Earth Day 2025 calls for ‘One World, One Power'; Antonique Smith official ambassador
(You can now subscribe to our
(You can now subscribe to our Economic Times WhatsApp channel
This year, the 55th Earth Day is being observed under the theme ' One World, One Power. Earth Day 2025 focuses on accelerating the transition to renewable energy and aims to triple clean electricity generation by 2030.Grammy-nominated singer, actress, and longtime climate advocate Antonique Smith has been named the official ambassador for Earth Day 2025.Widely recognized for her roles as Faith Evans in Notorious and Mimi Marquez in Rent on Broadway, Smith brings both visibility and dedication to the climate movement. She is also the co-founder and CEO of Climate Revival, a nonprofit that mobilizes communities of faith and people of colour in the fight against climate change . She will be performing at New York's Times Square today(April 22).First organized by US Senator Gaylord Nelson, the event brought together millions of people across the United States and later the world to demand action on pollution, deforestation, and climate change.Today, this movement continues to grow with over one billion people in more than 190 countries participating in various activities to address concerns over climate policies and advocate for a sustainable future.Canada is a country where approximately 85% of electricity comes from clean and natural sources, which is a good sign on Earth Day. The federal government recently adjusted its Clean Electricity Regulations, extending the national net-zero electricity target from 2035 to 2050.Additionally, Ontario's hydroelectric capacity is projected to surpass 10,000 megawatts, and steady growth in wind energy will also contribute to the national grid.For Canada and the world, Earth Day is not just a reminder of the challenges ahead, it is a collective commitment to solutions that can secure a livable planet for future generations.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
2 hours ago
- Time of India
Mastodon's former guitarist Brent Hinds, dies at 51 in Atlanta motorcycle crash
Live Events How did Brent Hinds shape Mastodon's music? What were Mastodon's biggest successes with Hinds? FAQs (You can now subscribe to our (You can now subscribe to our Economic Times WhatsApp channel former guitarist and co-founder of the heavy metal band Mastodon, passed away in a motorcycle accident in Atlanta at the age of 51. The Fulton County Medical Examiner's office confirmed that he had died, which shocked the entire music world and shattered Mastodon 's devoted fans across the Brent Hinds tragically passed away Wednesday night in a collision while riding a Harley Davidson, as a driver of a BMW SUV neglected to yield while executing a turn at the intersection of Memorial Drive and Boulevard, according to law enforcement, reported Jam 51-year-old was primarily recognized for his tenure with the Atlanta-based band Mastodon, which he co-founded in 2000 alongside bassist Troy Sanders, guitarist Bill Kelliher, and drummer Brann Dailor, as per a report by Atlanta News March, Billboard reported that the band announced their "mutual decision to part ways" with Hinds. Earlier this month, Hinds stated that he was Brent Hinds was born on January 16, 1974, in Helena, Alabama. He learned how to play the banjo when he was a child, and later used those finger-picking skills on the electric guitar. This unusual background gave him a unique voice and a picking style that combined different styles, which became a key part of Mastodon's Hinds moved to Atlanta in 2000 and joined forces with bassist Troy Sanders, guitarist Bill Kelliher, and drummer Brann Dailor to form Mastodon. They formed a progressive metal band that was unlike any other by combining technical skill with loud riffs. Hinds was the band's main guitarist and one of its main singers. He sang on songs like "Workhorse," "Blasteroid," and "Stargasm."Mastodon put out eight studio albums over the course of more than twenty years. Their first album, Remission, came out in 2002, and their last album, Hushed and Grim, came out in 2021. The band's constant touring and unique sound helped them gain a loyal fan base all over the biggest success was winning a Grammy Award for Best Metal Performance in 2018 for the song "Sultan's Curse," which was the first song on their 2017 album Emperor of Sand. This recognition made Mastodon one of the most important bands in modern heavy metal for was the co-founder and lead guitarist of Mastodon, a band known for mixing banjo techniques with heavy metal guitar died in a motorcycle accident in Atlanta when a BMW SUV didn't give way at an intersection.
India.com
7 hours ago
- India.com
Who is Thalapathy Vijay's wife Sangeetha Sornalingam? She has net worth of Rs 400 crore, her father is...
Thalapathy Vijay has established himself as one of the leading stars of South Indian cinema. Fans are so inspired by his simplicity and talent that they can't resist watching his films. The actor never disappoints his fans. He is not only a phenomenal performer but also a devoted family man. However, his wife prefers to stay away from the glamorous world of showbiz. The South superstar consistently tries to keep his personal life out of the spotlight. Speaking of his personal life, Vijay is married to Sangeetha Sornalingam, who leads a life very different from the entertainment industry. Who is Sangeetha Sornalingam? Sangeetha Sornalingam is the wife of actor Thalapathy Vijay. She is a Sri Lankan Tamil. Born on 22 June 1974 in Madras (now Chennai), Thalapathy Vijay's full name is Joseph Vijay Chandrasekhar. Sangeetha and Vijay got married on 25 August 1999 and have two children, a son named Jason and a daughter named Divya. Sangeetha is the daughter of a well-known Tamil industrialist who is settled in the UK. Her father originally hails from Sri Lanka. According to the reports of FilmiBeat, Sangeetha has an astonishing net worth of Rs 400 crore. Thalapathy Vijay and Sangeetha Sornalingam's love story Talking about Vijay and Sangeetha's love story, Sangeetha was a big fan of the actor. According to the Economic Times, Vijay's superhit film Poove Unakkaga was released in the UK and gained popularity not just in India but also abroad. After watching the film, Sangeetha came to Chennai specifically to meet Vijay. Add as a Preferred Source On the set, Vijay and Sangeeta had a few hours of conversation, and during that time, the actor fell for her. Vijay invited Sangeeta for dinner, and she met his parents, who liked her very much. After dating for three years, they got married in 1999 in a Christian ceremony. Interestingly, Sangeetha Sornalingam comes from a Hindu family, while Thalapathy Vijay is a Christian. Despite their different religious backgrounds, their wedding was conducted according to Hindu customs. Story Highlights: Thalapathy Vijay is married to Sangeetha Sornalingam, who is the daughter of a businessman. Sangeetha Sornalingam stays away from the limelight. Sangeetha Sornalingam and Thalapathy Vijay married in 1999 in a Christian ceremony As per the reports, Sangeetha Sornalingam has a net worth of Rs 400 crore.
Time of India
8 hours ago
- Time of India
Gallerie Nvya celebrates 21 years
Critic and Curator Uma Nair has been writing for the past 35 years on art and culture She has written as critic for Times of India and Economic Times. She believes that art is a progressive sojourn. She learnt by looking at the best shows in Washington D.C. and New York. As author her most important books are Reverie with Raza and Meditations on Trees by Ompal Sansanwal. LESS ... MORE At Bikaner House in Delhi, Gallerie Nvya celebrates 21 years in the world of modern and contemporary art and it is a stellar suite of Indian masters that compel you to gaze at works that come together on two floors of the CCA building replete in the most remarkable of milestone memories. For gallerist and founder Tripat Kalra the purpose of functioning in the art scenario is simple: to gather a selection of the most celebrated, and most remarkable work by Indian masters in order to traverse an amazing breadth of subjects, characters, ideas, landscapes, emotions, and human interaction in the showcasing of art. The first room begins with a pair of Manjit Bawa's and Syed Haider Raza's Shantibindu that seeks to soothe the senses and beckon a heady sojourn. It is the Manu Parekh that swings you into a note of spiritual flavor in the invitation of obeisance and the beauty of devotion. Manu Parekh's Temple Festival Manu Parekh's Moonlight Temple Festival at Benares , is an incandescent delight. It embraces the silhouette of temples, lights and the fervour of the daily puja. Created in warm tones of blues and puissant pink shades, this work is a quilt of rhythms and the deep resonance that invites the human gaze and celebrates spiritual fervour. Manu's Benares carries both an ecological as well as an elegiac echo because it harnesses the harmony of prayer with the paradox of mortality in a world where ritual and relics rub shoulders. This work has many shades to it not just of the sandhya but of the alchemy of night fall as you gaze at the mirroring of the moon. The piece scores the truth of the words of Mark Twain, the English author , who was enthralled by the legend and sanctity of the city and wrote, 'Benaras is older than history, older than tradition, older even than legend and looks twice as old as all of them put together .' Madhvi Parekh's Two Heads of a Black Queen Madhvi Parekh's Two Heads of a Black Queen, belongs to collector and connoisseur Tripat Kalra who bought it from Vadehras in 2007 when they held her solo. Tripat says she bought the work because it had its own identity and seemed to go beyond dialogues and dimensions as it held both the past and the present. Colour and contour are the two most dominant aspects of this work on the top floor at Bikaner position of the two faces against a sky blue backdrop, peppered with tiny elements, reflects she has had an instinctive feel for design and forms comes naturally to her. It reminds us of old folk art practises of decorative floor designs (rangoli), and wall decorations on huts. Madhvi represents the beauty and antiquity of traditional art practises in humble villages and homes in Gujarat. Jayasri Burman's shells Jayasri Burman's Shanka Rupeeni is a carnival of characters with feminine and the metaphor of the shell as more than a mere object has equivocal echoes. Jayasri says the shankha is praised in Indian scriptures as a giver of fame, longevity and prosperity, the cleanser of sin and the abode of canvas is filled with feminine fervour, the little pot with shells tells us that it is not just a decorative item , but an emblematic symbol associated with creation, and purification of Prakriti. Arpana Caur's Day and Night The queen of contours, the surreal seamstress Arpana Kaur's canvas from 2007 is a masterpiece in and lifestyle and the cultural fabric all come together in Arpana Kaur's work Day and Night that embodies the dark night with accents of pathos and agony in the everyday struggle. Caur create multiple faces to create a corollary of contexts that narrate a world within a world. Paresh Maity's Magnum Opus The main hall on the upper floor nestles Paresh Maity's Benares in a dim lit room that magnifies the panoramic work of many parts. Reminiscent of an evening Aarti, the boats in the distance are a glimmer of sunset serenades, Paresh has turned the space into an introspective, and discerningly atmospherically quiet place to view this incomparable work .He creates a silent corollary of ambient moods with impressionist and realist strokes that define his distinctive practice as a master. Ambient settings stir you as you gaze at the expansive reach of his sylvan setting narrative that echoes ancient Indian history and heritage. Thota Vaikuntam's quartet of women Thota Vaikuntam's quartet of women stand in rapt tiny polka dotted saris and blouses, the coloured bangles, the festooned foreheads and their ornate buns all create its own choreography. For Vaikuntam everything is about the beauty of conversation and human relationships. The emotive essence of the moment is captured in the poise of their hands and the lone parrot that sits and listens. Think parrots and think Hindu mythology. In a conversation with me two years ago, Vaikuntam said that the parrot has associations with mainstream Hindu goddesses such as Meenakshi of Madurai and Kamakshi of Kanchipuram. At Bikaner House this celebration is about mediums, materials and the journey of passion for art in the hands of Indian contemporary masters. Facebook Twitter Linkedin Email Disclaimer Views expressed above are the author's own.
