logo
Lea Michele On The Aftermath Of Cory Monteith's Death

Lea Michele On The Aftermath Of Cory Monteith's Death

Buzz Feed09-05-2025

Lea Michele has opened up about the aftermath of Cory Monteith's tragic death, revealing that his passing saw her home get added to a 'Hollywood Tragedy' tour bus route in Los Angeles.
Lea first met Cory when they were both cast on the hit series Glee back in 2009, and they started dating in 2012. The two remained together until Cory's death in July 2013, with the star dying of mixed drug toxicity involving heroin and alcohol at age 31.
Lea was 26 years old at the time, and members of the Glee cast and crew previously admitted to struggling with her decision to keep filming after his death, with the show's creator essentially leaving the decision up to her.
It was previously revealed that Lea was given various options after Cory's death — including taking a hiatus and canceling the show altogether, but she opted for everybody to return to work just two weeks later.Speaking to Ellen DeGeneres in 2013, Lea recalled: 'I said: 'We have to go back to work. We have to.' They're my family,' but people interviewed in the controversial 2023 docuseries The Price of Glee said that they did not support her decision. Naya Rivera's stand-in, Jodi Tanaka, said at the time: 'It was only a couple of weeks. All of the actors had to just pull themselves together and get back to work. Everyone was just kind of forced to.'
But Lea stood by her decision during a recent appearance on the Therapuss with Jake Shane podcast, where she said of grieving Cory's death: 'Well, I was 26, no one handed me a guide book. It was a fast education on more stuff than I ever could have processed. If we didn't show up for work, then a lot of people wouldn't have work to go to, and that was a lot of pressure for me. So, I had to put my stuff aside and just show up so that everybody could continue to work.'
When asked if Cory's death made the cast closer, Lea admitted: 'No, I think it really fractured… I can't speak for everyone, in some ways, it did for certain people, but I think for me, it was so hard. I just completely broke, like, I was in a really one-track mind of just doing my job. It was way too much to try to process at such a young age, but I am very grateful for everyone there, whether or not they know it.''I personally felt a lot of support from everybody in the building helping to get me through, especially from the crew,' she went on. 'The people that would be behind the camera every day, I would be looking at the camera, but looking at the person behind it. Our incredible crew members, everyone that held a camera, sound, lighting, I was looking at those people. They were holding me up so much, as well as the people that were on the show, but a lot of people were gone, also, by then, which was hard.'
Elsewhere on the podcast, Lea offered some shocking insight into the downside of fame as she detailed how voyeuristic Cory's death became. Discussing her life before his passing, she said: 'Life was very different. I mean, I had a tour bus that would go past my house in West Hollywood, and you would hear it. I'd be in the house and it'd be like: 'Lea Michele, Rachel Berry on Glee!' And then it would be like, I would hear: 'Don't Rain On My Parade' playing while I'm sitting in my living room.'
She then remembered: 'Also, there was a tour bus that used to drive by my house — my publicist will probably want to cut this — but it was the tour of people that have died, and after everything happened, this bus would come by. It was like, 'Hollywood Tragedy' tour bus, and here I was, 26 years old, and this tour bus would go by my house, and every day I would hear, like: 'These are the details and blah blah blah blah blah,' and eerie music would be playing from the bus.'
'It was so sad, it was so, so depressing,' Lea concluded. Unsurprisingly, the star also noted that when she moved home, she was sure to stay away from the tourist area of Los Angeles, sharing: 'Fast-forward, like, four years later, I bought a house so high up in the canyon. Far, far, like, deep in Pacific Palisades, because I was like: 'I have to get out of West Hollywood.''
Needless to say, people have been left absolutely horrified by the way that Lea's personal tragedy was turned into a tourist hotspot, with one person writing on a Reddit forum: 'this is just awful. Who the fuck thought that was okay?'"What a uniquely fucked up experience,' somebody else wrote. Another added: 'like she's a circus animal. that is so fucking violating.'While one more shared: 'I have a tour that goes by my house, and you hear the same snippet of facts every time. To have those be details of the worst day of your life must be harrowing!'
What do you make of the whole thing? Let me know in the comments below.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Audiences Are Rejecting These 12 Queer Tropes In Films
Audiences Are Rejecting These 12 Queer Tropes In Films

Buzz Feed

time9 hours ago

  • Buzz Feed

Audiences Are Rejecting These 12 Queer Tropes In Films

SO MANY memorable queer characters on-screen have stolen our hearts. 💕 Their romance was goals for everyone, not just the queer community. However, some of our favorite movies had the most cliché queer tropes, which we all got tired of watching on repeat. But things are slowly changing for the better in the 21st century, and although it is slow progress, we are very happy to see it happen. To reminisce, I have compiled a list of clichés around LGBTQ+ characters that are ignorant, far from reality, and honestly an offense to the entire queer community. Here are 12 old-fashioned queer tropes that fans are excited to say bye-bye to: The gay best friend is extremely outdated, and we are glad to see it go away — slowly but surely! I think I can speak for everyone when I say this trope is old. Why must it be the gay best friends who have to sit and listen to the woes of the main character (who honestly ends up being the most bratty character, making awful decisions)? It is not as though they do not have enough problems of their own, like fighting for equal rights and being recognized in some countries! Like, come on, Andrea, Nigel has to move up the ladder of corporate success — give him some space! Queer individuals are either in toxic relationships or dying to be in a relationship — there is no in-between. It seems like in the fairytale land of Hollywood, queer individuals are either in toxic relationships, jumping in and out of relationships, or striving to be in a relationship. Some examples of toxic queer relationships are Elio and Oliver in Call Me By Your Name, Rue and Jules from Euphoria, Kurt and Blaine from Glee, and the list goes on and on. But you get my point. In contrast to this, seeing a healthy and compatible couple like Mitch and Cameron from Modern Family was a refreshing sight. And it is a step towards improved writing for queer couples. We no longer want to see queer couples dying on us— we want them to live to be 100. I just have one question for this film's director and writer: WHY? I know audiences love a good romantic drama, but why is it always at the expense of wholesome queer couples and characters? Brokeback Mountain made me lose faith in love and all kinds of relationships in better not do this to us again, Hollywood. Lesbians are not predatory, cold, and distant — and it's time Hollywood accepted that! In many TV shows and movies, lesbians are often portrayed as cold, uptight, or 'predatory,' like Mila Kunis' character in Black Swan or Villanelle in Killing Eve who is shown as dangerously obsessed with Eve. I think writers get confused between a guarded and secure woman and a brooding and emotionally unavailable woman — which ends with female characters who never explain why they cannot love their partner. I love Rosa Diaz, and I think her character should be a template for writers when it comes to writing straight, bi, and lesbian characters. Movies having queer characters as ornaments in a film for inclusivity. Okay, showing Dumbledore having a romantic tiff with Grindelwald threw me off majorly. It was highly unnecessary, which is why I hate this trope the most. A lot of films want to appeal to the younger audiences, and the way to do so is through diversity and inclusivity. And thus, they include a couple of gay or lesbian characters to show 'support' to the community. But that's that. No real character development, no complex emotions, no characteristics, nothing. It's like having a queer character in the film is just an ornament to make the film prettier. And that's downright offensive. Aren't we glad we're kind of done with this? Yes, we are. When the creepiest villains have queer mannerisms simply because they get obsessed with the protagonist? There are a few villains who are deemed charming, intelligent, and a bit too suave for their own liking—and audiences can tell that there is a hint of queerness to these villains who are obsessed with the protagonists — making them alluring but also I'll tell you why I don't like this trope: it attaches queer individuals to evil and creepy, which is a gross from Skyfall, Hannibal from Hannibal, Lestat from Interview With A Vampire, and Moriarty from Sherlock Holmes are some examples.I mean, straight villains are also obsessed with heroes; take Thanos, for instance. That guy never gave the Avengers a break. When queer love and drama happen only in flashbacks, with no mention of it in the present. When a film's lead is queer, them being queer is either the entire plot — hyper-focused and dramatic — or it's buried in their backstory, never shown or explored onscreen. There's rarely an in-between. Like any other love story, we want to see all the aspects of the love life a queer character has. The highs AND the have seen this in films like The Imitation Game, Rocketman, and Bohemian Rhapsody. Their love life is present only in flashbacks, like it is unimportant or does not add to their story. However, the tide is changing with the show Fellow Travelers and how it maps out Tim and Hawk's relationship. AND IT'S ABOUT DAMN TIME! The closeted bully who physically attacks others because of his inability to accept his sexuality. This is probably the MOST used queer trope in films, and honestly, we are done with this. Dave physically hurting and abusing Kurt in Glee because of his homophobia must be exploring their sexuality deserve more sensitive, nuanced portrayals than simply depicting them as bullies. While it's a real experience for some, this trope often reinforces harmful ideas about masculinity and queerness rather than challenging them. Adam from Sex Education is a better portrayal of someone understanding their sexuality, and we need more of it — ASAP. Gay men who turn away from true love and marry a woman. I've seen this trope too many times, and honestly I've grown tired of it. Why show us such fabulous chemistry between two hot individuals — only to have them turn away and marry the opposite gender? We're glad this is the stuff of the past (ish).Queer couples deserve happy endings! When coming out was used as a plot device to make the show interesting rather than inspirational. We love seeing more queer representation in films and TV shows — except for when it is used as a plot device and the writers did not even try. Cheryl coming out as gay and having a relationship with Toni in Riverdale was great; but if it wasn't blatantly obvious, it was purely meant as a turn in the obviously bad series to make it better. This has changed for the better now, with films like Love, Simon, and shows like Heartstopper, which are actually inspiring for the younger generations and not used as a tool to increase more queer-centered shows and movies coming out, I think we can safely put this irritating trope behind us for good! Portraying queer individuals as promiscuous and flirty. This trope is completely based on degrading stereotypes of the queer community, and I WILL NOT STAND FOR IT. With characters like Connor from How to Get Away With Murder, queer individuals are portrayed as the wild party crew — flirty and all about hooking up. However, with shows like Heartstopper and Sex Education, this narrative is slowly fading, we shift from hooking up to deep and slow love. And we love to see this.I cannot get enough of Matt Bomer and Jonathan Bailey's love in Fellow Travelers. They are the definition of yearning. The once hyped 'girl-on-girl' action for the male gaze — which has now shifted for the female gaze! Men often hype up the girl-on-girl trope in guesses why?These scenes are crafted for the male gaze, reducing lesbian relationships to just a physical spectacle with zero emotional depth. It's sickening to see Things is a prime example—over-sexualized leads, no real connection, just fan lucky for us, since then, filmmakers have grown to portray mature relationships between women— like Carol, which was oozing yearning and sexual tension, or A Portrait of a Lady on Fire, which was for the female gaze from start to finish — all done the right way. These tired tropes just prove that a lot of mainstream cinema — and its audiences — write queer characters like they've never actually met a queer person. It's all stereotypes, trauma, or fantasy. Honestly, we're over it. Give us more queer stories that are joyful, weird, wholesome, messy, real. Not everything needs to end in heartbreak or be a sob story. Sometimes, we just want to see queer people falling in love over coffee, going on awkward dates, or surviving Monday.

Lorde Says This NSFW ‘Virgin' Song ‘Destroys' Her: ‘I Can't Even Really Listen to It'
Lorde Says This NSFW ‘Virgin' Song ‘Destroys' Her: ‘I Can't Even Really Listen to It'

Yahoo

time18 hours ago

  • Yahoo

Lorde Says This NSFW ‘Virgin' Song ‘Destroys' Her: ‘I Can't Even Really Listen to It'

Lorde revealed in a new interview that she has multiple favorite songs from her upcoming album, Virgin. But on the other side of the coin, there's one that she can't even listen to because of how raw it is — and it's about a pretty NSFW topic. Speaking to Jake Shane on an episode of his Therapuss podcast posted Wednesday (June 4), the New Zealand native shared that track seven — which is named after a popular pregnancy test brand — is particularly emotional for her. 'There's a song that I love so much called 'Clearblue' that is about unprotected sex,' she began, laughing. More from Billboard Everything We Know About Lorde's 'Virgin' So Far Queens of the Stone Age Couldn't 'Over-Rehearse' for Paris Catacombs Concert Film: 'You Go Down There & All the Plans Are Off' Billboard & Global Venture Partners Launch Billboard Africa 'And just the experience of taking a pregnancy test, and like, this flood of emotions that goes through your body,' she continued, noting that the track is one of several 'slammers' on the album. 'Whatever you want to say — it's such a moment.' 'That whole song just destroys me,' Lorde added. 'I can't even really listen to it.' According to the pop star, 'Clearblue' is one of several songs on Virgin that features sexual content, despite the album's contradicting name. She explained to Shane of the title, 'It speaks to a sort of purity, but the album is quite sexual, so it wasn't sexual purity … virgin steel, virgin hair, all of these things that denote purity, but I'm also kind of always trying to take me to my teen self.' Arriving June 27, Virgin will mark Lorde's first album in four years. In the weeks leading up to its release, she's been open about how the confluence of stopping birth control, recovering from disordered eating habits and embracing her gender fluidity have shaped the project's direction. The album's subject matter and percussive, electric sound are expected to mark a distinct shift from the Grammy winner's last project, Solar Power, which peaked at No. 5 on the Billboard 200. That LP found Lorde singing about her gravitation toward a more peaceful, unplugged lifestyle after years of living the pop-star life following the successes of 2013 debut album Pure Heroine and 2017 follow-up Melodrama. But on Therapuss, she revealed that the concept of Solar Power doesn't really resonate with who she is today. 'I love Solar Power so much, and I truly needed to make it,' she told Shane. 'I wouldn't be here with another album if I hadn't made Solar Power, but I think it showed me that you sort of just have no choice but to be what you're supposed to be. Me sort of disappearing and being all wafty and on the beach, I was just like, 'Actually, I don't think this is me.' I just am this person that's meant to make bangers that f–k us all up … I love to vibe out. That is me to my core.' Watch Lorde's full Therapuss interview above. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart

Lorde Reveals How She Feels About Her 'Solar Power 'Album Now: ‘I Don't Think This Is Me'
Lorde Reveals How She Feels About Her 'Solar Power 'Album Now: ‘I Don't Think This Is Me'

Yahoo

time19 hours ago

  • Yahoo

Lorde Reveals How She Feels About Her 'Solar Power 'Album Now: ‘I Don't Think This Is Me'

Lorde is opening up about how she feels about her 2021 album, Solar Power, now The New Zealand singer-songwriter spoke about the project on Jake Shane's Therapuss podcast "Solar Power came from a place of feeling very joyful and chill," she saidLorde's artistic journey is full of ups and downs. In a new interview on Jake Shane's Therapuss podcast, the New Zealand singer-songwriter spoke about making 2021's Solar Power album, which received mixed reviews from fans and critics, and how she feels about the project today. The "What Was That" artist opened up about feeling a bit "overwhelmed" by the success of 2017's Melodrama, for which she embarked on a major arena tour. "This thing that was my hobby that I did after school is now, like, my employment, and I employ all these other people," she recalled. "It's gotten too big. Like, I'm a kid." Lorde admitted to feeling "scared" at the time. "I was getting a little bit older. The new crop were coming in, and I was like, 'Oh my God. I don't know if I want to do this at this level,'" she said. In order to reconnect with herself, the Grammy winner "went home to New Zealand" and "got a dog," noting that she "had this moment of being like, 'I don't know if I want to do all of that. I'm going to be this girl who's sort of off the map and really mysterious and even more distant.'" She declared, "Solar Power came from a place of feeling very joyful and chill." The experience of touring the "endless hardcore music" of Melodrama on such a large scale felt "very intense" for Lorde. "I just wanted something that felt very light and easy after that," she said of Solar Power. Supported by singles including its title track, "Stoned at the Nail Salon," "Mood Ring" and "Fallen Fruit," Solar Power charted at No. 5 on the Billboard 200 albums chart but didn't produce any hits as big as "Royals" or "Green Light." is now available in the Apple App Store! Download it now for the most binge-worthy celeb content, exclusive video clips, astrology updates and more! "I love Solar Power so much, and I truly needed to make it. I wouldn't be here with another album if I hadn't made Solar Power, but I think it showed me that you have no choice but to be who you're supposed to be," said Lorde. "Me disappearing and being all wafty and on the beach," she added, "I was like, 'Actually, I don't think this is me.'" Ultimately, Lorde realized she's "meant to make these bangers that f--- us all up and just rip through a festival ground." "I don't think I'm supposed to vibe out, and it was kind of sad for me 'cause I love to vibe out," she explained. "That is me to my core. In an alternate universe where I just lived in New Zealand and worked at an organic farm or something, that would be my vibe. But it's not the life for me, I think, right now." Lorde's upcoming album, Virgin, comes out Friday, June 27. Read the original article on People

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store