**k Trump and F**k Netanyahu' with the audience in the 1000-capacity Grande Salle of the festival's main Bonlieu Theatre venue erupting into applause.
Annecy gets into its stride on Monday with sneak peaks of Marvel Animation's Eyes Of Wakanda and Sony Pictures Animation's Goat as well as the world premiere of Andy Serkis' Animal Farm and Competition screenings for Olivia And The Invisible Earthquake, Dandelion's Odyssey, Arco, Little Amélie And The Character Of Rain and The Magnificent Life.
Best of Deadline
Tony Awards: Every Best Musical Winner Since 1949
Tony Awards: Every Best Play Winner Since 1947
2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

School mom reveals rare peek into Kate Middleton's parenting and private life: "I do see her a lot..."
School mom reveals rare peek into Kate Middleton's parenting and private life: "I do see her a lot..."

Yahoo

time9 minutes ago

  • Yahoo

School mom reveals rare peek into Kate Middleton's parenting and private life: "I do see her a lot..."

It's a side of the Princess of Wales we rarely get to see. Kate Middleton might be the future queen of England, but when it comes to parenting, she's just like any other mom on the sidelines. At the premiere of The Real Housewives of London, cast member Panthea Parker shared a rare glimpse into the Princess of Wales' life as a school mom, revealing that Kate is a constant presence at her children's sports games. 'I see her quite a few times because my son's school plays against her son's school,' Parker told Hello!. 'So they play rugby and football against each other so we're always at her school or my school. I do see her a lot but not to talk to, just from afar. So classy, so lovely, and she never misses any of her children's matches, so really amazing.' A hands-on royal mom Kate, 43, and Prince William are raising Prince George, 12, Princess Charlotte, 10, and Prince Louis, 7, with a focus on family life despite their packed royal schedules. Kate has previously spoken about the challenges of balancing motherhood with duty. On the Happy Mum, Happy Baby podcast in 2020, she admitted to feeling 'mum guilt' when she couldn't do the school run. 'Even this morning, coming to the nursery visit here – George and Charlotte were like, 'Mummy how could you possibly not be dropping us off at school this morning?'' she said with a laugh. A family that loves sports The Wales family is known to be 'sport-mad,' as royal biographer Robert Jobson has put it. From rugby and football to their annual Wimbledon outings, the family embraces both playing and spectating. Jobson noted that George and Charlotte's appearances at big sporting events show not only their parents' enthusiasm but also a way to connect with the public. With summer holidays underway, the royal kids might be off the field for now — but according to Parker, fans can count on spotting their mom cheering from the sidelines once the school season kicks back in. Solve the daily Crossword

'Chilling' political interference of BBC must stop, says former news boss
'Chilling' political interference of BBC must stop, says former news boss

Yahoo

time39 minutes ago

  • Yahoo

'Chilling' political interference of BBC must stop, says former news boss

The BBC should be protected from "political interference", the corporation's former director of news has said, after the culture secretary appeared to call for the resignation of director-general Tim Davie earlier this year. Lisa Nandy said ministers expected "accountability at the highest levels" following the iPlayer broadcast of Bob Vylan's highly controversial Glastonbury set in June. James Harding, who previously edited the Times and now runs Tortoise Media, told the Edinburgh TV Festival the BBC should remain independent of government, and said Nandy's close involvement in the Bob Vylan scandal was "chilling". In response, a DCMS spokesperson said: "The culture secretary has been repeatedly clear that the role of the director general is a matter for the BBC board. Any suggestion to the contrary is untrue." In his keynote MacTaggart Lecture, Harding said the perception of a "political presence looming over the BBC" is a problem and that the broadcaster needs to be "beyond the reach of politicians". Several staff were asked to step back from their duties after the live streaming of Bob Vylan's Glastonbury set, where the punk duo led chants of "death, death to the IDF [Israel Defence Forces]" and made other derogatory comments. Nandy's subsequent call for accountability at the top of the corporation for the decision not to pull the live stream of the performance was subsequently interpreted as calling for Davie's resignation. In his speech, Harding criticised "political interference", or the perception of it, in relation to the BBC, saying it was something "we've got too accustomed to". "The culture secretary's office insists she did not explicitly ask Samir Shah, the BBC chair, to deliver up the director general's resignation... but people inside the BBC were left in no doubt that was the message," Harding said. "Whatever your view of the hate speech vs freedom of speech issues, an overbearing government minister doesn't help anyone," he said. "The hiring and firing of [the director general] should not be the job of a politician." A DCMS spokesperson said: "The BBC has itself acknowledged a number of serious failings in recent months, including the broadcasting of the Bob Vylan set at Glastonbury. It is entirely right that the culture secretary raised these issues with the BBC leadership on behalf of licence fee payers. "The government remains committed to the very important principle that the BBC is operationally and editorially independent. We are focused on securing a sustainable future for the BBC and helping strengthen public trust in the Corporation as part of the upcoming Charter Review." Read about previous MacTaggart Lectures: 2018: Michaela Coel reveals she was sexually assaulted 2019: Dorothy Byrne says media have right to call politicians 'liars' 2020: David Olusoga: 'TV industry left me crushed' 2021: TV has 'utterly failed' disabled people, writer Jack Thorne says 2022: Maitlis says BBC rebuke over Cummings remarks made no sense 2023: Louis Theroux: Anxious TV bosses should stop playing it safe 2024: James Graham calls for more working-class people in TV The BBC has been criticised for a number of high-profile scandals in recent months, such as breaching its own editorial guidelines on accuracy in relation to a documentary about Gaza. Elsewhere, Match of the Day host Gary Lineker left the BBC after sharing an Instagram reel about Zionism that featured an illustration of a rat, considered an antisemitic slur. Harding said the BBC was "not institutionally antisemitic", and that it was "untrue and unhelpful to say it is", adding that it was "much better to correct the mistakes and address the judgement calls that have been wrong". He acknowledged the BBC had "made mistakes... and it can be much too slow to correct them". Referring to a debate early in the conflict about the BBC's use of language, Harding said he thought it the BBC was "wrong not to use the word 'terrorist' for the attacks of October 7th; journalists shouldn't censor words, but use them accurately". Harding did not comment on the events surrounding Lineker's resignation, but did say he felt football pundits generally "should be able to have views as a citizen, as well as a job as a BBC broadcaster". Harding also used his speech to argue the BBC has a crucial role to play in defending truth in an age of artificial intelligence (AI) and declining trust in traditional media. "A shared understanding of what's true is disappearing before our eyes," he said. "More people are paranoid, prone to conspiracy theories. Large numbers of people are giving up on the idea of facts." He continued: "Politics and technology are doing untold damage to trust in the world. "On the one hand, politicians are trying to control or cancel the media, particularly news. On the other, AI is beginning to lay waste to the economics of information, while also remaking the job of storytellers." In an age where "we're more divided, more certain we're right", Harding argued, the BBC should be protected and championed as the "most important source of information in this country". He said the corporation was "the best defence of truth and trust against the lies of dictators and demagogues". The BBC's royal charter will be up for renewal in 2027, and it has not yet been decided whether the licence fee will be replaced by a new funding system. Harding reflected: "We're at the beginning of a new information age, if we want it to be truly creative, innovative and competitive globally, we can't short-change the BBC again. "We need, surely, to be thinking about a mix of funding that gets closer to doubling its resources," Harding said. "Because obviously, given the cost of living, that's not going to happen just through the licence fee. "Over five years, nearly two-and-half million households have dropped out of paying the licence fee, so this needs fixing. It's expensive and unfair on those who pay. If we believe in the universality of the BBC, we need to return to the principle in some form or other that every household pays." Harding also suggested news and current affairs programmes could be opened up to independent producers in an effort to make the BBC more of a "people's platform" and allow more varied thinking while maintaining standards of truth and accuracy. YouTube now second only to BBC as media destination Social media now main source of news in US, research suggests BBC senior staff told to 'step back' from duties following row Lineker to leave BBC sooner than planned after antisemitism row UK broadcasters 'need urgent boost from YouTube' BBC boss vows to tackle Britain's 'crisis of trust'

Channel 4 Content Boss Joins Heated ‘Adolescence' Debate & Calls Out Netflix For Not Doing Spotlight Session At Edinburgh TV Festival
Channel 4 Content Boss Joins Heated ‘Adolescence' Debate & Calls Out Netflix For Not Doing Spotlight Session At Edinburgh TV Festival

Yahoo

time2 hours ago

  • Yahoo

Channel 4 Content Boss Joins Heated ‘Adolescence' Debate & Calls Out Netflix For Not Doing Spotlight Session At Edinburgh TV Festival

Channel 4 content boss Ian Katz has joined the Adolescence debate sparked this morning at the Edinburgh TV Festival and called out Netflix for not hosting a Spotlight Session at the fest. While noting 'we love Netflix' as a platform, Katz swung in behind his news chief Louisa Compton, who earlier today said that Netflix behaved like 'TV tourists' over Adolescence after Channel 4 had spent decades giving opportunities to Adolescence co-creators Jack Thorne and Stephen Graham. More from Deadline Netflix UK Scripted Chief Bristles At "TV Tourists" Barb After Success Of 'Adolescence' Roy Wood Jr. Predicts Stephen Colbert Will Become Leading Anti-Trump Voice On YouTube Next Year Paramount UK Chief Ben Frow Says Channel 5 Won't Be Sold After Skydance Merger 'What Louise was getting at is there is a bit of a problem when global streamers are happy to take advantage of an incredibly rich global ecosystem that has been built up through years and years of PSBs investing in talent, in small companies, spread around the country,' added Katz. Deadline revealed last week that Netflix, Prime Video, Disney+ and Warner Bros. Discovery wouldn't be taking part in their usual Spotlight Sessions at Edinburgh TV Fest and Katz called this out. 'They don't have any obligation to do any of those things. They're not even having Spotlight Sessions,' he said. Israel-Gaza conflict Elsewhere, Katz delivered an emotive viewpoint on why broadcasters and broader institutions need to get their coverage of the Israel-Gaza conflict spot on or risk losing young audiences in their entirety. He added: 'The thing that really strikes me as an industry, and perhaps more widely as a set of institutions, is that we are at risk of missing the fact that for a lot of younger people in this country the Gaza-Israel conflict has become the defining issue for their generation. 'If we don't get Gaza-Israel right we will lose young audiences and could lose them for a generation.' Katz, who at last night's annual press dinner praised Channel 4's risk-taking over taking on the BBC's Gaza: Doctors Under Attack documentary, said his network has handled the conflict 'very sure-footedly and with subtlety, intelligence and commitment.' He said there had previously 'been a slightly lazy caricature' that younger audiences only want to watch shows like Married at First Sight and Love Island, or tune into YouTubers like Mr Beast and the Sidemen. Channel 4 has been massively ramping up drama of late, having unveiled shows from the likes of Steven Moffat, Ronan Bennett and starring Glenn Close at this year's fest so far. Katz said his team is looking at drama costing around £2.5M ($3.4M) to £2.7M, which is not prohibitively expensive, and that the network is 'not sitting back and waiting for American co-producers.' He said the network's two most-watched dramas of the year, Patience and In Flight, are 'at the bottom end scale of our tariffs.' He was speaking at the Edinburgh TV Fest on the same day as Shonda Rhimes and Roy Wood Jr. Best of Deadline 2025 TV Series Renewals: Photo Gallery 2025 TV Cancellations: Photo Gallery Everything We Know About 'The Boys' Prequel Series 'Vought Rising' So Far

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store