SZA Brings Out Lizzo for ‘Special' Performance in Los Angeles
SZA brought an extra special guest at Wednesday night's Grand National Tour stop in Los Angeles: Lizzo. The pair of besties performed SZA's remix of Lizzo's single 'Special,' off her 2022 album of the same name.
In matching black outfits, the pair delivered a joyful performance of the empowering track together on the SoFi Stadium stage. The song appeared on Lizzo's Special as a solo track upon release and was remixed by SZA in February 2023.
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Lizzo shared video from the performance on her Instagram after, with the caption 'BABYS FIRST STADIUM PERFORMANCE — I love u @sza u r THEE DIVA !'
SZA is co-headlining the Grand National Tour with Kendrick Lamar. The pair have brought out a few big guests to join them on stage, including Playboi Carti, Baby Keem, and Kaytranada. While on tour, their collaboration 'Luther' has been dominating the charts, hitting its thirteenth week at Number One as the pair play Los Angeles.
Lizzo has been rolling out her fifth album Love in Real Life this year. The lead single 'Love in Real Life' was her first solo release since her song 'Pink' appeared on the Barbie soundtrack. This will also be her first album since she was accused of sexual assault and a hostile work environment by her former dancers. Last month, she performed latest single 'Still Bad' on Saturday Night Live.
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Associated Press
an hour ago
- Associated Press
The Frequency School breaks GUINNESS WORLD RECORDS™ title for the "195" song featuring the most nationalities
LONDON and LOS ANGELES, June 2, 2025 /CNW/ -- The Frequency School set a new GUINNESS WORLD RECORDS title for 'Most nationalities to contribute vocals to a musical recording (single song)' with the '195" song on Monday, in a bid to raise awareness about gender equality and to ignite a global movement uplifting people through the transformative power of soundhealing frequencies. The record-breaking '195" is the first song in history featuring women from all of the world's 195 countries and using sound healing frequencies and the 528 Hz 'Love Frequency'. The Frequency School co-founded by U.S. Grammy-nominated and multi-platinum music producer Maejor, Martina Fuchs, Kingsley M, Brandon Lee and Aaron Dawson produced this visionary, powerful and universal campaign and premiered it during the 55th Annual Meeting of the World Economic Forum (WEF) in Davos-Klosters, Switzerland, from January 20-24. Using the sounds of birds and the heartbeat as instrumental elements, the '195" aims to raise the world's frequency, elevate humanity, and trigger a positive impact by uniting and empowering women worldwide. One woman in every one of the world's 195 countries recognized by the United Nations said one word: 'EQUALITY' in her national language or native tongue and sent in her voice and video recording. The number of women and nationalities participating in the song was officially verified by a Guinness World Records adjudicator. Martina Fuchs, Executive Producer of the '195" and Co-Founder of the Frequency School, said: 'It has always been my dream to produce the first song in history featuring every country on the planet. Our vision was to unite 195 ordinary women from all walks of life in this pioneering and groundbreaking initiative to advocate for gender equality and the rights of women and girls, and to help people struggling with mental health issues. Breaking this record is only the beginning: we are on a global mission to make our world a more peaceful place.' Maejor, Founder and CEO of the Frequency School who produced the song, said: 'The world record is a testimony to our work and the universal language of music. This achievement is a call to every one of us to lift each other up and spread peace, love and harmony. We chose to use 528 Hz which is often referred to as the 'love frequency', or the frequency of transformation and miracles. We wanted to promote more respect and fairness for women, as well as deep inner healing and a state of peace. The transformative vibration of 528 Hz can inspire positive action and empathy and people to act more kindly and inclusively.' According to scientific studies and music theory, Solfeggio frequencies, ranging from 174 Hz to 963 Hz, offer unique sound patterns that promote relaxation, stress relief, and overall well-being. These frequencies have been shown to positively impact mental, emotional, and physical health by generating vibrations that help achieve a state of calm and balance of the mind, body and spirit. Kingsley Maduka, Co-Founder of the Frequency School, said: 'We're incredibly excited to set a new world record, and I am honored to have the youngest lady in my family, my 6 year-old daughter, to be apart of such an intentional women empowerment project, focused on wellness. Being a man, it's important that we do our parts to support our better halfs for the sake of the mental health and wellness of humanity. The Frequency School is such an amazing platform for utilizing, implementing and amplifying wellness tools - working at the intersection of music, wellness, mental health and education is some of the most impactful work I've been able to be apart of.' Brandon Lee, Co-Founder of the Frequency School, said: 'Every one of us enters this world through a woman—women are the very heartbeat of humanity. I'm deeply honored to be part of this project and inspired by the future initiatives we're building at Frequency School to uplift women's wellness. Earning the GUINNESS WORLD RECORDS title will amplify our mission globally, allowing us to create an even greater impact.' Aaron Dawson, Co-Founder and Creative Director of the Frequency School, said: 'This project is much more than a world record, it's a reflection of the immense gratitude I hold for women everywhere. I carry deep appreciation for every woman who have shaped me: my mother, grandmothers, aunts, cousins, godchildren, teachers, ancestors, and the many women whose love and existence have given me and the world such beautiful life. A better world exists when we honor women's gifts, invest in them, and protect their well-being.' Miriam Moriati, President of the Kiribati Rotaract Youth Club and a Women and Youth representative for OARS (Ocean Alliance for Resilience and Sustainability), said: 'I'm from Kiribati, a small island nation in the Pacific, where our highest point is just 3 meters above sea level. Our women in Kiribati are vulnerable due to gender equality not being part of our culture and traditions. They are often the first to be affected by crises and the last to recover. Being part of this initiative to support women on an international stage is an incredible honor. Opportunities to represent our small country are rare, and I am grateful for this platform to amplify the voices of Kiribati women.' Sawilanji Nachula, a middle school student representing Zambia, said: 'I am a 13-year old Zambian and live on the 'Mighty Zambezi' near the Victoria Falls. I am currently a student at Falcon College in Esigodini, Zimbabwe, where I will start my grade 9 next month. I am both honoured and inspired to smash the world record with so many already successful and soon to be successful members. I doubt I will be able to contribute much myself for now. But I will be sure to promote gender equality as I get older.' Inspired by the murmuration of birds and nature's synchronicity, the visualizer of the song includes art elements evoking raw emotions and reflecting the power and harmony of women, and their aspiration for freedom and collective strength. Watch the '195" here: MEDIA CONTACT: Martina Fuchs Email: [email protected] Mobile: +41 79 361 01 46 LIST OF '195" PARTICIPANTS: Fawzia Koofi, Afghanistan Juxhina Sotiri Gjoni, Albania Kahina Bouagache, Algeria Jimena Cierco Martinez and Júlia Carreras Salvadó, Andorra Ester Nilsson, Angola Abrianna Cooper, Antigua and Barbuda Romina Sudack, Argentina Sose Markosyan, Armenia Anjali Nadaradjane, Australia Delia Fischer, Austria Bahar Balayeva, Azerbaijan Amanda Darville, Bahamas Ahdeya Ahmed Al-Sayed, Bahrain Laiba Jannati Pritha, Bangladesh Gloria Carter, Barbados Kristina Lozinskaya, Belarus Nyanchama Okemwa, Belgium Julie Robinson, Belize Adjalla Senami Naomy Campbell Mariela, Benin Yangdon Sonam, Bhutan Valentina Crespo Kuljis, Bolivia (Plurinational State of) Iman Daneya Zulum, Bosnia and Herzegovina Kabelo Botlhe Dikobe, Botswana Samanta Bullock, Brazil Daphne Lai Teck Ching, Brunei Darussalam Natalini Yordanova, Bulgaria Audrey Korsaga, Burkina Faso Jeanne Irakoze, Burundi Zanu Alves, Cabo Verde Savada Prom, Cambodia Sabrina Love, Cameroon Alyson Meister, Canada Kessy Martine Ekomo-Soignet, Central African Republic Mariam Abdoulaye Malloum, Chad Bernardita Castillo Passi, Chile Joyce Peng Peng, China Karin Andrea Stephan, Colombia Armel Azihar Sly-vania, Comoros Gisèle Brice Mabiala, Republic of the Congo Maria Jose Freer Murillo, Costa Rica Noussoeu Bih, Côte D'Ivoire Marijana Maros, Croatia Lixandra Díaz Portuondo, Cuba Louiza Nikolaou, Cyprus Shelley Pleva, Czechia Esther Eom, Democratic People's Republic of Korea Dodo Liwanga, Democratic Republic of the Congo Heidi Bjerkan, Denmark Intibah Ali Abdallah, Djibouti Sapphire Vital, Dominica María Eugenia del Castillo, Dominican Republic Margarita Heredia Forster, Ecuador Amena Bakr, Egypt Fabiola Torres, El Salvador Paulina Laurel Sami, Equatorial Guinea Harena Amanuel, Eritrea Anette Maria Rennit, Estonia Zandisile Howe, Eswatini Lina Getachew Ayenew, Ethiopia Renita Reddy, Fiji Julia Sulonen, Finland Anino Emuwa, France Rita Aboghe, Gabon Sarjo M Jallo, Gambia (Republic of The) Eka Khorbaladze, Georgia Carolin Strunz, Germany Michelle Nana Adwoa Agyakomah Yeboah, Ghana Efi Pylarinou, Greece Laureen Redhead, Grenada Lilian Viviana Tzul Pérez, Guatemala Fatoumata Diallo, Guinea Waltemira Audilia Monteiro Eckert, Guinea Bissau Amrita Naraine, Guyana Stephanie Garçonvil, Haiti Carmen Elisa Méndez Silva, Honduras Aliz McLean, Hungary Mardis Karlsdottir, Iceland Asma Khan, India Siti Suliatin Buechel, Indonesia Sanam Shantyaei, Iran (Islamic Republic of) Aya Al-Shakarchi, Iraq Lisa Armstrong, Ireland Dalith Steiger, Israel Cristina Romelli Gervasoni, Italy Heather Carrington, Jamaica Meguri Fujisawa, Japan Suad Musallam Hijazin, Jordan Zhanna Kan, Kazakhstan Shayoon, Kenya Miriam Moriati Koae, Kiribati Suad Al Sabah, Kuwait Aigerim Sultanbekova, Kyrgyzstan Duangtavanh Oudomchith, Lao People's Democratic Republic Laima Dimiševska, Latvia Dia Audi, Lebanon Reekelitsoe Molapo, Lesotho Laymah E. Kollie, Liberia Manal Aboujtila, Libya Katrin Eggenberger, Liechtenstein Deimile Soares, Lithuania Sophie-Anne Schaul, Luxembourg Mireille Ramampandrison, Madagascar Jacqueline Nhlema, Malawi Harpreet Bhal, Malaysia Widhadh Waheed, Maldives Binthily Youma Macalou, Mali Michelle Muscat, Malta Claret ChongGum, Marshall Islands Habibata Cissé, Mauritania Ameenah Gurib-Fakim, Mauritius Yolanda Sánchez, Mexico Drinnette James, Micronesia (Federated States of) Annabelle Jaeger-Seydoux, Monaco Amrita Gerelt-od, Mongolia Milica Markovic, Montenegro Touria El Glaoui, Morocco Maria Honoria da Silva Mocambique, Mozambique Ei Han, Myanmar Tisha Haushona, Namibia Angelina Waqa, Nauru Sahana Vajracharya, Nepal Andrea B. Maier, Netherlands (Kingdom of the) Alexia Hilbertidou, New Zealand Kathia Salazar, Nicaragua Alassane Soumana Roukayatou, Niger Eyitola St. Matthew-Daniel, Nigeria Matea Kocevska, North Macedonia Alliance Niyigena, Norway Ruby Saharan, Oman Mariam Zaidi, Pakistan Dee Raya Antonio, Palau Nadia Hazem, Palestine Trishna Nagrani, Panama Jenny Namana, Papua New Guinea Emilie Seitz, Paraguay Gigi Caballero, Peru Andrea Mikaella Geronimo, Philippines Elvira Eevr Djaltchinova-Malec, Poland Sandra Fankhauser, Portugal Dr. Asmaa Alfadala, Qatar Sylvia Shin, Republic of Korea Dana Muntean, Republic of Moldova Carina Schuster, Romania Ashley Dudarenok, Russian Federation Bonita Mutoni, Rwanda Vicia Woods, Saint Kitts and Nevis Sheridin Jones, Saint Lucia Rianka Chance, Saint Vincent and the Grenadines Faauiga Maiava Onosai Sauiluma, Samoa Martina Mattioli, San Marino Katy Nascimento, Sao Tome and Principe Asma Alsharif, Saudi Arabia Korka Dieng, Senegal Teodora Cosic, Serbia Beverly Dick, Seychelles Sylvia Conteh, Sierra Leone Cheng Ying (Monica), Singapore Lucia Kupcova, Slovakia Ksenia Juvan, Slovenia Sharon Inone, Solomon Islands Amran Abocar, Somalia Kim August, South Africa Josephine Albino, South Sudan Alejandra Costales Richards, Spain Suba Umathevan, Sri Lanka Tahani Karrar, Sudan Radhiya Ebermann-Joval, Suriname Sabinije von Gaffke, Sweden Martina Fuchs, Switzerland Stephanie Ghazi, Syrian Arab Republic Zarina Khasanova, Tajikistan Ratih Paramitha, Thailand Dália Kiakilir, Timor-Leste Isbath Esther Ali, Togo Ofa gé, Tonga Alexa Chin Pang, Trinidad and Tobago Aya Chebbi, Tunisia Guelistan Fuchs, Türkiye Aylar Babayeva, Turkmenistan Lilly Teafa, Tuvalu Jovia Kisaakye, Uganda Kateryna Krasnozhon, Ukraine Suaad Al Shamsi, United Arab Emirates Melissa Monique, United Kingdom of Great Britain and Northern Ireland Flaviana Matata, United Republic of Tanzania Kenzi Kachi Maduka, United States of America Camila Bentancur, Uruguay Muldir Khayitova, Uzbekistan Adrina J L Abel, Vanuatu Boglarka Sztancs, Vatican City Sophia Santi Guevara, Venezuela, Bolivarian Republic of Yip Thy Diep Ta, Viet Nam Wadha Abdullah Mohsin, Yemen Suwilanji Nachula, Zambia Rosheen Ngorima, Zimbabwe ABOUT THE FREQUENCY SCHOOL: The Frequency School is a pioneering global initiative designed to harness the transformative power of music for the holistic development of people around the world, focusing on the mind, body, and spirit. Through services like music therapy, education, and performance, we empower individuals to lead balanced, healthy, and fulfilling lives. The approach integrates the latest in sound therapy with traditional wellness practices to support the whole person. It was launched by Maejor, Martina Fuchs, Kingsley M, Brandon Lee, and Aaron Dawson at the renowned international boarding school Aiglon College in Switzerland in 2024. YouTube: Frequency School LinkedIn: The Frequency School Instagram: @thefrequencyschool Website: PARTNERS: Video - Photo - Photo - Photo - Logo - View original content to download multimedia: SOURCE The Frequency School
Yahoo
2 hours ago
- Yahoo
Gwyneth Paltrow Gets Real About Disliking Being On Social Media As A Famous Person: 'I'm Like An Old Lady'
When you buy through links on our articles, Future and its syndication partners may earn a commission. If nothing else, you can, seemingly always, say that actress Gwyneth Paltrow is honest. The proud vagina candle maven has been known to open up about everything from hiding in her parents house after winning her Oscar at 26, to living with ex Chris Martin after they split and how hard it is to be an empty-nester. Now the Marvel star is opening up about being 'an old lady' when it comes to social media. While it's not impossible to be famous today and stay off social media (or at least not put your whole life online), it's not something that's done on a regular basis. In fact, most people, whether they're celebrities or not, use social media regularly, but the pressure to show every aspect of one's life must certainly be greater the more well known a person is. During an episode of The Goop Podcast where Gwyneth Paltrow spoke with actress Kerry Washington, the welcoming lifestyle company founder spoke about her feelings on social media, and admitted that some of her reticence likely has to do with age. As she said: There's a part of it I think that just is like a pre-Internet kid. I always wrestle a little bit with, 'Why are we having to put everything on social media? We just met with our video team. I'm always like, 'Chase, I don't want to be on Instagram!' You know? OMG. Gwynnie! I don't want to be on Instagram, either! But I am, because it's just what people do now. Of course, no one is expecting me to share literally everything I do during the day, so I'm totally free to sit back, follow a bunch of other folks and enjoy the view. When fans see Paltrow on social media, well, they want her to share things. Several stars have spoken about the immense pressure that can come from being online and opening your life up to fans. It has, in fact, caused a number of them to at least take breaks from it. Recently, A Complete Unknown star and Oscar nominee Monica Barbaro admitted that she's deleted her social media several times, and had to do it while filming that movie and again as positive reactions came in. Other famous folk have talked about doing the same social media 'detox' for a while, with Only Murders in the Building lead Selena Gomez calling the process 'the most rewarding gift.' This is likely because, as Home Town host Erin Napier once noted, regardless of what you post, the comments can be 'really rude.' While that can certainly harm one's mental health, however, the potential positives tend to outweigh some of the negatives for Paltrow, and that's exactly why she continues to use it. As she added: And yet, especially around the topic of mental health, or anything really that's heavily stigmatized, social media is this way to destigmatize. ... [like] wait, this is how you change culture and the tools right now are social media. So even though I'm like an old lady trying to get with the times of how this works... [I try to] get comfortable with it. And, lucky for us, she has gotten 'comfortable' with it and continues to share with fans on a regular basis.
Yahoo
2 hours ago
- Yahoo
David E. Kelley says new ending for ‘Presumed Innocent' on Apple TV+ ‘wasn't mandatory'
David E. Kelley adapted Scott Turow's bestseller Presumed Innocent as an eight-episode series for Apple TV+ last year. Between the book and the 1990 movie adaptation, the original revelation of the murderer might no longer be a surprise. So, Kelley chose a different character to be the killer in his season finale. 'It wasn't mandatory,' Kelley told Gold Derby on the red carpet at Apple TV+'s FYC space at the Hollywood Athletic Club. 'I was open to the idea that it could still be the same killer but we kind of let the story speak to us. As it was unfolding, we settled on the route we took.' More from GoldDerby Sharon Horgan, Anne-Marie Duff, Fiona Shaw, and every 'Bad Sisters' Emmy acting submission How David Bowie inspired Eddie Redmayne's 'Day of the Jackal' transformations D'Arcy Carden on her 'dream come true' joining 'The Handmaid's Tale' and Phoebe's 'different Aunt energy' Jake Gyllenhaal plays Rusty Sabich, a lawyer accused of slaying his colleague, Caroline Polhemus (Renate Reinsve), with whom he was having an affair. Rusty's nemesis, Tommy Molto (Peter Sarsgaard), prosecutes Rusty despite a clear conflict of interest. Though the killer is only revealed to Rusty's family, Sarsgaard suspects the ending still validates Tommy's suspicions. Apple TV+ 'I think Tommy always knew who was involved and he was correct about that,' Sarsgaard said, without giving away the spoiler. 'He wasn't incorrect [about] the person he suspected who was covering something.' Now that all eight episodes are available to stream, it's well-known the show ends differently. Other updates Kelley made to Turow's 1987 debut novel included combining characters and incorporating 2024 elements like DNA evidence and cellphone technology. 'I think what was more important is that we declared ourselves out of the gate that we were going to take departures from the underlying material,' Kelley said. 'So at least the viewer would not feel comfortable that they knew the outcome.' Bill Camp plays Rusty's lawyer, Raymond Horgan, who is so troubled by the case that he has nightmares about Rusty committing the murder. Though Raymond is unaware of the final revelation, Camp said the damage is done regardless of who did it. 'I think he'd find it heartbreaking,' Camp said. 'The darkness that everyone's living in now, not knowing who that murderer is except for that family, I think it would be heartbreaking for everyone to find out.' Finding out the new identity of the killer in Episode 8 reminded Sarsgaard of another mystery show he appeared in. In Season 3 of The Killing, Sarsgaard recalled his costar being devastated to find out he was the killer. This moment drove home for Sarsgaard the nature of episodic television with ongoing writers' rooms. 'We got the final episode, he came up to my trailer really upset,' Sarsgaard said. 'He said, 'Oh, it's me. I'm the killer.' I thought, 'F--k.' Movies is just all preparation from the beginning.' Apple TV+ Kelley acknowledged that he was asking a lot of his lead actor. Viewers would judge Rusty for cheating on his wife, Barbara (Ruth Negga), and possibly suspect him of murder — yet he remains the protagonist of the series. 'He had a heavy lift in this series,' Kelley said of Gyllenhaal. 'A writer can put that on the page all he wants but it's up to the actor to inhabit those qualities to make the audience care. So I think viewers were condemning Rusty on a lot of fronts but rooting for him just the same.' Episodic directors said the series benefited from Gyllenhaal and Sarsgaard's real-life relationship. They are brothers-in-law, as Sarsgaard is married to Jake's sister, Maggie Gyllenhaal. Greg Yaitanes directed Episodes 3-7, culminating in the scene where Tommy cross-examines Rusty. 'They can practice,' Yaitanes said. 'They were roommates as well so they were staying with each other so they just worked at that scene. There was this added intangible benefit of their trust and closeness that they got into every scene.' Anne Sewitsky directed the first two episodes and the final one. She also benefited from Sarsgaard and Gyllenhaal's familial friendship in her episodes. 'There was kind of a shortcut or shorthand into the way we played with those scenes,' Sewitsky said. 'They like to throw things around. I love that so we were doing a lot of improv and we were adding a lot of stuff.' Best of GoldDerby Samantha Hanratty on Misty stepping 'into her own' in 'Yellowjackets' Season 3: 'She is a lot more useful than I think a lot of people give her credit for' How Madeline Brewer gets the power back in the final seasons of 'You' and 'The Handmaid's Tale' 'I fully expected to be killed off!' Helen Mirren on her twin roles in '1923' and 'MobLand' Click here to read the full article.
