
Death Stranding is getting an animated film
The strange world of Death Stranding just keeps on expanding. As Deadline reports, Hideo Kojima's ghostly, post-apocalyptic video game is getting a spinoff in the form of an animated film. While there aren't a lot of details yet, the animated feature will supposedly be in the same mold as other animated spinoffs like the recent Predator anthology on Hulu, which could be a good vehicle for Kojima's particular brand of weirdness.
Aaron Guzikowski, creator of the HBO series Raised by Wolves, has signed on as writer. 'I love the world of Death Stranding, it's so creatively freeing, so beautifully dark and yet hopeful,' he said in a statement, noting that he would be creating 'new stories into this fertile, mind-bending universe.'
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Yahoo
28 minutes ago
- Yahoo
Aaron Taylor-Johnson hails director Danny Boyle's 28 Years Later approach
Aaron Taylor-Johnson says the 28 Years Later cast were given "freedom of space to make mistakes" by director Danny Boyle. The 35-year-old actor plays Jamie in the new post-apocalyptic horror movie and praised the experimental approach that the acclaimed filmmaker took to the project. Aaron told Collider: "I think most days were definitely a new experience for me, and for us. Very creative. He was experimenting with these different cameras and different rigs and stuff, and not always with a sense of, like, 'This is how it's going to work.' "Some things he'd be like, 'Look, I don't know', and that was quite refreshing because it meant that there was this freedom of space to make mistakes, but be creative and find something new. "He's exceptional. When you're in the hands of Danny, he's got such an enthusiasm and this great energy, he really makes you feel in the safest of hands." Aaron features alongside Jodie Comer in the film with the pair as married couple Jamie and Isla – with Alfie Williams portraying their 12-year-old son Spike – and revealed that he and the Killing Eve actress spoke at length about the background to their characters in the flick that marks the latest installment of the 28 Days Later franchise. The Kraven the Hunter star said: "I feel like there was definitely a lot of love there in their relationship, but we had this two-week period before in the rehearsal period to really kind of dive into how they may have found each other, their relationship to the community, the island. "The one thing that they both can agree on is that they adore their son, and they've raised their son in this community." Taylor-Johnson added: "So, it's fractured, and it's complex, and I like that humanity, that sort of human, flawed aspect of it. Yeah, we talked a lot about the backstory to feel like it was grounded in something." Jodie felt that it was important for the duo to "understand" the background to their alter egos, even though it was often forgotten about when the pair were acting together on set. The 32-year-old star said: "It was like you say, it was important for us to understand that, and honestly, you then have to kind of forget it when you get on the set because you're faced with the material in front of you and where they are at this present moment. "But yeah, it was always important for us to feel that we knew the history before they got to this point." Meanwhile, Aaron revealed that he was "hugely impressed" with the attitude of his young co-star Williams – who is just 14 years of age. He said: "I was hugely impressed with Alfie's focus and his energy every single day. He was so switched on and gave it his all, and terrific to work with. "To have collaborative conversations with Danny and come up with great thoughts and opinions on his character in the scenes, he truly came to work prepared every day. So, it was very impressive, emotionally."


Forbes
an hour ago
- Forbes
The Impact Of ‘Sitaare Zameen Par' ‘Exclusive Theatrical Release'
Indian star Aamir Khan poses with the cast of his new Hindi film 'Sitaare Zameen Par' on a poster of ... More the film. Ever since Indian star Aamir Khan began talking about his latest Hindi release, Sitaare Zameen Par, there has been a lot of buzz around the sale of digital rights for films. With the film now releasing 'exclusively in theatres', many theatre-owners have lauded the producers. At a time when digital platforms are regularly giving a six to eight weeks' window before the digital release, does such a move mean much for the box office? Let us explore with some industry experts. Sitaare Zameen Par: An exclusive theatrical release Directed by RS Prasanna, Sitaare Zameen Par is a Hindi film loosely inspired by the 2018 Spanish film Champions. The Spanish film was based on the real-life story of story American basketball coach Ron Jones. The story of Sitaare Zameen Par revolves around a suspended basketball coach (Khan) who needs to complete community service and coach a team of players with disabilities as they prepare for a tournament. Genelia D'Souza plays Khan's onscreen wife in the film which also stars Brijendra Kala and Dolly Ahulwalia. Ram Sampath has composed music for the film which has lyrics by Amitabh Bhattacharya. Sitaare Zameen Par is said to be a spiritual sequel to Khan's 2007 surprise hit Taare Zameen Par. Aamir Khan Productions reportedly rejected offers from Netflix and Prime Video. The reports claimed that Khan wanted an eight-week window before the digital release while the OTT platforms wanted a shorter window. After it became clear that the film has not been sold to any OTT platform yet and Khan plans to give it an 'exclusive theatrical release', the Multiplex Association of India issued a note 'applauding' Aamir Khan's decision on the same. For an audience willing to wait for a few weeks instead of stepping out for the cinemas, will it matter if they need to wait for six weeks or eight or ten? Unless the gap is as big as a year or so, it may not affect these decisions. Such moves are not very likely to affect the box office or the overall business of theatre. Aamir Khan Productions' move to go for an 'exclusive theatrical release' without even selling the digital rights, nonetheless, means a giant leap of faith for the film exhibition industry. After nearly five years (since the pandemic outbreak in 2020), a major producer has shown such faith in cinemas and the power of their film. Film trade analyst and producer Girish Johar believes a good theatrical window is essential for the industry to function progressively. 'Sitaare Zameen Par being exclusively marketed as a theatrical release, I believe the message should go down to the viewers - the option of watching the film within 6-8 weeks on OTT is not there. It remains to be seen whether the audiences will wait or come to the theatres. Right now, going to a theatre is not only an expensive proposition but also time consuming. Only compelling films compensate for the time.' CEO of Cinepolis India Devang Sampat believes Khan's films have always been about theatrical experience. "His decision to back cinemas with Sitaare Zameen Par is a significant moment for all of us. It's not just a film release; it's a message of unwavering belief in theatres. We're incredibly grateful to Aamir Khan Productions for boldly standing by cinemas. Sitaare Zameen Par is exactly the kind of film that brings people to theatres, thoughtful, moving, and made for a collective experience." Multiplex Association of India President Kamal Gianchandani hopes for a strong opening collection of Sitaare Zameen Par. 'The exclusive theatrical release, with no OTT release, allows the film to enjoy an undiluted box office run. We anticipate a significant uplift in footfalls.' The producers of Sitaare Zameen Par reportedly asked theatres to avoid screening the film before 9am on Friday. Single-screen theatres were also asked to screen the film exclusively through the day. Gianchandani insists the decision was mutual (between the producer and theatre-owners) and the strategy will help in building a stronger occupancy and excitement for the opening. Johar believes the film-specific guidelines such as no morning shows may work in favor of the film as the target audience of Sitaare Zameen Par is not the usual school or college going youth. 'The target audience is very urban, metro, you know, skewed towards 35-plus age group, families. I think they've taken a planned decision of not to have early screenings. The experience dilutes if you watch a film in an empty theatre. It is definitely a good strategy to have a curtailed screenings of the film so that the audience gets to enjoy community watching with a good occupancy theatre and react with the group.' He adds that limited release screening will also work in favor of Sitaare Zameen Par because film watching is a community experience. However, he fears that if the film becomes a victim of piracy, it may cut short the box office as the target audience of Sitaare Zameen Par is mainly urban. 'Aamir Khan's decision to release Sitaare Zameen Par exclusively in cinemas is a strong and much-needed endorsement of the theatrical format. For theatre owners, this signals not just increased footfalls but also a boost across the entire value chain — from box office revenue to food and beverage sales, in-cinema advertising, and on-ground brand activations. It's a positive signal to the entire ecosystem — that theatrical exhibition continues to be commercially viable and culturally relevant in today's entertainment landscape," Gianchandani adds. Reports suggest that Aamir Khan plans to release Sitaare Zameen Par after its theatrical run on YouTube - not on any OTT platform - and he plans to do it on a pay-per-view model. It is a model that does not dole out handsome sums outright but accumulates a big figure if the content appeals to the audience. Johar has high hopes: 'I fully am looking forward to this model. To me, it is like a ticket purchase for a personal viewing on your personal screens. Aamir exploring the model for Sitaare Zameen Par may pave the way for its evolution down the line. It may also lead to other producers taking the risk.' Trade experts believe the Aamir Khan film is likely to take an average opening in India with a figure that is expected to stay around $1 million- $2 million worldwide. Expressing hopes for a good film, Johar says the kind of target audience of the film (urban and metro regions in India, 35-plus people) will limit the opening of the film around $1 million. He adds that Akshay Kumar's Housefull 5 'is no competition for a film like Sitaare Zameen Par.'
Yahoo
3 hours ago
- Yahoo
SIFF 2025: The Premier Launchpad for Chinese Movies and Their Global Promotion
SHANGHAI, June 21, 2025 /PRNewswire/ -- The 27th Shanghai International Film Festival (SIFF) is currently in full swing, vividly demonstrating the booming momentum of Chinese-language movies. Across its five core sections and a series of themed events, Chinese-language movies are making a resounding statement—emerging not merely as cultural treasures, but as a globally impactful cinematic force that demands attention. In the Main Competition, heavyweights like Cao Baoping's ONE WACKY SUMMER, Qiu Sheng's MY FATHER'S SON, and Wang Tong's debut WILD NIGHTS, TAMED BEASTS demonstrate the industry's ability to blend artistic vision with commercial appeal. Meanwhile, the Asian New Talent section highlights emerging voices: Bian Zhuo's AS THE WATER FLOWS, Cheng Liang's ODDS BEATER, Qiu Yujie's SEVEN DAYS, Shi Renfei's THE LAST SUMMER, and Fang Liang's WATER CAN GO ANYWHERE, prove that the next generation of Chinese-language filmmakers is ready to carry the torch of this cinematic powerhouse. Among those movies, AS THE WATER FLOWS delves into the complexities of parent-child relationships and inter-generational conflict. "This film resonates deeply with every family," Actor Li Zhenping said, "Audiences may interpret it differently, but they share a common hope: for their own families to grow better and more fulfilling." Director Cheng Liang tackled the ubiquitous subject of China's national college entrance examination, the gaokao, in his movietic work "ODDS BEATER." He said: "We focus on the gaokao but go beyond merely depicting it. Unlike some typically rousing stories, we employ a more nuanced approach to conveying the dilemmas." Beyond the competitions, SIFF also features the Chinese Movie Blockbuster Showcase, where nine movies were unveiled, including: DONGJI RESCUE, STRANGE TALES OF LIAOZHAI: LANRUO TEMPLE, A COOL FISH 2, GIFT FROM A CLOUD, THE LYCHEE ROAD, ASSASSIN IN RED 2, MAN HUANG JIN DI, ECHOES OF ENCOUNTER, and I KNOW WHO YOU ARE. These films collectively showcase the diverse grandeur of Chinese movie in 2025. Guan Hu's DONGJI RESCUE, shot with IMAX technology, recounts a WWII rescue mission. Producer Liang Jing noted, "Many of them explored their untapped potential and made big breakthroughs in acting. Actress Ni Ni took special body building exercises for her character." Furthermore, as an integral part of Chinese cinema, Hong Kong films have long been a driving force for innovation and exchange within the Chinese-language film industry. The festival also hosted the "Hong Kong New Power Projects Showcase" forum, focusing on industry collaboration and innovation. Meanwhile, the "New Opportunities for Southeast Asian and Chinese-Language Cinema" forum brought together producers and distributors from Hong Kong and across the region to explore co-production opportunities and cross-border marketing strategies. As Mr. Mak Sing Hei said: "As an important platform for promoting cultural exchanges in the film industry, the Shanghai International Film Festival has always been actively involved, hoping to provide opportunities for the display and development of Hong Kong film works and talents." View original content to download multimedia: SOURCE SIFF Error while retrieving data Sign in to access your portfolio Error while retrieving data Error while retrieving data Error while retrieving data Error while retrieving data