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Jason Statham, 57, recreates Commonwealth Games dive on sun-soaked family holiday - 35 years on from representing England

Jason Statham, 57, recreates Commonwealth Games dive on sun-soaked family holiday - 35 years on from representing England

Daily Mail​2 days ago
Jason Statham proved he's still got it as recreated his Commonwealth Games dive off his luxury yacht while on a family holiday in Positano in Italy.
The Hollywood star, 57, showed off his ripped body on the trip as he leaped from the top deck of the boat last week.
He was snapped as his dived from the 30ft vessel and headed straight for the clear water below him.
It was like no time had passed for Jason, who previously represented England at the Commonwealth games in 1990 in New Zealand.
Statham's best finish in Auckland was eighth place in the 1-metre springboard with a score of 487.26 points.
He also took part in the 3-metre springboard and 10-metre platform, where he finished 11th in both events.
It was like no time had passed for Jason, who previously represented England at the Common Wealth games in 1990 in New Zealand
Fortunately for the hunk, his performances on the big screens have been much better than those on the high boards.
Jason, who is engaged to Rosie Huntington-Whiteley, has been enjoying downtime with his fiancée and their kids - son Jack, eight, and daughter Isabella, three.
Rosie, 38, showed off her incredible figure as she shared an array of sun-soaked snaps from the trip, giving a rare insight into her family life.
In one jaw-dropping shot, she showed off her incredible figure in a chic white bikini bra and matching trousers.
Rosie also put her washboard abs on display as she relaxed in the crystal clear ocean while she enjoyed some downtime.
She was also every inch the doting mother as she cuddled up to Isabella while she also enjoyed some fun activities in the son with Jack.
Rosie also posted an adorable photograph of actor Jason, 57, sharing a hug with their two children.
He sweetly cuddled them both on a sofa in the lavish vessel before he took Isabella on a jet ski and enjoyed a swim in the ocean himself.
The action star proved himself to be every inch the daredevil as he also jumped head first off the top of the boat, perfecting a dive into the ocean.
The family has been vacationing in the sun-soaked location in the southern coast of Italy for her brother Toby's wedding to his partner Noa.
They were staying at five-star hotel Villa Treville, which boasts stunning views of the Amalfi Coast.
Rooms start at £3,416 per night, which makes it a luxury place suitable for the stars.
The high-profile couple seemed to enjoy some special family time together during the summer holidays.
Rosie and Jason have been together since 2009 and got engaged in January 2016.
He sweetly cuddled them both on a sofa in the lavish vessel before he took Isabella on a jet ski and enjoyed a swim in the ocean himself
The model revealed they had taken their relationship to the next level when she flashed her impressive diamond ring at the Golden Globes that year.
The model, who grew up in Devon, recently revealed why she returned to the UK in 2020 and explained that it was always 'the plan' to raise her children in the UK.
She told The Times: 'We love the schools, the education. They're growing up British with their little British accents, which was important for us, and we have a great support system here.
'Jay's parents live up the road and see the kids most days, my family come to visit every six or eight weeks.'
Rosie said her kids are having a childhood not dissimilar to her own, even spending large amounts of time in Devon where she grew up.
The mum, who only shares the occasional snap of her children online, added: 'In the summer we go down to Devon and our children have the same experiences running around on the farm that I had growing up, and it's very special.'
While the pair have been together since 2010, and despite getting engaged in 2016 and welcoming two children, they don't feel the need to tie the knot just yet.
According to a source close to the couple, they are on the 'same page' when it comes to their relationship.
'Jason might be 20 years older than Rosie but they are on the same page with each other in so many aspects of their lives,' the source told DailyMail.com.
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The tragedy of Dorothy Dandridge, the ‘black Marilyn Monroe' who died with $2 to her name
The tragedy of Dorothy Dandridge, the ‘black Marilyn Monroe' who died with $2 to her name

Telegraph

time29 minutes ago

  • Telegraph

The tragedy of Dorothy Dandridge, the ‘black Marilyn Monroe' who died with $2 to her name

When people think about the great, doomed female star of the 1950s, the first person who generally comes to mind, understandably enough, is Marilyn Monroe. Yet her friend, the equally doomed actress Dorothy Dandridge, who died 60 years ago and who is being commemorated in a short season of films by the BFI, is just as worthy of respect. For all the sorrows and difficulty that Monroe faced, she did not have the additional disadvantage of being born African-American at a time of great racial division – or, when it came to Hollywood, just plain racism. Even if the shorthand description of her as 'the black Marilyn Monroe' manages to be both reductive and vaguely patronising, Dandridge was not merely a victim. She was a pioneer, as well as a superlative actress. Still, as she remarked herself, 'If I were white, I would capture the world.' When Dandridge began her film career in 1940, in the picture Four Shall Die, it was a quickly forgotten B-picture most notable for her cinematic debut in an undemanding role as a murderess. Yet before then, she had already lived a life that had more incident than a dozen of her peers could handle. Born to a single mother in Cleveland, Ohio – her Baptist minister father had departed months before she was born – her circumstances were predictably poverty-stricken. But there was a potential redeeming feature in what she described as 'a crying childhood'. Dandridge's mother Ruby worked as a cook, but she also saw her daughter's talent as a performer. 'You ain't going to work in Mr Charley's kitchen like me,' she told Dorothy as a toddler. 'We're going to fix it so you be something else than that.' The grim reality of show business The solution was to take Dorothy and her sister Vivian, as well as her loathed, abusive Auntie Ma-Ma, on the road, and create a touring act named the Wonder Kids. As Dandridge later explained: 'Mother arranged with the National Baptist convention for Vivian and me to perform at churches in a different state each month.' Dorothy and Vivian therefore eschewed any conventional education, but learnt about the rigours of life on the road via performance. Dandridge later wryly described in her posthumously published autobiography Everything and Nothing as 'a little like having a deal with MGM for white folks'. It was an unpleasant, gruelling existence – when they were touring the South, they were exposed to constant racism, the hours were long, and pay was short – but it gave Dandridge a first-hand insight into the grim reality of what showbusiness at its least glamorous would entail. The Wonder Sisters became the Dandridge Sisters and they performed at several Harlem nightclubs, including the notorious Cotton Club, while still children. On one occasion, she was also given a valuable piece of advice, when sitting on the lap of Bill Robinson, famously known as 'Mr Bojangles'. 'Keep away from the wolves like me,' the lascivious singer said. She had a few uncredited bit parts in pictures with unfortunately prophetic names like It Can't Last Forever, but the first project that would take Dandridge from jobbing bit-part player into a starlet was the picture Sun Valley Serenade, in which she performed the hit number Chattanooga Choo Choo. It was the breakout song from the film and was not only Oscar-nominated but established Dandridge as a name in her own right, rather than simply a beautiful face in a crowd. In 1942 she married the dancer Harold Nicholas in 1942, with whom she had a child, Harolyn, in 1943. But her daughter was born with brain damage and needed lifelong care and medical attention; Dandridge only acknowledged her existence publicly in 1963, for fear it would ruin her public image. 'I wanted nothing better than to hear him say, 'marry me'' With Harolyn placed in care, Dandridge spent most of the Second World War in London, rather than Hollywood, where she performed at the London Palladium between German bombing raids. 'It was in the shelters that I developed an affinity with the English which has been with me always,' she would write, and part of this affinity was to have a love affair with the suave actor, and future Rat Pack member, Peter Lawford. Yet she also knew that it would never turn into a serious relationship because of her skin colour, even as she mused: 'If I were honest with myself…I would have to admit that I wanted nothing better than to hear him say, 'marry me.'' A proposal did not come, and she returned to America, where she came to the attention of Columbia studio head Harry Cohn after appearing in the 1951 film Tarzan's Peril: coincidentally, or not, the year that her divorce from Nicholas was finalised, after he abandoned his family in 1948. Dandridge did not, of course, play the wholesome Jane – she was in the 'exotic' role of Melmendi, Queen of the Ashuba – but was responsible for what the Motion Picture Association called the film's 'blunt sexuality' thanks to her 'provocatively revealing' costume. Fancying some of this blunt sexuality for himself, the notoriously predatory Cohn summoned her to his hotel suite in Las Vegas when she was performing in the city, and made it clear to her that, if she submitted to his advances, she would prosper. 'I was supposed to warm up, to register delight, happiness, gratitude,' she wrote. 'I was supposed to reach a sympathetic hand across the table, and he would pick it up from there. Maybe we would both stand. God knows what; maybe we would both get right down on the floor, for there wasn't even a casting couch in this barren office.' Dandridge had, however, seen off worse characters than Cohn, and dismissed his entreaties. 'I never reached out my hand,' she said. 'Monroe and I had a bond' Cohn may have closed Columbia off to her, but it barely seemed to matter. It was around this time that she first befriended Monroe, when the actress attended one of her shows at the Mocambo nightclub in Hollywood. The two had both attended The Actors' Lab in Los Angeles, where they first met in 1947, but true friendship would come half a decade later. 'She was one of the few stars who was always kind to me,' said Dandridge of Monroe. 'We had a bond, both being lonely in spite of the attention we got… She never treated me any differently than she would a white actress.' Their friendship lasted until Monroe's death in 1962. Dandridge was an enormous success on stage in Hollywood, New York – where she was the first black woman to perform at the Waldorf Astoria – and London alike, and she was prominently featured in a photo spread in Life magazine. As she put it, 'I didn't have to crawl into a strange bed with a strange-looking little man for it to happen.' During these performances, she was marketed and portrayed as the sexiest woman on the planet, something that was accentuated by cigarette girls selling copies of Alfred Kinsey's recent publication Sexual Behaviour in the Human Female while Dandridge was on stage. At this point, her career truly began to catch fire. Not only she did begin a love affair with Harry Belafonte, the singer, actor and civil rights activist, but the two of them were cast in the Otto Preminger-directed film adaptation of Oscar Hammerstein II's Carmen Jones in 1954, after the two first appeared in the melodrama Bright Road the previous year. Preminger did not believe that the glamorous Dandridge would be convincing as the 'heatwave' Carmen, an ambitious factory worker who has an earthily opportunistic attitude towards sex. But she had an answer for that. 'I'm an actress. I can play a nun or a bitch. I hurried to Max Factor's studio and looked around for the right garb. I would return looking like Carmen herself…I put on heavy lipstick, worked spit curls around my face. I made myself look like a hussy.' Her outfit was 'tousled hair, dark makeup, a tight skirt, revealing blouse, and the sexiest swinging hips in town.' The impressed Preminger not only cast her in the picture, but the two were sexually involved during filming – a necessary evil, according to Dandridge: 'He intimated that it was good for the picture, for the people involved…If star and director know each other heart and soul – and the rest – the spark of it all might well leap into the beauty of the film.' Less good for the picture was her pregnancy by the married (and unattractive) Preminger; at the studio's behest, she was compelled to have an abortion. Although Dandridge did not use her own voice in Carmen Jones – she would be dubbed by white mezzo-soprano Marilyn Horne, to incongruous effect – the role elevated her to stardom. She won rave reviews, was nominated for an Oscar and became the first African-American woman to appear on the cover of Life. Yet Preminger now operated more as Svengali than as director, forbidding her to take on the plum supporting roles that she might have expected (such as that of the beautiful slave girl Tuptim in the film of The King and I) and instead telling her that it was leads or nothing. 'No one will ever know how I wept' This was prima facie coercive control, and now would be recognised as such. It also made her miserable. 'I had bitter nights of weeping,' she wrote. 'No one will ever know how I wept. In the morning I rose like an automaton, went through my paces, off to the gym where I whirled like a dervish, then on through the rest of the dizzying day. Cold steak. Cold cucumbers. Cold.' Offscreen, Dandridge now found herself involved in a scandalous libel action against the gossip magazine Confidential, which accused her of having extramarital relations with white musicians. (A typical headline: 'Only the Birds and the Bees Saw What Dorothy Dandridge Did in the Woods'.) She won her case in 1957, but did not help her public persona by appearing in the film Island in the Sun, in which her character has an interracial relationship with the actor John Justin. By today's standards, the love affair is chaste indeed – meaningful glances and long embraces – but it was enough for the Motion Picture Association to suggest that the all-powerful Production Code had been breached, although it was later edited down into acceptability. She would later continue this controversy-courting by kissing the actor Curt Jurgens in the 1958 film Tamango – her first on-screen kiss with a white actor – and would reunite with Preminger for the 1958 adaptation of Gershwin's Porgy and Bess. The film should have been a colossal hit, but the now strained relationship between director and star, outrage from the black community about the musical's perceived racism and the miscasting of Sidney Poitier in the male lead made it was a flop. Today, it is barely available (and was absent from the BFI line-up) and the impact on Dandridge's career would be considerable. She never made another major Hollywood picture, and instead returned to the clubs that she had begun her career in, with considerably less success. 'I threw myself away on a few men' The last few years of her life were unhappy and unproductive in equal measure. There was a short-lived, failed marriage to the nightclub owner Jack Denison. She described this period as 'moving around in a neurotic haze, having spasms before or after singing, sneaking in drinks, taking pills to dehydrate myself. I threw myself away on a few men, thinking I might as well have an orgasm as there isn't much else.' Impoverished, she was forced to put her daughter in a state-run mental institution, and by the time of her death on September 8 1965, at the age of 42, a once-glittering career seemed to be over. Like Monroe, she was believed to have died of a drugs overdose, in this case an accidental surfeit of antidepressants. But it has been suggested that this was suicide, a theory bolstered by her remarks to her friend Geraldine Branton: 'Whatever happens, I know you will understand.' She died with just $2.14 in the bank. Since Dandridge's death, she has been regarded as a tragic icon, as well as a trail-blazer. Halle Berry played her in the 1999 TV biopic Introducing Dorothy Dandridge, for which Berry won an Emmy and a Golden Globe; it was only fitting that, when Berry won an Oscar for Monster's Ball a few years later, she dedicated it to Dandridge. Coincidentally, the two were born in the same hospital, 44 years apart. The actress bitterly regretted her lack of relationship with her daughter, later writing: 'All the rest is nothing, and all the rest has been nothing. The work was nothing, the applause nothing, the fortune made, that was nothing, and who knows, perhaps in my fury I let it all go.' This was unfair. For all the torment and incident of her personal life, the vibrancy and modernity of her performances on screen transform any expectations of what an African-American actress should have been doing in cinema. Dandridge was a heroine to millions, and that, rather than being an unfit mother or washed-up performer, is how posterity should remember her.

Parent Trap reunion! Lindsay Lohan supported by two co-stars from iconic film at Freakier Friday premiere
Parent Trap reunion! Lindsay Lohan supported by two co-stars from iconic film at Freakier Friday premiere

Daily Mail​

time29 minutes ago

  • Daily Mail​

Parent Trap reunion! Lindsay Lohan supported by two co-stars from iconic film at Freakier Friday premiere

Lindsay Lohan enjoyed a red carpet reunion with two of her co-stars from her beloved 1998 movie The Parent Trap this week. The 39-year-old was attending the premiere of her new film Freakier Friday, a sequel to her 2003 picture Freaky Friday led by her and Jamie Lee Curtis. But while celebrating the follow-up to one of her fan favorite pictures, she also managed to give a tip of the hat to another one. At age 12, Lindsay became a star in The Parent Trap playing long-separated twins who hatch a plan to reignite the romance between their divorced mother (Natasha Richardson) and father (Dennis Quaid). Elaine Hendrix featured as the father's gold-digging girlfriend, while Lisa Ann Walter also held a supporting role as his housekeeper. Both Elaine, 54, and Lisa, 61, proudly posed alongside Lindsay at the Freakier Friday premiere at Hollywood's iconic El Capitan Theater on Tuesday. Lindsay was the image of showbiz glamour as she mingled at the event, decked out in a strapless bubblegum pink gown with a voluminous pleated skirt. Accentuating her strikingly smooth complexion with makeup, she accessorized with a dazzling Lorraine Schwartz necklace for her latest red carpet. Meanwhile Lisa cut a snappy figure in a monochrome pinstriped trouser suit, and Elaine slid into a white cocktail dress speckled with mirror work. While on the red carpet, Lindsay shared that reuniting with Elaine and Lisa made her 'still feel like a little girl sometimes,' via Entertainment Tonight. She observed that 'when you spend so much time with people on sets, and also when you're so young you grow up with these people, you experience real life with them as well, and when you stay in contact, which is the beautiful thing, yeah, you feel like you're just always together in a way.' 'It was a lovely reunion,' Lisa told Extra, saying Lindsay 'looked genuinely happy, which you know, in Hollywood you can kind of roll the dice on whether or not people are shining you on. But she's just, I think, a version of who she was as a little girl, and lovely and happy, and it's just wonderful to see her shine like this.' Elaine, who has a cameo in Freakier Friday, revealed that she stayed at Lisa's home while filming her portion of Lindsay's new movie in secret. Lisa gushed that she was 'so proud' of Elaine, whom she called her 'bestie' while speaking on the red carpet to The Hollywood Reporter. 'I'm proud of the work she does and how she looks and the person that she is.' 'I would take Lisa with me everywhere if I could,' said Elaine. 'I would put her in my pocket and I would take her everywhere because I always feel safer and more loved and more well-fed when I am with her.' She reflected that working with Lindsay again on their upcoming movie 'was a trip,' revealing that 'I hadn't seen her since she was a little girl, except growing up in the press like the rest of the world saw her.' Elaine added: 'But I had a special inside window into her that no one else did, and so when I came and reunited with her, there was first and foremost a real sense of familiarity about her. And then there was also like: 'Oh, you're a whole different person now!' She's had a whole life since I had seen her. 'So it was a real mixed bag, all these emotions, all these great things just came flooding in, and I was so happy and proud and it was so fun and just the best.' Lisa pointed out the change she had noticed in Lindsay since the Mean Girls star welcomed her two-year-old son Luai with her financier husband Bader Shammas, whom she lives with in Dubai, where he holds a position at Credit Suisse. 'I keep finding myself looking at her when she comes over or walks into my view,' said Lisa: 'and just the light that's coming out of her now as a mom and a grown woman is so beautiful. She just looks so happy, which is wonderful.' The original Freaky Friday was based on a novel by Mary Rodgers, the daughter of The Sound of Music and Oklahoma! composer Richard Rodgers. Jamie Lee and Lindsay starred respectively as a mother and daughter who switch bodies, enabling each to develop a greater understanding of the other. In the sequel, Lindsay's character has a daughter and a stepdaughter-to-be, and the three of them - plus Jamie Lee's character - wind up in a four-way body swap. With a cast that includes Mandy Jacinto, Mark Harmon and Chad Michael Murray, the new film is slated for theatrical release on August 8.

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