
Actor Malcolm-Jamal Warner, Cosby Show star, dies at 54 in Costa Rica drowning
Warner portrayed the character for eight seasons, appearing in all 197 episodes, and earned an Emmy nomination for Outstanding Supporting Actor in a Comedy Series in 1986. One of the most iconic images of his character remains the episode where he wears a botched designer shirt sewn by his sister Denise, played by Lisa Bonet.Warner later starred in Malcolm & Eddie alongside comedian Eddie Griffin on the UPN network from 1996 to 2000. In the 2010s, he co-starred with Tracee Ellis Ross on the BET sitcom Read Between the Lines and appeared as Al Cowlings in American Crime Story. He was also a series regular on Fox's The Resident.His film credits include the 2008 romantic comedy Fool's Gold with Matthew McConaughey and Kate Hudson. A poet and musician, Warner won a Grammy for Best Traditional R&B Performance and was nominated for Best Spoken Word Poetry Album for Hiding in Plain View.- EndsWith inputs from Associated Press
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Time of India
an hour ago
- Time of India
‘The Intern' remake: Choi Min Sik to play the role of Robert De Niro, Han So Hee to join as Anne Hathaway's character
'The Intern ', an American film starring and as the main leads, has officially been confirmed for a Korean remake! Actress Han So Hee had already been in talks to play one of the lead roles in the film, and now Choi Min Sik has also joined the cast! Cast confirmed for 'The Intern' Korean remake The news was first confirmed by Kyunghyang Shinmun when So Hee's management agency confirmed that she would be cast in the role. Tired of too many ads? go ad free now Choi Min Sik has also been confirmed to take on the lead role in the film, creating buzz amongst fans who had been elated after finding out about the remake. The Korean Film Council's official website has also updated the details about the cast confirmation. The project will begin filming by next month as it is currently in the pre-shoot stage. About the original 'The Intern' 'The Intern' is a popular film that stars Hathaway as Jules Ostin, the founder and CEO of an online shopping website, who is used to working on her own. Then there is Ben Whittaker, a 70-year-old senior who has been retired for a long time, but after seeing the job posting at Jules' company, tries his luck at getting back into corporate as the senior diversity hire. Ben plays the role of Jules' intern, as the two navigate working with one another while developing a special bond. About Han So Hee and Choi Min Sik Both Han So Hee and Choi Min Sik are seasoned names in the Korean entertainment industry. The actress is known for her roles in projects like 'Gyeongseong Creature', 'My Name', '100 Days My Prince', 'Nevertheless', and 'Heavy Snow'. Choi Min Sik, on the other hand, has worked on various award-winning films and dramas, which include, but are not limited to, 'Big Bet', 'Exhuma', 'Heaven: To the Land of Happiness', ' I Saw the Devil', and 'Old Boy'.

The Hindu
2 hours ago
- The Hindu
Stephen Colbert's last stand
A couple of weeks ago, viewers of CBS's The Late Show with Stephen Colbert were surprised by the host returning from vacation with a wispy black-and-white moustache. Like many, I initially thought it might be a prop, until the host said otherwise. 'That's right, it's me underneath this salt-and-pepper cookie-pusher,' Colbert quipped. 'For tonight, my upper lip is home to what many in the beauty industry are calling 'technically a moustache''. Later in the same episode, Colbert criticised CBS's parent company Paramount for settling a lawsuit with President Donald Trump for $16 million, calling it 'a big fat bribe'. Trump had alleged that CBS 'deceptively edited' an interview with Democratic presidential candidate Kamala Harris, a claim that Paramount said was 'entirely without merit' in their reply. Yet they coughed up $16 million anyway. Colbert finished the segment about Paramount by joking that even if the network decides to discontinue The Late Show to placate Trump, he could 'always sneak into the building with this moustache'. Three nights later, Colbert announced on the show that the cancellation fears were real; Paramount had decided to discontinue the show in May 2026 for 'financial reasons'. He's not being replaced by a different host — the entire Late Show franchise (David Letterman was at the helm from 1993-2015) will simply cease to exist. Colbert's former colleague and fellow satirist Jon Stewart pointed out another crucial piece of the puzzle. 'The fact that CBS wouldn't save its own number-one-rated network late-night franchise,' Stewart said, 'that's been on the air for over three decades, is part of what's making everybody wonder was this purely financial? Or maybe the path of least resistance for your 8-billion-dollar merger?' Stewart was referring to Paramount's impending $8 billion merger with the firm Skydance — a deal that Trump had previously indicated he would block as payback for his perceived grievance about the Harris interview. What happens to satire? As one of the most-loved and followed talk show hosts and political satirists in the world, Colbert surely deserved a better farewell — to go out on his own terms rather than becoming a political football between Paramount and Donald Trump. But the Late Show's cancellation does place another question mark over the future of the late-night talk show format. In the ongoing streaming epoch, where 'appointment viewing' is becoming increasingly dominated by live sports, the late-night talk show is one of the last surviving templates from TV's original golden era (the 1950s and 60s). Some news, a few topical jokes, some interviews with coiffed-up celebrities, and a live performance or two — this basic outline has served successive generations of American TV hosts, starting with Ed Sullivan (who began in the late 1940s and was on the air until the early 70s). At the end of a long day at the office, you can often enter a state of 'decision paralysis' while fiddling with the TV remote — do you watch trashy fun things or more sophisticated, cerebral fare? The late-night show drew inspiration from its cousin, the 'variety show', and took this indecision out of the equation. There's something for everyone in this format, the celeb-obsessed gossip-column reader as well as the serious-minded consumer of 'hard news' and political satire. However, in the streaming era, the competitive advantage offered by this format has depleted significantly. Today, no matter how specific or whimsical your ask is, chances are you will find a streamer willing to fulfil it. The end of an era In the last two to three years, we have been witnessing several manifestations of this programming impasse. In 2023, it was reported that James Corden's The Late Late Show was losing CBS $20 million annually prior to its cancellation. Before that, in 2022, Trevor Noah left The Daily Show after seven years at the helm. Of the survivors in this circuit, Jimmy Fallon has been reduced to a kind of parody of himself, resorting to increasingly over-the-top gags. Jimmy Kimmel is second in the ratings behind Colbert, but his jokes have definitely been wearing thin in recent years. Post-Colbert, Seth Meyers' show is perhaps now the go-to venue for smart political comedy and off-kilter humour. How are the late-night shows meeting the challenges of this new era? One thing that they all seem to be doing is inviting more Gen-Z guests, especially people who are popular on the Internet. In India, for instance, Kapil Sharma's Netflix show (the closest equivalent, format-wise) had a group of young podcasters and influencers as guests recently. Of course, this move doesn't always work smoothly; Colbert himself had a supremely awkward interview with the 22-year-old actor Jenna Ortega (from Wednesday and the Scream horror-movie franchise) earlier this year where it was quite obvious neither of them knew or cared much about the other. The other option, of course, is to go 'gloves off', as Colbert declared last week on his show. Chances are that until May 2026, we are in for a far more aggressive, scathing, no-quarter-given version of Stephen Colbert — not bad for a last hurrah. The writer and journalist is working on his first book of non-fiction.


Time of India
8 hours ago
- Time of India
58-year era ends: Corporation for Public Broadcasting to close after Trump pulls funding; $1.1 billion cut by Congress
From 'Sesame Street' to silence (Image credits: AP) The Corporation for Public Broadcasting (CPB), a pillar of American media for nearly six decades, announced Friday that it will begin a formal shutdown process following the complete loss of federal funding by the Trump administration. The decision comes after Congress rescinded $1.1 billion in appropriations for the next two budget years, effectively eliminating the organization's lifeline. 'This marks the end of a historic era in which public broadcasting played an essential role in shaping America's cultural and educational landscape,' said Patricia Harrison, CPB's president and CEO. 'Despite the extraordinary efforts of millions of Americans who called, wrote, and petitioned Congress to preserve federal funding for CPB, we now face the difficult reality of closing our operations,' she added as quoted by AP. The move was driven by US President Trump, who has long targeted public broadcasting, labeling the CPB a 'monstrosity' and accusing it of promoting cultural and political narratives he considers 'un-American.' His administration has also shut down other publicly funded media institutions, including Voice of America, and in April, Trump dismissed three CPB board members in what they described as a politically motivated overreach. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Cargo Ship Meets Pirates - Watch What the Captain Does Next! Tips and Tricks Undo The senate appropriations committee reinforced the funding cut on Thursday by excluding CPB from its annual budget bill for the first time in more than 50 years. Democratic lawmakers made a final push to restore funding, but the effort fell short. Senator Tammy Baldwin (D-Wis.) offered, then withdrew, an amendment to reinstate funds, saying she would continue working to "fix this before there are devastating consequences. " In response, senator Shelley Moore Capito ( said, 'We litigated this two weeks ago. Adopting this amendment would have been contrary to what we have already voted on.' Local stations, iconic programming face fallout Founded in 1967 and signed into law by former President Lyndon B Johnson, CPB has funded more than 1,500 public radio and TV stations, especially in small and rural communities. It has supported iconic programming such as 'Sesame Street,' 'Mister Rogers' Neighborhood,' NPR's 'All Things Considered,' and the documentaries of Ken Burns. It also plays a critical role in delivering emergency alerts and public safety communications across the country. Most of CPB's funding has gone directly to local stations, including 330 PBS and 246 NPR affiliates. Roughly 70% of federal funding is distributed at the local level. NPR president and CEO Katherine Maher recently noted that about 96% of classical music broadcasts in the US air on public radio stations- programming that may now be in jeopardy. As part of its shutdown, CPB informed staff on Friday that most positions will end by September 30, the close of the fiscal year. A small transition team will stay on through January to manage final operations, including music licensing and royalty agreements. 'Public media has been one of the most trusted institutions in American life, providing educational opportunity, emergency alerts, civil discourse, and cultural connection to every corner of the country,' Harrison said as quoted by AP. 'We are deeply grateful to our partners across the system for their resilience, leadership, and unwavering dedication to serving the American people.'