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A sculpture honors the legacy of George "Spider" Anderson, the first Black jockey to win the Preakness Stakes.
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Black America Web
3 hours ago
- Black America Web
Monyetta Shaw-Carter's Birthday Hits Different – She's Celebrating Life & Love After A Stage 1 Breast Cancer Battle
Source: Paras Griffin / Getty Today (May 31) isn't just another birthday for Monyetta Shaw-Carter — it's a full-on rebirth. After battling stage 1 breast cancer, the Real Housewives of Atlanta star's special day hits different. She is turning 45 and celebrating with purpose, power, and a whole lot of pink. 'I caught the cancer early, and because of that, I will be here for my kids,' she told People . 'There's nothing more important than getting checked often and early to protect your future. Our health is irreplaceable.' Her diagnosis came after she felt an unusual sensation in her left breast last September. She didn't find a lump but told People she had a strange feeling that something was off. She listened. And that instinct saved her life. 'It was literally like my body was alerting me that something was wrong,' Monyetta said. 'It's so important for me to share this story because I hope to inspire others not to dismiss their gut feeling. Our body speaks to us, and when it does, we have to listen. It can be a matter of life or death.' One month after that self-check, a mammogram confirmed she had stage 1 invasive ductal carcinoma. She underwent a lumpectomy in January and completed 16 rounds of radiation by May 2. Now, weeks later, she's bringing her loved ones together for a joyful, pink-powered birthday bash. Her party honors life, resilience, and sisterhood. Monyetta credits her husband, Heath Carter, for being her rock through it all. She also had the support of her ex-fiancé, singer NE-YO, with whom she shares two children. 'NE-YO was just showing up for me in a major way and just always asking and making sure everything was okay,' she recalled in a recent interview. 'He was like, 'Oh, you're gonna beat this.'' Her RHOA circle also showed up with love. Kandi Burruss, Cynthia Bailey, Porsha Williams, Shamea Morton, and Shereé Whitfield all supported. For Monyetta Shaw-Carter, breast cancer is real but not unbeatable. So why not celebrate? As the founder of Keep It Classy Nails , a mother of four, and a businesswoman, she wants Black women everywhere to trust their instincts, take care of themselves, and live on their own terms. 'I'm stepping into this new chapter with deeper gratitude, unstoppable faith, and a whole new glow,' she wrote on Instagram. 'This birthday is more than candles and cake…it's a celebration of life, a reflection of pain & purpose, of healing, and God's grace. I've faced one of the biggest battles of my life… and I WON!!!' SEE ALSO Monyetta Shaw-Carter's Birthday Hits Different – She's Celebrating Life & Love After A Stage 1 Breast Cancer Battle was originally published on Black America Web Featured Video CLOSE
Los Angeles Times
10 hours ago
- Los Angeles Times
Broadway star Patti LuPone apologizes for ‘demeaning' and ‘disrespectful' comments
Twenty-five years ago, on a warm summer night in Los Angeles, Broadway stars Patti LuPone and Audra McDonald closed a show at the Hollywood Bowl with back-to-back encores of 'Get Happy'/'Happy Days Are Here Again.' Today, those happy days appear to be over for the two Tony Award winners. In a May 26 interview with the New Yorker, LuPone ignited a firestorm when she referred to McDonald as 'not a friend' and refused to comment on McDonald's celebrated performance in 'Gypsy.' (McDonald is nominated for a 2025 Tony Award in the category best actress in a leading role in a musical — its her 11th nomination.) LuPone also referred to Tony winner Kecia Lewis, who, like McDonald, is Black, as a 'bitch.' Speaking with Gayle King in a 'CBS Mornings' clip, McDonald sounded surprised by LuPone's comments. 'If there's a rift between us, I don't know what it is,' she said. 'That's something that you'd have to ask Patti about. I haven't seen her in about 11 years, just because I've been busy, just with life and stuff. I don't know what rift she's talking about. You'd have to ask her.' (A full interview is set to air this week, according to a 'CBS Mornings' Instagram post.) Following public backlash, however, LuPone did something she rarely does. The outspoken diva apologized. But that was not without some stage direction. In an open letter from her colleagues in the theater community dated May 30, more than 500 actors, including Tony-winning actors Wendell Pierce, James Monroe Iglehart and Maleah Joi Moon, called LuPone's language 'racialized disrespect,' 'bullying' and 'harassment.' They asked the American Theatre Wing and Broadway League to discourage those who disparage fellow artists, including LuPone, from attending industry events 'including the Tony Awards, fundraisers, and public programs.' (The 2025 Tony Awards are scheduled for June 8 in New York, and will air on CBS and stream on Paramount+.) On Saturday, LuPone responded to the criticism in a statement on her Instagram account: 'I am deeply sorry for the words I used during The New Yorker interview, particularly about Kecia Lewis, which were demeaning and disrespectful. I regret my flippant and emotional responses during this interview, which were inappropriate, and I am devastated that my behavior has offended others ...' She went on to write that she hopes to speak to McDonald and Lewis in person. LuPone is well-versed in calling people out herself, particularly audience members who text during her theater performances. Last year, she even complained about noise from the Alicia Keys musical 'Hell's Kitchen' when she was performing in 'The Roommate' with Mia Farrow next door. After LuPone asked the theater owner to fix the sound because she found it to be too loud, Lewis took offense and posted a video on Instagram, describing LuPone's actions as 'bullying,' 'racially microaggressive' and 'rude and rooted in privilege.' She also noted that 'calling a Black show loud dismisses it.' Last year, Lewis won a Grammy for best musical theater album and a Tony in the category best performance by an actress in a featured role in a musical for 'Hell's Kitchen.' Although flippant, LuPone's words only serve to hurt everyone during a turbulent time for the arts in America, the open letter said. 'Our industry is under threat. The arts are being defunded, theater programs are disappearing, and artists are being pushed to the margins. We need each other now more than ever. We need community. We need leadership. And we need accountability.' Humbled, LuPone agreed. 'I wholeheartedly agree with everything that was written in the open letter shared yesterday,' she wrote. 'From middle school drama clubs to professional stages, theatre has always been about lifting each other up and welcoming those who feel they don't belong anywhere else. I made a mistake, and I take full responsibility for it, and I am committed to making this right. Our entire theater community deserves better.'
Yahoo
12 hours ago
- Yahoo
How Wes Anderson Devised ‘The Phoenician Scheme' – Crew Call Podcast At Cannes
Oscar winner Wes Anderson returns to Deadline's Crew Call to shed some light on his writing process and how he came up with The Phoenician Scheme, a project he first started breaking around the time of his second Cannes premiere, 2021's The French Dispatch. He was looking for an Anthony Quinn type to play the notorious, yet lovable European magnet, Zsa-zsa Korda, and knew the star of French Dispatch, Oscar winner Benicio del Toro, was the guy. Anderson proceeded to send him pages. More from Deadline David Mamet On Return To Cinema With Self-Distributed 'Henry Johnson', State Of The Industry & J.K. Rowling-Inspired Play He's Writing For Rebecca Pidgeon - Crew Call Podcast Wes Anderson Teases Next Project With Richard Ayoade & Roman Coppola - Cannes 'The Phoenician Scheme' Director Wes Anderson Questions Trump Tariffs: "Does That Mean You Can Hold Up The Movie In Customs?" At a time when many want more films to be shot in the U.S., sometimes, given the Euro nature of Anderson's films, that's not possible. He almost shot Asteroid City in Texas, however, the locale didn't prove to be convenient for the crew; the filmmaker always is looking for a location which can also accommodate his crew. The last movie he shot stateside was his first Cannes premiere, 2012's Moonrise Kingdom, which was lensed in Rhode Island. Phoenician Scheme reps a return to form for Anderson when it comes to the absurdist family comedies, this one loosely inspired by his father-in-law. In the movie, Korda, who is under constant assassination watch, reigns in his estranged daughter, wannabee nun Leisl (Mia Threapleton). He needs an heir and unloads to her a slew of shoeboxes with pieces of his remaining business plans. Anderson discloses here that his wife went through a similar situation; her father looping her in on his master shoebox plan before his death. Anderson's third movie with Focus Features after Moonrise Kingdom and Asteroid City, hits limited NYC and L.A. theaters on May 30 with a wide break on June 6. The pic at 76% fresh on Rotten Tomatoes looks to emulate the specialty box office success of 2023's Asteroid City which grossed north of $28M stateside. Listen to our conversation below: Best of Deadline Every 'The Voice' Winner Since Season 1, Including 9 Team Blake Champions Everything We Know About 'Jurassic World: Rebirth' So Far 'Nine Perfect Strangers' Season 2 Release Schedule: When Do New Episodes Come Out?
