logo
From Severance to Silo – the 24 best Apple TV+ shows to binge

From Severance to Silo – the 24 best Apple TV+ shows to binge

Independent11-04-2025

Over the past decade, the TV landscape has been revolutionised by streaming. Where once everyone was limited to a handful of channels and had to put up with endless repeats of Last of the Summer Wine, viewers are now faced with a glut of potential streaming services – making it harder than ever to know what to switch on.
Throughout most of the 2010s, Netflix was all but synonymous with the idea of original streaming content. But the past few years have given rise to a number of compelling alternatives, including Disney+, Prime Video, and Apple TV+.
Since its launch in 2019, Apple TV+ has established itself as one of the most reliable emergent streaming services, when it comes to original content. From dramas such as For All Mankind and Pachinko to lighter comic fare like Ted Lasso and Mythic Quest, the streamer has proved that it can more than hold its own against the competition. In 2019, Apple TV+ even became the first streaming service to produce an Oscar Best Picture winner, in the sentimental drama Coda.
And with its television output, Apple has worked with a number of esteemed creatives such as Pablo Larrain and Clio Barnard, as well as some of Hollywood's biggest stars, including Jennifer Aniston, Reese Witherspoon, Anne Hathaway and Harrison Ford.
With dozens of past and ongoing TV series in its catalogue, and many more in the pipeline, Apple TV+ 's range of options may still be intimidating for new subscribers.
To help you out, The Independent has assembled a list of the very best shows Apple TV+ has to offer – and you can watch them for free this weekend.
Here are 17 of our favourite TV series to watch now on Apple TV+...
Severance
This chilling corporate satire about work/life balance sees staff at a mysterious company, Lumon, get 'severed' – slicing their work selves apart from their home selves so that one part of their consciousness never leaves the office and the other part never goes in. Starring Adam Scott and Patricia Arquette, it's surreal, blackly comic, beautiful and profound. And the season finale was a nailbiting masterpiece. The first series made it onto our list of the best shows of 2022, which you can read in full here. Ellie Harrison
Criminal Record
Don't let the plodding title put you off: Criminal Record is anything but your average police drama by numbers. When detective duo Peter Capaldi and Cush Jumbo face off in this thriller, it's hard not to hold your breath. In another, cosier police procedural, this pairing might have ended up as an 'odd couple' pair, with Jumbo's young, principled sergeant teaching Capaldi's gruff chief inspector a thing or two about the modern world, and him imparting a few nuggets of old-school wisdom in return. But this eight-parter, created by Indian Summers writer Paul Rutman, is definitely not that show: it's much nastier and, therefore, much more realistic. Katie Rosseinsky
Ted Lasso
Jason Sudeikis's Yank-out-of-water comedy about a belligerently good-natured NFL manager who tries his hand at Premier League football is probably Apple TV+'s most talked about original series. The increasingly indulgent second and third seasons have proved divisive – as have the show's constant Americanisms and spurious butchering of the beautiful game – but its first season in particular remains a charming, light-hearted endeavour. Louis Chilton
An ambitious historical epic detailing the lives of four generations of Korean immigrants, Pachinko launched on Apple TV+ in 2021 to universal acclaim. There's some real talent both behind and in front of the camera: The Terror 's Soo Hugh served as showrunner, while Columbus and After Yang filmmaker Kogonada split directing duties with Justin Chon (Blue Bayou). A second season, currently in development, is likely to be a source of feverish anticipation among fans. LC
Bad Sisters
Where Sharon Horgan goes, razor-sharp comedy can usually be found. She was already pretty universally adored for her writing on Catastrophe and Motherland, and then the Garvey girls tore onto the scene in Bad Sisters. It follows four Dublin sisters who are conspiring to murder the horrible husband of the remaining, fifth, sister. Horgan, who also stars in it, is terrific, and Eve Hewson is a revelation as plucky youngest sibling Becka. EH
For All Mankind
Everyone knows the USA was the first country to send people to the moon. What this series presupposes is… what if it wasn't? For All Mankind takes the Space Race as a jumping-off point for a whole alternative history timeline, as a Soviet PR victory causes a butterfly effect that ripples throughout the rest of the century. Solid writing and strong performances from a cast that includes Joel Kinnaman, Jodi Balfour and Wrenn Schmidt make For All Mankind arresting and unusual television. LC
Slow Horses
This adaptation of Mick Herron's Jackson Lamb spy books stars Gary Oldman as the gloriously grumpy intelligence officer. He's part of the dysfunctional team of British agents who serve in a dumping ground department of MI5 known as Slough House. The show, from Veep and The Thick of It writer Will Smith, is cerebral and full of pitch-black comedy. EH
Mythic Quest
This half-hour series, set in the offices of a World of Warcraft -esque video game studio, is a robustly enjoyable sitcom created by It's Always Sunny in Philadelphia alumni Rob McElhenney, Charlie Day and Megan Ganz. While it never really comes close to matching Always Sunny 's lightning-in-a-bottle comic brilliance, Mythic Quest shines thanks to Charlotte Nicdao's turn as the talented but flawed Poppy, whose bristly relationship with the egomaniacal Ian (McElhenney) forms the show's narrative core. LC
The Morning Show
One of the starriest shows on the platform – and that's saying something – is this comedy drama that pulls back the curtain on early morning US TV. Massively in its favour are the fizzing performances from Jennifer Aniston, Reece Witherspoon, Steve Carrell and Billy Crudup. The first season was fantastic. The second slightly descended into chaos (plus, it introduced Covid into the storyline, which is always painful). And the third was fully deranged. But it was still compulsively watchable. EH
Dickinson
One of Apple TV+'s earliest series is also one of their best: a revisionist comedy-drama about the reclusive poet Emily Dickinson, starring pop musician and True Grit star Hailee Steinfeld. There are plenty of liberties taken with historical fact – here, the young artist is shown to be in love with Sue Gilbert (Ella Hunt), her best friend, who is also engaged to marry Emily's brother. But Dickinson is an intelligent, imaginative series that seeks to capture its subject in spirit rather than likeness. LC
Trying
In this lovely British sitcom, Esther Smith's Nikki and Rafe Spall's Jason are 'trying' to adopt a child. They've attempted to conceive for years, including through IVF, and it hasn't worked out. While infertility struggles might not exactly sound like ripe territory for comedy, writer Andy Wolton is masterful at unearthing the absurdities within. Worth your time. EH
The Problem with Jon Stewart
Ex- Daily Show comedian Stewart more than proves his chops as a formidable political interviewer in this topical non-fiction series. Every so often, a clip from The Problem will go viral, featuring Stewart holding a politican to account on issues like gun reform, but episodes are worth watching in their entirety: Stewart is a likeable and articulate host, attacking his subjects with a good balance of accessibility and rigour. LC
Shrinking
In Apple's sunny dramedy Shrinking, Jason Segel plays a therapist whose – to borrow an expression from the writer Georgia Pritchett – mess is a bit of a life. The series co-stars a growling Harrison Ford and a mesmerising Jessica Williams, and it arrived on the platform just weeks before Segel's best mate Chris O'Dowd's own midlife crisis show (see next pick) came along, so it certainly seems as though there's something in the water. EH
The Big Door Prize
Chris O'Dowd is as leggy and affable as ever in this show adapted from the novel by MO Walsh. It's set in a small town that turns upside down after a strange 'Morpho' machine appears in the local store. For the same price as a cup of coffee, the glowing blue object promises to tell people their 'true life potential'. Of course, it pretty instantly sends everyone, including O'Dowd's Dusty, into an existential spiral. EH
There's not really anything else on television quite like Schmigadoon!. A musical tribute to 1940s and 1950s Hollywood musicals (and a direct parody of Brigadoon), this effervescent show sees Cecily Strong and Keegan-Michael Key stumble upon a town where everyone is all-singin' and all dancin'... but won't let them leave. Barry Sonnenfeld, erstwhile Coen brothers cinematographer and director of 1993's Addams Family Values, directs the entirety of season one. LC
Shining Girls
Based on Lauren Beukes's 2013 novel, this dark mystery sees Mad Men favourite Elisabeth Moss play Kirby, a newspaper researcher who, six years before the series kicks off, survives a viscious attack by a man who was never captured. Determined to find the culprit, she discovers a murder that has a striking resemblance to her own attack, and begins her investigation. As our writer Amanda Whiting put it: 'There's hardly a scene in Shining Girls that doesn't feature Elisabeth Moss doing something stunning.' EH
Hijack
This real-time show, starring Idris Elba as a man trying to stop hijackers on a plane from Dubai to London, was the stealth hit of last summer. It has all the hallmarks of true event TV: a slow-burn mystery waiting to be solved, a ticking-clock scenario, a hero you'd trust with your life, and an agonising week-long wait for new episodes. Elba does some of the finest eye-acting seen on TV: his pupils darting around the cabin, communicating to viewers, if not his fellow passengers, where his interests lie. And there's something almost erotic about the calm confidence with which he goes toe-to-toe with Neil Maskell's Stone Island hijacker (Maskell, too, is superb, projecting an eerie competence as an East End villain). Nick Hilton
Silo
Based on the books by Hugh Howey, this series has an irresistible setting: a subterranean city with 144 floors whose residents unquestioningly lock themselves away from the outside world. Why? Because they believe they will die within minutes if they leave. Naturally, some characters believe a conspiracy may be afoot, and secretly attempt to learning the truth behind their existence in the the silo. It stars David Oyelowo, Rashida Jones, Rebecca Ferguson and Harriet Walter, to name a few. And it's brilliant. Jacob Stolworthy
High Desert
Patricia Arquette anchors this witty, dynamic series about Peggy, a chaotic ex-felon who becomes a private eye. As Peggy gets sucked into an eccentric mystery involving a stolen Picasso painting and a number of skeevy figures from her past, she struggles to keep her own demons at bay. Arquette is undisputedly the star here, but High Desert is enlivened by a number of quirky, charismatic supporting performers, including Rupert Friend, Matt Dillon, and Bernadette Peters. LC
Before
He's better known for comedy but Billy Crystal plays convincingly against type in this earnest drama in which he stars as child psychologist Eli, already reeling from the suicide of his wife and suddenly confronted with a mute, traumatised child. The child, Noah appears in his life as both a challenge and a curse. He has bloodied hands, an implacable stare and no capacity to explain the roots of his disturbing appearance and behaviour. It's heavily indebted to The Sixth Sense but remains both creepy and unpredictable throughout. Phil Harrison
Prime Target
Everyone's favourite White Lotus breakout star Leo Woodall plays a mathematical genius in this enjoyably bonkers thriller, which starts off at a Cambridge college and ends up hopping around the globe as a strange conspiracy unravels. Edward (Woodall, dressed in a lot of brown) is a postgrad who is trying to find a pattern in prime numbers, which might just allow him access to every computer in the world. Naturally, there are shadowy forces attempting to thwart his research. Yes, the plot stretches credulity, but it's perfect popcorn escapism. KR
Dope Thief
Ray and Manny are a couple of small-time Philadelphia crooks who specialise in peacefully ripping off stash houses by masquerading as DEA officers. But they get in over their heads when an acquaintance of Manny's tips them off about a possible big score out of town. Dope Thief works as an amiable buddy drama thanks to the natural chemistry between leads Brian Tyree Henry and Wagner Moura. But it has a hard centre too - both men have tragic backstories and big dreams and are easy to root for as two underdogs, out of their depth. PH
The Studio
A TV show about a film studio with a storied past that's struggling to stay afloat in the streaming age, debuting on a streaming platform? Let's just say that things get pretty meta in Seth Rogen's comedy The Studio. He plays Matt, an exec who has just been promoted to head of (fictional) Continental Studios. It should be his dream gig, but it soon becomes clear that he won't exactly be making great cinema: instead, the higher-ups want him to help them churn out blockbusters based on 'legacy brands'. A whole load of famous faces, from Martin Scorsese to Ron Howard to Charlize Theron, make cameos as themselves, too. KR
Your Friends & Neighbours
Jon Hamm manifests his usual blend of self-assurance and self-loathing in this drama about a hedge fund manager who suddenly loses everything. After watching his job, his family and his fortune crumble, he has a dangerously seductive idea. He's surrounded by awful, rich neighbours - so why not start emptying their houses of the trinkets of conspicuous wealth they so complacently take for granted. It's a midlife crisis and a wry satire on the crumbling American dream all rolled into one. PH

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

EXCLUSIVE Reality icon Johnny Bananas addresses racism backlash over 'misleading' Netflix edit
EXCLUSIVE Reality icon Johnny Bananas addresses racism backlash over 'misleading' Netflix edit

Daily Mail​

time33 minutes ago

  • Daily Mail​

EXCLUSIVE Reality icon Johnny Bananas addresses racism backlash over 'misleading' Netflix edit

Johnny Bananas, the MTV reality veteran, has responded to accusations that he made a racist comment during his appearance on the Netflix live dating show Pop the Balloon. The incident, which aired in April, sparked controversy after viewers believed a joke he made was directed at a Black contestant. In an interview with Bananas, 42, stated that a close-up camera angle made it appear he was addressing the wrong contestant. According to Bananas, Netflix has since updated the streaming version of the episode with a wider camera angle that clearly shows which contestant he was addressing. 'They corrected the error and the footage as it lives now accurately shows who I was actually speaking to,' Bananas told 'Now it's clear to anyone who watches the Pop the Balloon episode that the comment I made was directed towards a white contestant.' has reached out to Netflix for comment but has not received a response. Bananas further stated, 'I want to be absolutely clear... anyone who knows me, knows my heart and my character, and they know that I'm not a racist and would never make any sort of racist comment towards anyone.' The moment in question involved Bananas moving down a line of contestants, jokingly commenting on their toes as a quirky dating preference. He stopped at one contestant and said, 'You look like you sleep from a tree hanging upside down.' In response to the backlash on Twitter— where one user posted, 'That's so racist @netflix' —Bananas shared a photo from the scene along with a message clarifying his remarks. He wrote that he was referring to the 'WHITE girl whose toes were hanging over her shoes who is literally dressed like a tree,' and criticized what he described as a 'false narrative' around the incident. Bananas told that the exchange was meant to be playful banter, noting the live format encouraged a back-and-forth dynamic among contestants. 'There was a fun, kind of back-and-forth with multiple contestants on the stage. Insults were flying around,' he said. 'I was getting made fun of for my age, the way I dressed. And I was just firing quips because the show was live.' In response to the backlash on Twitter— where one user posted, 'That's so racist @netflix' —Bananas shared a photo from the scene along with a message clarifying his remarks Despite this, Bananas acknowledged that the backlash affected him and apologized for any hurt caused by the incident. 'The damage has already been done,' he said. 'While the correction has been made, the record has to be set straight.' Bananas, who has appeared on more than two dozen seasons of MTV's The Challenge as well as shows like House of Villains, Love Island, and the latest U.S. version of The Traitors, expressed surprise at the accusations given his long career in reality television. 'It's kind of crazy that after 19 years of being on TV and all the media training I've had, and the diverse groups of individuals I've filmed with, that I would do something as dumb and as insensitive as making a blatantly racist comment on live national television,' he said. Bananas also shared that the controversy has led to significant online criticism, including death threats. He attributed the incident primarily to the camera angle and editing rather than intent. 'I think none of this would have happened if it wasn't for this camera angle and the way it was edited,' he said. 'I don't think this was an edit done to intentionally try to harm me.' 'If this could change one person's mind who was truly hurt by what happened, if one person can be convinced that I'm not what they might have thought based on that edit, then that means the world to me,' he concluded He added that he supports accountability when it is warranted but felt this situation was a misrepresentation. 'Accountability has to be based on truth,' Bananas said. 'What happened here wasn't accountability. It was a rush to outrage fueled by a misrepresentation of something that should not have aired the way it did.' Bananas concluded by expressing hope that the clarification will help address any misunderstandings. 'If this could change one person's mind who was truly hurt by what happened, if one person can be convinced that I'm not what they might have thought based on that edit, then that means the world to me.'

First look at Rachel Zegler as Eva Perón in Evita as she sings Don't Cry For Me Argentina on the London Palladium balcony
First look at Rachel Zegler as Eva Perón in Evita as she sings Don't Cry For Me Argentina on the London Palladium balcony

Daily Mail​

time3 hours ago

  • Daily Mail​

First look at Rachel Zegler as Eva Perón in Evita as she sings Don't Cry For Me Argentina on the London Palladium balcony

Rachel Zegler has been seen for the first time as Eva Perón in Evita on Tuesday as she performed Don't Cry For Me Argentina on the London Palladium balcony. The actress, 23, who has been engulfed in controversy since the release of Disney's ' woke ' Snow White, is set to take to the stage this weekend in Jamie Lloyd's new West End production. And giving a first glimpse at her new role, Rachel stepped out on to the balcony wearing a blonde wig, which was styled in a neat waved up-do. The American star looked incredible in a strapless white gown and wore a huge dazzling necklace. Rachel flaunted her amazing voice as she belted out Madonna 's 1996 hit while looking over the balcony as a film crew captured her performance. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop. Rachel is hoping her fortunes could see a career turn after Snow White like Nicole Scherzinger, who starred in director Jamie's 2023 reimagined version of Sunset Boulevard, which won her plaudits and went to Broadway. The West Side Story star will make her West End debut as Former First Lady of Argentina Eva Peron in the show, which debuted in 1978 and was written by Tim Rice and Andrew Lloyd Webber. Rachel will take to the stage at London's Palladium from June until September 2025 in the acclaimed musical. Following the announcement earlier this year, Rachel gushed: 'Evita has been such an important musical to me since I was a little girl, when my dad and I would sing Don't Cry for Me Argentina together on my back patio. 'The opportunity to bring Jamie Lloyd's singular, visionary ideas to life onstage is an honour unlike any other. The stage has always felt like home to me, and I can't wait to make my West End debut in such great company.' Meanwhile Jamie said: 'I am so excited to be collaborating with the brilliant Rachel Zegler on Evita. She is a phenomenal talent, and I am delighted she will be making her West End debut as the iconic Eva Perón'. An official announcement for the show read: 'Tim Rice and Andrew Lloyd Webber 's legendary Evita returns to the West End, reimagined by the visionary award-winning director Jamie Lloyd'. 'Featuring an iconic score including Don't Cry For Me Argentina, Oh What A Circus, Another Suitcase in Another Hall, and the Oscar-winning You Must Love Me'. Rachel showed off her amazing voice as she belted out Madonna 's 1996 hit while looking over the balcony and a film crew captured her performance from behind 'Fuelled by ambition and passion, Eva Perón rose from poverty to become the most powerful woman in Latin America. A symbol of hope to many Argentines, her star shone brightly as she captured the nation's heart and divided its soul'. Rachel is no stranger to musical theatre and starred in Stephen Spielberg's Oscar winning adaption of West Side Story in 2021. Other famous faces to take on the iconic role Evita include Patti Lupone, Elaine Paige as well as mega Madonna in the 1996 movie version. Rachel made a barbed comment about Broadway as she shared a series of snaps in honour of the Tony Awards 2025 on Sunday. The Snow White star was snubbed for her Broadway debut in the revival of Romeo and Juliet in which she starred with Heartstopper's Kit Connor. The Snow White star was snubbed for her Broadway debut in the revival of Romeo and Juliet in which she starred with Heartstopper's Kit Connor Rachel shared a message for her fellow Broadway stars, adding that a turn on the Great White Way 'is not for the faint of heart'. 'I have the most respect for the people being honoured tonight – doing anything, especially a 2-3 hour marathon such as a Broadway musical or play,' Rachel began. 'It is not for the faint of heart, we are athletes in our own right and tonight is truly a celebration of all the hard work – both on stage and off – that goes on in these iconic spaces.' She added, 'I love my job so d**n much.'

I landed a massive Netflix role after I dyed my hair ginger
I landed a massive Netflix role after I dyed my hair ginger

Scottish Sun

time3 hours ago

  • Scottish Sun

I landed a massive Netflix role after I dyed my hair ginger

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) NETFLIX sensation Leah Byrne has revealed how she became a real head-turner – after deciding to go red. The newcomer from Yoker, Glasgow, has been the standout as DC Rose Dickson in the new cop drama Dept. Q which rocketed to the top of the streaming service's charts. 3 The newcomer has been the standout as DC Rose Dickson Credit: PA 3 Leah believes the highlight of her career came after she ditched her natural locks Credit: Jamie Simpson/Netflix 3 The series is based on the books Department Q by bestselling author Jussi Adler-Olsen But Leah, 28, believes the highlight of her career so far came after she decided to ditch her natural dark locks for more of a copper-tinged Scottish look. She says: 'My hair's normally dark brunette but I've dyed it for about three years now as I just felt like doing it. 'But yeah, since going copper, I think I definitely have a more Scottish look going on that has helped me get noticed because up until now I have mainly been working in theatre.' One of the first major TV jobs Leah landed as a redhead was for Tennent's Lager's Ooft campaign which ran last year in the build-up to the Euros Finals in Germany. And that proved to be a big surprise for the cast and crew of Dept. Q, which was filmed almost exclusively in Edinburgh last year. She says: 'While we were filming, the football was on and the crew were in the pub next to the set when I started getting messages like, 'We've just seen you in a Tennent's ad'. That surprised them.' But playing police cadet Dickson has proved to be her big break as she does not look out of place beside an all-star cast including fellow Scots Kelly Macdonald, Shirley Henderson, Jamie Sives, Kate Dickie and Mark Bonnar. In fact Leah's role alongside Alexej Manvelov, as police station civilian worker Akram Salim, proves to be pivotal in the series which features Matthew Goode as DCI Carl Morck - the cop tasked with setting up the new cold case unit staffed by a bunch of police misfits. The pair even appear in the promo poster for the show alongside former Downton Abbey fave Goode. Leah says: 'When we saw we were in the poster we started texting each other saying, 'We've made it'. It's so cool. A dream come true.' Clash of Clans coming to Netflix in new animated TV series Although Leah's older brother Nathan is also an actor, the pair do not come from a showbiz background with dad Pete working as a postie and mum Liz a retired call centre worker. She says: 'There were no youth groups in Yoker so I used to get the bus into the city where I went to the Scottish Youth Theatre from when I was 11. 'I started those classes because I was the most shy child. I would just cry at the drop of a hat. I hated socialising, hated doing anything but joining the Youth Theatre gave me that bit of confidence I needed.' Leah went on to study at The Royal Conservatoire of Scotland, graduating in 2019. She adds: 'I met people at the Youth Theatre who believed in me and really pushed me to make acting a job. So thanks to them, I'm sitting here now.' But Leah admits she was left starstruck during her first days on set alongside the likes of Trainspotting star Kelly, who plays therapist Dr Rachel Irving, however, she did well not to show it. She explains: 'I did a self-tape (audition video) about two years ago now, and I remember reading the script and being like, 'This is amazing, this is so big, like, I really hope I get it'. 'Then I got the part which was like Christmas for me, just waiting for it to start filming. 'But when I got the full cast list through, I saw that not only would I be working with Matthew Goode himself, but also it was a list of just about every massive Scottish star there is. 'I remember meeting Kelly Macdonald and thinking back to when I was maybe like seven or eight years old and going to see Nanny McPhee in the cinema with my mum on a rainy bank holiday. 'She was Miss Evangeline. She's been part of my life, and then I was next to her in the make-up trailer getting my hair done. 'Did I mention that to her? No. I just said, 'Hi, how are you?'. But I'm sure if I had, she would have been cool because everybody who worked on this show was lovely.' The Netflix series is based on the books Department Q by bestselling Danish author Jussi Adler-Olsen, with their Copenhagen setting swapped for the cobbled streets of Edinburgh. And the show certainly shows the tourist capital in a different light, kicking off with an explosive start when three cops are gunned down at a crime scene. Leah says: 'I think that's what the show does so well, is that we're not afraid to go to some dark and quite intense places. 'But I think also mirroring that, there's some really, really funny comedic moments too. Comedy shines through when you're in the darkest of moments.' 'I don't think you can have one without the other. And so I think that's what makes the show so special. It goes from being intense, but then the next scene you'll be laughing about something silly.' She adds: 'That's what I love about Rose and the show in general. She is so colourful. She's like a beam of light that kind of jumps through.' While Leah is definitely one of the country's most exciting acting talents, she is happy to admit that Rose's hairstyle helped her grab the limelight in a show packed with big names. She says: 'I love Rose's hair. That was Lizzi (Lawson Zeiss), our hair and makeup designer, who found this amazing reference photo of a model with gorgeous tight, curly, ginger hair. 'We both fell in love with it and tried to recreate it, but I had quite short hair at the time. So Lizzi decided to just curl my hair and see what happens. 'By the end of it I had this gorgeous mop of curls that just felt so right. I then did a screen test and everyone said it felt like Rose.' And despite her blossoming stardom, Leah has no intentions of going incognito anytime soon. She adds: 'Ever since I've dyed my hair people have been so kind about it. I can't imagine myself without it now. So the copper is going nowhere - it's here to stay.' All nine episodes of Dept. Q are available to stream now on Netflix.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store