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Catch These 7 Movies and TV Shows Before They Leave in July

Catch These 7 Movies and TV Shows Before They Leave in July

New York Times15 hours ago

Several beloved television series are leaving Netflix in the United States this month, so get your binges going. Also departing: an uproarious film version of a classic TV comedy, the prequel to an action movie favorite and the sensational hit movie about a doll and her friends.
A ton of the titles this month are leaving on July 1, so we've rounded up those at the bottom. But as a result, the list will be a little tighter — and shorter lived — than usual. (Dates reflect the first day titles are unavailable and are subject to change.)
'Insecure' Seasons 1-5 (July 3)
Stream it here.
The funny and talented Issa Rae broke out from niche online personality to mainstream juggernaut with this acclaimed and popular HBO comedy series, on which she was co-creator, showrunner and star. Her character (also named Issa) spends the series struggling with her unsatisfying career, continuing romantic woes and roller-coaster relationship with her longtime best friend, Molly (the endlessly entertaining Yvonne Orji). What could have easily been a Black 'Sex and the City' is lent nuance, texture and richness by Rae and her writers' deft intermingling of serious social, sexual and racial themes, turning this half-hour comedy into a pointed portrait of the American Black experience in the late Obama and early Trump eras.
'The Addams Family' (July 5)
Stream it here.
Barry Sonnenfeld graduated from being one of the best cinematographers on the scene — he shot such distinctive and stylish efforts as 'Raising Arizona' and 'When Harry Met Sally' — to one of our quirkiest directors with this hit adaptation of the beloved '60s television series, itself culled from the cult comic strips of Charles Addams. His whirling cameras, striking angles and rapid-fire pacing prove an ideal match for Addams's weird world, but this isn't just an exercise in aesthetics; the casting is the key to bringing these characters to life. Raul Julia and Anjelica Huston find the perfect mixture of cheerful darkness and playful romance as Gomez and Morticia Addams, Christopher Lloyd gives Uncle Fester a delightful innocence, and Christina Ricci found her breakthrough role as the deadpan daughter Wednesday.
'This Is Us' Seasons 1-6 (July 8)
Stream it here.
When 'This Is Us' debuted in 2016, The New York Times described it as 'skillful, shameless tear jerking,' and that description was apt throughout its six-season run. Its creator, Dan Fogelman, borrows its setup from films like 'Short Cuts' and 'Magnolia': interwoven stories of seemingly unrelated strangers, bound together by random chance (in this case, four characters who share a date of birth). The show isn't exactly subtle — the tragedies and troubles come down like the sheets of rain that seems to accompany every emotional moment — but it delivers what it promises, and the stellar cast (including Sterling K. Brown, Justin Hartley, Chrissy Metz, Mandy Moore, Chris Sullivan and Milo Ventimiglia) elevates many of the cornier moments.
'Barbie' (July 15)
Stream it here.
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Amid the AIDS crisis, this photographer documented a sunlit haven for gay men
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In a grassy outcrop along Lake Michigan's deep blue waters, two young men pictured in a color slide photograph relax on towels, shirtless and curled against each other. Along the rocky ledges, other men chat and sunbathe, bicycles and shoes abandoned on the ground. A vintage Cherry Coke can — one of the image's only markers of time — gives the intimate scene a subtle feeling of an idyllic advertisement, and a sense of nostalgia. Decades later, that feeling is more acute: the gay beach in Chicago where it was taken no longer exists, memorialized today by a 2.5-acre garden in memory of those who lost their lives to AIDS. The image, shot by then-aspiring photographer Doug Ischar, is part of his series 'Marginal Waters,' capturing the summer of 1985 as gay Chicagoans gathered at the Belmont Rocks, which became both a site for pleasure and solace as the AIDS epidemic devastated LGBTQ+ life. 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Now, some of those images, including of the unnamed couple, are included in the exhibition 'City in a Garden: Queer Art and Activism in Chicago' at the Museum of Contemporary Art Chicago. The expansive group show, which opens in July, positions the city as an underrecognized hub for LGBTQ+ art and social action. According to the show's curator, Jack Schneider, US cities beyond New York City and San Francisco are often overlooked in their contributions to queer history; 'City in a Garden' aims to broaden that scope. '('Marginal Waters') were some of the first artworks I thought of when I started to think of this exhibition,' Schneider said. 'I find them profoundly melancholic. They're bright, leisurely and romantic at times. But beneath this surface-level serenity, the AIDS crisis (had) ravaged this community.' In 1985, and four years into his presidency, Ronald Reagan had only just publicly acknowledged the epidemic for the first time, and effective treatments were still years away. 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Though Ischar is a gay man, he was still an outlier there, documenting as a fly-on-the-wall rather than a participant in the scene — a 'resident nuisance,' as he described himself. He didn't know the couple relaxing with the Cherry Coke, nor had he ever seen them before. He was struck, however, by the 'lovely juxtaposition' of the position of their bodies and their skin tones, and the sweet nature of their young love. 'They're so tender with each other,' he said. Looking at the image, Schneider notes how their coiling form feels symbolic. 'It's a nice visual metaphor for what homosexuality is — not a meeting of opposites, a meeting of likeness,' he said. In other instances, Ischar captured similar moments of romance and desire: closed eyes, tilted heads, encircled arms, narrow gaps of space for low murmurs to travel. (Despite the sexual freedom the Rocks fostered, he never photographed any blatant sex acts, he noted). But other forms of intimacy were abound, too, in the casual ease of people sunbathing together, and the closeness of Ischar with his subjects as he moved in to snap each scene — intimacy that transfers to the viewer. Many of the days that passed that summer were unremarkable, Ischar said. But, visually, that was the point. Ischar set out to photograph images of gay men he had 'never seen,' he said — that is, out in the real world, going on about their lives. It was a departure from the staged, often dramatic studio portraits of artists like Robert Mapplethorpe and Peter Hujar, or earlier, George Platt Lynes and James Bidgood. In the 2010s and '20s, other queer archives of the 1970s and '80s have been discovered, rediscovered, or published anew, from Tom Bianchi's Polaroids of gay men summering at Fire Island, to Donna Gottschalk's images of a lesbian-separatist commune in California, to Patric McCoy's portraits of Black gay men in Chicago — the last of which is also featured in 'City in a Garden.' Ischar's own images languished for many years, he noted, but he hopes that is continuing to change. 'I really wanted to leave a hopefully beautiful and penetrating portrait of this time and these people,' he said.

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