Steve-O 'Crash and Burn' tour brings 'naughtier' stunts to Canada: 'I really treasure my Canadian passport'
Following his successful Bucket List tour and comedy special, Jackass star Steve-O is retuning to Canada for "The Crash and Burn Tour," beginning April 3. Once again pushing the boundaries on daring and shocking stunts, while also having honed his comedy skills, the multimedia show is one not to be missed, coming to cities including London, Ont., on April 8, Toronto on April 9, Ottawa on April 10 and Montreal on April 11.
"I always love going to Canada. I really treasure my Canadian passport so much," Steve-O told Yahoo Canada about returning to the country for his tour. "I always have, but more and more, I just really value my Canadian citizenship."
Steve-O was born in the U.K. to a Canadian mother and American father. As he journeys through Canada, Steve-O is also travelling with his special road buddy, his dog Moon Pie who, unlike Steve-O's beloved dog Wendy, isn't afraid of the tour bus.
View this post on Instagram
A post shared by Steve-O (@steveo)
This time around, for the Crash and Burn tour, Steve-O is leaning into the fact that the famous stunt performer turned 50.
"I would say that this show's really about me confronting middle age," Steve-O said. "I actually turned 50, and as unlikely as it seems that Steve-O would have made it to 50, I'm actually in really good physical shape and seeking to beat myself up as much as ever."
"Not all the ideas I came up with for this tour proved to be very good ones, there were a lot of really outrageously hilarious fails, and for everything that failed I doubled down on something else to make sure that I could bring a worthy show."
But if you still think age could be a barrier for Steve-O, he's promising an even "naughtier" show this time around.
"I go out of my way to create even naughtier content than I could create for Jackass," Steve-O said. "Because that's always my motivation, to just be naughty and break rules and the crazy stuff."
If you haven't seen Bucket List and you're questioning what a Steve-O comedy show will be like, you're not alone.
"People don't really know what it's going to be and I've never been particularly upset about that," Steve-O said. "I think that's fine, and if anything, I viewed it as a benefit for people to come to my show with some low or no expectations."
"Because I just believe so much in what I'm doing that if people come, they don't know what they're going to get, maybe they're not sure how great it's going to be, then the consensus is pretty much always, wow that was a lot better than I expected."
But after seeing multiple Steve-O shows, there's something special about his live, multimedia experience, whether you've been a fan since the beginning of Jackass on MTV, or even if it was never your thing.
Firstly, you realize that as raucous as Steve-O is, he really takes the time to craft an impressive show.
Secondly, the energy in the room is absolutely magnetic. It's a collective bonding experience for the audience, alongside Steve-O, to laugh, gasp, and even cringe and shield their eyes from some of his stunts. It's an experience unique to Steve-O, making his shows unlike anything else you'll see.
But throughout the years there have been headlines threatening that Steve-O's latest, greatest stunt will be his last. While he's toyed with the idea, Steve-O's keeping the door open, even to when he's a 90-year-old man.
"I've gone back and forth on that. I've treated this show as if it's going to be my last real physical stunt thing," Steve-O said. "I don't want to commit one way or another to whether I'm going to keep doing stunts or not."
"[But] I kind of turned the corner a little bit. I imagined what a 90-year-old Steve-O would have to say to me. And I pictured this 90-year-old Steve-O just saying, 'Dude, stop being such a little bitch. F**king go for it. Make your own rules.' ... If I was to think the [show] I'm working on now, there's going to be a bunch after it, it would probably be too daunting. So, yeah, I think as a tool for raising the bar, just viewing every project [as the] last one is helpful."
Tickets are currently on sale for Steve-O's Crash and Burn comedy tour. Purchase tickets for a tour date near you here.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
San Francisco Chronicle
2 hours ago
- San Francisco Chronicle
Sasha Velour's ‘Big Reveal' redraws the boundaries of drag and theater
Other performers might dread glitches during shows. Sasha Velour makes them her co-stars. Her 'The Big Reveal Live Show!' offers no straightforward lip sync. Phone rings, TV static and vertical colored bars, smashed dishes, recording skips, computer viruses and flickering lights constantly interrupt her drag numbers, video art, autobiographical anecdotes and mini lectures on drag history and theory. But if these on-purpose mistakes rip the fabric of the mostly solo show, which opened Wednesday, June 4, at Berkeley Repertory Theatre, the 'RuPaul's Drag Race' champion, author and Berkeley native widens them into wormholes and crawls inside to do battle with them. As she tries to claw back control of her bit, she might wind up on the floor in tears, but she's the winner all the same. It's partly a clown show: the garish makeup, the padded body parts, the nightmarish facial expressions, the wordless physical theater fight against absurdist forces too large to understand. But in all those gaffes, larger ideas are also at work. Imperfection is key to understanding drag and camp more generally, Velour says at one point. The art form doesn't work if you don't have self-awareness — if you don't understand your flaws but 'press on' anyway. (The implied corollary: Someone like Trump couldn't do camp even if he wanted to.) In a tough time for theater locally and nationwide, with companies scaling back or closing as funding sources dwindle, 'The Big Reveal Live Show!' suggests that institutional theater programming more drag might be one way forward. Audience members certainly showed up on Wednesday, some even glammed up in drag as opposed to the standard Berkeley Rep audience uniform of earth tones and sensible shoes. And Velour's show itself is more daring, artistic and intellectual than a lot of straight plays. Some of her patter — 'After so many years of backlash,' 'Drag serves as a mirror,' 'We are here, and we are not going away' — is boilerplate; the points might be more effectively made without didacticism. But other bits of monologue evince the scholarly yet frisky understanding of drag that undergirds her book, also called 'The Big Reveal,' with the subtitle 'An Illustrated Manifesto of Drag.' 'Queerness isn't shocking or groundbreaking at all,' she says in the show. 'It's normal. It's boring.' Cultures throughout history have had some kind of drag performance, she points out — even the American military in World War II. It only becomes threatening, she says, when it's no longer performed by straight men. Her costumes — by Diego Montoya Studio, Pierretta Viktori, Jazzmint Dash, Gloria Swansong and Casey Caldwell — are celestial wonders. One skirt hem resembles the orbit of the sometime-planet Pluto, both elliptical and noncoplanar, forming part of an outfit that looks like a bottle of pink Champagne frozen right in the moment of exploding. Another piece blurs the boundary between human and furniture. In one heart-stopping moment, she lines herself up with an outline of a human form projected on a large screen behind her. Without any perceptible change in lighting, she seems to change color, blazing in the gold of a desert sunset. Graffiti gets written on her, and ropes wrap around her; body parts metamorphose and enlarge. Your eyes search for signs as to what's projected and what's tangible. She dissolves in flames. By the end, you half expect her to be able to step through the screen and get swallowed whole, the wormholes covering their tracks like magic. As Velour finds the deviant in the familiar — talk shows, Disney princesses having animal friends, audio montages of iconic phone calls in film, the pixelated desktop of 1990s-era Windows — she makes the case that drag is available to everyone, no matter how weird or normie you are. That thing that tickles you? That you find yourself returning to again and again? Drag is a way you can talk about it, and it belongs on every stage and in every sitting room in America.
Yahoo
2 hours ago
- Yahoo
Why these actors and ‘SmartLess' podcast hosts want to help you pay less for cell service
The latest celebrity start-up trend is no longer tequila. It's telecom. Actors Sean Hayes, Will Arnett and Jason Bateman — who host the popular 'SmartLess' podcast — are launching a wireless service as an alternative to pricier unlimited data plans from major carriers like Verizon, T-Mobile or AT&T. The decision to start the company, called SmartLess Mobile, came from a simple realization: while industry giants generally push unlimited plans, most people don't actually use that much data. Even if they're glued to their phones. 'Most Americans spend almost 90% of their time under Wi-Fi. Their mobile device very seldom actually uses the actual wireless network,' said SmartLess CEO Paul McAleese, a telecom industry veteran who co-founded the company with the actors. Research published last year by the consultancy group OpenSignal found that most mobile customers spend between 77% and 88% of their on-screen time connected to a Wi-Fi network. SmartLess Mobile offers wireless plans starting at $15 per month for 5 gigabytes of high-speed data, going up to $30 monthly for 30 gigabytes. By contrast, starter unlimited plans from the major carriers range from around $35 to $65 per month. McAleese said he and Arnett started discussing the idea after the actor bought a new phone for his teenage son and was sold an unlimited plan that cost around $70 monthly. (Arnett previously served as a spokesperson for Canadian telecom giant Shaw Communications; McAleese is the company's former president.) 'And (Arnett) goes, 'Geez, it's awfully expensive,'' McAleese said in an interview with CNN. 'And I said, 'Your boy spends almost his entire life under Wi-Fi. He's at home, he's at school … he's never going to be on the network. Why would you buy all that?'' SmartLess Mobile joins a growing slate of celebrity-backed wireless carriers, including Consumer Cellular, with longtime spokesperson Ted Danson, and Ryan Reynolds' Mint Mobile, which was acquired by T-Mobile in 2023. These providers, known as mobile virtual network operators (or MVNOs), lease access to a major telecom provider's spectrum — SmartLess plans will run on T-Mobile's 5G network — and can often charge lower prices because they don't have to manage the physical infrastructure. The services have gained popularity as cell phone technology has advanced. Most phones now have digital SIM cards, making it easier for consumers to switch carriers without having to visit a retail store. And the proliferation of Wi-Fi infrastructure everywhere from subways to restaurants means many people have lesser data needs. If their partner network goes down, MVNOs do risk being the ones customers blame for losing missing service. And limited data plans aren't necessarily for everyone — ride-share drivers and delivery couriers likely use a lot more data than people who work from home or from an office with a Wi-Fi network. But the primary 'uphill battle for any MVNO is to stand out in the space,' said Jeffrey Moore, principal at wireless industry research firm Wave7, because the industry giants have much more name recognition. Major carriers also entice customers with deals on new phones, which they practically give away for free if consumers join their network. Smaller carriers 'have to stand out either in terms of offerings or in terms of marketing,' Moore said. That's where celebrity endorsements come in. SmartLess already has a significant built-in audience; the podcast ranks among the top 20 most popular shows on Apple Podcasts. And Arnett, Hayes and the SmartLess podcast have more than 2 million combined Instagram followers. 'Whether by luck or by design, they also have a brand name that has both 'smart' and 'less' in the name,' McAleese said, 'which, if you're going to be a challenger brand in this day and age, those are two pretty good head starts.' The team plans to start discussing SmartLess Mobile on the podcast in the coming weeks, he said. And the SmartLess hosts' involvement in the new carrier goes beyond typical celebrity endorsements, McAleese said. Hayes, Arnett and Bateman had already turned down the opportunity to lend their names to other types of products, and they've been involved in everything from financing to marketing the new company. 'They rely on the category for what is now one of their primary professional pursuits, which is the podcast, this is how people consume their product,' McAleese said. 'These guys are master storytellers, and they have the brand ethos of sort of an honest broker. I think it's just a perfect marriage.' Error while retrieving data Sign in to access your portfolio Error while retrieving data Error while retrieving data Error while retrieving data Error while retrieving data
Yahoo
2 hours ago
- Yahoo
Combs' ex accuses him of abuse but says she loves him
An ex-girlfriend of Sean "Diddy" Combs who accuses him of kicking, punching and dragging her has testified at his sex trafficking trial that she still loves the hip-hop mogul. "He was my baby," said the woman, who is testifying under the pseudonym Jane to protect her privacy. Asked under cross-examination by defence lawyer Teny Geragos if she still loves Combs, Jane said, "I do". The woman said she enjoyed taking care of Combs, bathing him and falling asleep with him while watching television after "hotel nights", their phrase for drug-fuelled encounters in which she would have sex with male entertainers while Combs watched. The questioning was part of Combs' strategy to portray Jane as a willing participant in the sexual encounters with him, not a victim of sex trafficking as prosecutors allege. She said she agreed to these "hotel nights" while "under a lot of emotional pressure" - and already hooked on love and a desire to stay in a relationship with Combs. Jane testified that she partook in the encounters, sometimes grudgingly, because they pleased Combs and she enjoyed spending time alone with him afterward. Combs, 55, and the founder of Bad Boy Records, has pleaded not guilty. Prosecutors say Combs used force and threats of cutting off financial support to coerce women into taking part in the encounters, sometimes known as "Freak Offs". Over three days under questioning by prosecutors in Manhattan federal court, Jane said that she agreed to have sex with a male escort in front of Combs early in their relationship but that he later dismissed her requests to stop and threatened to stop paying her rent. On Monday, Jane said Combs kicked, punched and dragged her during an altercation at her Los Angeles home last June. Later that night, he told her to perform oral sex on a male entertainer even though she said she did not want to, Jane said. Under questioning on Tuesday, Jane said she researched the terms "cuck" and "cuckold" during her relationship with Combs to try to understand his desires. The words refer to men who enjoy watching female partners with other men, Jane said. "I just wanted to know why my partner wanted so many of these nights and what was driving him," Jane said. Combs' defence lawyers are expected to cross-examine Jane until Thursday. Testimony is in its fifth week. Combs could face life in prison if convicted on all counts. Also known throughout his career as Puff Daddy and P Diddy, Combs turned artists like Notorious B.I.G. and Usher into stars, elevating hip-hop in American culture and becoming a billionaire in the process. with AP
