logo
Ciara Goes for Gold in JW Anderson Vest for the Singer's Black Women in Excellence Dinner in London

Ciara Goes for Gold in JW Anderson Vest for the Singer's Black Women in Excellence Dinner in London

Yahoo5 hours ago

If you purchase an independently reviewed product or service through a link on our website, WWD may receive an affiliate commission.
Ciara opted for utilitarian styling for her Black Women in Excellence Dinner on Sunday in London. The singer was joined by such attendees as Yasmin Evans and Vanessa Kingori, among others, for the special occasion.
More from WWD
Jodie Comer Dons Contrasting Calvin Klein Look for '28 Years Later' Promo Tour
Drew Starkey Opts for Fine Lines in Checkered Acne Studios Suit at Netflix Tudum 2025 Live Event
Lady Gaga Returns to Her Theatrical Roots in Gothic Look for Netflix Tudum 2025 Performance With Jenna Ortega
Ciara wore a design courtesy of Jonathan Anderson's label, JW Anderson, which was founded by the eponymous designer in 2007. The sleeveless bomber vest featured utilitarian elements, including large pockets at the hips, a zipper down the front placket and a sharp collar.
$647 $1,876 66% off
Buy Now at farfetch
Price upon publish date of this article: $647
$321 $559 43% off
Buy Now at baltini
Price upon publish date of this article: $321
The vest also included an elongated frame. Ciara paired the piece with a coordinated miniskirt featuring similar utilitarian elements. The miniskirt included front pockets and a high-waisted silhouette for added definition.
To add some contrast to her attire, Ciara went with a sleeveless black top with a plunging neckline and bustier-style inspiration. When it came to her accessories, Ciara went with shimmering diamonds, with two layers of delicate necklaces and coordinated rings.
As for her glam, Ciara's golden blond tresses cascaded down her shoulders and practically matched her vest. Her makeup included such elements as bold brows, lined eyes and a glossy lip.
Ciara's choice to style a JW Anderson piece comes after the eponymous designer was announced as the eighth couturier of Dior. The 40-year-old designer succeeds Italian designer Maria Grazia Chiuri, whose departure from the French luxury fashion house was announced on Thursday.
'Jonathan Anderson is one of the greatest creative talents of his generation. His incomparable artistic signature will be a crucial asset in writing the next chapter of the history of the house of Dior,' Bernard Arnault, chairman and chief executive officer of LVMH Moët Hennessy Louis Vuitton, Dior's parent, said in a statement.
View Gallery
Launch Gallery: Getting Ready With Ciara in LaQuan Smith for 2025 Met Gala: A Photo Diary
Best of WWD
Mia Threapleton's Red Carpet Style Through the Years [PHOTOS]
Princess Charlene of Monaco's Grand Prix Style Through the Years: Louis Vuitton, Akris and More, Photos
Princess Charlene's Monaco Grand Prix Style Evolution at Full Speed: Shades of Blue in Louis Vuitton, Playful Patterning in Akris and More

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Where is West Ham footballer Jarrod Bowen from?
Where is West Ham footballer Jarrod Bowen from?

Yahoo

time38 minutes ago

  • Yahoo

Where is West Ham footballer Jarrod Bowen from?

HEREFORDSHIRE-born football player, Jarrod Bowen, has officially tied the knot with Dani Dyer at a private ceremony in Buckinghamshire. The West Ham United player was once a Herefordshire local, having been born and grown up in Leominster. According to England Football, Bowen began his career with local club Hereford United, and was put on the first team at the age of 17. He later moved to Hull City, where he spent two years with their junior teams. When scoring the winning goal in the 2023 European Finals, Bowen remarked about his Herefordshire origins: 'I'm so buzzing, all of us are just going to go mad I think. You have to celebrate. 'When the final whistle went I just thought' this party is going to be crazy. I'm just a little boy from Leominster who never thought I'd be talking like this. My family are crying and it just shows me how far I've come.' News of Bowen's and Dani Dyer's romance broke in December 2021, and since then, the pair have welcomed twins, Summer and Star. Dyer is best known for winning the fourth season of the ITV reality dating show in 2018 with Jack Finchman, and is the daughter of EastEnders star Danny Dyer. Sharing the news on Instagram on Saturday, Dyer shared a photograph of the pair holding hands as they walked down the aisle with the caption, 'The Bowen's'. In July of last year, the couple announced the news of their engagement with an Instagram post captioned 'us forever' alongside a ring emoji. She also shares a child, Santiago, whom she calls Santi, with her ex-Sammy Kimmence, who she dated before appearing on Love Island and after her split from Finchman. Dyer later separated from Kimmence, who was jailed for three-and-a-half years in 2021 for defrauding two pensioners out of more than £34,000. The reality star also appeared on Channel 4 entertainment programme Celebrity Gogglebox alongside her soap actor father. She is set to feature in a new Sky TV series alongside her father as the pair invest in and run their own caravan park on the Isle of Sheppey in Kent, titled The Dyers' Caravan Park.

London's V&A Storehouse museum lets visitors get their hands on 5,000 years of creativity
London's V&A Storehouse museum lets visitors get their hands on 5,000 years of creativity

Yahoo

time38 minutes ago

  • Yahoo

London's V&A Storehouse museum lets visitors get their hands on 5,000 years of creativity

LONDON (AP) — A museum is like an iceberg. Most of it is out of sight. Most big collections have only a fraction of their items on display, with the rest locked away in storage. But not at the new V&A East Storehouse, where London's Victoria and Albert Museum has opened up its storerooms for visitors to view — and in many cases touch — the items within. The 16,000-square-meter (170,000-square-foot) building, bigger than 30 basketball courts, holds more than 250,000 objects, 350,000 books and 1,000 archives. Wandering its huge, three-story collections hall feels like a trip to IKEA, but with treasures at every turn. The V&A is Britain's national museum of design, performance and applied arts, and the storehouse holds aisle after aisle of open shelves lined with everything from ancient Egyptian shoes to Roman pottery, ancient Indian sculptures, Japanese armor, Modernist furniture, a Piaggio scooter and a brightly painted garbage can from the Glastonbury Festival. 'It's 5,000 years of creativity,' said Kate Parsons, the museum's director of collection care and access. It took more than a year, and 379 truckloads, to move the objects from the museum's former storage facility in west London to the new site. Get up close to objects In the museum's biggest innovation, anyone can book a one-on-one appointment with any object, from a Vivienne Westwood mohair sweater to a tiny Japanese netsuke figurine. Most of the items can even be handled, with exceptions for hazardous materials, such as Victorian wallpaper that contains arsenic. The Order an Object service offers 'a behind-the-scenes, very personal, close interaction' with the collection, Parsons said as she showed off one of the most requested items so far: a 1954 pink silk taffeta Balenciaga evening gown. Nearby in one of the study rooms were a Bob Mackie-designed military tunic worn by Elton John on his 1981 world tour and two silk kimonos laid out ready for a visit. Parsons said there has been 'a phenomenal response' from the public since the building opened at the end of May. Visitors have ranged from people seeking inspiration for their weddings to art students and 'someone last week who was using equipment to measure the thread count of an 1850 dress.' She says strangers who have come to view different objects often strike up conversations. 'It's just wonderful,' Parsons said. 'You never quite know. … We have this entirely new concept and of course we hope and we believe and we do audience research and we think that people are going to come. But until they actually did, and came through the doors, we didn't know.' A new cultural district The V&A's flagship museum in London's affluent South Kensington district, founded in the 1850s, is one of Britain's biggest tourist attractions. The Storehouse is across town in the Olympic Park, a post-industrial swath of east London that hosted the 2012 summer games. As part of post-Olympic regeneration, the area is now home to a new cultural quarter that includes arts and fashion colleges, a dance theater and another V&A branch, due to open next year. The Storehouse has hired dozens of young people recruited from the surrounding area, which includes some of London's most deprived districts. Designed by Diller, Scofidio and Renfro, the firm behind New York's High Line park, the building has space to show off objects too big to have been displayed very often before, including a 17th-century Mughal colonnade from India, a 1930s modernist office designed by Frank Lloyd Wright and a Pablo Picasso-designed stage curtain for a 1924 ballet, some 10 meters (more than 30 feet) high. Also on a monumental scale are large chunks of vanished buildings, including a gilded 15th-century ceiling from the Torrijos Palace in Spain and a slab of the concrete façade of Robin Hood Gardens, a demolished London housing estate. Not a hushed temple of art, this is a working facility. Conversation is encouraged and forklifts beep in the background. Workers are finishing the David Bowie Center, a home for the late London-born musician's archive of costumes, musical instruments, letters, lyrics and photos that is due to open at the Storehouse in September. Museums seek transparency One aim of the Storehouse is to expose the museum's inner workings, through displays delving into all aspects of the conservators' job – from the eternal battle against insects to the numbering system for museum contents — and a viewing gallery to watch staff at work. The increased openness comes as museums in the U.K. are under increasing scrutiny over the origins of their collections. They face pressure to return objects acquired in sometimes contested circumstances during the days of the British Empire Senior curator Georgia Haseldine said the V&A is adopting a policy of transparency, 'so that we can talk very openly about where things have come from, how they ended up in the V&A's collection, and also make sure that researchers, as well as local people and people visiting from all around the world, have free and equitable access to these objects. 'On average, museums have one to five percent of their collections on show,' she said. 'What we're doing here is saying, 'No, this whole collection belongs to all of us. This is a national collection and you should have access to it.' That is our fundamental principle.'

After Losing Their House, This Couple Hiked 630 Miles to Their New Home
After Losing Their House, This Couple Hiked 630 Miles to Their New Home

Yahoo

timean hour ago

  • Yahoo

After Losing Their House, This Couple Hiked 630 Miles to Their New Home

The Salt Path, a new film from first-time feature director Marianne Elliot, stars Gillian Anderson (The X-Files) and Jason Isaacs (The White Lotus) as Raynor and Moth Winn, a British couple who, after losing their home in 2013, set off on a 630-mile hike on Cornwall's South West Coast Path. The screenplay, by Rebecca Lenkiewicz, is based upon Raynor's 2018 memoir of the same name, which was universally praised and won several awards, including the Royal Society of Literature's inaugural Christopher Bland Prize and the Wainwright Prize for Nature Writing. Critics have equally lauded the film adaptation (it currently sits at 86 percent on Rotten Tomatoes), but does The Salt Path properly capture the specificity of its source material? Related: Review: Is 'Karate Kid: Legends' a Hit or a Miss? Elliot's film picks up shortly after Raynor and Moth have set off on their journey, filling in the particulars of their circumstances with brief flashbacks. After losing to an unwise investment nearly all of their money and their farmstead, the home in which their children grew up and also the source of the family's income, Raynor and Moth decide to walk the entirety of the South West Coast Path. This is particularly ill-advised as Moth has recently been diagnosed with the degenerative brain disease corticobasal degeneration (CBD), which normally carries a life expectancy of five to eight years. As they walk, Moth's symptoms begin to dissipate, and he and Raynor discover a side of each other that's lain dormant for decades. Much like the book on which it's based, The Salt Path is a powerful story well told in an unobtrusive, straightforward manner. Those who are unfamiliar with the true events and perhaps expecting a more linear narrative might be wrong-footed by the episodic structure, but the movie is more concerned with capturing the feeling of the characters and their predicament than detailing the specifics of it. (The inciting incident which costs them their home remains mostly unexplained.) It's about the way Raynor and Moth relate to one another, or sometimes fail to relate to one another. This is an ordinary but no less impactful real-life love story about a couple who ventured together through the very worst that life had to offer and came out stronger on the other side. More than the restorative powers of nature, The Salt Path is about the restorative powers of love. Related: Review: 'Final Destination: Bloodlines' Brings the Franchise Back From the Dead Elliot and her team capture the essence of Raynor and Moth's journey, at times so vividly it feels as though the book has sprung from the page. It's a shame that this lacks many of the louder qualities which often qualify a movie for awards contention, because The Salt Path really should be at the frontrunner of every race. Isaacs and Anderson, both tremendously accomplished actors, are as good as they've ever been. Both disappear into their roles with a breathtaking naturalism that's so subtle, so un-actorly, that you actually forget you're not watching the real people. Anderson, best known as Agent Scully on The X-Files, has over time quietly become one of the most reliable actors on screen. Her work here is genuinely astounding. Related: 'Harry Potter' Actor Weighs in on Full-Frontal Scene in 'The White Lotus' This is the sort of movie which, the more you consider and unpack it, the more it reveals hidden treasures. Things which at first seem a bit off—for example, an ending which initially feels abrupt—on reflection seem like the only logical choices in telling this story. The Cornish landscapes are sharply photographed and will have you digging in the closet to find your hiking boots (this would make an interesting double bill with Mark Jenkin's Bait), but Elliot nicely foregrounds her characters rather than the sights that surround them. The Salt Path is a lovely, uncommonly low-key drama which serves as a perfect extension to the Winn's memoir. It's hard to imagine a version which is more perfectly told, so graceful is the work of everyone involved. Hopefully, their efforts will be remembered come awards season. Related: Jason Isaacs Explores Masculinity and Trauma in 'Mass' After Losing Their House, This Couple Hiked 630 Miles to Their New Home first appeared on Men's Journal on Jun 5, 2025

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store