
List of the top summer movies since ‘Jaws' turned it into blockbuster season in 1975
LOS ANGELES (AP) — 'Jaws' turns 50 this week, and its legacy of the summer movie blockbuster remains strong.
The titles that have packed the most
summer moviegoers
into theaters since 1975 represent some of the best known films of the last half century, including five 'Star Wars' movies, Pixar favorites like 'Toy Story 3' and 'Finding Nemo,' superheroes galore and both 'Top Gun' films. They also include some surprises, and movies both less bombastic and less enduring.
Combined, the top-earning summer films between 1975 and 2024 earned more than $15 billion through the summer months, a figure not adjusted for inflation, according to the tracking firm Comscore.
It's also worth noting that box-office tracking before 1981 was not as robust as it is today — and there was essentially no summer movie season in 2020, when the
coronavirus pandemic shuttered theaters
across the country.
Here's a list of the top summer movie each year, along with the film's gross earnings from its release date through Labor Day, according to Comscore's data.
___
1975: 'Jaws,' $260 million
1976: 'The Omen,' $60.9 million
1977: 'Star Wars,' $221.3 million
1978: 'Grease,' $132.5 million
1979: 'Alien,' $79 million
1980: 'Star Wars: Episode V - The Empire Strikes Back,' $222.7 million
1981: 'Superman II,' $59.2 million
1982: 'E.T. The Extra-Terrestrial,' $242 million
1983: 'Star Wars: Episode VI - Return Of The Jedi' $222.3 million
1984: 'Ghostbusters,' $189.1 million
1985: 'Rambo: First Blood Part II,' $139 million
1986: 'Top Gun,' $131.3 million
1987: 'Beverly Hills Cop II,' $151 million
1988: 'Who Framed Roger Rabbit,' $130.7 million
1989: 'Batman,' $239 million
1990: 'Ghost,' $125 million
1991: 'Terminator 2: Judgment Day,' $183.1 million
1992: 'Batman Returns,' $159.8 million
1993: 'Jurassic Park,' $316.6 million
1994: 'The Lion King,' $262.3 million
1995: 'Batman Forever,' $181.4 million
1996: 'Independence Day,' $282 million
1997: 'Men In Black,' $235.1 million
1998: 'Armageddon,' $193 million
1999: 'Star Wars: Episode I - Phantom Menace,' $421.4 million
2000: 'Mission: Impossible II,' $214 million
2001: 'Shrek,' $263 million
2002: 'Spider-Man,' $403.7 million
2003: 'Finding Nemo,' $332.7 million
2004: 'Shrek 2,' $436.7 million
2005: 'Star Wars: Episode III - Revenge of the Sith,' $380 million
2006: 'Pirates Of The Caribbean: Dead Man's Chest,' $414 million
2007: 'Spider-Man 3,' $336.5 million
2008: 'The Dark Knight,' $504.8 million
2009: 'Transformers: Revenge of the Fallen,' $400.6 million
2010: 'Toy Story 3,' $409 million
2011: 'Harry Potter And The Deathly Hallows II,' $375.6 million
2012: 'Marvel's The Avengers,' $620.3 million
2013: 'Iron Man 3,' $409 million
2014: 'Guardians Of The Galaxy,' $281.2 million
2015: 'Jurassic World,' $647.4 million
2016: 'Finding Dory,' $482.9 million
2017: 'Wonder Woman,' $409.5 million
2018: 'Incredibles 2,' $602.6 million
2019: 'The Lion King,' $523.6 million
2020: 'Tenet,' $20 million
2021: 'Black Widow,' $182.7 million
2022: 'Top Gun Maverick,' $701.3 million
2023: 'Barbie,' $612.3 million
2024: 'Inside Out 2,' $650.8 million
___
Source: Comscore

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Digital Trends
4 hours ago
- Digital Trends
In honor of F1, here are the 7 best racing movies, ranked
F1 promises to have some of the best racing sequences in movie history. With the movie coming to theaters soon, now seems like the perfect time to look back at the history of racing movies. While racing is not the most popular sport in a movie, there have been a handful of classics made over the years. We've compiled the seven best and ranked them for your pleasure. Check out our list below: Recommended Videos We also have guides to the best new movies to stream, the best movies on Netflix, the best movies on Hulu, the best movies on Amazon Prime Video, the best movies on Max, and the best movies on Disney+. 7. Cars (2006) Cars is, quite frankly, one of the worst Pixar movies. But to be fair, most Pixar movies are quite good, which means that Cars is near the bottom of a list of great movies. The film follows Lightning McQueen, a hotshot race car who finds himself stuck in the small, podunk town of Radiator Springs and slowly comes to love its gentle charm. The idea of talking cars certainly makes your head spin. However, the movie is a nice story of a young car who learns to appreciate the world around him a little more. You can watch Cars on Disney+. 6. Days of Thunder (1990) Although it's not the most beloved film from either its star or its director, Days of Thunder is nonetheless a pretty gripping action movie, at least in moments. Like Top Gun, the film is as much about the footage of race cars as it is about anything else. It stars Tom Cruise as Cole Trickle, a race car driver who forms a bond with a former rival after both suffer injuries in an accident. When Cole returns to the track, he decides to race his former rival's car, setting up a showdown that proves to be every bit as thrilling as you might expect from a Tony Scott movie. You can watch Days of Thunder on Pluto TV. 5. Senna (2010) This documentary tells the story of Aryton Senna, a three-time Formula One champion from Brazil who died when he was just 34 years old. The film has no talking heads and relies instead entirely on a combination of publicly available archival footage and home video footage from his family. The film's primary focus is on Senna's rivalry with Alain Prost. Like any documentary about a high-level athlete, Senna explains what drives a person to live this kind of life, knowing that death is waiting around every turn. You can watch Senna on Netflix. 4. Talladega Nights: The Ballad of Ricky Bobby (2006) 2006 was a good year for movies about NASCAR. Talladega Nights: The Ballad of Ricky Bobby is a highly satirical look at the world of professional driving and follows Ricky Bobby, a NASCAR superstar who loses it all after he faces steep competition from a French racer who has come from Formula One. As he works to rebuild his success and win back his lifelong friend, Ricky does ridiculous and stupid things. The Ballad of Ricky Bobby is deeply silly and wonderfully hilarious, featuring some of Will Ferrell's best work. You can watch Talladega Nights: The Ballad of Ricky Bobby on Tubi. 3. Speed Racer (2008) Speed Racer is a movie that was reviled upon its release, but now feels trenchant, timely, and like something of a masterpiece. An adaptation of a Japanese anime of the same name, Speed Racer follows a boy born into a family of race car drivers who discovers that a major corporate sponsor rigs the races. Determined to beat them at their own game, he enters a deadly race that killed his brother. Speed Racer is filled with the CG of its era, but nonetheless, the movie feels like it has the kind of singular vision that is lacking from so many films of its budget level. You can watch Speed Racer on Amazon Prime Video. 2. Rush (2013) Many of the best racing movies are about rivalries, and Rush is no exception. The film tells the story of the rivalry between two Formula One drivers, one a British playboy (Chris Hemsworth) and the other an Austrian perfectionist (Daniel Brühl). Although the racing in the film is riveting, the movie's real point is just how insane these two men are. Their rivalry pushes both of them to extremes as they go to any length to win, even if it comes at great personal cost. Rush is, fundamentally, a movie about the insane drive these men have and what it leads them to do. You can watch Rush on Amazon Prime Video. 1. Ford v Ferrari (2019) Ford v Ferrari tells the true story of two men who teamed up to give Ford a chance to compete against Ferrari at the 24-hour race at Le Mans. The film depicts how difficult it can be to achieve something with corporate overlords watching your every move. Anchored by two brilliant central performances from Christian Bale and Matt Damon, Ford v. Ferrari follows these men as they try to execute their vision, even as they come to understand that the race itself will push both of them past their limit. You can watch Ford v. Ferrari on Amazon Prime Video.
Yahoo
5 hours ago
- Yahoo
Pixar Gives First Look at ‘Toy Story 5,' Teases New Original ‘Gatto' at Annecy
Pixar Animation Studios offered an exclusive first look at its hottest upcoming features — including Hoppers and Toy Story 5 — and announced a brand-new original production, Gatto, during a studio presentation on Friday at the Annecy international animation film festival as part of a broader showcase that also included extensive footage from Pixar's 2025 release Elio. Pixar chief creative officer Pete Docter took the stage to present behind-the-scenes material from Toy Story 5, revealing early footage and confirming the return of franchise veterans Tom Hanks, Tim Allen and Joan Cussack. Directed by Andrew Stanton and McKenna Harris and produced by Jessica Choi, the fifth installment in Pixar's flagship franchise is scheduled for release on June 19, 2026. More from The Hollywood Reporter Corporate-TV Branding Has Gotten Out of Control Natalie Portman-Produced French Animated Film 'Arco' Wins Annecy Chinese Auteur Bi Gan Breaks Down 'Resurrection,' His Mesmerizing Ode to Cinema's Enigmas Docter shared that the new film will explore the challenges faced by the toys in a digital-first world. 'It's Toy meets Tech,' he said, outlining the film's plot, which will see the original movies' team of toys facing up to the challenge presented by the new favorite plaything of their 8-year-old owner Bonnie Anderson: A tech tablet called Lillypad. Woody, Buzz and the rest of the gang will confront a new generation of children more enamored with screens than playthings. Docter screened the world premiere of the film's opening scene, in which a container full of Buzz Lightyears awakens on an isolated desert island and struggles to reconnect with 'star command.' Toy Story 5 will also feature Ernie Hudson voicing Combat Carl, taking over the role originally voiced by the late Carl Weathers. In honor of the franchise's 30th anniversary, the Annecy audience was also treated to archival footage from the making of the original 1995 Toy Story, Pixar's first full-length feature. Docter also announced a brand-new animated feature, the original Gatto. The feature, to be directed by Luca filmmaker Enrico Casarosa, follows Nero, a water-hating black cat living in the picturesque city of Venice, Italy, who befriends Maya, a lonely street musician. Docter gave a sneak peek at the first animated tests and character drawings for the movie, which will have a much more painterly design than is typical of Pixar. Gatto is set to premiere in the summer of 2027. The studio also debuted a first-look clip from Hoppers, an original Pixar comedy about Mabel (Piper Curda), a nature-loving young woman trying to stop the local Mayor Jerry (Jon Hamm), from building a highway that will destroy her local woodlands. Thanks to a secret brain-swapping experiment, Mabel is able to transfer her mind into a robot beaver and heads to a pond, where refugees from the encroaching industrialization have landed. There, she tries to convince the animals, led by the regal beaver King George (Bobby Moynihan) to join her and stop the highway. The Annecy session also included a preview of Elio, directed by Madeline Sharafian and Domee Shi, and produced by Mary Alice Drumm. The science fiction adventure, which premieres in theaters on June 20, follows 11-year-old Elio Solis (voiced by Yonas Kibreab), who is mistakenly identified as Earth's ambassador after being abducted by aliens. The voice cast includes Zoe Saldaña, Remy Edgerly, Brad Garrett, Jameela Jamil and Shirley Henderson. Elio premiered earlier this week in Los Angeles. The Annecy crowd was treated to a full 25 minutes of footage. Best of The Hollywood Reporter 13 of Tom Cruise's Most Jaw-Dropping Stunts Hollywood Stars Who Are One Award Away From an EGOT 'The Goonies' Cast, Then and Now
Yahoo
5 hours ago
- Yahoo
‘Elio' Review: Pixar's Sweet, Safe Space Adventure Isn't Exactly Out of This World
In Pixar's Elio, the eponymous young hero (voiced by Yonas Kibreab) gets his wish of being abducted by aliens, and is promptly treated to all manner of otherworldly sights. The Communiverse, an airy floating hub for the galaxy's best and brightest, overflows with extraterrestrials of every imaginable shape, color, texture and method of communication (one spits out balls rather than speak words). They have access to amazing technologies like a 'liquid supercomputer' that's basically a floating Siri on steroids, a machine that can spit out clones, a Universal Users Manual that knows the meaning of life. For Elio, outer space is everything that cold, drab Earth isn't, and it's no wonder he's loath to return home. More from The Hollywood Reporter Disney, Amazon Ink Deal to Expand Advertising Partnership Corporate-TV Branding Has Gotten Out of Control Pixar Gives First Look at 'Toy Story 5,' Teases New Original 'Gatto' at Annecy If only the film itself were half so, well, alien. Instead, watching from our humble blue marble, Elio feels just a tad too familiar in its sights and story beats to seem totally fresh. Directed by Adrian Molina, Madeline Sharafian and Domee Shi, Elio is a perfectly nice kiddie sci-fi adventure that does everything a movie with that description is supposed to do. But much like Elio, I frequently found myself longing for the more transportive experience, of the sort that Pixar used to make a house specialty. The screenplay, by Julia Cho, Mark Hammer and Mike Jones, finds a recently orphaned Elio struggling to adjust to his new life with his aunt (Zoe Saldaña's Olga), an Air Force officer who herself is having a difficult time suddenly learning how to parent. Lonely and adrift, Elio becomes obsessed with the idea that if no one on this planet seems to want him, someone on one of the galaxy's 500 million others might — and he seems to be proven right when the Communiverse, having learned of humanity from the Voyager Golden Record, beams him up. Initially, Elio tries to fit in, passing himself off as the leader of Earth in hopes of gaining permanent membership there. But it's with Glordon (Remy Edgerly), the similarly sweet-natured but misunderstood son of a vicious warlord, Grigon (Brad Garrett), that Elio really finds the connection he's looking for, forged over PG shenanigans like drinking way too many neon, crazy-strawed beverages and riding Communiverse waterways like they're waterslides. Will their budding friendship transform both of their lives for the better, making each of them feel more confident and less alone in the universe? Will their combined forces save the day by preventing Glordon's dad from laying waste to the Communiverse? Will Elio then, despite the thrills he's enjoyed in space, come to a better understanding of the real if imperfect love that Olga has been offering him from Earth all along? Well, that would be spoiling. But you can probably guess. There's plenty to enjoy about Elio. Its most striking shots include ones of the Voyager on its journey, looking tiny and alone against the unfathomable vastness of space — and they look even cooler in 3D, where the void seems to stretch in every direction. Their starkness makes the busyness of the Communiverse something of a letdown, filled as it is with bizarre yet oddly unmemorable creatures who look like they could have slithered over from the set of Ant-Man and the Wasp: Quantumania. But Glordon, the most important of the aliens, looks crafted with love. Like so many of Pixar's finest creations, he is a marvel of texture, his slug-like body somehow rendered leathery and scaly and hairy all at once, with feathery tendrils that quiver adorably when he's happy. Perhaps the movie's most interesting flourish is the horror influence it wears proudly on its sleeve, without letting things cross over into family-unfriendly terror. So tender-hearted Glordon has teeth that suggest xenomorph DNA but uses them only to smile, not maim, and a habit of swaddling his visitors in spider-like silk but only to soothe, not trap. And while the cloning machine tends to spit out copies too uncannily agreeable to seem real, they're also too cheerfully helpful to be scary. If Elio's plot points are predictable, they also check every box they're supposed to, in a reasonably efficient 100 minutes. You'll chuckle at Elio's attempts to get abducted by parking himself next to a giant 'Abduct me!' drawn in the sand, and cluck sympathetically at his confession to Glordon that he fears 'there's nothing about me to want.' You'll probably get misty-eyed at the reconciliations and goodbyes you already see coming, and smile at a mid-credits glimpse into the characters living their best lives. Where I never found myself, however, was surprised by any particularly clever insight, or moved by any powerful wave of emotion, or delighted by some daring and original twist. Elio is too straightforward for that, too pat and by the book. The characters are endearing but thin, flattened by a story that favors forward motion over slower, deeper development; their bonds are similarly hazy. Even the happy ending seems rooted less in choices that make sense for them than in a desire to acquiesce to formula. It doesn't make the film any less sweet, but it does make it register less meaningfully. All Elio wants is to know, through all his wild misadventures across the stars, is that he's not alone, that there are others like him and others who might like him. The letdown of Elio is that it seems to feel the same way. Best of The Hollywood Reporter 13 of Tom Cruise's Most Jaw-Dropping Stunts Hollywood Stars Who Are One Award Away From an EGOT 'The Goonies' Cast, Then and Now