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Philosophising on the great philosophers

Philosophising on the great philosophers

The National2 days ago
Who was very rarely stable ... '
KANT is virtually unreadable. My father's copy of The Critique of Pure Reason has his pencil corrections from the original German. Intimidating or what? The original German is also virtually unreadable – or so the Germans tell us. Bandwormsätze is how they describe it – tape-worm sentences.
Back in a day (it wasn't the day, it was just a day) I published an essay, The Philosopher's Opera (November 11, 2019) in The National. It was all about a ballad opera taking the piss out of David Hume. Eric Idle included him also in his famous Monty Python Australian Philosophers' Song:
'David Hume could out-consume
Wilhelm Friedrich Hegel'
Hegel (Thesis-Antithesis-Synthesis) was a big deal when my father graduated at Trinity College Dublin with a First in Philosophy and French. Only one other student was studying the same combination, Samuel Beckett.
My father was awarded a gold medal. Sam's First was in Modern Languages, for which he, too, won a gold medal (real gold, in those days, I believe). Asked about his time, sharing classes with Beckett, my father's response was not only typical of himself but was thoroughly Beckettean: 'We shared courses for two years, during which time we exchanged not one word.'
John Purser's father Sean (JWR) Purser studied at Trinity College Dublin with Samuel Beckett
My father went on to study in Germany, attending the great philosopher Martin Heidegger's lectures.
'Heidegger, Heidegger
was a boozy beggar
who could think you under the table'
My father was not impressed by his thinking and summed up the lectures by quoting Heidegger's most frequently used word in summation – Vielleicht, meaning 'maybe'. Between the wars was not a good time to be in Germany and my father's recollections were more sour than anything else – and he was anything but a sour man.
My father was a poet and philosopher and lectured on English Literature at the University of Glasgow which published his book on aesthetics, Art and Truth.
The university's publishing branch is essentially moribund now, which is a disgrace.
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His long poem, The Soliloquists, is a dialogue between a Philosopher, a Sceptic, and a Poet. It's not everybody's bedtime reading, but I think highly of it, chiefly because the Poet wins hands down. EM Forster wrote of it and others of my father's poems: 'I like them because they move me and keep hitting my mark.
'I too get tempted by easy despondency, and have watched nature for a sign (the white bird on the sea) and have been rebuked, and I share your poet's preferences for the minute and the temporary over the logical and – I would add – the eternal.'
The Irish writer James Stephens wrote: 'I think it is a very remarkable piece of work & I hope to everything that it quickly finds a publisher.'
It did. The Fortune Press, which published people such as TS Eliot, Philip Larkin and Dylan Thomas.
This is how The Soliloquists ends:
This 'I' that's now rejected by
the 'I'
Of others will absorb them
and will sprawl
Like some wild plant through the far-distant sky;
And it will peer into the hidden lore
Of little things, and will find pleasure more
In a fly's wing than now in the Great All.
I love that. The sharing of identity becomes universal but has no need to make anything of it. It is the little things, the ones that may go unnoticed, even unloved, that will have a chance of encountering Truth herself.
No wonder my father didn't care for Beckett and his Descartian existentialist angst.
I also love Beckett as a writer, but as a philosopher I regard him as sadly deluded, especially as he understood the basic problem.
He insisted on identity, of proving that you were you, yet he wrote an extraordinary play called Not I. The title says it all. It is an attempt to escape from 'I think therefore I am'. Idle's satire is philosophically as close to establishing the reality of existence as is its original ...
'Rene Descartes was
a drunken fart
'I drink therefore I am'.'
The Gaelic languages don't have a word for 'I'. Neither does Chinese. This means that any assertion of one's self depends upon a verb, upon being part of an action. Everyone is objective not subjective. It's a good start. We hear far too much of 'I'. Plotinus didn't care for it to such an extent that he refused to sit for a portrait. His portraits are the imaginations of others.
A homage to Beckett and Plotinus's disdain for the word 'I' Apart from my father, the first philosopher I ever met was William Maclagan (1903-72) who lived in one of the houses in Professors' Square, across from the University Chapel.
In those days professors lived in Professors' Square and their children ran about the place giving that noble seat of learning a much-needed injection of real life.
Maclagan was Professor of Moral Philosophy, a good friend of my father's, and his exuberant wife Katherine of my mother's, and we played with their children.
Maclagan was succeeded by Robin Downie (1933-2023), who was a neighbour and set some of my father's poems to music. The place was stiff with philosophers, so it is small wonder that in mid-life I studied Moral Philosophy with Downie.
In the old days Moral Philosophy and Logic were separate subjects. I preferred Logic. It taught us how to pick apart the evasions and distortions of politicians and preachers.
The redoubtable Eva Schaper (Prelude to Aesthetics) was among our teachers, sorely missed, and Ephraim Borowski who has represented the Scottish Jewish community and has, no doubt, many social, moral and philosophical troubles to deal with these days.
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"An eye for an eye and a tooth for a tooth'. Thus saith the book of Exodus – but it does not say 'an arm for an eye and a stomach for an arm, and a family for a stomach, and a people for a family'. For that you have to search in our own times and you know where to look.
With Downie, we had to follow his book Roles and Values, which always seemed to me more moral than philosophical.
Downie went on to do important work in medical ethics and palliative care. I do hope his ghost gives me the freedom to end it all comfortably, unbothered by officious medical intervention. My favourite philosopher, Plotinus, will have none of that. Suicide in any shape or form is anathema to him. Socrates took his own life, so Plotinus could hardly avoid the subject, but he won't yield a millimetre. Even an insane suicide is a transgression. It's the one time I really fall out with him.
'But if a man feel himself to be losing his reason? . . . if it should occur, it must be classed with the inevitable, to be welcome at the bidding of the fact though not for its own sake. To call upon drugs to the release of the Soul seems a strange way of assisting its purposes.' (Enead I.9).
I know of a senior consultant in her nineties who had leukaemia and had no wish to undergo the officious medical intervention of her colleagues. But of course she had taken the Hippocratic Oath and the only moral option she could see open to her was to starve herself to death.
Confused? I am. The Gazans have not had that choice.
So it is for other reasons that Plotinus is my favourite philosopher, and chiefly because of Stephen MacKenna's incredibly beautiful translation.
A drawing by Leo Meltzner of Stephen MacKenna, who translated Plotinus's Enneads This is philosophical English at its very best. There isn't anyone else I'd put even close. When MacKenna came across the Eneads, he wrote that Plotinus was 'really worth a life'. MacKenna then gave that life. Here is his translation of Plotinus on the subject of Beauty (Enead I.6.4). You think philosophy at its visionary heights lacks a sense of the visceral human instincts? Read this:
'Such vision is for those only who see with the Soul's sight – and at the vision, they will rejoice, and awe will fall upon them and a trouble deeper than all the rest could ever stir, for now they are moving in the realm of Truth.
'This is the spirit that Beauty must ever induce, wonderment and a delicious trouble, longing and love and a trembling that is all delight. For the unseen all this may be felt as for the seen; and this the Souls feel for it, every Soul in some degree, but those the more deeply that are the more truly apt to this higher love - just as all take delight in the beauty of the body but all are not stung as sharply, and those only that feel the keener wound are known as Lovers.' (Eneads I.6.4).
The keener wound? More than one writer has described the beauty of Scotland as a wound which cannot heal. I will leave it to you to ponder the thought in relation to Love.
Is Truth then 'a delicious trouble'? A major ambition of Philosophy is to discover the Truth. What this might be in itself is enough to keep philosophers in employment for millennia.
One thing for sure, the situation in Gaza and the Israeli government's explanations for it are not the Truth. What has been going on is Evil. What can we as mere readers do in the face of Evil?
About the only course open to us beyond naming it, is to draw attention to Good. To recognise Evil but insist that it is not Absolute.
Plotinus, writing in the third century AD, offers hope:
'Evil is not alone: by virtue of the nature of Good, the power of Good, it is not Evil only: it appears, necessarily, bound around with bonds of Beauty, like some captive bound in fetters of gold; and beneath these it is hidden so that, while it must exist, it may not be seen by the gods, and that men need not always have evil before their eyes, but that when it comes before them they may still be not destitute of Images of the Good and Beautiful for their Remembrance.' (Eneads I,8,15).
Images of the Good and Beautiful for our Remembrance. Hold on to them. They are precious and if you have been reading Alan Riach's essays you know where to find them.
But you know also that they are all about you and they too are Truth. The little things.
Now in my old age, I see them daily in the forbearance of others, or in the gesture of someone who, as I struggle to don my coat, helps me on with it behind my back and by the time I have turned to thank them they have vanished into the crowd.
Human empathy. Spread it about. That much we can do.
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I tried to go to 10 Edinburgh Fringe shows in 1 day – here's what happened
I tried to go to 10 Edinburgh Fringe shows in 1 day – here's what happened

The National

time6 hours ago

  • The National

I tried to go to 10 Edinburgh Fringe shows in 1 day – here's what happened

During my mission, I didn't want to just see and review shows, but observe the city, the energy and how much the public was actually enjoying themselves. This year, the total number of shows has risen to 3853, accompanied by a staggering 54,474 performances across 265 venues. For context, this makes 2025 the second-largest Fringe ever, trailing only the 2019 record of around 4105 shows. While not yet up to pre-pandemic scale, the annual rhetoric of the city being overtaken by the Fringe continues, and so I entered the day wondering; how many shows is too many shows? How it all began AS any good journalist for The National should, I started the day at 9.30am with A Political Breakfast, at the Hot Toddy. Advertised as a show were comedians who wake up in time join a panel to discuss a range of topics over their morning coffee, I was actively excited for this. The large room I entered was full, and the 40-plus folk were, in true Fringe style, from all over the world. The parallels in politics from all corners of the earth were drawn as we discussed the monarchy to attitudes towards driving instructors. Will Jeremy Corbyn help Nigel Farage become Prime Minister? Is Charles a better King than Elizabeth was Queen? The comedians in attendance were on fire for 9.30am, and Harun Musho'd hosted the discussion incredibly well. This was a Free Fringe show. The Free Fringe came into existence in 1996 to try and mitigate what the industry saw as the exploitation of artists by the paid Fringe. "If you see a paid Fringe show, chances are, none of the performers are making any money and they are probably losing loads," Musho'd told the audience at one point in the show where they took five minutes to all plug their individual shows. As he spoke, his fellow comedians nodded. 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With the very live concerns of the Free Fringe, the festival acting as an advert for the city, and the visitor levy swirling in my brain, I continued on my quest to see and review 10 shows. Next was Florence, a one-woman show starring and written by Honour Santes Barnes on George Street. The satirical tragicomic play follows the story of an ambitious young woman willing to use any means necessary to secure her success in the art world. Even if it means taking on a new identity. READ MORE: 'Cathartic': Indigenous Celtic heritage shines in Mairi Campbell's Fringe show This was the show's first performance and the crowd loved it. It will definitely be one of the many hits of the festival. I thoroughly enjoyed seeing the demographic of the audience (mostly young women) and found that throughout the day, taking in what kind of audience turned up for each show was just as entertaining as the shows themselves. Then, heading back to politics, I ventured to the C-venues on Victoria Terrace. 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Mats Hummels' ex-wife claims he didn't INVITE son, 7, to farewell match attended by new model girlfriend, 26
Mats Hummels' ex-wife claims he didn't INVITE son, 7, to farewell match attended by new model girlfriend, 26

Scottish Sun

timea day ago

  • Scottish Sun

Mats Hummels' ex-wife claims he didn't INVITE son, 7, to farewell match attended by new model girlfriend, 26

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) MATS HUMMELS' ex-wife Cathy claims that the defender did not invite his seven-year-old son to his Borussia Dortmund farewell match. The German World Cup winner, 36, retired aged 36 following a short stint at Roma. Sign up for Scottish Sun newsletter Sign up 8 Mats Hummels was joined at his farewell game by girlfriend Nicolas Cavanis Credit: Getty 8 Nicola, 26, is a very successful model Credit: Instagram 8 Hummels began dating Nicola in 2023 Credit: Getty 8 The footballer was married to ex-wife Cathy for seven years Credit: @cathyhummels Having played over 500 times for Dortmund across three spells, Hummels was invited back to his former club to play in a farewell match over the weekend. The centre-back received incredible acclaim from the club's fans as he featured in Dortmund's 2-1 defeat to Juventus alongside their current crop. Hummels was cheered on at Signal Iduna Park by model girlfriend Nicola Cavanis, 26. His ex-wife Cathy and son Ludwig, however, were not present at the game. READ MORE IN FOOTBALL HAND OF ROD Cristiano Ronaldo & partner Georgina FINALLY engaged as she shows off huge ring The 78-cap ex-Germany star split from Cathy in 2022 following seven years of marriage, and began dating Nicola the following year. Cathy, 37, shared a snap of Ludwig alongside a newspaper with his dad's picture on it. She wrote: "Someone stole my cap and read about Dad's farewell in the newspaper. So he knows what it was like." In a further post, Cathy added: "To clarify: We are not intentionally missing Mats Hummels' final game. BEST ONLINE CASINOS - TOP SITES IN THE UK 8 Cathy shared a snap of her son as well as a newspaper featuring Hummels Credit: Instagram @cathyhummels 8 Cathy later posted a follow up message in German Credit: Instagram @cathyhummels "I put my son an extra newspaper so he can read everything,' she wrote. 'The reason we are NOT there is simply gone: We were NOT invited or knew about it. Meet Germany star Mats Hummels' new model wag Nicola Cavanis, 25, who loves Wimbledon and is banned from getting tattoos "We are now enjoying our wonderful vacation with the family again. "Goodbye Aussenrist 15. Congratulations on your remarkable career." While Hummels was being honoured, Cathy and Ludwig were around 400 miles away on holiday at Lake Chiemsee. Nicola, meanwhile, is a successful model and has worked for the likes of Victoria's Secret and Puma. 8 Hummels married Cathy in 2015 Credit: EPA

The Animals Speak
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Time Out

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  • Time Out

The Animals Speak

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