
From Severance to Silo – the 24 best Apple TV+ shows to binge
Over the past decade, the TV landscape has been revolutionised by streaming. Where once everyone was limited to a handful of channels and had to put up with endless repeats of Last of the Summer Wine, viewers are now faced with a glut of potential streaming services – making it harder than ever to know what to switch on.
Throughout most of the 2010s, Netflix was all but synonymous with the idea of original streaming content. But the past few years have given rise to a number of compelling alternatives, including Disney+, Prime Video, and Apple TV+.
Since its launch in 2019, Apple TV+ has established itself as one of the most reliable emergent streaming services, when it comes to original content. From dramas such as For All Mankind and Pachinko to lighter comic fare like Ted Lasso and Mythic Quest, the streamer has proved that it can more than hold its own against the competition. In 2019, Apple TV+ even became the first streaming service to produce an Oscar Best Picture winner, in the sentimental drama Coda.
And with its television output, Apple has worked with a number of esteemed creatives such as Pablo Larrain and Clio Barnard, as well as some of Hollywood's biggest stars, including Jennifer Aniston, Reese Witherspoon, Anne Hathaway and Harrison Ford.
With dozens of past and ongoing TV series in its catalogue, and many more in the pipeline, Apple TV+ 's range of options may still be intimidating for new subscribers.
To help you out, The Independent has assembled a list of the very best shows Apple TV+ has to offer – and you can watch them for free this weekend.
Here are 17 of our favourite TV series to watch now on Apple TV+...
Severance
This chilling corporate satire about work/life balance sees staff at a mysterious company, Lumon, get 'severed' – slicing their work selves apart from their home selves so that one part of their consciousness never leaves the office and the other part never goes in. Starring Adam Scott and Patricia Arquette, it's surreal, blackly comic, beautiful and profound. And the season finale was a nailbiting masterpiece. The first series made it onto our list of the best shows of 2022, which you can read in full here. Ellie Harrison
Criminal Record
Don't let the plodding title put you off: Criminal Record is anything but your average police drama by numbers. When detective duo Peter Capaldi and Cush Jumbo face off in this thriller, it's hard not to hold your breath. In another, cosier police procedural, this pairing might have ended up as an 'odd couple' pair, with Jumbo's young, principled sergeant teaching Capaldi's gruff chief inspector a thing or two about the modern world, and him imparting a few nuggets of old-school wisdom in return. But this eight-parter, created by Indian Summers writer Paul Rutman, is definitely not that show: it's much nastier and, therefore, much more realistic. Katie Rosseinsky
Ted Lasso
Jason Sudeikis's Yank-out-of-water comedy about a belligerently good-natured NFL manager who tries his hand at Premier League football is probably Apple TV+'s most talked about original series. The increasingly indulgent second and third seasons have proved divisive – as have the show's constant Americanisms and spurious butchering of the beautiful game – but its first season in particular remains a charming, light-hearted endeavour. Louis Chilton
An ambitious historical epic detailing the lives of four generations of Korean immigrants, Pachinko launched on Apple TV+ in 2021 to universal acclaim. There's some real talent both behind and in front of the camera: The Terror 's Soo Hugh served as showrunner, while Columbus and After Yang filmmaker Kogonada split directing duties with Justin Chon (Blue Bayou). A second season, currently in development, is likely to be a source of feverish anticipation among fans. LC
Bad Sisters
Where Sharon Horgan goes, razor-sharp comedy can usually be found. She was already pretty universally adored for her writing on Catastrophe and Motherland, and then the Garvey girls tore onto the scene in Bad Sisters. It follows four Dublin sisters who are conspiring to murder the horrible husband of the remaining, fifth, sister. Horgan, who also stars in it, is terrific, and Eve Hewson is a revelation as plucky youngest sibling Becka. EH
For All Mankind
Everyone knows the USA was the first country to send people to the moon. What this series presupposes is… what if it wasn't? For All Mankind takes the Space Race as a jumping-off point for a whole alternative history timeline, as a Soviet PR victory causes a butterfly effect that ripples throughout the rest of the century. Solid writing and strong performances from a cast that includes Joel Kinnaman, Jodi Balfour and Wrenn Schmidt make For All Mankind arresting and unusual television. LC
Slow Horses
This adaptation of Mick Herron's Jackson Lamb spy books stars Gary Oldman as the gloriously grumpy intelligence officer. He's part of the dysfunctional team of British agents who serve in a dumping ground department of MI5 known as Slough House. The show, from Veep and The Thick of It writer Will Smith, is cerebral and full of pitch-black comedy. EH
Mythic Quest
This half-hour series, set in the offices of a World of Warcraft -esque video game studio, is a robustly enjoyable sitcom created by It's Always Sunny in Philadelphia alumni Rob McElhenney, Charlie Day and Megan Ganz. While it never really comes close to matching Always Sunny 's lightning-in-a-bottle comic brilliance, Mythic Quest shines thanks to Charlotte Nicdao's turn as the talented but flawed Poppy, whose bristly relationship with the egomaniacal Ian (McElhenney) forms the show's narrative core. LC
The Morning Show
One of the starriest shows on the platform – and that's saying something – is this comedy drama that pulls back the curtain on early morning US TV. Massively in its favour are the fizzing performances from Jennifer Aniston, Reece Witherspoon, Steve Carrell and Billy Crudup. The first season was fantastic. The second slightly descended into chaos (plus, it introduced Covid into the storyline, which is always painful). And the third was fully deranged. But it was still compulsively watchable. EH
Dickinson
One of Apple TV+'s earliest series is also one of their best: a revisionist comedy-drama about the reclusive poet Emily Dickinson, starring pop musician and True Grit star Hailee Steinfeld. There are plenty of liberties taken with historical fact – here, the young artist is shown to be in love with Sue Gilbert (Ella Hunt), her best friend, who is also engaged to marry Emily's brother. But Dickinson is an intelligent, imaginative series that seeks to capture its subject in spirit rather than likeness. LC
Trying
In this lovely British sitcom, Esther Smith's Nikki and Rafe Spall's Jason are 'trying' to adopt a child. They've attempted to conceive for years, including through IVF, and it hasn't worked out. While infertility struggles might not exactly sound like ripe territory for comedy, writer Andy Wolton is masterful at unearthing the absurdities within. Worth your time. EH
The Problem with Jon Stewart
Ex- Daily Show comedian Stewart more than proves his chops as a formidable political interviewer in this topical non-fiction series. Every so often, a clip from The Problem will go viral, featuring Stewart holding a politican to account on issues like gun reform, but episodes are worth watching in their entirety: Stewart is a likeable and articulate host, attacking his subjects with a good balance of accessibility and rigour. LC
Shrinking
In Apple's sunny dramedy Shrinking, Jason Segel plays a therapist whose – to borrow an expression from the writer Georgia Pritchett – mess is a bit of a life. The series co-stars a growling Harrison Ford and a mesmerising Jessica Williams, and it arrived on the platform just weeks before Segel's best mate Chris O'Dowd's own midlife crisis show (see next pick) came along, so it certainly seems as though there's something in the water. EH
The Big Door Prize
Chris O'Dowd is as leggy and affable as ever in this show adapted from the novel by MO Walsh. It's set in a small town that turns upside down after a strange 'Morpho' machine appears in the local store. For the same price as a cup of coffee, the glowing blue object promises to tell people their 'true life potential'. Of course, it pretty instantly sends everyone, including O'Dowd's Dusty, into an existential spiral. EH
There's not really anything else on television quite like Schmigadoon!. A musical tribute to 1940s and 1950s Hollywood musicals (and a direct parody of Brigadoon), this effervescent show sees Cecily Strong and Keegan-Michael Key stumble upon a town where everyone is all-singin' and all dancin'... but won't let them leave. Barry Sonnenfeld, erstwhile Coen brothers cinematographer and director of 1993's Addams Family Values, directs the entirety of season one. LC
Shining Girls
Based on Lauren Beukes's 2013 novel, this dark mystery sees Mad Men favourite Elisabeth Moss play Kirby, a newspaper researcher who, six years before the series kicks off, survives a viscious attack by a man who was never captured. Determined to find the culprit, she discovers a murder that has a striking resemblance to her own attack, and begins her investigation. As our writer Amanda Whiting put it: 'There's hardly a scene in Shining Girls that doesn't feature Elisabeth Moss doing something stunning.' EH
Hijack
This real-time show, starring Idris Elba as a man trying to stop hijackers on a plane from Dubai to London, was the stealth hit of last summer. It has all the hallmarks of true event TV: a slow-burn mystery waiting to be solved, a ticking-clock scenario, a hero you'd trust with your life, and an agonising week-long wait for new episodes. Elba does some of the finest eye-acting seen on TV: his pupils darting around the cabin, communicating to viewers, if not his fellow passengers, where his interests lie. And there's something almost erotic about the calm confidence with which he goes toe-to-toe with Neil Maskell's Stone Island hijacker (Maskell, too, is superb, projecting an eerie competence as an East End villain). Nick Hilton
Silo
Based on the books by Hugh Howey, this series has an irresistible setting: a subterranean city with 144 floors whose residents unquestioningly lock themselves away from the outside world. Why? Because they believe they will die within minutes if they leave. Naturally, some characters believe a conspiracy may be afoot, and secretly attempt to learning the truth behind their existence in the the silo. It stars David Oyelowo, Rashida Jones, Rebecca Ferguson and Harriet Walter, to name a few. And it's brilliant. Jacob Stolworthy
High Desert
Patricia Arquette anchors this witty, dynamic series about Peggy, a chaotic ex-felon who becomes a private eye. As Peggy gets sucked into an eccentric mystery involving a stolen Picasso painting and a number of skeevy figures from her past, she struggles to keep her own demons at bay. Arquette is undisputedly the star here, but High Desert is enlivened by a number of quirky, charismatic supporting performers, including Rupert Friend, Matt Dillon, and Bernadette Peters. LC
Before
He's better known for comedy but Billy Crystal plays convincingly against type in this earnest drama in which he stars as child psychologist Eli, already reeling from the suicide of his wife and suddenly confronted with a mute, traumatised child. The child, Noah appears in his life as both a challenge and a curse. He has bloodied hands, an implacable stare and no capacity to explain the roots of his disturbing appearance and behaviour. It's heavily indebted to The Sixth Sense but remains both creepy and unpredictable throughout. Phil Harrison
Prime Target
Everyone's favourite White Lotus breakout star Leo Woodall plays a mathematical genius in this enjoyably bonkers thriller, which starts off at a Cambridge college and ends up hopping around the globe as a strange conspiracy unravels. Edward (Woodall, dressed in a lot of brown) is a postgrad who is trying to find a pattern in prime numbers, which might just allow him access to every computer in the world. Naturally, there are shadowy forces attempting to thwart his research. Yes, the plot stretches credulity, but it's perfect popcorn escapism. KR
Dope Thief
Ray and Manny are a couple of small-time Philadelphia crooks who specialise in peacefully ripping off stash houses by masquerading as DEA officers. But they get in over their heads when an acquaintance of Manny's tips them off about a possible big score out of town. Dope Thief works as an amiable buddy drama thanks to the natural chemistry between leads Brian Tyree Henry and Wagner Moura. But it has a hard centre too - both men have tragic backstories and big dreams and are easy to root for as two underdogs, out of their depth. PH
The Studio
A TV show about a film studio with a storied past that's struggling to stay afloat in the streaming age, debuting on a streaming platform? Let's just say that things get pretty meta in Seth Rogen's comedy The Studio. He plays Matt, an exec who has just been promoted to head of (fictional) Continental Studios. It should be his dream gig, but it soon becomes clear that he won't exactly be making great cinema: instead, the higher-ups want him to help them churn out blockbusters based on 'legacy brands'. A whole load of famous faces, from Martin Scorsese to Ron Howard to Charlize Theron, make cameos as themselves, too. KR
Your Friends & Neighbours
Jon Hamm manifests his usual blend of self-assurance and self-loathing in this drama about a hedge fund manager who suddenly loses everything. After watching his job, his family and his fortune crumble, he has a dangerously seductive idea. He's surrounded by awful, rich neighbours - so why not start emptying their houses of the trinkets of conspicuous wealth they so complacently take for granted. It's a midlife crisis and a wry satire on the crumbling American dream all rolled into one. PH
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'He didn't buy that the two orphan sisters would just be left to fend for themselves. 'He said, "Neighbors, church groups, aunties and uncles, all these people would step in. That's just the Hawaii I know and grew up in."' Camp added: 'That led him to create this character of Tutu, and she ultimately takes Lilo in as hanai, which is this culturally specific term and tradition that is a form of informal adoption. 'It isn't about blood or paperwork, but love and responsibility for the greater good and for one's community.' The director argued that many Hawaiians who had seen the film enjoyed what they did with the movie. 'A lot of Hawaiians who've seen the film have picked up on that reference to hanai, and they love that,' said Camp. 'It's this uniquely Hawaiian answer to the question of who shows up when things fall apart, and that idea of informal adoption. 'It shows the broader community's willingness to sacrifice and do whatever it takes for these girls and for their ohana.' 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Ultimately, he said they decided it was 'a bridge too far' and that it didn't translate well into live-action. 'The humor of them walking around Hawaii dressed in these terrible disguises where Pleakley still has one eyeball, it's a little harder to buy in live action,' he said. The director added that 'budgets' also played a part in the decision. 'If you have Jumba and Pleakley in alien disguises, then you're going to have to shortchange how much development work you can do on Stitch and these other elements,' he continued. 'It's not that they're aliens in the movie. You definitely see Jumba and Pleakley in their alien forms through a lot of the movie, but they are in human skin suits for part of it.'