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South China Morning Post
an hour ago
- South China Morning Post
Hong Kong wants more visitors? Hook them with great food, Cantopop and Bruce Lee
In the second of a two-part series on Hong Kong's efforts to boost its tourism industry, the Post takes a look at other attractions the city can offer beyond the nine hotspot products the government has floated. Read part one here Even as Hong Kong has kick-started efforts to promote nine 'tourism hotspots' identified by a government working group, industry players and experts say the city has much more to entice visitors. To revive the city's flagging tourism scene, they suggested tapping its rich culinary traditions, exploiting the appeal of Cantopop and the popularity of Hong Kong action films from the past, and telling more stories about its places and people. Bring back and celebrate the dai pai dong and cha chaan teng, declared veteran entertainment and hospitality entrepreneur Allan Zeman, founder and chairman of the Lan Kwai Fong Group. Once found everywhere and famous for tasty, cheap food cooked on the spot, streetside hawker stalls known as dai pai dong have been disappearing. Amid concerns over hygiene and noise, the authorities tightened the rules and have not issued new licences since the 1970s. Even so, local cafes or cha chaan teng continue to serve up comfort food and drinks at wallet-friendly prices, drawing a steady stream of customers looking for milk tea with pineapple buns, egg tarts, scrambled eggs and toast, a fried pork chop and rice or macaroni soup, and more.


South China Morning Post
an hour ago
- South China Morning Post
Key Hong Kong rugby sevens pair set to return after injury and childbirth
Two major Hong Kong sevens figures are set for long-awaited returns to action after they were included in squads for this weekend's LIT Super Sevens Series climax in England. Seb Brien has been sidelined since he tore an anterior cruciate ligament in Hong Kong's 15s victory over Brazil in July last year. Melody Li Nim-yan, meanwhile, has been away since January 2024 to have a child. Brien's injury deprived him of the chance to play in Kai Tak Stadium's debut Cathay/HSBC Hong Kong Sevens in March. He has also been forced out of the ongoing Asia Rugby Emirates Men's Championship, where Hong Kong are vying for 2027 Rugby World Cup qualification. But the wing, who would have been named sevens joint-captain alongside James Christie before he was laid low, is ready to end his injury agony in Bury St Edmund's on Saturday. 'The time away from rugby has been very testing,' Brien said. 'You spend a lot of time alone with the physio and away from the squad, so it's really nice integrating back. 'I'm looking forward to channelling my hard work back into playing. I've been at that awkward stage of rejoining the squad while they've been away at tournaments, and only three or four players being at training.'


South China Morning Post
3 hours ago
- South China Morning Post
The French theatre production scaling literal and philosophical heights
Nietzsche once wrote, 'When you gaze long into the void, the void also gazes into you.' Surely he did not imagine swaying on a wire or clinging to a rock face thousands of feet in the air, despite gravity's strongest persuasions. That precarious position is exactly what drives Corps extrêmes. Held in the Xiqu Centre in West Kowloon, far from any gaping abyss, the performance still induces the second-hand vertigo of witnessing humans confront extreme heights. Punctuated by video projections and spoken word, the show revolves around the reflections of a highliner, an acrobat and a climber as they narrate their journeys, accompanied by visuals of them traversing mountains and canyons in solitude. American climber Ann Raber and Italian highliner Luca Chiarva star in the production, joined by eight acrobats. Corps extrêmes is the brainchild of director Rachid Ouramdane, who heads the Chaillot National Dance Theater in Paris, France. Named 'one of the best performances of the year' by The New York Times in 2023 and Best International Dance Show by the performing arts platform Recomana this year, the performance is a display of acrobatics and athleticism expressed through modern dance, set to a heady trip-hop soundscape by Jean-Baptiste Julien. Rachid Ouramdane, head of Paris' Chaillot National Dance Theater, in Corps extrêmes. Photo: Pascale Cholette I caught Ouramdane and Raber between rehearsals on a Thursday afternoon, before the opening weekend. Ouramdane is French-Algerian, soft-spoken and meticulous, with a quiet presence that can be felt over the flurry of producers and assistants. He is known for combining the disciplines of sports and dance in his productions, such as Mobïus Morphosis, created as part of the Cultural Olympiad of the Paris 2024 Olympic and Paralympic Games. Raber is similarly quiet, dressed in athletic gear similar to her show attire, with the most formidable shoulders I've ever seen. Hailing from Houston, Texas, in the United States, Raber has a background in gymnastics and discovered climbing in her mid-20s. Two decades later, she's scaled heights all over the world and is among the oldest women to have climbed a V13 boulder problem in Texas' Hueco Tanks State Park. What stands out in our conversation and from watching the performance later that weekend was not the eye-watering stunts onstage, nor the lone-hero-against-the-world narrative we so often associate with extreme sports. Raber climbs in the show, yes, but where I really held my breath was when the team was working together, leaping from the climbing wall and human towers to be caught gently by their teammates' arms a split second before they would have hit the floor. Several stunts in Corps extrêmes cause audible gasps from the audience. Photo: Pascale Cholette It was in these moments, amid audible gasps from the audience and seeing these performers free dive into space, trusting their teammates to save them, that I realised Corps extrêmes is really about working together; it's about the trust, support and human connection that allows someone such as Raber to climb as high as she does. Ouramdane sums it up, delivered with a casual finality that only the French seem able to pull off: 'You can't fly if there's no one to rescue you.'