logo
Inside X Factor's fresh backlash as former host reveals she was sacked and ex judge slams bosses over ‘lack of support'

Inside X Factor's fresh backlash as former host reveals she was sacked and ex judge slams bosses over ‘lack of support'

The Sun04-05-2025
DESPITE being off the air for seven years, The X Factor has faced a fresh backlash.
It came after a former host revealed she was sacked from the ITV talent show, while an ex judge slammed bosses over their "lack of support".
9
9
9
9
Created by music mogul Simon Cowell in 2004, The X Factor brought the world huge stars like One Direction and Little Mix.
With its prime time Saturday night slot, at its peak the show was attracting 19.4 million viewers.
But over the years the sparkle of the show started to fade, and it was was eventually cancelled in 2018.
Since The X Factor was axed, more and more people have started to reveal their own personal experiences with the show.
In a new interview former judge Dannii Minogue, 53, revealed how the "toxic" culture on the X Factor forced her to quit the show.
The singer and TV star opened up to Fearne Cotton on her Happy Place Podcast - who in turn revealed she was "sacked" from hosting the spin-off show, The Xtra Factor.
Both women joined the famous show in 2007, with Fearne only lasting one year on the series.
Speaking about her short time with the show, the podcaster said to Dannii: "The last time I worked with you was when I did one season on Extra Factor.
"Before I left/Got Sacked. Not quite sure, blurry lines. Very blurry lines."
The pair then compared notes on the gruelling work schedule, which included long hours that took its toll on them.
Simon Cowell brands X Factor group 'most annoying' act
Dannii revealed: "The next day (after the live show) we would go straight into rehearsing the songs for the next week, which none of the other judges went to.
"And I was always there at 10am and I'd get home at 1.30am, it'd take me three hours to wind down from the adrenaline."
Echoing these gruelling hours, Fearne replied: "It was crazy. I mean, I remember even doing the judges, not the judges houses, what's the boot camp before that? Yeah.
"And we were all in this big house/hotel. I'm not sure what it was.
9
"And you would film all day until, you know, sort of 6am till midnight.
"You'd be on your knees and then you try and sleep and all the contestants would be up practicing their songs, playing the piano and you're like, this is torture. Absolute torture.
"I mean, the schedule was a joke. It's a hardcore show to be part of. It's one of those shows where you think, do I want to work in TV anymore? Like this is too much."
'TOXIC ENVIRONMENT'
Dannii then went onto reveal how the "toxic environment" created by drama between the judges led to her walking away in 2010 for the sake of her own wellbeing.
She admitted: "I definitely had a moment where I was just like, 'If this is what it is, I don't know if it's worth it for me'.
'I feel like I got caught up in a lot of kerfuffle where it was just not my personality to be involved.
9
'But I felt like there was a machine keeping it going because it was incredible for the show.'
She added: 'On my last season of X Factor, 20 million people watched the final, but I just got to a point where I didn't want to be a part of it any more.
'I thought, this show is going that way. In my soul, I'm going in a completely different direction.
'I dug deep into myself and found some strength [to quit].'
Dannii revealed that she feels she has been taken care of more whilst presenting BBC Three's dating show I Kissed A Boy.
She revealed there was round-the-clock mental health care to all participants and the crew, including her.
Dannii said: 'That was the first time they thought my mental health was important, ever.
'It would have been really helpful back in The X Factor days to have anything like that.'
9
'DUTY OF CARE'
Dannii and Fearne aren't the only ones to voice concerns over the impact filming The X Factor had them.
The show's host Dermot O'Leary - who fronted the series from 2007 to 2014, before returning for the final three series - talked about how the show would be different if it was on TV in 2025.
'If the show was made now, it'd be made differently,' the This Morning host revealed.
'The culture is different, but it was pretty much always celebratory.
"Look, not everyone on the show is going to knock it out of the park.
"Not everyone is going to have the best experience.
9
"But most of the people we had on were treated really well, and a lot of people who have talked negatively about their experiences are talking about what happened after they left."
Continuing he added: "So if there is a duty of care to be looked at, it's what happens afterwards.'
Former X Factor contestants Katie Waissel and Rebecca Ferguson have also spoken up in recent years about the toxic culture on set, calling for more duty-of-care in the industry — especially on reality shows.
9
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Tom Sandoval's vocals mocked as 'terrible' by America's Got Talent fans (but star faced major technical mishap)
Tom Sandoval's vocals mocked as 'terrible' by America's Got Talent fans (but star faced major technical mishap)

Daily Mail​

time2 hours ago

  • Daily Mail​

Tom Sandoval's vocals mocked as 'terrible' by America's Got Talent fans (but star faced major technical mishap)

's vocals were mocked by America's Got Talent viewers - but as it turns out, his performance was plagued by a major technical malfunction. While Instagram users blasted his singing, in an interview with Access Hollywood's Lauren Herbert, Sandoval revealed his in ear monitor had stopped working just before showtime. That left Sandoval, 43, unable to hear himself and the dreaded sound of Simon Cowell 's buzzer. Sandoval and his cover band Tom Sandoval & The Most Extras performed The Weeknd 's Blinding Lights on Wednesday's episode of America's Got Talent in a performance that failed to impress Cowell. 'I like Tom, and I like the band, however, you're judging this performance, it didn't sound great. Didn't,' Cowell said in his review. 'It might just be me from where I sat, but that did not sound good, I'm afraid. Didn't.' The three other judges had a mixed response, but Mel B offered a rave review of the performance. Immediately after his performance, Sandoval was interviewed by Herbert, where he revealed how he was unable to hear 'anything' throughout the show. 'A few technical issues but overall got through it, as much as I could. I didn't even know that Simon buzzed us. Did you know that?' he asked Lauren, who did. 'I had so much going on, I couldn't hear anything, let alone myself really.' 'My inner ear stopped working and then it's like you're deaf in that ear, and that happened right before I started, so it kind of threw me off. Right as I started, I hit my lip with my mic,' he elaborated. 'I was like, alright! Can't really hear myself that well so like was just kind of dancing my way around it.' Asked about his reaction to the buzzer and Cowell's criticism of his vocals, he said: 'I definitely could've been better, for sure. And I think I was worried a little bit more about the movement and whatever, and with inner ear, I should've focused a little bit more on the vocals. 'But this is a competition, we're trying to set ourselves apart, going out there and just singing, versus singing, dancing, getting the crowd going, moving around... I was trying to do more.' While Sandoval hadn't fully digested Cowell's criticism, he respected the judge's expertise. 'Honestly I was kind of just taking in the moment, I didn't hear everything he said, I'll have to go back and hear what he said, I'll have to go back and check it out. I respect Simon, he's one of the most well-known, respected judges in the world,' he said. 'I have to respect what he says, if he wasn't feeling it, if he didn't like it, then I guess he wasn't in the same place as Mel B was!' Sandoval also said he has been 'working' on his vocals. 'I'm always working on vocals, if I would've been standing still, singing that song with working equipment, it would sound a lot different,' he explained. Sandoval became an outcast two years ago and he landed at the heart of the creatively-named 'Scandoval', the cheating controversy on season 10 of Vanderpump Rules. At the time, Sandoval had cheated on his long-term partner Ariana Madix with their mutual friend, Rachel Leviss - plunging him and Rachel into pariah status. Viewers weighed in in the comments section of AGT's Instagram post about the performance But several also complimented the band One commenter was a fan of the performance, saying Sandoval has 'the look and the moves' Will Sandoval now be able to redeem himself on America's Got Talent? 'That's up to everybody out there. That's up to you guys,' Tom said when asked if this show was his comeback. 'I'm just excited for people to see a different side of me in a different environment. This is a much more positive environment and I'm doing things that I love,' Tom said when asked what he hoped viewers could learn about him on AGT. The star was also asked if he would consider heading onto the Vanderpump Rules spin-off, The Valley, in light of Jax Taylor's departure. 'I mean, I don't know. It doesn't sound like that much fun to me. I think there's a lot more fun things that i could be doing,' he admitted. On America's Got Talent Instagram post of Sandoval's performance, fans jumped in with their criticism. 'Make it stop' one fan begged with a meme from Boy Meets World. Another was in agreement with Cowell: 'Simon's face is like mine watching it from my house,' they wrote. A few others added salt to the wound with memes of his ex Madix, with one writing, 'Simon hit that buzzer for Ariana.' It wasn't all criticism, with one fan writing: 'They put on a show. He has the voice, the look and the moves.' The world will learn if Tom Sandoval & The Most Extras earned enough votes from viewers to proceed to the next round on Wednesday.

I spent a week watching daytime TV - here's my picks on what to watch
I spent a week watching daytime TV - here's my picks on what to watch

The Herald Scotland

time2 hours ago

  • The Herald Scotland

I spent a week watching daytime TV - here's my picks on what to watch

A presenter bagging another gig is nothing new, but the queen of daytime leaving ITV? This was ravens exiting the tower stuff. It could only have caused more of a stir had Lorraine agreed to a direct swap with Channel 4 News' Krishnan Guru-Murthy (well, he did do Strictly …). Lorraine made no comment, ditto Channel 4. I suspect it won't be the last time she is matched to a new job between now and ITV shedding 220 staff - half its morning workforce. Under the new set-up, announced this month, Lorraine and Loose Women will run 30 weeks a year instead of 52, with Good Morning Britain, to be produced by ITN, extending to fill the gaps. Speaking on The Rest is Entertainment podcast Richard Osman called the changes a watershed moment for British television. The producer, author and presenter said it was 'another symbol of what's happening to our television and the terrestrial broadcasters having to cut their cloth according to the advertising revenues they're getting. We are at the stage now where we are cutting off healthy limbs in British television, which is a terrifying place to be." Daytime is no stranger to upheaval, with the first 'big bang' the shift of children's programmes from radio to television. It has been evolution with occasional revolution ever since. Now, after decades of having the field to themselves, the big four, BBC1, BBC2, ITV and Channel 4, are competing for viewers with hundreds of new channels and streaming services. And they are doing so with less ad revenue or licence fee cash. As the schedules have changed, so has the audience. Besides the over 55s, who still make up the majority of viewers, there are shift workers and people working from home, students, parents with young children, or anyone out and about with time to fill. Where there's a screen there's a potential daytime viewer. And if that viewer wants to watch daytime shows at nighttime instead, catch-up services will oblige. The audience numbers might be down for daytime but they remain impressive. 'Very little on British TV these days gets a million, even in the evening,' said Osman. 'BBC Breakfast gets over a million, we then dip under a million for Homes Under the Hammer, then rise to over a million for Bargain Hunt. The news gets one million then you dip down again till Pointless starts then you're back over a million. On BBC2/Channel 4 nothing's getting a million.' ITV, meanwhile, can pull in 600,000-700,000 viewers consistently up to the lunchtime news. Daytime television still matters - not least to its loyal audiences - but there are questions to be asked. Are viewers happy with a diet of repeats, reheats, endless quizzes and manufactured outrage? What does daytime television say about us as a country? And for the love of God, will anyone ever buy a place in the sun, or are they just time-wasters? To find out more I spent a week watching daytime television, something I haven't done since bouts of childhood tonsillitis. A lot had changed. For a start, no one brought me ice cream and jelly on demand. But I stuck with the mission to see what was out there, what works, what doesn't, and offer recommendations to readers of The Herald along the way. Hold my housecoat, I'm going in. Location, chateau, auction Daytime's obsession with property starts with buying wrecks at auction and ends with second homes in the sun. BBC1's Homes Under the Hammer was the gold standard but it now has competition from Channel 4's Bafta-winning The Great House Giveaway. Simon O'Brien (our Damon from Brookside) matches two strangers struggling to get on the property ladder and gives them a house he's bought at auction. They have six months to do the place up, keeping the profits. The Never-ending Antiques Roadshow And what do we do with all those houses we acquire in reality or our imagination? We fill them with treasures/tat from the likes of Bargain Hunt. BH has been going for 25 years and notched up 71 series, making it a daytime legend that shows no signs of flagging. It's the chorus line kick at the end that makes all the difference. They don't do that on snooty old Antiques Roadshow. Who Doesn't Want to be a Millionaire? If Rachel Reeves wants to know why the UK economy is in the doldrums, she need only look at the number of people taking part in daytime quiz shows. Where do they all come from, these Countdowners, Lingo players, Impossible and Unbeatable contestants, and crossers of the Bridge of Lies? They can't all be shift workers and students. Quizzes are the sliced white bread of daytime, a staple that's cheap to make in batches and will keep for a long time. What separates the best from the rest is the host, with Anne Robinson's disastrous stint on Countdown the best example of what happens when you get the pick wrong. Mind How You Go The world is full of wrong 'uns keen to part us from our hard earned, or it is if you watch daytime. BBC1 has the market cornered with the 1-2-3 of Rip Off Britain, Fraud Squad and Crimewatch Caught. If those don't alarm you enough, stick around till evening to catch ex-daytime hit turned primetime hit Scam Interceptors, made at Pacific Quay in Glasgow. Lorraine She's been around a long time, and has a Bafta lifetime achievement award to show for it, but still no one can match her ability to blend serious with fluffy. When accepting her Bafta award from Brian Cox, Kelly made a point of saying there should be more working-class people in television. It can't hurt. Politics Live Daytime television has played a big hand in making politics exciting again (that, and the general chaos of the past few years). The visits to the Commons for Prime Minister's Questions, plus extras such as First Minister's Questions at Holyrood and the party conferences, offer lively, informed coverage. MPs and MSPs like the programmes because it gets them on the telly, plus it gives the media at Millbank something to do. Public service broadcasting at its best (and cheap too). The Way we Were You can watch an old favourite online at any time, but nothing beats seeing it on television again. Talking Pictures TV should be your first call for classic films and dramas such as Bonanza and The Beverly Hillbillies, while for more recent fare have a wander through the various U& channels - U&Drama/ U&Dave/ U&Yesterday. Sky Arts Sky Arts starts at 6am and offers first rate programmes through to the next day. Best of all, it's free to view. This week, for example, you can see films about the Guggenheim in Bilbao, The Yardbirds, performances from the Grand Ole Opry, plus historian Kate Bryan playing tour guide at Tate Brtain. All that and a daily double bill of Tales of the Unexpected. Cue the music … DIY Not the hammer and nails stuff, but putting together your own daytime schedule. Maybe you can't bear another Loose Women or afternoon of quizzes. Why not choose a box set and watch an episode a day instead? On BBC iPlayer it's easiest to see what's there if you search under categories, eg drama and soaps. There are two series of the brilliant Northern Ireland police procedural Northern Lights, plus City drama Industry, Life on Mars, and Peaky Blinders - and all free (with a licence fee). On STV Player you can watch the first run of Karen Pirie and catch the new series. Also showing are the dramas Unforgotten and Joan, plus comedies including Parks and Recreation. Channel 4's streaming service is free and includes The West Wing, The Americans, and Hill Street Blues. The Creme de la Creme The best of the streaming services. Subscriptions are expensive but look out for special offer trial periods, or 'with ads' options. Now is good value for all things Sky, including The White Lotus and The Wire. I'm currently flipping between Veep and Succession. Apple TV+ has Dennis Lehane's Smoke plus Emmy nominees Severance, The Studio and Slow Horses. On Disney+ I can highly recommend the end of the world as we know it drama Paradise. On Netflix, the word is spreading about Pernille, a Norwegian family drama about a single mother and social worker trying to keep all life's plates spinning (sounds awful but it's lovely), and Prime Video has the peerless Bosch.

X Factor star Lydia Lucy marries long term partner Tommy Watson in lavish wedding
X Factor star Lydia Lucy marries long term partner Tommy Watson in lavish wedding

Daily Mirror

time3 hours ago

  • Daily Mirror

X Factor star Lydia Lucy marries long term partner Tommy Watson in lavish wedding

Former X Factor and The Voice UK contestant Lydia Lucy has tied the knot with her long-term partner Tommy Watson in a special ceremony in a luxury London hotel Former X Factor and The Voice UK contestant Lydia Lucy has tied the knot with her long-term partner Tommy Watson in a breathtaking ceremony at London's famed Savoy Hotel. ‌ The 32-year-old singer, who first found fame on reality TV talent shows over a decade ago, delighted fans by sharing glimpses of her big day on Instagram. ‌ Lydia and Tommy could be seen beaming with joy as they posed as husband and wife while surrounded by a spectacular floral display. The singer captioned her post: "The new Mr and Mrs." ‌ The wedding was met with an outpouring of love from Lydia's celebrity friends. TOWIE star Chloe Brockett gushed: "Stunning Lydia." Former I'm A Celebrity winner Scarlett Moffatt added: "So beautiful. Huge congratulations xxx," while Love Island 's Chloe Crowhurst chimed in with: "Congratulations beautiful." After the ceremony, the couple and their daughter Dottie-May made the most of The Savoy's five-star spa and fine dining options by enjoying a mini staycation at the hotel. Dottie-May, who was born in 2021, is especially dear to the couple, as Lydia previously revealed she suffered from a miscarriage the year before her daughter's arrival. Lydia's rise to fame began in 2013 when she auditioned for The X Factor in front of judges Gary Barlow, Nicole Scherzinger, Sharon Osbourne, and Louis Walsh. She wowed the panel with renditions of Jessie J's Mamma Knows Best and Michael Jackson's The Way You Make Me Feel, but was ultimately eliminated during the Six Chair Challenge. Lydia went on to audition for The Voice UK in 2016, joining team and becoming his last act standing, before eventually finishing in fourth place. ‌ Her powerful performances earned her opportunities to tour with the Black Eyed Peas frontman and even perform with the group in Fergie's absence. Now Lydia has a career as a vocalist for private events, and often performs at high-profile weddings and celebrity parties. Lydia has previously spoken about how she uses her stage name to pay tribute to her late sister, Lucy, who died from spina bifida three years before Lydia was born. During her time on The Voice, she dedicated an emotional performance of I'll Be There to her sister, with newly written lyrics including: "It's not fair, I know that you're there, Watching me guiding me, From the upstairs." ‌ At the time Lydia shared: "Even though we never met I feel like I know so much about her that we would have been the best of friends. I feel her aura is always around me, willing me to do well. "I carry a picture of her everywhere, I have a locket of her hair and I've watched all the home videos. She's there in one of them with her little plastic karaoke microphone at Christmas singing Cliff Richard's Living Doll. She has such a lovely smile." She also spoke about how her late sister was the person who named her, explaining: "Lucy picked my name for me when she was seven. When Mum was pregnant with one of my two brothers, Lucy said, 'I hope you have a girl, mummy, so that I can have a sister and I hope you call her Lydia.' "So three years after her death, when I was born, Mum made sure that wish was granted. I had the same princess dress Lucy had and loved. Her Wendy house is still in the middle of our garden. We have shared so much without ever meeting."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store