
Next year, stay at Bengal hill home where Rabindranath Tagore did radio recital
Between 1938 and 1940, Tagore stayed at the mansion on at least three occasions, and it was here that his 77th birthday was celebrated. The date, 25th day of the month of Baisakh in the Bengali calendar, fell in mid-May that year.The late litterateur and traveller Prabodh Kumar Sanyal was present in the mansion that day. In his book Debatatma Himalaya, he describes what it felt like to be inside the house when Tagore read out his poem Jonmodin—or Birthday—live on AIR, which was then headquartered in Kolkata.The poem now resides in the anthology Senjuti. According to Sanyal, who was 33 at the time, the occasion was momentous not just because of the literary value of the poem but because it led to a breakthrough in the region's connectivity. 'There was no telephone in Kalimpong—it was inaugurated for this occasion. Telephone poles were installed in the hills of Kalimpong for the past few days. The telephone authorities have spent quite the money for this purpose,' he wrote in the 10th chapter of the first part of his book.Tagore was not alone that day. Sanyal noted that the poet was accompanied by his son Rathindranath, daughter-in-law and painter Pratima Devi, author Maitreyee Devi, and a close circle of admirers and friends. It was a quiet gathering, yet it would leave an indelible mark on the history of the hills.Aveek Majumdar, assistant professor of comparative literature at Jadavpur University, says that history records how important this house was in the life of Tagore. 'There is detailed description of this house in the book Kobir Abas (or House of the Poet) by Suranjana Bhattacharya. We thank the commission for taking up the task to restore it,' he said.Unfortunately, this same Gouripur Mansion would also become the site of Tagore's last summer in Kalimpong. During his final stay in 1940, he fell severely ill. According to scholars, his condition was so critical that many feared he would not survive the night. But Tagore, then 79 years old, held on. Though he would never recover fully, he returned to Kolkata, where he passed away a year later in 1941.advertisementThe building that bore witness to both poetic triumph and personal tragedy has since endured decades of neglect. It suffered particularly during the years of political unrest triggered by the Gorkhaland movement. As the hills settled into relative calm, the West Bengal Heritage Commission took up the responsibility of restoring the house. According to Alapan Bandyopadhyay, chairman of the commission, preserving this site has always been of cultural importance. 'The Gouripur House, holds much significance for Bengalis and the cultural history of the state. The work of restoration is being done and we plan to set up a Tagore museum here,' he said.The restoration is being carried out in two phases at an estimated cost of nearly Rs 5 crore, led by the public works department of the state government. When the house reopens—likely by next year—it will not just be a museum. The two-storeyed mansion will also include six suite rooms, to be operated by the West Bengal Tourism Development Corporation Limited, inviting travellers to stay in a place where history lingers in every wall.advertisementThe state government hopes to weave this mansion into a broader tourism circuit that celebrates Tagore's legacy in the hills. Roughly 37 km away lies the poet's other retreat in Mungpoo, Kurseong, which has already been restored and welcomes tourists. Together, the Gouripur Mansion in Kalimpong and the Mungpoo House could offer a parallel Tagore trail, drawing cultural enthusiasts from across the country.When visitors eventually step into the restored Gouripur Mansion, they will be greeted by a bust of Tagore—silent, watchful and timeless. It will stand as a sentinel to the past, reminding them that long before satellites orbited the earth or mobile towers dotted the landscape, a poet's voice was strong enough to bring technology to the hills. And that in doing so, he didn't just write history—he broadcast it.Subscribe to India Today Magazine- EndsMust Watch
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
an hour ago
- Time of India
B'desh in Tolly defies narrative of discord in film fraternity
1 2 3 4 5 6 Kolkata: Shooting with Opar Bangla actors and having them for the premieres for their films here—a regular event in the Bengali film industry's calendar—was delayed or suspended after the uprising in Bangladesh last year. But one year later, there has been a change in the sense of uncertainty over the reception of Opar Bangla artistes in Tollywood. Many are hopeful of the situation returning to the way things were in the past with consistent Indo-Bangla collaborations. Epar Bangla released Aniruddha Roy Chowdhury's 'Dear Maa' in July and Suman Mukhopadhyay's 'Putulnacher Itikatha' in Aug, both with Opar Bangla's Jaya Ahsaan in the lead. Come Sept, Anik Dutta's 'Joto Kando Kolkatatei' has an Opar Bangla actor, Q Nawshaba Ahmed. Unlike immediately after the uprising in Dhaka in July last year, when Opar Bangla artistes had stopped shooting in Kolkata or attending their premieres in Tollywood, Ahsaan has attended all events in the city for her recent two films. In 'Putulnacher Itikatha', Mukhopadhyay retained Ahsaan's own dialect, reminiscent of her roots in Bangladesh. Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Gubug: Unsold Sofas Prices May Surprise You (Prices May Surprise You) Sofas | Search Ads Search Now Undo by Taboola by Taboola Her character, that of Kusum, in the original Manik Bandyopadhyay's novel, did not have it. Mukhopadhyay wasn't scared of backlash or questions on why a lone village girl would speak in that dialect in a film, rooted in a Bengal village. "We shot the film in 2022. With this dialect, I wanted to establish that Kusum came from another village. .. but even after the uprising, I never thought of dubbing her dialogues for fears of backlash. I hear people in Bangladesh are eager to watch this film," Mukhopadhyay said. Tollywood interprets this eagerness as a positive sign. You Can Also Check: Kolkata AQI | Weather in Kolkata | Bank Holidays in Kolkata | Public Holidays in Kolkata The last two films from producer Firdausul Hasan's stable, starring Bangladesh's Chanchal Chowdhury and Ziaul Faruq Apurba, were released without them attending any event here. "Both Srijit Mukherji's 'Padatik' and Pratim D Gupta's 'Chaalchitro: The Frame Fatale' featured Bangladeshi actors. But after the Bangladesh upheaval, neither of the actors could visit Kolkata for the releases. 'Padatik' won the Best Audience award at the 23rd Dhaka International Film Festival but we could not go," Hasan said. Hasan hopes Q Nawshaba Ahmed will attend the premiere of the puja release of 'Joto Kando Kolkatatei'. "Trade ties were not affected even when relations between the two nations were tense. For Bengali films to prosper, we should be able to take advantage of the big market in Epar and Opar Bangla," Hasan added. Ahsaan, who was in Kaushik Ganguly's 'Ardhangini', has completed the shooting of 'Arghangini 2' in Kolkata. "I want to work on good projects. I'm happy I could come to Kolkata from Dhaka for the release of 'Dear Ma' and 'Putulnacher Itikatha'. In my country, regular articles came out on the Indian releases. I am happy with the adulation I am receiving here," she said from Dhaka. Ganguly told TOI: "Nobody in Bangladesh bothered about why Jaya acted in my film. We have got the ideal situation required for filming with Bangladeshi actors. It's good the situation is normalising. We can't divide Tagore and Nazrul. If someone from Opar Bangla is suitable for a role, it's fair to cast him or her."


Time of India
3 hours ago
- Time of India
Asha Bhosle recalls backlash to bold songs like Piya Tu Ab To Aaja and Dum Maaro Dum: 'Majrooh Sultanpuri left the studio and told me, ‘Beti, maine ganda gana likha hai'
Asha Bhosle has lent her voice to some of the most iconic songs in Hindi cinema, from the sultry Piya Tu Ab To Aaja to the rebellious Dum Maaro Dum and the dreamy Yeh Hai Reshmi Zulfon Ka Andhera. But in a recent interview, the legendary playback singer revealed that many of her bold tracks didn't just raise eyebrows, they were outright banned on Indian radio. 'Why do I only get the bold songs?' Asha once asked RD Burman Speaking to Republic Bharat, Asha Bhosle recalled confronting her late husband and composer RD Burman, fondly known as Pancham Da, about his song choices. She questioned why she was repeatedly given provocative numbers, while her elder sister Lata Mangeshkar received the softer, more 'respectable' melodies. 'I once told Pancham, why do I only get these bold songs while the nice songs go to Lata Didi?' she said. But RD Burman stood firm. He had faith in Asha's ability to make such songs iconic. Regarding Piya Tu Ab To Aaja, from the 1971 film Caravan, she remembered him confidently telling her that the song would be a huge hit. 'I have written a bad song,' said Majrooh Sultanpuri and walked out Interestingly, Asha also shared an anecdote involving renowned lyricist Majrooh Sultanpuri, who penned Piya Tu Ab To Aaja. She recalled how embarrassed he was during the recording session. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like These Are The Most Beautiful Women In The World Undo 'Majrooh Sultanpuri left the studio and told me, 'Beti, maine ganda gana likha hai. My daughters will grow up and sing this song,'' she said, laughing. Despite his hesitation, Asha went ahead with the song, staying true to her professional commitment. 'I knew the music of the song is good, but I didn't know that the song will be such a massive hit,' she added. Hindi Songs | Asha Bhosle Special Songs | Jukebox Song '3–4 of my songs were banned from Bombay radio' While these songs have since achieved cult status, Asha admitted they weren't always well received. In fact, they were censored. 'My 3–4 songs would get banned from Bombay radio,' she revealed, pointing to the conservative broadcasting environment of the time. Another of Asha's landmark tracks, Dum Maaro Dum from Dev Anand's Hare Rama Hare Krishna (1971), also stirred controversy. Despite the film's anti-drug message, the song was accused of glamorising smoking and hippie culture. As a result, All India Radio banned it, and Doordarshan edited the song out when the film was aired on television. Over the decades, however, these songs have come to define the bold, experimental era of Hindi film music, with Asha Bhosle at the forefront, unafraid to lend her voice to songs that pushed boundaries.


Indian Express
5 hours ago
- Indian Express
‘I wrote a dirty song': Asha Bhosle recalls lyricist Majrooh Sultanpuri leaving the studio out of embarrassment as she recorded ‘Piya tu ab to aaja'
'Piya Tu Ab To Aaja,' 'Dum Maaro Dum,' and 'Yeh Hai Reshmi Zulfon Ka Andhera' — Asha Bhosle has delivered countless iconic songs to the Hindi film industry. But the sensual, bold nature of many of her tracks also sparked controversies. Recently, the legendary singer recalled how some of her songs were even banned on the radio. In a conversation with Republic Bharat, Asha Bhosle revealed that she once confronted RD Burman for consistently giving her bold songs to sing, while all the 'nice' songs would go to her sister and iconic singer Lata Mangeshkar. However, she recalled how Pancham Da had confidently predicted that 'Piya Tu Ab To Aaja,' from the 1971 film Caravan, would be a massive hit with audiences. Asha also remembered how lyricist Majrooh Sultanpuri reacted while she was recording the song. He left the studio midway because he was embarrassed by some of the lyrics he had written. She recalled, 'Majrooh Sultanpuri left the studio and told me, 'Beti, maine ganda gana likha hai. (I have written a bad song.) My daughters will grow up and sing this song.'' But Asha said she went ahead with it because she had already made a commitment. 'I knew the music of the song is good, but I didn't know that the song will be such a massive hit,' she shared. ALSO READ | Banned on radio and television, Asha Bhosle's Dum Maro Dum became the identity of an anti-drug movie Speaking about the backlash she faced, Asha revealed that many of her songs were banned from radio. 'My 3–4 songs would get banned from Bombay radio,' she said. Like 'Piya Tu Ab To Aaja,' Asha Bhosle's other hit, 'Dum Maaro Dum' from Dev Anand's film Hare Rama Hare Krishna, also courted controversy. Although the film aimed to critique smoking and hippie culture, many felt that the song glamorised it. As a result, All India Radio banned the track, and Doordarshan edited it out when the film was aired on television.