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Alex Warren at Iveagh Gardens, Dublin: Stage times, set list, ticket information, support acts and more

Alex Warren at Iveagh Gardens, Dublin: Stage times, set list, ticket information, support acts and more

Irish Times15-07-2025
Alex Warren is having a very busy year. His single Ordinary went to number one and he had two more songs in the UK top 40 earlier this year. Ordinary and Bloodline are still there. He is also a founding member of the Hype House – a collaborative
TikTok
group from 2019 to 2022.
'From being homeless and sleeping in friends' cars to his current rise to stardom as a multitalented musician, Warren has shared the intimate details of his life with the world for more than a decade, building an online community of 26 million followers,'
Aiken Promotions
says. The US singer-songwriter will take to the stage in Dublin's
Iveagh Gardens
as part of his world tour.
When and where is it?
Alex Warren plays Dublin's Iveagh Gardens on Thursday, July 17th.
What time should I arrive?
Doors for the gig open at 6.30pm, with the music expected to begin at 8pm. Iveagh Gardens concerts tend to finish by 10.30pm. Traffic and entry delays are inevitable, so make sure you give yourself a couple of hours' leeway getting to and from the venue.
READ MORE
Who is playing?
US singer Medium Build has been confirmed as the support act for the gig.
What songs will Alex Warren play?
This was a set list performed by Warren in US Cellular Connection Stage in Milwaukee, Wisconsin, on July 4th:
Burning Down
Troubled Waters
Before You Leave Me
Catch My Breath
You'll Be Alright Kid
Yard Sale
Never Be Far
Save You a Seat
Chasing Shadows
Bloodline
You Can't Stop This
Headlights
Carry You Home
Ordinary.
How do I get to and from the gig?
The Iveagh Gardens are near St Stephen's Green in the heart of Dublin city. As a result, you are advised to use one of many public transport options to get to the venue.
Travel by bus:
A wide variety of Dublin Bus routes service the city centre. The 37 route, for example, runs along the northside of the quays and will drop you an eight-minute walk from the Iveagh Gardens. You can plan your journey with Transport for Ireland
here
.
Travel by Luas:
The St Stephen's Green Luas stop is a seven-minute walk from the venue. If you are heading southbound, take any green line Luas towards Sandyford or Brides Glen. If you are heading northbound, take any green line Luas towards Broombridge or Parnell.
Travel by train:
If you are arriving in Dublin by train, you can hop on the red line Luas from Heuston Station to Abbey Street. There,
transfer to the green line Luas from the stop on Marlborough Street, hopping out at St Stephen's Green and walking seven minutes to the Iveagh Gardens.
Travel by car:
The closest car park to the Iveagh Gardens is St Stephen's Green's Q-Park. You can pre-book a parking space
here
, although it is recommended you use public transport as traffic delays before and after the gig are inevitable.
Are there any tickets left?
At the time of writing, the gig is sold out, but resale tickets can be purchased from Ticketmaster
here
. Remember to download your tickets to your phone as there may be internet or connectivity issues at the venue on the day.
Do not rely on screenshots, as Ticketmaster often uses live or dynamic barcodes that update regularly.
What is security like?
This event is for over-18s. Under-18s must be accompanied by an adult. Make sure to bring an official form of identification with you: a passport, Garda age card or driving licence will suffice.
Bags size A4 or above will not be permitted entry. All bags will be subject to a search on arrival. Avoid bringing prohibited items including glass, cans, alcohol, garden furniture, umbrellas, flares, illegal substances or any item that could be used as a weapon.
Recording and taking pictures using a camera phone is no problem, but professional recording equipment will not be allowed inside the venue.
What does the weather forecast look like?
Thursday is forecast to be mostly cloudy with outbreaks of rain breaking up into showers and sunny spells during the afternoon and evening. Some showers will be heavy with a chance of isolated thunderstorms. Highest temperatures of 18 to 23 degrees with south to southwest winds. So make sure to dress appropriately and bring a rain jacket.
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Irish The Chase star shares 'brilliant' natural way to get rid of house flies
Irish The Chase star shares 'brilliant' natural way to get rid of house flies

Irish Daily Mirror

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  • Irish Daily Mirror

Irish The Chase star shares 'brilliant' natural way to get rid of house flies

This summer, you could keep flies at bay with a "brilliant" tip shared by The Chase star Darragh Ennis. As an entomologist, Dublin-native Darragh has a smart way to rid your home of these insects, particularly if you have houseplants that attract them. In a recent TikTok video, the 44-year-old TV personality, also known as The Menace on the ITV quiz show, revealed a simple and natural method to deal with the small black flies that can be a nuisance during the summer months. These pests, known as fungus gnats, can be "really hard" to eliminate and often infest houseplants, causing irritation and leading many people to give up on their plants altogether. Darragh said in his video: "If you've got little insects flying around your house, it can be really annoying. "Now, I'm an entomologist, so I love insects, but I still don't want those tiny little black flies all over my house, and they're really hard to get rid of - especially when they live in your houseplants. The Chase's Darragh Ennis, also known as The Menace on the ITV quiz show, has a genius hack for keeping flies out of your home "They're called fungus gnats because they live in compost and stuff, and they're a big pest in mushroom growhouses and things. Getting rid of them with chemicals is really hard." Darragh suggests a plan to care for your houseplants while getting rid of the flies simultaneously - using nematodes, reports the Mirror. He explained: "You've probably never heard of them, but they're little microscopic worms that live in the soil. "They're probably the most common animal on the planet, but we can't see them. There's billions upon billions upon billions of them." He went on: "One type of them crawls inside insects and kills them. Now, it's a bit gruesome, but it's a natural way of killing them. "You can just order these online. You just put these into a watering can and then pour them on your house plants. The best bit about this is that they crawl through the soil and hunts through the larvae and everything so they're gone. "So if you want to get rid of those little flies and you don't want loads of chemicals, buy some nematodes. I studied them for my PhD, and now they're useful in my house." Darragh also displayed the packet of nematodes he had purchased online, labelled as Sciarid Fly Nematodes, which available on Amazon. You can stop flies from getting into your home using various natural methods, including using herbs and plants that these pests hate the smell of. These include basil, lavender, mint, bay leaves, and marigold. You can also create an essential oil spray by combining one cup of water, 10-15 drops of an essential oil such as peppermint, lemongrass, citronella, or lavender, and one tablespoon of vodka (optional, but helps in mixing the oils) into a spray bottle and misting it around windows, doors, and other access points in your home. Another favoured technique to deter flies, particularly the minuscule ones like fruit flies, is to concoct a DIY trap. This can be achieved by mixing apple cider vinegar and washing up liquid in a bowl, covering it with cling film, and then poking a few tiny holes in the top. Subscribe to our newsletter for the latest news from the Irish Mirror direct to your inbox: Sign up here.

Des Geraghty: ‘The real problem in fascism is the people who are insecure'
Des Geraghty: ‘The real problem in fascism is the people who are insecure'

Irish Times

time8 hours ago

  • Irish Times

Des Geraghty: ‘The real problem in fascism is the people who are insecure'

Throughout his long career in public life , Des Geraghty has been many things: trade union leader, politician, author, musician and campaigner. With such a varied resumé, one wouldn't think there'd be room for another string to his bow. But it seems he also missed his calling as an actor, at least if his command of Shakespearean drama is anything to go by. Geraghty is sitting in the crowded cafe of the National Gallery , musing on the effects of social inequity and economic uncertainty, when he suddenly starts to recite a passage from Julius Caesar to make his point. 'That lowliness is young ambition's ladder, whereto the climber-upward turns his face,' he exuberantly incants, his voice rising above the clatter of crockery, 'But when he once attains the uppermost round, he scorns the base degrees by which he did ascend.' Geraghty delivers this (slightly truncated) passage after making a more prosaically phrased observation about society: 'Once you get on this ladder and you go up a bit, and you get a house, you start looking at people who don't have one.' If his theatrical flourish doesn't necessarily herald a new acting sideline, it underlines Geraghty's multifaceted approach to activism down the years, encompassing education and culture as well as economics and politics. READ MORE The 81-year-old former Siptu president has now pulled together these disparate strands for a new documentary film on one of his heroes, 1916 leader James Connolly , entitled We Only Want the Earth. Written and directed by acclaimed film-maker Alan Gilsenan , with Geraghty as executive producer and driving spirit – he first mooted the project in 2003 – the film focuses on Connolly's life and ideas rather than his role in the Easter Rising. 'I was more interested in his life than in his death,' Geraghty says. 'He had a very fruitful life before 1916, probably more relevant to today's world.' Accordingly, the film, which has been screened at festivals around the country, vividly weaves Connolly's biography with contributions from environmental, trade union and trans rights activists – 'practitioners who have been influenced by Connolly's vision' – as well as poetry and song from the likes of Christy Moore and Stephen Rea. It's an approach that reflects Geraghty's belief that Connolly's legacy still matters. 'I could be described as irreligious, but I believe very much in the spirit. And I think there's a spirt of Connolly, and it's a spirit that the Irish people inherited, personally and collectively,' he says. 'That's particularly important to me in today's world. I'm depressed by the fact that the working class in many parts of Europe, and in Ireland, are being attracted to very right-wing ideas like sectarianism, ultranationalism, racism, hostility to migrants, quite the opposite of what the spirit of Connolly would represent.' There's no doubting the importance of Connolly to Geraghty's own political philosophy, though he's inspired more by the executed rebel's union activities than his fateful decision to take up arms. James Connolly: The 1916 leader 'argued the worker should be building structures for a new society in the workplace - that always stuck with me', says Des Geraghty 'If you were going to put a political description on me, it would be a constructive socialist,' he says. 'And I got that from Connolly. He argued the worker should be building structures for a new society in the workplace. So that always stuck with me. Throughout my career, I've been seen as too left-wing for some, and not left-wing enough for others, but I like to think I was in the process of constructing coalitions of people to build a better society.' For the 35 years that he worked as a full-time union official – first with the Irish Transport and General Workers Union (ITGWU), then its successor Siptu – Geraghty was at the coalface of industrial relations, involved in struggles and negotiations with employers. (Ryanair boss Michael O'Leary wasn't a fan.) But he displayed an expansive attitude to his brief, whether being involved in left-wing politics or helping negotiate the social partnership agreements that underpinned the Celtic Tiger. [ Alan Gilsenan: 'I would have had a dreamy, artsy-fartsy notion that a united Ireland would be great' Opens in new window ] Since stepping down as Siptu leader in 2003, he has enjoyed a high-profile second act, mixing service on the boards of public bodies with campaigning. And while he studiously avoids comment on his successors, he thinks the trade union movement needs to aim higher than seeking better pay for members. 'I believe the union movement gets its strength when it's broadly embracing the wider principles: the economy, the status of people, families, access to housing, healthcare, all the areas where trade unions work,' he says. 'I was on my own at times on the left by arguing for social bargaining at national level, for the reason that we could bring in issues of concern for people on social welfare or the unemployed. 'I'll give you a simple example. The last negotiation I was involved in very centrally was the last social partnership agreement [the Sustaining Progress programme of 2003-2005], when we put the issue of housing on the agenda, and got a commitment in the agreement for 10,000 affordable houses.' Citing achievements from the Celtic Tiger era may seem counterintuitive given how things unravelled in the 2008 crash, but while he talks about a better future, Geraghty has a keen sense of history, both Ireland's and his own. Gregarious and erudite, he makes regular conversational diversions into passionate polemics, historical precedents, literary references and personal anecdotes. His family background, in particular, remains central to his worldview. A self-described 'proud Irishman and Dubliner', he was born in the Liberties in 1943 to parents with strong republican connections. As described in his 2021 memoir, We Dare to Dream of an Island of Equals , his father Tom was a member of republican youth organisation Na Fianna Éireann, while his mother Lily's brothers went on the run during the independence struggle: his uncle Jack had been in Connolly's Citizen Army. 'They were very Larkinite republicans,' Geraghty adds, referring to Jim Larkin, founder of the ITGWU and union leader during the turbulent 1913 lockout. Des Geraghty: 'My mother should have been the minister for finance; she fed us all when my father was unemployed.' Photograph: Nick Bradshaw Money was tight. 'My mother should have been the minister for finance; she fed us all when my father was unemployed.' But he remembers a culturally vibrant childhood. 'There was always singing in our house,' he says, recalling the music played by nearby neighbours who were in the Furey folk dynasty. It began his lifelong love of Irish music, both as musician – he plays the flute – and folklorist: in 1994, he wrote a biography of his old friend Luke Kelly , singer with The Dubliners. [ From the archive: Daring to dream of an island of equals Opens in new window ] Geraghty went straight into work after school, including a stint as an RTÉ cameraman, before becoming a full-time union official in 1969. He also married the late Irish Times journalist Mary Maher: they later separated, but remained friends until her death in 2021. (Former Siptu economist Rosheen Callender has been his partner for many years.) Parallel to this, he was involved in politics, first as a member of the Workers' Party – he stood unsuccessfully for the European Parliament in 1984 – and then its post-split iteration, Democratic Left. He represented the latter in the European Parliament in the early 1990s, when he came in as substitute for sitting MEP Proinsias De Rossa. He did not stand for re-election, however – it was agreed he would return to Siptu. Apart from an unsuccessful Seanad run for Labour in 2002, he largely eschewed party politics. Though he believes the labour movement needs both a political and industrial arm, he is clearly frustrated by the fractures in left-wing politics. 'There's a lot of splitting hairs of politics,' he says, pointing to the rivalry between the Labour Party and the Social Democrats. 'My own view is I don't want to get involved in that,' he adds. 'I was never a sectarian in my political outlook. I always worked with everyone in the union – there were great shop stewards who were Fianna Fáil-ers. I suppose my philosophy would have been that you've got to embrace all.' His all-encompassing attitude that 'trade union voices should be heard anywhere decisions are made' was put to the test when, in the depths of the crash in 2009, he was approached by the late Brian Lenihan, then finance minister, to join the board of the Central Bank. 'I said, 'you must be joking, I've no time for bankers and I've less time for them now',' Geraghty recalls. But after relenting under Lenihan's persistence, he was appointed as chair of the risk committee. He still remembers Central Bank official delivering a stark assessment of the debt accumulated by Irish banks. 'She had a white face,' he recounts. 'I said, 'give it to me straight, what is the situation?' Now, I'd been reading all the journals and papers saying €64 billion [in debt], and she said, 'it's closer to €120 billion'. That was a frightening situation – I couldn't sleep that night, I wondered was I mad taking this on.' What I see is that they're dehumanising all of us. It's not just Gaza; they're making this standard acceptable. It's the depths of depravity — Des Geraghty As it turned out, Geraghty remained on the board until 2019: 'I was confident enough in the period I was there that good decisions were made.' But while he says he learned a lot about banking, he still views economics on a human scale. 'Economic thinking tends to be dominated by classical economists, bankers, financiers, and they're all about the bottom line, but I've always argued that's a very narrow concept of economy,' he says. 'Every penny you give in social welfare is channelled into the economy – it's spent in the local shop, on clothes and books for school. Economy is about how people live, the bottle of milk that you buy in the morning.' This chimes with his wider outlook. 'I like the slogan the Greens came up with: think globally, and act locally. We have to understand the world we live it, and act locally, with the sense of the community we're in.' But for all his idealism Geraghty is aware that not everyone shares his vision of a shared society. 'I found in housing [he was previously chairman of the Affordable Homes Partnership] that I was taken aback by objections to housing projects in local authorities,' he says. 'It usually was an objection to traffic, but at the end of the day people in secure houses are never that wild about new people coming in. So the real threat comes from people who are insecure, and the real problem in fascism is the people who are insecure. And that's egged on by people who have vested interests in that – Brexit was a classic example.' Similarly, Geraghty is alive to the growth of anti-immigrant sentiment in Ireland. He understands some concerns about the impact of immigration in rural areas. 'I can see an ordinary, logical argument that the State needs to do better, without filling out the local hotels,' he says. 'But the basic thing is we have a responsibility to provide as best we can.' Des Geraghty: 'I think that music, poetry and song was the anchor that kept the spirit of the Irish alive over centuries.' Photograph: Nick Bradshaw He firmly believes Ireland has 'enormously benefited' from migration: his 2007 book 40 Shades of Green celebrated the contribution of immigrants, in line with his view of national identity as 'a jigsaw of many pieces'. 'We're a mosaic of these identities, and we shouldn't be afraid of them,' he says. 'We need to thrive on difference.' These days, his activism is international in focus. He is vocal about Israel's destruction of Gaza, while calling out European inaction on the issue. 'What I see is that they're dehumanising all of us,' he says. 'It's not just Gaza; they're making this standard acceptable – Putin has done the same thing, bombing cities. It's the depths of depravity.' [ A father in Gaza: Our children are dying as the world watches. We don't want your pity – we want action Opens in new window ] Still, Geraghty sees reasons for hope. He lauds Ireland's 'communitarian instinct', evident in the charity sector and grass-roots action on patient rights and homelessness. Likewise, he remains inspired by Ireland's cultural life. 'Seán O'Casey said something very interesting, that culture is the way we live,' he observes. 'Culture isn't something out there, it has to be part of your own existence.' It's advice Geraghty has always taken to heart, whether previously serving as chairman of Poetry Ireland or appearing this month at the Masters of Tradition festival in west Cork. 'I think that music, poetry and song was the anchor that kept the spirit of the Irish alive over centuries,' he says. 'Music can bring people closer to their own homeplace – pride of place is very important if we're going to deal with the environment – and it doesn't have to be mutually exclusive to anyone else.' Such idealism speaks of Geraghty's principles, but also his personality. He cheerfully greets people who come up to him during our encounter, and even when discussing dark subjects, he looks on bright side. 'My optimism is rooted in my experience with human beings,' he says. 'I think human beings fundamentally have the potential to be either good or bad. We've the potential for humanity and greatness and creativity, or we can go down another road of dog-eat-dog and doing down other people, where you encourage all the worst features. I don't like competition as a philosophy. I think people are at their best when they're co-operating, when they're sharing, when they're not trying to beat other people.' Des Geraghty appears in conversation with Martin Hayes at the West Cork Music Masters of Tradition festival on August 24th

Reasons to love Dublin right now: 52 of our favourite things about the city
Reasons to love Dublin right now: 52 of our favourite things about the city

Irish Times

time8 hours ago

  • Irish Times

Reasons to love Dublin right now: 52 of our favourite things about the city

Louis McNeice nailed it eight decades ago when he immortalised our capital city in his poem Dublin : 'But yet she holds my mind/With her seedy elegance ... The glamour of her squalor, The bravado of her talk.' Ah, Dublin. The seedily-elegant city gets an awfully hard time these days. The housing crisis looms large, as do the apart-hotels springing up everywhere, not to forget the dilapidation that has always dogged our dirty old town. For years each winter, New York magazine has celebrated that city with its Reasons to Love New York Right Now edition. Inspired by them, we're celebrating all that is great about Dublin. 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(With thanks to Róisín Ingle, Corinna Hardgrave, Una Mullally, Roe McDermott, Olivia Kelly, Conor Pope, Emer McLysaght, Deirdre McQuillan, Sorcha Pollak, Conor Capplis, Rebecca Daly, Niamh Browne, Joanne Cronin, Malachy Clerkin, Madeleine Lyons, Laura Slattery, Cathal O'Gara, Gemma Tipton and Ella Sloane). Culture & nightlife Because the Hacienda is holding out against gentrification. Shay is one of Dublin's most beloved publicans. Always sporting an untied bow tie hung over a jazzy waistcoat and shirt, along with his signature coloured glasses, perhaps his greatest contemporary achievement is buttressing a unique bar from TikTok-loving tourists who confuse character with content. The pub – its exterior mimics a traditional Spanish cottage – has been there for decades in the market area between Capel Street and Smithfield. After you buzz the 'bar' bell, and Shay cracks the iron-gated door, gives you the once over, and – if you're lucky, or a regular – grants entry, inside you'll find a magical pub stuck in time, with its nautical theme, pool tables, and a jukebox that always reverts to The Eagles. Intimate and lively, quaint and fun, it is also beloved by visiting artists looking for a down-to-earth spot to grab a pint, or to celebrate film premieres and arena tours ( Taylor Swift booked it out for the after-party following her trio of concerts at the Aviva Stadium last summer). Sure, you can have a star on Hollywood Boulevard, but everyone knows that a framed photograph of you next to Shay on the wall of the Haci is the sign you've really made it. Now surrounded by apart-hotels, The Hacienda represents a space and attitude holding out against the homogenous corporate gentrification of the city. Protesters marching over the proposal to build a 114-room hotel around the Cobblestone pub in Smithfield, Dublin. Photograph: Dara Mac Dónaill ... and the Cobblestone lives on. One of the great people's victories in Dublin in recent years was the success of the Cobblestone protest . The pub – a bastion of traditional music, song, dance, and the Irish language – was threatened with a hotel development in 2021. Artists and audiences alike sprang into action, holding protests in Smithfield and at the headquarters of Dublin City Council. Planning permission ultimately refused; culture was one of the reasons cited. The energy of this successful protest speaks to the thriving traditional music scene in the city, from which many brilliant, boundary-pushing contemporary acts have emerged. Away from the din of amplified tourist-baiting live music in Temple Bar, you'll still find authentic sessions in pubs across the city, and core to those is the Cobblestone. Because the Chamomile Club is proving Dublin can still be an exciting place for young artists. One of the most exciting collectives to come out of the city in recent years, the Chamomile Club encompasses parties, club nights, and music releases, featuring some of Ireland's most exciting acts, including Monjola, Moio, and Aby Coulibaly. From block parties on Fade Street to garden parties at Orlagh House, and events at The Workman's Club, The Complex, or other 'secret locations', their line-ups, design, and all-round energy is elevated and exciting. Other Dublin collectives, spaces and bands with a radical spirit include Dublin Digital Radio, Unit 44, and Bricknasty. Dublin is an expensive place to live, underserved with cultural spaces, and bigger cities are always calling. Yet these young artists and collectives are holding firm and inspiring others. Because the IFI and the Lighthouse are churches for film nerds. The seats are comfy, the coffee's good, the staff are all delightful film nerds, and the foyers feel like somewhere you might accidentally meet the love of your life. Arthouse cinema in Dublin is alive and well, with the IFI hosting the Family Film Festival this August, while the Lighthouse's programme is packed with the best new films as well as special screenings of classics like In The Mood For Love and Stanley Kubrick's Barry Lyndon . Events like Cinema Book Club, GAZE and regular Q & As with writers and directors make these cinemas cultural hubs where no one will judge you for crying at a documentary about sheep. And if they do, they're in the wrong cinema. Throwing Shapes is a community ceramics studio in Dublin 8. Photograph: Alan Betson Because pottery fever is catching in the Liberties. Nestled away on Mill Street in the Liberties, you'll find a clay haven . Throwing Shapes is 'the equivalent of Ballymaloe, but for clay,' says its founder Síofra Murdock, a ceramicist from Co Down who is as cheery and colourful as the pieces on display in her studio. Curious passersby can't help but peer through the giant windows, plastered with bold red lettering – 'Your Community Ceramics Studio' – to see what's going on. It's a hub of activity, hosting workshops, talks and markets that attract queues down the street. The shelves are lined with hundreds of creations, decorative and functional, at varying degrees of completion – some already fired and glazed, others still blank canvases. Having just celebrated its first birthday in May, the magnetic force of the studio grows stronger by the week. One member has even packed up and moved house to have the pottery wheels within arm's reach. Murdock has hand-built a thriving clay community. Come and get your hands dirty. Because a Dublin storytelling event has gone global. 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For everyone else, it's an excellent excuse to finally read that novel. Forbidden Fruit at the Royal Hospital Kilmainham Because it's brilliant for live music. From blockbuster headliners like Taylor Swift at the Aviva and Bruce Springsteen at Croke Park, to up-and-coming Irish talent taking to the stage in the Academy or international indie acts playing the Olympia, Dublin easily pulls the live music weight of a city three times its size. It's not just the venues themselves that are special, but festivals such as Kilmainham's Forbidden Fruit and In The Meadows, to the propulsive dance beats of Longitude in Marlay Park. Catch emerging acts at smaller festivals like Whelan's We've Only Just Begun and Workman's Next Big Thing. Because we have the greatest (art) show on earth for free. In other capital cities people line up to pay admission to art galleries. In Dublin you can see Caravaggio, Vermeer (one of only 34 in the whole world) and more for absolutely nothing at the National Gallery. Or wander into the Hugh Lane, for their heart-soothing Impressionist collection, alongside the world-famous Francis Bacon Studio. Right now, Ailbhe Ní Bhriain's hauntingly beautiful Dream Pool Intervals is on show there too, ending September 28th. Because our contemporary art museum is so much more. An art gallery you can do yoga at? Tick. Not only does the Irish Museum of Modern Art have a collection that's jam packed with goodies (Daphne Wright, Dorothy Cross, Alice Maher – and that's just for starters), their summer programme adds drop in yoga in the formal gardens on Wednesday lunchtimes and Thursday evenings all summer long. Add outdoor art films on Living Canvas, coffee in the courtyard, music and free workshops to get your arty buzz on and find out more at Did someone say art is stuffy, formal and elitist? Not in Dublin. Dublin oddities, attractions & heritage Katie McCarthy, Mary Bolger, Seren Gillard and Carlie O'Connor at the Cherry Tomato Bridge. Photograph: Tom Honan Because a few cherry tomatoes on a bridge can turn into a tourist attraction. Nobody knows who started it. Nobody cares. What began last January as a few cherry tomatoes frozen during a cold snap on Binns Bridge in Drumcondra evolved into an unlikely tourist attraction. On Google Maps, it was known as 'the Shrine of the Sacred Cherry Tomatoes of Drumcondra'. Locals and tourists flocked to pay homage with ketchup sachets, basil bouquets and, in one high-art twist, AI-generated portraits of tomatoes in tuxedos. Influencers filmed it. Poets wrote tomato-based tributes. The bridge, inevitably, got millions of views on TikTok. A tourist from Zimbabwe told one newspaper that while he'd been to see the Phoenix Park 'so far my favourite thing is the Cherry Tomato Bridge'. 'Rotten tomatoes,' complained the critics. 'Salad days,' countered the fans. Either way, it captured something ephemeral about the communal absurdity to be found in Dublin. Dublin City Council Spoilsports Department were quick to clean it all up, but we'll always have the memories. Because Dublin pub quizzes are the best craic. Every night of the week in Dublin there's a Quizteam Aguilera or a Trivia Newton John vying for glory in the great leveller of social activities, the pub quiz. A good team name is almost more important than how you do. From The Woolshed on Parnell Street to Dudley's on Thomas Street you'll get more old favourites like Quiz Quiztofferson and Universally Challenged, along with some more local flavour like Let Quizty Take It or A Tráth Called Ceist. The weekly Wednesday quiz at The Circular in Rialto often sells out and combines friendly vibes, at least four dog mascots, and healthy rivalry between returning teams and newbies alike. Losers get whatever the host Colin McKeown bought earlier in the shop across the road, so even if the scores plummet there might be a Toffee Crisp in it for you. Colin runs Quiz Host Ireland and says it's community that brings people back again and again: 'Simply that we gather together and join a bigger group'. His favourite team name ever? 'Padraig Pearsed Nipples.' The Viking Splash has become so beloved in Dublin. Photograph: Dara Mac Dónaill Because sound Dubs still play along with the Viking Splash Tour. Those giant yellow second World War era amphibious vehicles trundle around the city, spitting facts about Dúbh Linn and pointing out that the Pepper Canister Church is so-called because it ... looks like a pepper canister. The favourite activity of the Viking Splash is creeping up on unsuspecting pedestrians to roar at them. It is the best of sports who pretends not to see them coming and then gets a 'big fright' followed by a wave to all the marauders on-board. The Viking Splash has become so beloved in Dublin that when it appeared back on the streets after the Covid lockdowns it was taken as a positive sign that the city was healing. Spare a thought though for those who live or work along the route. It can't be easy hearing those impassioned 'aarrgghhs!' multiple times a day. Because soon you'll be able to make free phone calls from a retro phone box in the Little Museum of Dublin. Newly reopened in its original home in a Georgian town house on the northside of St Stephen's Green, the back yard of the Little Museum of Dublin will shortly be home to an old-school cream and green phone box. Once a familiar sight on Parkgate Street and later Dawson Street, the K1 phone kiosk is one of only two examples of this iconic phone box still left – the other is in Foxrock village where it's a decorative suburban quirk that also houses a well-used book exchange. When the phone box lands in the museum in August it will become the only functioning K1 phone kiosk in the State. After a restoration project, Eir has donated the kiosk to the Little Museum ensuring that this piece of telecommunications heritage is safeguarded for future generations. Soon visitors to the museum will be able to experience the unique phone box and even, thanks again to Eir, make phone calls anywhere in Ireland for free. Because Dublin Zoo now has animatronic dinosaurs. The affection Ireland has for Dublin Zoo was evident in the concern many felt last summer when illness struck the elephant herd leaving two of the beloved beasts dead. It was also on display at the height of the Covid pandemic when people dug deep to fund food for the animals when the zoo was on its knees after months of lockdown. The zoo in 2025 is almost entirely unrecognisable from the one conceived in the Rotunda Hospital in 1830 when a group of medics and scientists formed the Zoological Society of Ireland. Back then it was largely for the entertainment of wealthy Dubliners, with the entrance fee set at a hefty six pence – or nearly €100 in today's money. Sundays were for normal people – as long as they could afford to spend a single penny. Now spread over 28 hectares, the zoo attracts more than 1 million visitors a year as Ireland's largest family attraction. And a day at the zoo got even better earlier this year when the 700 animals were joined by animatronic dinosaurs. Trinity College Dublin: an oasis of tranquillity and architectural beauty. Photograph Nick Bradshaw Because Trinity College is an oasis in the bustling capital Right bang in the city centre you can step away from the busy streets into a 430-year-old college that is an oasis of tranquillity and architectural beauty. On a summer's day you can even walk past the playing fields to the Pavilion Bar and sit on the steps outside watching the cricket (no understanding of the rules required). Because our seagulls think they own the place. They look down on us, they threaten our sandwiches, they play havoc with rubbish bags and poo on our cars. They cackle, they chortle, they screech and scream and yet Dublin wouldn't be Dublin without seagulls. Bloom feeds them in Ulysses, one of several notable references to the birds in James Joyce's novel. Dublin has the densest urban gull population in Ireland; they've been nesting in the city since the 1970s due to declining food sources at sea and closure of landfills – now estimated to number around 10,000 breeding pairs. Yet, despite this rise, the overall herring gull population in Ireland has dropped by 90 per cent in the past 30-40 years. As they tell us what we have done to our environment – and theirs – we should look up to them. Because the clip-clop of horses is still the soundscape of the inner city. Many cities have horse and carriage tours for tourists, but in Dublin, this goes much deeper. Caring for horses is an intrinsic part of the city's culture – as well as Traveller culture – to this day. Around Dublin 7 and 8, it's not uncommon to see young people walking horses through the streets, or trotting on sulkies. Concerns are often raised over animal welfare and the future of the Smithfield horse fair. But talk to a kid in the city with a horse by their side, and they'll furnish you with plenty of details about the horse's personality and how they care for them. If only the city could contribute more to enhancing the care of horses by providing new funding for stables, and acknowledging that this culture should be protected and supported with animal welfare as a priority. Community Mary Flanagan, Fiona Durran, Catherine McCoy, Geraldine Feeney and Eva Currid in Portmarnock. Photograph: Dara Mac Dónaill. Typography: The Irish Times Because Dubliners can talk to anyone. There's a particular magic in the Dubliner's ability to talk absolute nonsense – and mean it. Not just weather chat, but miniature theatre: timing, wit, warmth. Whether it's the butcher, the barista, or the person beside you on the 13, you'll get a comment, a joke, a 'will you look at that state of the sky'. It's not meaningless – it's micro-connection. People who deride the power of small talk are unaware of its important psychological benefits. Small talk – particularly those small chats you have with people you see regularly such as shopkeepers and regulars on your bus route – has been proven to promote a greater sense of safety, belonging and community. It's not a coincidence that we are discussing loneliness and isolation at a time where people are more likely to put headphones on than say hi to your barista. Great small talk is a form of connection and it's also a cultural skill we should be proud to protect and cultivate. Because 'For All' groups are bringing communities together . Scores of volunteer and community groups have sprang up across Ireland in response to an increase in asylum seeker arrivals and anti-immigrant protests. In Dublin, many of these 'For All' groups have evolved into a network of engagement for the wider community, says Roxanna Nic Liam, a member of the East Wall for All group. 'These groups integrate not just asylum seekers, but locals who have been in the community for generations,' she says. 'East Wall for All showed us how a working-class area in Dublin really does come together in a crisis and make the area a better place.' Liam Hourican of Dublin 8 For All says the group's membership has rapidly grown following recent anti-immigrant protests outside two primary schools in Dublin 8. 'People were disturbed by the rise of hateful narrative. We think an attack on marginalised members of our community is an attack on all our community.' Dublin 8 For All 'makes our community richer', says Hourican. 'This is what our country should be about – we should be open and confident and kind to each other.' Palestinte protest in Dublin. Photograph: Ella Sloane Because Dublin keeps showing it solidarity with Palestine. Dublin has long been a focal point for protest and activism in Ireland, and over the past year, it has become a powerful centre for solidarity with Palestine. From the Garden of Remembrance to the gates of Leinster House, tens of thousands have taken to the streets. Palestinian flags hang from shop windows, business awnings and private homes, a sign of collective outrage and empathy. This surge in solidarity is part of a broader, deeply rooted activist spirit in Dublin, where people have repeatedly gathered to reshape Ireland's national identity, from the Repeal the 8th movement to the Marriage Equality referendum. The same streets that once echoed with calls for reproductive rights and LGBTQ+ equality now resound with chants for justice in Gaza. Public spaces & transport Because Capel Street is Dublin's best car-free street. You can keep Grafton Street and Henry Street. Not only is Capel Street longer, it is distinctly better suited to exploit the advantages of a traffic-free environment because it has what the others lack – pubs and restaurants. Retail-dominated Grafton Street and Henry Street are dead once the shops close, but life continues into the evening on Capel Street, pedestrianised in 2022, particularly in summer when people can dine outdoors. During the day, the new public seating is well-used by shoppers taking a rest, teenagers socialising, tourists checking out what their next destination should be, and workers availing of an outdoor space to have lunch. Instead of car fumes and the noise of traffic, now there is the sound of conversation. Instead of pedestrian safety being compromised by vehicles, now there are plants to enjoy. ... followed by Parliament Street. Facing Capel Street across Grattan Bridge, bookended by the Liffey and City Hall, tree-lined Parliament Street was pedestrianised in July. The removal of traffic has the potential to rebalance Temple Bar, drawing more tourists from the busier east end to the West. It is also a big gain for cycling, with a new contraflow lane on Grattan Bridge allowing cyclists to go in both directions from City Hall on Dame Street, along Capel Street and all the way to Bolton Street – a distance of almost 1km. Because the quays are no longer a traffic choked hellscape. Described as a 'watery dual carriageway' by Dublin City Council's head of traffic Brendan O'Brien, the quays served no one – not cyclists, not pedestrians, not bus users, not even the private car drivers who were the largest contributors to its congestion. That has changed. Last summer the council banned private cars and commercial vehicles travelling along the Liffey at either side of O'Connell Bridge from 7am to 7pm. City car parks remained accessible, no Liffey bridge was closed to cars, and once 7pm hit, it was back to the status quo. Yet this one small measure had a transformative effect on traffic. The provision for cyclists is still poor, but the big winners are Dublin's bus users. Rush hour bus journey times fell by almost a third and timetable accuracy increased. Some motorists still ignore the restrictions, but hopefully the planned introduction of traffic light cameras will sort them out. Dublin Port's Tolka Estuary Greenway Because slowly, surely, soul-enhancingly, our city is becoming greener. As the cycleways and pedestrianised areas have expanded, so too have little pockets of green. Whether it's more trees along the new cycle paths in North Strand or vertical planting out of the bases of old brick walls in the Liberties or St James Linear Park running along the Luas red line in Rialto, these are imaginative, in many cases inexpensive, interventions that go a long way to softening the city's rougher edges. Cabra is full of brilliant examples such as the Community Roots garden-sharing initiative which matches people who want to grow their own food with others who have space and are happy to share. Then there's the Cabra Pond, built without a pond liner using bentonite clay, has transformed the area behind the Most Precious Blood Church off Kilkieran Road. The pond is full of tiny frogs at the moment with plenty of swifts soaring overhead – boxes for the birds were organised by Connecting Cabra. Catriona Kenny, a member of that group, says local churches have been generous with their land: 'We've held biodiversity festivals there, and planted long flowering meadows, native hedgerows and even a mini orchard. A local flood-alleviating project is ongoing around Christ the King Church, to reduce pressure on our storm drains.' Well played, Cabra. A decorative painting art on an electricity or phone junction box. Photograph: Artur Widak/NurPhoto/Getty Images Because our traffic junctions have become public works of art . It all started 10 years ago as part of the Dublin Canvas community art project. Artists were asked to come up with ideas for painting over the grey, and much graffitied, traffic light control boxes with all manner of eye-catching art. These brightly painted boxes bring welcome flashes of creativity and colour to otherwise boring bits of street furniture at most junctions throughout the city and suburbs. With another batch commissioned for painting over the coming months, there will be more than 900 spread out across Dublin by autumn. Because our walls talk back. Street artists like Joe Caslin and Emmalene Blake make the city feel alive. Caslin's soaring portraits – of queer teens, grieving men, hopeful change – don't just beautify walls, they demand tenderness. Emmalene Blake's work started with portraiture and has now become more political: hand-painted girls, mothers, and martyrs who quietly reclaim space for care, queerness, and Palestine. In a city often accused of being scrubbed of character, these artists murals remind you what still matters, responding to social crises and political events in real time, turning empty space into activism and concrete into feeling. You look up, and suddenly the city's talking back. Drury Street in Dublin. Photograph: Alan Betson Because people sit anywhere, anytime, anyhow. The provision of public seating in some areas of the city is finally improving, but elsewhere, Dubliners still have to take a load off by sitting on the street, as they have always done. Back in the day, the steps of the Central Bank were where young people gathered, and an ecosystem of subcultures merged; ravers, rockers, goths, grunge heads, skaters, and emo kids. Then it was the steps of the Powerscourt Shopping Centre on South William Street. While the banks of the canals and the boardwalk are well-worn sitting spots, now it's the kerbs of Drury Street, Castle Market and Fade Street where you'll find the city's cool kids hanging out. (The pedestrianisation of South William Street remains in limbo; this could revitalise a street that was once buzzing, but is now pockmarked by vacancy.) Because the Clontarf to city centre cycleway is glorious. Since the early 1990s cyclists heading north from Clontarf have had a traffic free path to enjoy the fabulous vista of Dublin Bay opening up before them, until, that is, they were chucked out unceremoniously at the Wooden Bridge to contend with traffic for a 2km stretch. In 2017 this missing link in the cycle-path was filled in and all was well, unless you were a cyclist heading south from Clontarf, then you were left to dice with death all the way into town. But no more. Last November the Clontarf to city centre cycle route opened. This 2.7km route takes cyclists all the way from the end of the Clontarf promenade to Conolly Station on Amiens Street, but more than that, it offers connections, existing and planned, to a whole network of safe segregated cycle routes. Already cyclists can use it to join the Royal Canal Greenway at Newcomen Bridge and Dublin Port's new Tolka Estuary Geenway via Fairview Park. In future, the route will be extended from Amiens Street down to the Liffey side paths and one day, if the council implements its Sandymount Strand Road plans, it will be connected to the southside and eventually the long-awaited Sutton to Sandycove (S2S) cycle-path along Dublin Bay could be completed. Because the new S bus routes offer a whole new way to explore the city. Rather than follow the old centripetal pattern of draining humanity into the city centre where people often had to hop off and hop on another bus to get where they wanted to go, the new S buses run across the city. The S2 for example goes from Heuston Station to Sandymount, through the city centre. ... and everyone still thanks the bus driver when getting off. Even if people now have to disembark via the middle doors, they still shout 'thanks' up to the driver. And unless you're wielding a knife the drivers almost always let you travel even if you don't have change or didn't know they don't take e-payments (in this day and age!). Out & about Swimmers enjoying the beautiful weather off the Hawk Cliff in Dublin. Photograph: Nick Bradshaw Because sea swimming is now a religion with better robes. Irish people have a deep relationship with the sea; we turn to it as a form of escape, of calm, of emotional regulation. Whether you're partial to Seapoint, Bull Wall, the Forty Foot or Vico Baths, there's no such thing as off-season: the sea is always there for you. And even if you go alone, there's a sense of community in being one of the mad ones who embraces the cold at any time of year. The reasons vary – mental health, community, a daily dopamine hit – but the feeling is universal: euphoria, followed by a hot flask of tea and a smug glow that lasts all day. ... and you can swim beside Moglaí Bap from Kneecap at Clontarf Baths. Swimming outdoors in Dublin with the reassurance of a seawater filter was a weirdly impossible dream until relatively recently, but this joyfully jellyfish-free option is now available at Clontarf Baths (€10 for two hours, ). Originally built in the 1880s, the baths reopened after a 22-year hiatus in 2018, initially only for swimming club members, before public sessions were added in 2022. The pool tends to be a few degrees warmer than actual sea temperature, though it might not feel that way if you brave it outside the summer months. With its expansive dimensions, it is an invigorating, open secret swim spot. Moglaí Bap from Kneecap presumably agrees – he was spotted enjoying the baths when the band were in town for their gig at Fairview Park in balmy June. Liam Irwin and Dan O'Connor, co-founders of the Hot Box which has saunas in several locations across Ireland Because saunas have become the new pubs. Forget meeting people for a meal or a drink, the new way to socialise is by sweating together in a sauna, with new ones opening in recently in almost every Dublin postcode, from Killiney to Swords, Dundrum to Ballsbridge. One of our favourites is the Hot Box Sauna in Inchicore, an area recently named as one of the coolest neighbourhoods in the world by Time Out. Because there's a run club for everyone. Dubliners are embracing new ways of socialising and boosting their health while they are at it, and with a great selection of parks and walkways, it seems only natural. From singles, to gaeilgeoirs to members of the LGBTQ community to asylum seekers, there's a run club to suit all interests, whether you're looking to train for a marathon or simply jog 5k; some of the most popular include Sanctuary Runners, Dublin Front Runners, Sole Mates, Run Club Social and Club Reatha. Shopping Spar on Dame Street is unofficially known as Gay Spar. Photograph: Nick Bradshaw Because Gay Spar is still the best place to feel seen at 2am. Officially known as the Spar on Dame Street, unofficially known as Gay Spar, this 24-hour convenience store is also a safe haven. So-called due to its proximity to The George, 'Gay Spar' started as a nickname – but the shop has wholeheartedly embraced it, with windows now emblazoned with rainbow Pride colours. When you stumble in after the club, before the taxi, when your eyeliner's smudged and your voice is hoarse, you can be safe in the knowledge that you're not the only glitter-covered person buying a Lucozade and a sausage roll. At a time where corporate LGBTQ+ allyship – no matter how performative – is being rolled back worldwide, Gay Spar has proven to be a steadfast ally. Because some shops are more than just shops. Around the city, independent stores add to the diversity of retail, breaking up the monotony of international chains. Many of these brick-and-mortar stores also act as cultural hubs. Saint Street hosts sessions by local rappers. Emma Fraser's vintage clothing stores Loot and Nine Crows have expanded into an internationally lauded modelling agency Not Another Agency. Tola Vintage hosts Culture Night parties, and High Rollers has a skate team. At Indigo & Cloth's micro-cafe, actors, artists, playwrights and crew from the nearby Project Arts Centre grab a brew. Emporium collaborates with the club Index and the record label Soft Boy, home to Kean Kavanagh and Kojaque. Owner of Little Deer Comics Matthew Melis is founder of the Dublin Comic Arts Festival. What all these stores have in common is an independent spirit, a can-do attitude, and a belief that community is what makes a city business tick. For crafts and jewellery, The Irish Design Shop on Drury Street can't be beaten. Photograph: Dara Mac Dónaill Because Stable and The Irish Design Shop are beacons of Irish design. If there's one shop in Dublin city centre that lifts the spirits in an otherwise mediocre line up of global fashion brands found in any European capital, it is Stable in the Westbury Mall. Founded by friends Sonia Reynolds and Frances Duff originally as a pop-up ten years ago, it celebrates its ongoing success in promoting Irish craftsmanship and native fabrics, designing and making scarves, clothing and home accessories using Irish linen, tweed and handwoven wool. For crafts and jewellery, The Irish Design Shop on nearby Drury Street can't be beaten. Because indie bookshops are still holding the line. In Books Upstairs, you can climb the stairs to a cafe filled with poetry books and political theory. In The Gutter Bookshop, the staff recommend novels with such genuine joy it feels like a gift. In Hodges Figgis, a 300-hundred-year-old institution, you can still overhear a teenager discovering Sylvia Plath. The best ones – like The Library Project in Temple Bar, with its photo books and zines – remind you that books aren't just stories, they're worlds, and Dublin still has places where you can stumble into them. Events like Rick O'Shea's Writehawks, which allows writers to come in and chat about their favourite books, create a sense of community. George's St Arcade. Photograph: David Sleator Because the George's Street Arcade is as odd as ever. Where else could you get a nipple pierced and your fortune told before picking up a kaftan, some handcrafted statement jewellery, a batter burger and an oat-milk latte, all under the one roof? Only in Ireland's first purpose-built shopping centre. While it's unlikely the youth of the 1880s – when the George's Street Arcade first opened its doors – were lining up to get body parts pierced or inked, they were no doubt as drawn to the eclectic mix of stalls and shops as more recent generations have been. And sure as anything they used it as a handy and dry shortcut when walking from George's Street to Drury Street on a rainy day. The closure of Simon's Place is still mourned by many, but the arcade continues to be a draw for tourists and locals. Because Kish Fish reminds us what food shopping should be like. Kish opened on a back street in the heart of Smithfield in 1979 when Ireland loved the pope and the notion of north inner-city gentrification was as comically unlikely as a computer company paying us €13 billion in back tax or some class of silicon docks popping up at the back of Irishtown. The fishmongers standing behind the beds of tightly packed ice are old-school and fiercely obliging, happy to fillet and skin whatever takes your fancy and teach you how best to cook it. You won't find that service in many supermarkets. Lucy's Lounge, Fownes Street, Temple Bar. Photograph: Dara Mac Dónaill Because of the second-hand treasure troves. Dublin's street style is a combo of Pellador jumpers and Claddagh ring emblems, mixed with second-hand finds uncovered in the city's charity and vintage shops – from the legendary Lucy's Lounge in Temple Bar and Monto on Parnell Street, to the newer Big Smoke Vintage in Temple Bar. As for the 'chazzas', Dublin has a wonderful selection of shops that follow each other like stepping stones, from Capel Street to George's Street, Camden Street and into the southside. Because the flea market scene keeps offering new treasures. In 2018, the Dublin Flea Market ceased trading due to redevelopment around Newmarket Square, much to regret of locals and fans of a good bargain. But residents were delighted to welcome the revived Newmarket Flea in July. Elsewhere in the city, Quirk, Le Zeitgeist, Libertine Market Crawl, Flux Market and the Block Market in Charlemont Square have all helped turn thrifting into a social event. Flea markets are a haven of creativity and community, showcasing the best of local artists, crafts and vintage fashion collectors. It's not just about finding something rare and engaging in a spirit of sustainability as old items become loved again, it's about chatting to the sellers, grabbing a coffee, and seeing what strange treasure finds you. Because Change Clothes offers us a guilt-free wardrobe refresh while saving clothes from landfill. In 2022, Mary Fleming set up Change Clothes in Crumlin, initially a one-week pop-up devoted to clothes swapping, workshops and exhibitions. Fast forward to 2025 and Mary's word is spreading far and wide across Dublin. Now based on Thomas Street in Dublin 8, Change Clothes hosts clothes swaps, fill-a-bag events, sewing machine classes and textile upcycling events. Donated clothing is redistributed to people in need, and traineeships are offered to those looking to get started in the textile industry. Change Clothes also enables other social enterprises to host clothes swaps events by providing clothes rails and the know-how. Food & Drink Staff at the Priory Market in Tallaght, Dublin. Photograph: Alan Betson Because the city finally knows how to eat. There was a time when 'going out for food' in Dublin meant soggy panini or bafflingly expensive Caesar salads. Not any more. From Filipino adobo tacos to cardamom cruffins to smoked fish toasties made in tiny food trucks, the capital's kitchens are having a golden age. There's imagination, care, spice. Pop-ups and wine bars. Places you tell your friends about immediately, unless you want to keep them to yourself. It's not just fancy spots – it's the fact that Dubliners now expect their food to taste of something. And it does. New favourites include Little Lemon on Duke Lane, Pickosito on Mary Street, Fidelity in Smithfield, Lupillos in Inchicore, and Cat You Café in Ringsend for the best acai bowl in town, as well as the global streetfood stalls at the recently opened Priory Market in Tallaght. Because Assassination Custard is defying the odds. In a city where independent restaurants are being flattened by rent hikes and global roll-outs, and Dublin dining has blurred into velvet booths, TikTok interiors and menus written by accountants, Ken Doherty and Gwen McGrath's Assassination Custard in Dublin 8 remains a quiet act of resistance. Opened in 2015, it shut in July 2023 to reassess how – or if – it could go on. It reopened in February, reshaped but not softened: bookings open weekly on Instagram, lunch Wednesday to Friday, with two sittings, 12pm and 1.30pm. Bookings are for one or two people, dining at shared tables, maximum eight people. It's €35 a head minimum (less if solo). Now serving wine: one red, one white, and a vermouth at €8.50 a glass. The paper-bag menu shifts with the season and their format: always vegetarian options, often offal – tripe, kidneys, hearts – and pickles, ferments, anchovies, and pig's ear. No PR machine. Two cooks, three tables, and a welcome that proves why small matters. Because Green Man Wines is one of the best wine shops in the world. Rajat Parr – the world's most revered blind-taster – walked into Green Man Wines in Terenure and, like every wine nerd, did a double take. More than 1,000 lines, from smaller producers who farm organically, biodynamically, 'naturally'. Wines with energy, not funk. Most fall into the €20-€40 range, though there are four-figure unicorns. Opened a decade ago by Dave Gallagher and his wife, the late Claire O'Boyle Gallagher, it still reflects their mix of obsession and warmth. All bottles can be opened on-site for €15 corkage. Dan Smith, formerly of Airfield Estate, is the chef in the wine bar (Thursday-Saturday), serving a rotating menu, built around small plates that pair with the wine. 'Wine Tasting Wednesdays' bring visiting winemakers pouring their bottles, with Dan riffing on the regional food. Traditional fish and chips served at Fish Shop in Dublin. Photograph: Ellius Grace/New York Times Because the world's best chefs treat Fish Shop like a local. The Smithfield room is tiny – two marble-topped counters, 15 stools, a chalkboard menu, and a killer wine list: Jura whites, grower Champagne, alpine Nebbiolo, island wines from the Med. Peter Hogan and Jumoke Akintola opened Fish Shop here in May 2016, following their Blackrock Market stall. The menu still includes their renowned fish and chips but has quietly grown. The rule remains: wild, Irish-caught fish and seafood only. No tuna, bream, sea bass, imported prawns. Grilled John Dory or brill are mainstays, alternatives include gurnard or red mullet. Shellfish from the Copper Coast – crab, shrimp, lobster, whelks – are delivered from Tramore by Peter, and Irish langoustines or tiny seasonal shrimp, depending on the catch. Famous chefs eat here, of course. International names, tipped off about our restaurant critic Corinna Hardgrave's favourite casual restaurant in Dublin. Good luck getting a seat. Because the Mushroom Butcher is Dublin's most original pop-up . Mark Senn, a Melbourne-born chef who once ran the short-lived Veginity and Vish, now grows and cooks mushrooms near Leonard's Corner in Dublin 8. Mushroom Butcher is his Saturday-only food truck – parked outside a converted retail unit where he and his partner, Ingrid Baceviciute, cultivate a dozen or so delicate, short-shelf-life mushroom varieties rarely seen in Ireland. Staples have included king oyster schnitzel, mushroom XO sauce with polenta chips, and a vegan bánh mì, and more recently, he's featured a series of themed menus – Brazilian, Japanese, Greek and Italian – all cooked to order. The mushrooms themselves are sold fresh and appear on menus at some of the country's best restaurants. No delivery. Just a hyper-focused weekly service that's growing something new – literally, from the ground up. Because Al Khair restaurant at the mosque on South Circular Road is an escape to another culture. At Al Khair, the canteen-style restaurant tucked behind the blue gates of the mosque on South Circular Road, hospitality means food – shared, abundant, unforgettable. Opened in 1985 by Mohammed Yousuf, now run by his son Junaid, the food is what he calls Indian with a 'gentle Pakistani influence', which in practice means you get the creamy warmth of paneer and dal, the deep spice of slow-cooked lamb, and the slap-you-awake heat of aubergine bharta when you ask for it spicy. The vegetarian samosas are wonderful. Because the new generation of cocktail bars rival the best in the world. When Dave Mulligan felt the city needed some old school night-time glamour, he reimagined the old Sackville Lounge off O'Connell Street. This old boozer still has that classic Dublin pub feel, but it's also new and sleek with a cocktail menu that will knock your socks off. But what else would you expect from head bartender Dave Taylor, who also oversees operations at nearby award-winning Bar 1661? This year, Bar 1661 represented the Irish cocktail scene at the prestigious Tales of the Cocktail in New Orleans, showcasing all that is great about Irish spirits and Irish drinks. Because of the secret table in Pepper Pot Café. Most Dubliners know about the pear and bacon sandwich in the Pepper Pot Cafe. (If you don't, and think pear and bacon come across as unlikely breadfellows, just try it.) Most of us also know the Pepper Pot is one of Dublin's best cafes for people watching, on the balcony in the Powerscourt Townhouse Centre overlooking the bustling hordes below. But our favourite place to perch is at the table we like to call the secret table. In a room away from the main seating areas, it's where the cafe's baking magic happens. Here you can eat your pear and bacon or equally lovely sausage sandwich while watching croissants being laminated and bagel dough being pulled. Now, like Doris Day's secret love, our secret table's no secret any more. But that's okay. We don't mind sharing.

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