logo
Genelia Deshmukh Looks Regal In A Chikankari Saree At Sitaare Zameen Par Premiere

Genelia Deshmukh Looks Regal In A Chikankari Saree At Sitaare Zameen Par Premiere

News186 hours ago

Last Updated:
Genelia Deshmukh draped a quintessential Abu Jani Sandeep Khosla chikankari saree at the premiere of Sitaare Zameen Par.
Genelia Deshmukh, who stars alongside actor-producer Aamir Khan in the latest movie Sitaare Zameen Par, made a royal statement in a quintessential chikankari saree at the movie's premiere in Mumbai.
The ethereal chikankari which is done in Lucknow by female artisans was envisioned by master couturiers Abu Jani and Sandeep Khosla. The saree which takes anywhere between six and eight months to complete, is deeply rooted in Abu Jani Sandeep Khosla 's design journey which is over 35 years.
An epitome of grace and refinement, the saree was complemented with an embellished blouse featuring glistening sequins, pearls strategically embroidered in miniature floral patterns. The blouse was completed with pearl tassels placed on the hem of the sleeves.
Genelia and Aamir Khan both were dressed in the hallmark chikankari beautifully celebrated by Abu Jani Sandeep Khosla. Genelia was accompanied by her husband and actor Riteish Deshmukh. A starry affair, the premiere of Sitaare Zameen Par was also attended by celebrities such as Shah Rukh Khan, Salman Khan, Vicky Kaushal, Rekha, Tamannaah Bhatia, Jackie Shroff, Tiger Shroff, Juhi Chawla, Darsheel Safary, Imran Khan and Junaid Khan, among others, attended the screening.
Deepika Padukone
Deepika Padukone's chikankari bridal ensemble glimmered with a medley of sequins and Swarovski crystals paired with zardozi embroidery. Deepika's resham and crystal blouse complemented the intricate Chikan craftsmanship.
Kareena Kapoor Khan
Kareena Kapoor Khan paired the ivory hand-embroidered kurta with a Chikankari dupatta. The ensemble is highlighted with sequins, pearls and stones.
Gigi Hadid
Gigi Hadid looked absolutely spectacular in a slim chikankari skirt and chikan sari drape. Gigi's contemporary drape was styled with a Kamasutra-inspired, South Indian temple jewellery cropped sleeve jacket blouse edged with bold tassels.
Sonam Kapoor Ahuja
Acing the double drape like a true style icon, Sonam Kapoor Ahuja styles the off-white silk net saree featuring an intricate pearl border, with a magnificently embroidered chikankari dupatta elegantly draped on one shoulder.
For her wedding festivities, Richa Chadha stunned in a classic off-white Chikankari Kurti with a heavily embroidered yoke and borders. She styled it with a net dupatta exquisitely accented with Swarovski crystals in an all-over pattern along with a trail, to complete an utterly breathtaking bridal look.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Sitaare Zameen Par Box Office Day 2: Aamir Khan's Film Scores Big, Rakes In Rs 30 Crore
Sitaare Zameen Par Box Office Day 2: Aamir Khan's Film Scores Big, Rakes In Rs 30 Crore

News18

time6 minutes ago

  • News18

Sitaare Zameen Par Box Office Day 2: Aamir Khan's Film Scores Big, Rakes In Rs 30 Crore

Last Updated: Sitaare Zameen Par, starring Aamir Khan and Genelia Deshmukh, collected ₹30.42 crore in India on its second day. The film is a spiritual sequel to the 2007 hit Taare Zameen Par. Aamir Khan is back to lighting up the box office as his recent film, Sitaare Zameen Par, is shining brighter by the day. After a warm opening, the emotional drama saw a solid jump on Day 2, raking in a whopping Rs 30.42 crore. Directed by R.S. Prasanna and co-starring Genelia Deshmukh, the film hit theatres on June 20, 2025, and is already stirring major nostalgia as a spiritual sequel to the 2007 gem Taare Zameen Par. According to trade reports, Sitaare Zameen Par picked up pace on Saturday, outperforming its Friday numbers. The film earned an estimated Rs 19.72 crore on Day 2, taking its total India collection to Rs 30.42 crore so far. It had kicked off with Rs 10.7 crore on its opening day, and the upward trend looks promising. All eyes are now on Sunday to see just how big the film's first weekend tally turns out to be. For some perspective, Aamir Khan's Laal Singh Chaddha had managed Rs 18.96 crore net in India over its first two days, quite a bit lower than Sitaare Zameen Par. In comparison, Akshay Kumar's Sky Force did better with Rs 34.25 crore in the same time frame, while Kesari Chapter 2 brought in Rs 17.5 crore. Sitaare Zameen Par is a sports comedy drama film directed by R. S. Prasanna, and produced by Aamir Khan and Aparna Purohit. Aroush Datta, Gopi Krishna Varma, Samvit Desai, Vedant Sharma, Ayush Bhansali, Ashish Pendse, Rishi Shahani, Rishabh Jain, Naman Mishra and Simran Mangeshkar will make their Hindi cinema debut with the film. The film also boasts a strong supporting cast with seasoned performers like Dolly Ahluwalia, Gurpal Singh, Brijendra Kala, and Ankita Sehgal. The film follows the emotional journey of Gulshan, a once-celebrated basketball coach played by Aamir Khan, who's sent to teach the game to a group of neurodivergent kids as part of his community service after a DUI charge. What begins as a reluctant punishment soon turns into a powerful transformation for both the coach and his students. Genelia Deshmukh plays his wife, Sunita. N ews18 gave 3.5 rating to Sitaare Zameen Par. A part of our review read, 'Unlike Taare Zameen Par's Nikumbh, Gulshan isn't perfect. This is a flawed, man-child character, dealing with his own traumas, learning to navigate life with the help of those who suffer developmental delays. So far, on paper, Sitaare Zameen Par seems rather fantastic, novel, and heartfelt. And don't get us wrong — it definitely is all of that. But it also has its share of flaws that become a bump in its path to becoming a great film. To start with, at 2 hours 39 minutes, the film appears to be an extremely long and slow-moving affair." First Published:

Aamir Khan's defence of his patriotism reveals an embarrassing portrait of an anxious superstar, a pliant media, and a suspicious fandom
Aamir Khan's defence of his patriotism reveals an embarrassing portrait of an anxious superstar, a pliant media, and a suspicious fandom

Indian Express

time2 hours ago

  • Indian Express

Aamir Khan's defence of his patriotism reveals an embarrassing portrait of an anxious superstar, a pliant media, and a suspicious fandom

What does it mean to be a superstar in this country? The question is not that complex as its answer lies within reach. But to ask what it means to be a Muslim superstar, is to step into more uncertain ground. An arena that is subtle, shifting, and deeply textured. It is not a matter of stark contrast, not a truth wrapped in white or black. It resides somewhere in the gray, the in-between, where meaning evades simplicity. For those who insist that fame transcends identity, that a superstar is untouched by faith, name, or lineage, the evidence is not hard to find, but harder to reconcile. Take the recent episode of Aap Ki Adalat, where Aamir Khan arrived ostensibly to speak about his new film Sitaare Zameen Par. And yet, the subtext was clear: he was not there to promote a story, but to defend one — his own. He was there not as an artiste, but as a citizen. As if his belonging needed reiteration. As if patriotism were not his right, but a question he must answer. Just two minutes into the episode, the host, turns the conversation toward Aamir Khan's loyalty to the nation. And for the next 30 minutes, Khan is made to justify himself. As if acceptance must be earned, not lived — he explains, he recounts, he defends. It is not enough to be a citizen; he must account for it, line by line. At one point, he is asked whether his income has ever come from a foreign country, as if his decades-long presence in the national consciousness could still be doubted. At another moment, he explains why he gave Muslim names to children born of Hindu mothers. On and on it goes. And yet the tone of the show remains deceptively light-hearted. Khan responds with grace, even good humour. But anyone watching closely can see it. Behind the measured enthusiasm is fatigue. Behind the smiles, something restless. Just observe, if one is willing, the nature of the questions directed at him. Why did he not speak after the Pahalgam attack? Why does he not name Pakistan more often, more forcefully, more condemningly? What were his reasons for aligning, even momentarily, with Turkey? Why is he held in such regard by audiences in China? What are his views on marriages that cross faiths? And why, above all, have some of his films unsettled the sensibilities of the majority? They are questions that seem less concerned with understanding than with establishing something, something already presumed, already half-decided. And what stands out is not merely their content, but their weight, their repetition. These are not questions commonly posed to those who legislate or rule. The ones who wield real power are rarely asked to account in such granular, personal terms. Also Read | Aamir Khan answers those questioning his patriotism: 'My film Sarfarosh was the first to take Pakistan's name, suffered losses but…' So what does it really reveal? The media indeed is not just complicit, but shallow. It will not question the architecture of silence built around power. It will not look directly at the dismantling of the plural imagination. But they will indict an actor for portraying a fictional character in a progressive film for hurting the majoritarian views. But beyond the surface spectacle, what does this moment reveal, at a deeper, more human level? One could argue, perhaps cynically, that this is less about offense and more about optics. A carefully staged act of image cleansing to make him appear on national television and clarify all the doubts surrounding him for the last few years. After all, his last film suffered from similar intolerance parading as patriotism, and this time, the stakes might be too high to ignore. So, more than anything, it reveals the strange nature of fandom today. More intimately, it lays bare a deeper, more uneasy truth about the evolving, often troubling dynamic between fandom and stardom. Fans no longer stop at admiration; they seek agreement. They ask not just for stories, but for allegiance. They map their own politics onto the people they follow and expect them to comply. They contain their idols within the bounds of their own fears, and when those boundaries are crossed, they read it as betrayal. No wonder, then in the show, an audience member rises to ask Aamir Khan how he felt about Operation Sindoor. And no wonder, too, that the answer barely matters. Because the question itself isn't really about any military operation, it's about reaffirming a gaze of doubt. A gaze that demands performance not just on screen, but off it. A gaze that insists on proof. And it is not his burden alone. Whether it is him, or Shah Rukh Khan, or Salman Khan, each of them has been caught in the same cycle of suspicion, again and again. As film scholar Richard Dyer once wrote, a star image is never whole; it is always contradictory. It is built through tension, through fragments pulled in different directions. And in that tension, different groups of fans struggle to decide where their star truly stands. So perhaps the better question is not what it means to be a star in this country, but what it means to be a fan. The answer is both plain and deeply tangled. It is the expectation of performance, everywhere. Because in today's time, subservience has become a condition of storytelling.

‘I can Never Abuse Anyone': Aamir Khan
‘I can Never Abuse Anyone': Aamir Khan

New Indian Express

time3 hours ago

  • New Indian Express

‘I can Never Abuse Anyone': Aamir Khan

Popularly known as Bollywood's Mr Perfectionist, Aamir Khan, who was last seen in Laal Singh Chaddha, is finally set to return to the silver screen. The actor will soon be seen in Sitaare Zameen Par, the much awaited sequel to his iconic 2007 film Taare Zameen Par. Directed by RS Prasanna, the film revolves around specially-abled kids and features Aamir Khan as a basketball coach. What were the challenges you faced while shooting with a neurodivergent cast? I have been working in this industry for 35 years and done almost 45 films. Working with creative people, whether it is the DOP, actors, director, production designer isn't always easy. But we did not witness any trouble while shooting this film. When these ten people came on the sets, they hugged and spread their energy and made everything feel calm and positive. What was your personal experience working with a neurodivergent cast? They were very much on the same level as the neuro-typical beings on set. They rehearsed the lines very well. Instead, I would ask for a retake sometimes but not even a single moment was wasted because of their re-takes. Ashish, whose character's name is Sunil was so sharp that I apologised once saying 'it is my mistake.' He replied saying, 'koi baat nahi bade bade logon se choti choti galtiyan ho jati hai' (No worries. Popular people make such small mistakes.)

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store