
From Philippe Sands to Simon Park: new books reviewed in short
Wreckers: Disaster in the Age of Discovery by Simon Park
According to Adam Smith in The Wealth of Nations, the discoveries of America and a passage to the East Indies by Columbus and Vasco da Gama were 'the two greatest and most important events recorded in the history of mankind'. What wasn't recorded quite so diligently were the disasters, privations, deaths and sheer haplessness that accompanied the 16th-century voyages into the unknown. In this rollicking but reflective account of those early sorties, the Oxford historian Simon Park presents an alternative view of the 'action-hero version of history'.
Wreckers is about the mariners who ended up 'kidnapped, stranded, abandoned and betrayed' in the pursuit of personal wealth and national glory and of the numerous attempts at colonisation that failed. Park is an adroit storyteller and makes the most of his picaresque stories, such as that of the German explorer Hans Staden, taken captive by the Tupinambá people of Brazil who kept him in a state of permanent fear with threats of eating him, and Martin Frobisher, who sought the North-West Passage but returned defeated with nothing more than a hold full of rocks. Empire-building, says Park, was not 'unstoppable' but uncertain.
By Michael Prodger
Viking, 368pp, £25. Buy the book
The Dream Factory: London's First Playhouse and the Making of William Shakespeare by Daniel Swift
Walking down London's West End, it's hard to imagine the capital without a single theatre. But theatre-less London did exist – until 1576 when the city's first ever playhouse was erected in Shoreditch. Daniel Swift's The Dream Factory traces the remarkable history of the aptly named playhouse, the Theatre, thanks to numerous litigations associated with the family behind it – the Burbages.
Without James Burbage and the Theatre two significant parts of the history of theatre would be missing: Shakespeare and the Globe. Shakespeare began his writing in the Burbages' playhouse. It was here that A Midsummer Night's Dream and Romeo and Juliet were written, and the son of James Burbage, Richard, is thought to have inspired many well-known Shakespearean characters. Deftly navigating social politics, the plague and preachers wishing for the Theatre's downfall, Swift tells its history in the most original way. The Burbages' dramatic life truly was well suited to their industry.
By Zuzanna Lachendro
Yale University Press, 320pp, £25. Buy the book
38 Londres Street: On Impunity, Pinochet in England and a Nazi in Patagonia by Philippe Sands
Calle Londres intersects Calle París in central Santiago. Once a place of the elite, it was revitalised by cultural and political figures in the mid-20th century. Calle Londres 38, after which the bestselling author Philippe Sands' latest book is titled, was an unassuming house – until the military dictatorship of Augusto Pinochet. Under Pinochet, Londres 38 was turned into the detention and torture centre of the National Intelligence Directorate (DINA).
Sands' 38 Londres Street is a gripping blend of memoir, investigative journalism and courtroom drama, with a narrative spanning decades and thousands of miles. It includes his own involvement as a barrister for a human rights organisation during the 1998 arrest of Pinochet in London, and his discovery of personal links to those affected by the dictator's regime and to the murders of Walther Rauff, the Nazi behind the gas vans used to kill thousands of Jews. Speaking to lawyers involved in Pinochet's later trial, Chileans affected by DINA's torture and disappearances and those who knew Rauff (after he settled in the city of Punta Arenas), Sands convincingly makes a connection between Pinochet's regime and the Nazi in exile. Most importantly, he shows why the dictatorship must not be tucked away into the past.
By Zuzanna Lachendro
Weidenfeld & Nicolson, 480pp, £25. Buy the book
The Fall of the House of Montagu by Robert Wainwright
On 24 January 2017, Alexander Montagu, the 13th Duke of Manchester, was sentenced to prison in Nevada for a melange of offences. He served 14 months in jail. Shortly before he committed a burglary, in 2016, he made a visit to his ancestral seat, Kimbolton Castle, and visited the family crypt, where his father and grandparents are buried. He was only a guest, however: the estate is now the home of a public school.
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'How did it come to this?' you might ask, and if you did Robert Wainwright is your man. His new book closes with Alexander's sorry tale, the most recent tragedy in the decline and dissolution of a family first granted land by William the Conqueror. In some ways the story is typical: financial troubles thanks to mounting death duties; American heiress wives imported to maintain solvency; the eventual sale of the estate in a changing postwar landscape. But the Montagu story provides enough diverting specificities – bankruptcy, gambling dens and colonial exile – to make this a dramatic and pathos-inducing read.
By Nicholas Harris
Allen & Unwin, 352pp, £22. Buy the book
[See also: Joan Didion without her style]
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The Independent
an hour ago
- The Independent
Harvey Fierstein, on eve of Tony honor, looks back on his career
Last year, Broadway actor and playwright Harvey Fierstein handed director Jack O'Brien the Special Tony Award for Lifetime Achievement in the Theatre. This year, it's his turn. 'Following him is not an easy task. In fact, I spoke to him and he said, 'I just want to put my name in there as someone who would love to give you the award.' And I said, 'Well, I'd rather you didn't.' I said, 'I'd rather you wrote my speech,'' Fierstein says. Fierstein, the four-time Tony winner behind 'Torch Song Trilogy' and 'Kinky Boots,' will get the award Sunday at Radio City Music Hall. He connected by Zoom from his home in 'a small fictional town in Connecticut' to talk about his career and a Broadway season dominated by George Clooney in 'Good Night, and Good Luck' and Denzel Washington in 'Othello.' The conversation has been edited for clarity and brevity. AP: Do you know what you're going to say on Tony night? FIERSTEIN: I never know what I'm going to say. But I have been trying to gather thoughts, which I guess is a good idea. And I watched at least five or six lifetime achievements speeches by others. AP: Has the honor triggered any personal thoughts? FIERSTEIN: I did write a line that may or may not end up in my speech, saying that the most humbling thing is to think that my life meant something to the community. It's one thing to be enjoyed, but to have the kind of meaning that they turn around and say, 'We want to give you a lifetime achievement'? That's a very heady idea. AP: Was a lifetime in the theater inevitable? FIERSTEIN: No, no, no. I guess there are theatrical types, but art was always inevitable. I was sort of artistic, but I thought I'd maybe be a Disney animator. I don't think I ever believed I was good enough to create the Disney characters, but there were people that took the creation and then did the other drawings. I thought I could do that. Something in the arts. I had my BA in painting from Pratt. That's what I thought was going to do. AP: You arrived on Broadway just as AIDS was consuming the arts. What was Broadway like then? FIERSTEIN: There was no time to think about it. We had to go to war immediately. If you remember, Ronald Reagan never said the word 'AIDS' in eight years. There was no attack against the disease; there was only an attack against people. People wouldn't go to restaurants because there were gay waiters. There were people that wouldn't go to Broadway because there were gay people. They might be in the audience with gay people. AP: You work has always been about compassion. Why didn't you want to burn it all down? FIERSTEIN: My writing is telling stories that mean something to me. And certainly there's hatred and there's anger in my stories — and truth — as far as I can tell them. But the horrible truth is that no matter how badly we act as human beings, there's still a humanity under it all. AP: What are your thoughts about the current Broadway season? FIERSTEIN: Who would have guessed that we'd have a season where the plays were the big thing and the musicals are sort of ignored? Thanks to George and Denzel and these stars that return to Broadway — thankfully return to Broadway — and they've done these plays and it's wonderful. They're bringing an audience that maybe wouldn't go see a musical or a play. AP: Just get them to experience it, right? FIERSTEIN: Once you go to the theater, once you get in there and if you have a good time, if it does something, you're going to come back. I don't care why you came in the first place. Come back and see what else we have and open your mind and heart — and wallets. AP: What about the pipeline of playwrights — are you happy with it? FIERSTEIN: There are people that are in love with theater, certainly, but there are people that want to make a living. And those people seem to drift to television and movies. I have a nephew married to a wonderful woman who wants to be a writer, but what she wants to write is movies and TV. It wouldn't even interest her to write a play. I don't know why. It seems easier to write television. It seems easier to write a half-hour where you already are given the characters. AP: Congratulations again. You are beloved in this community and a lifetime achievement award seems appropriate. FIERSTEIN: I thought it was because they just wanted to give me something else to dust, because I ain't got enough stuff to dust here. ___ For more coverage of the 2025 Tony Awards, visit


BBC News
an hour ago
- BBC News
'At-risk' Cheltenham Playhouse given £25k grant by council
A community theatre has been given a council grant after announcing it would close without urgent Playhouse announced last month that it needed to raise an initial £50,000 by the end of June as it did not have the "depth of funds" required to Burge, acting chair of the Board of Trustees at Cheltenham Playhouse, said the "first milestone is within reach" after receiving a £25,000 grant from Cheltenham Borough Council, which owns the Cheltenham Playhouse, which will celebrate its 80th birthday in 2025, hopes to raise £100,000 by the end of the year. A long-term masterplan had been devised by new theatre trustees but financial support is needed to keep the doors of the 180-seat Cheltenham Playhouse oldest parts of the Grade II listed Regency building date back to 1806, and the former swimming baths still exist underneath the Tailford, cabinet member for economic development, wellbeing, culture, and public realm at Cheltenham Borough Council, said Cheltenham Playhouse "makes the world of art inclusive and accessible"."It's only right that we come together and do all we can to ensure the theatre has the funding in place to continue now and long term, for the benefit of our future generations," he added. Mr Tailford added the council would be "working closely" with Cheltenham Playhouse to see what it can do to support Burge from Cheltenham Playhouse said the theatre was "so grateful" for the grant."This grant has changed the outlook of our emergency fundraising and our first milestone is within reach, allowing us to think more positively," Mr Burge said."Along with the incredible donations we have seen from our community, this figure allows us to plan for a brighter future as we move to the second phase of our fundraising."


Daily Mail
2 hours ago
- Daily Mail
Pride and Prejudice gets a starry makeover as Marisa Abela, Harris Dickinson and Glenn Close lead all-star Audible adaptation for Jane Austen's 250th anniversary
Is this the most A-list audiobook ever? Forget screen credits - some of Britain's biggest stars are lending their voices to a new audio adaptation of Pride and Prejudice, released by Audible to mark the 250th anniversary of Jane Austen's birth. Marisa Abela plays a sharp-tongued Elizabeth Bennet opposite Harris Dickinson's brooding Mr Darcy. Jessie Buckley voices the snide Caroline Bingley, Bill Nighy brings Mr Bennet to life and Glenn Close takes on the formidable Lady Catherine de Bourgh. While some fans are mourning the fact this dream cast never appears together on screen, Ms Abela confirmed they did come together in the studio. 'Recording this with such a phenomenal cast and team was such a true joy,' she said. Staying 'faithful to the original text', the production adds what Audible calls a 'unique interior perspective' from Elizabeth Bennet, offering insight into the heroine's inner world. The audiobook will be released in English on September 9 in the UK, US, Canada, India and Australia, with translations in Castilian Spanish, French, German, Italian and Brazilian Portuguese to follow. Ms Abela, 28, known for Industry and the Amy Winehouse biopic Back to Black, said: 'Elizabeth Bennet is one of the most fiercely intelligent and iconic characters in literature, and stepping into her shoes has been an incredible honour. 'What I love about this adaptation is how it lets us hear her inner world in such a vivid, intimate way - it feels both timeless and fresh.' Mr Dickinson, 28, whose credits include The Iron Claw and Babygirl, added: 'Playing Mr Darcy was an amazing experience. I've always known him as this iconic character, but getting to really dive into the novel through this process gave me a whole new appreciation for him and the world. 'Being part of such a talented cast made it even better. It's a real privilege to be part of something so timeless.' The supporting cast includes Will Poulter as Mr Wickham, Toheeb Jimoh as Mr Bingley, David Gyasi as Mr Gardiner, Rosalind Eleazar as Mrs Gardiner, Bertie Carvel as Mr Collins and Leah Harvey as Charlotte Lucas. Other members of the Bennet family are voiced by Marianne Jean-Baptiste as Mrs Bennet, Sophie Wilde as Jane, Antonia Salib as Kitty, Patricia Allison as Lydia and Aasiya Shah as Mary. 'It's remarkable how Pride and Prejudice has stood the test of time globally to be one of every generation's favourite love stories,' said Aurélie de Troyer, Audible's head of regional content for Europe. Netflix announced the cast for its upcoming six-part limited series based on Jane Austen's beloved 1800s novel Pride & Prejudice with Emma Corrin and Jack Lowden in lead roles 'Lulu Raczka's script is thrilling and conveys all of Jane Austen's energy in an engaging, modern way. Through the intimacy of audio, we have the unique ability to make the passion and romance truly electric, and Marisa Abela and Harris Dickinson's chemistry as Elizabeth and Darcy is undeniable.' This latest production joins Audible's growing roster of high-profile audio dramas, including 1984 with Andrew Garfield, Tom Hardy, Cynthia Erivo and Andrew Scott, The Mysterious Affair at Styles starring Peter Dinklage and a trilogy of Dickens adaptations produced by Sam Mendes. The company is also preparing new versions of all seven Harry Potter books, with the first due out in late 2025. Details of the cast are yet to be announced. And for those who still prefer their Austen on screen, Pride and Prejudice is set to return to television in a new limited series for Netflix. Dolly Alderton, the bestselling author of Everything I Know About Love, has written a six-part adaptation directed by Heartstopper's Euros Lyn. 'Once in a generation, a group of people get to retell this wonderful story and I feel very lucky that I get to be a part of it,' Alderton said. The series will stay true to the period setting and features a high-profile cast. The Crown's Emma Corrin stars as Elizabeth Bennet, with Slow Horses actor Jack Lowden as Darcy and Oscar winner Olivia Colman as Mrs Bennet.