
Explore thought provoking artworks at Sharjah Biennial 16
Sponsored: Don't miss this fascinating journey of art across Sharjah…
Explore a stunning showcase of art and culture that will feature an impressive array of over 650 works by almost 190 artists from around the world, over 200 new commissions. From February 6 until June 15, and planned across 17 venues in the emirate, this year's edition of the Sharjah Biennial will bring art to life at a series of new and innovative locations, transforming the city and its surrounding towns into an immersive cultural experience for both residents and visitors.
The biennial is curated by Alia Swastika, Amal Khalaf, Megan Tamati-Quennell, Natasha Ginwala, and Zeynep Öz, under the title 'to carry'. The exhibition encourages you to think about how you move through life and shape the world around you, while taking a deeper look into how cultural traditions and personal stories are passed along, even when people transcend borders. The display also focuses on what people carry with them as they go through various life experiences and will invite viewers to explore how art connects to shared experiences like migration, displacement, and resilience.
The Sharjah Biennial's works will be presented to the public in this exciting cultural showcase, alongside a dynamic programme of performances, music, and film productions across historical and contemporary venues in Sharjah City, Al Dhaid, Kalba, Al Madam, and Al Hamriyah, to name just a few. Iconic sites in the emirates such as Al Mureijah, Arts Square, and The Flying Saucer will host major installations, while emerging space such as Al Madam's buried village and Kalba Ice Factory will serve as a platform for unexpected venues, deepening the Biennial's connection to the region's history and cultural identity.
The Biennial is all set to welcome visitors from February 6 to June 15. Throughout the Biennial, there will also be a range of exciting programmes including evening talks at March Meeting in Al Qasimiyah School from March 7 to 9 (10pm to 1am), and April Acts, a new weekend programme activating different aspects of the Biennial from April 18 to 20.
Sharjah Biennial, Saturday to Thursday, 9am to 9pm, Fridays 4pm to 9pm, various locations, Sharjah, UAE. sharjahart.org
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Sharjah 24
14-05-2025
- Sharjah 24
Now streaming: Biennial Bytes season two
Biennial Bytes 2 kicks off with a conversation between the five curators of SB16—Alia Swastika, Amal Khalaf, Megan Tamati-Quennell, Natasha Ginwala and Zeynep Öz. Moderated by Hoor Al Qasimi, President and Director of Sharjah Art Foundation, the episode explores the synergies between curators' individual projects, the diverse formats in which audiences can experience the art at SB16, and how a Biennial can be a space of encounter and collective processing. Subsequent episodes spotlight specific works and projects presented at SB16 through conversations between individual curators and various participating artists, including Bint Mbareh, an artist and sound researcher working around songs of resistance in relation to land and water sovereignty in Palestine, and Joe Namy who sheds light on his collaborative approach to creating sound installations and performances. Yhonnie Scarce speaks about the historical context of nuclear testing on Aboriginal lands in Australia, and Tabu Osusa, founder of Singing Wells, dives into the group's decolonial mission to platform and preserve East African music, while Citra Sasmita talks about her collaboration with Kamasan maestra Mangku Muriati. Tune in to the podcast to listen to personal anecdotes and the stories behind their artworks. Other SB16 artists featured in the podcast are: Stephanie Comilang, Hellen Ascoli, Ana Iti, Naeem Mohaiemen, Pratchaya Phinthong, Adelita Husni-Bey, Mahmoud Khaled and Kapulani Landgraf. Convening under the title to carry, a multivocal and open-ended proposition, SB16 presents over 650 works by nearly 200 participants, including more than 200 new commissions. Exploring the ever-expanding questions of what to carry and how to carry it, SB16 is an invitation to encounter the different formations and positions of the five curators, as well as the resonances they have gathered. The Biennial runs until 15 June 2025 across several venues in Sharjah City, Al Hamriyah, Al Dhaid, Kalba and other locations in the Emirate of Sharjah. New episodes are released every Monday on Apple, Spotify, Anghami, Google and other podcast platforms.


The National
04-05-2025
- The National
Inside Zadie Xa's Turner-nominated work at the Sharjah Biennial
First impressions of Zadie Xa's presentation at the Sharjah Biennial are largely dependent on what stage of the work you happen to walk into. The soothing colours of dusks and dawns dominate the room at Sharjah's Al Hamriyah Studio, but it is the work's sound components, emanating through hanging sea shells, that largely inform the mood. You may walk in to wind chimes, the shush of waves rolling ashore, and the whistle of whales. Or you may be greeted with the trilling of a telephone, the frantic clicks of Morse code – and feel the anxiety of a call unanswered, the spookiness of an untraceable and undecipherable message, or the rage of a spurned one. Then there are the melodies, ringing in sustained and haunting pitches, permeating the space with a spectral essence. But no matter when you happen to enter the space, stay long enough and the mysticism of the work will mesmerise you. Moonlit Confessions Across Deep Sea Echoes: Your Ancestors Are Whales, and Earth Remembers Everything comprises several elements, from paintings to installation and sound. But it is perhaps best to consider it as a single holistic piece. The work, which is in the running for the prestigious Turner Prize, was developed in collaboration with Benito Mayor Vallejo. It is largely inspired by Korean shamanistic practices, namely Salpuri. The exorcism dance, known for its graceful and cathartic choreography, was aimed at curtailing bad luck. 'Zadie is Canadian-Korean and has been interested for a long time in thinking through these inheritances that she has,' Amal Khalaf, one of the biennial's co-curators, says. The paintings in the space explicitly reveal this shamanistic inspiration, especially through the women dancing with the handkerchiefs twirling around them – a defining aspect of Salpuri. The marine motifs are also a tell tale sign. 'Korean shamans are very much using animistic parts of Korean culture, so slightly off the mainstream, and there's a lot of figures and mythological figures that are marine mammals,' Khalaf says. In Moonlit Confessions, as well as several of her previous works, Xa incorporates shells, fish, whales and other marine imagery in her explorations of these shamanistic rituals and history. The paintings at Al Hamriyah Studio feature humpbacks and orcas, octopuses and even real seashells blended within the work. The centrepiece of Moonlit Confessions is a chandelier-like installation made up of more than 1,000 brass bells that are arranged in the shape of a conch shell. The work, dubbed Ghost, is suspended in the middle of the space, its bells dormant until spurred to a gentle ring with the slightest touch. The chimes are inspired Korean shamanic ceremonial rattles, and evoke sounds of protection. 'It could make lots of sound, but is like waiting for us to make sound,' Khalaf says. Xa incorporates other influences within the work, drawing from Korean history but also from unexpected sources. The patchwork in her paintings, for instance, are drawn by traditional Korean quilting methods. The frames are composed out of stitched patches of painted canvas. Xa has incarnated traditional weaving methods in other works, but Khalaf says 'this is the first time where she is experimenting with canvas using the same method.' 'Zadie's influences are not just from Salpuri,' Khalaf adds. 'You will see shaman grandmothers in the images, but you will see other characters as well. Music, hip-hop, anime, cartoons, there are different totems and figures that are storytellers. Moonlit Confessions was developed specifically for the Sharjah Biennial, which is being held under the title To Carry. The theme reflects on the many aspects we individually carry, from memories and homes to languages, histories, wounds and ruptures. Moonlight Confessions responds to theme conceptually and literally. The seashells hanging around the space emitting sound were collected by Xa and Vallejo from beaches around the world, including in Sharjah. 'They found the shells at specific beaches where they had encounters with the sea and with sea life that was meaningful to them,' Khalaf says. 'One is from Greece, one is from Korea, and one is from the beach in Al Hamriyah. They made them speaking shells, and developed these sound pieces that really responded to the idea of To Carry.' Khalaf says she was thrilled to find out Xa's work had been shortlisted for the Turner Prize. 'I was really excited,' she says. 'I'm so proud of Zadie and Benito. I've known Zadie for a long time, and after all the studio visits and just witnessing Zadie's practice develop, I have to say I don't know many artists that works as hard as Zadie. This person is in the studio day in, day out. She is so creative, really generous with everyone that she works with. And I couldn't think of a more deserving artist to be nominated.' Sharjah Biennial is running until June 15


The National
01-05-2025
- The National
Weekly UAE museum and gallery guide: Masterpieces at Christie's and a Turner-nominated work in Sharjah
Art Dubai may have concluded, but the local scene is maintaining the momentum. A Christie's exhibition of modern and contemporary Middle Eastern masterpieces and a solo exhibition by Egyptian artist Huda Lutfi are among the highlights in the city. There is also lots to see in other emirates, including a solo show by Saudi artist Abdullah Al Othman and a presentation at the Sharjah Biennial that is in the running for the Turner Prize. The Christie's auction of Modern and Contemporary Middle Eastern Art has returned with an all-star selection. The sale is a potent representation of the diverse practices shaping the region's contemporary art. There are works that represent Nadia Saikali's gestural abstraction, the kaleidoscopic dynamism of Samia Halaby, the rippling portraits of Marwan, the calligraphic experimentations of Mohamed Melehi, Malika Agueznay and Dia Azzawi, as well as paintings by Helen Khal that show her figurative beginnings, and the ethereal canvases she is particularly known for. Other notable figures featured in the auction include Inji Efflatoun, Kamal Boullata, Etel Adnan, Aref El Rayess, Laila Shawa, Paul Guiragossian, Nabil Anani, Fateh Moudarres and Yvette Achkar. Monday to Friday, 10am-7pm; Saturday and Sunday, 12pm-5pm; until May 8, Christie's Dubai Lutfi is known for her cross-disciplinary practice that draws from historical research as well as feminist critique. Her fourth solo exhibition at The Third Line brings together works from three recent series. These include When Dreams Call for Silence (2019), which presents human figures in surreal domestic scenes. In Our Black Thread (2020–2021), Lutfi explores how creating is an act of healing. The series began as Lutfi casually wove threads from used teabags and car filters. The minimalist compositions, with their restrained monochromatic palette, 'amplify the introspective meditation that fuelled their making', the exhibition guide states, 'but also evoke the historical association of craftsmanship as feminine labour and its complex relationship to art'. This approach is sustained in her continuing series Healing Devices, which feature organic and geometric paper cutouts set against gold and silver backdrops. The series draws from the illustrations in The Book of Knowledge of Ingenious Mechanical Devices, a 1206 work by the Arab polymath Ismail Al-Jazari. Monday to Sunday, 11am-7pm; until May 27, The Third Line, Dubai This presentation from the 2025 Sharjah Biennial has been nominated for the Turner Prize. The work was created by Korean-Canadian artist Zadie Xa, in collaboration with Spanish artist Benito Mayor Vallejo. It features several disparate elements, which take cues from Korean shamanic traditions. These include paintings and a chandelier-like piece comprising more than 1,000 brass bells arranged in the shape of a conch shell. Saturday to Thursday, 9am-9pm; Friday 4pm-9pm; until June 15; Al Hamriyah Studios, Sharjah Al Othman's work is greatly informed by the visual language of the region's cities. The Saudi artist is known to wander around Riyadh, collecting materials and images from its architecture and linguistic history that he then incorporates into his work. Structural Syntax is his first solo show in the UAE. The exhibition is designed to steep visitors in Al Othman's unique perception of urban landscapes and prompt questions about the way we navigate our surroundings. Works include Anticipation, which makes use of neon lights, a material with which Al Othman has become synonymous. His Untitled (Coca Cola) playfully appropriates the brand in an installation featuring a sign in Arabic, industrial materials, metal and paint. Monday to Friday, 11am-7pm; until June 27; Iris Projects, Abu Dhabi