
7 Indian Actresses Who Trained Hard In Sports For Movies: Priyanka Chopra, Saiyami Kher To Kangana Ranaut
photoDetails english 2907421 https://zeenews.india.com/photos/entertainment/7-indian-actresses-who-trained-hard-in-sports-for-movies-priyanka-chopra-saiyami-kher-to-kangana-ranaut-in-pics-2907457 Updated:May 29, 2025, 07:10 AM IST 7 Indian Actresses Who Trained Hard In Sports For Movies:
1 / 8
Many Bollywood actresses have featured in biopics or films based on sports icons and legends. Transforming into physically demanding roles with grit and passion, these leading ladies have also impressed viewers with their finesse. Here's looking at the top 7 actresses who got themselves trained in sports for films. Taapsee Pannu:
2 / 8
The talented actress starred in the biopic based on the life of former Test and ODI captain of the India women's national cricket team, Mithali Raj. The actress trained under Nooshin Al Khadeer, a former cricket player and Mithali Raj's friend. This 2022 film was directed by Srijit Mukherji and produced by Viacom18 Studios. Saiyami Kher:
3 / 8
The powerhouse performer played a paraplegic cricketer in Ghoomer. To get the cricket part right, she trained with former cricketer Murali Kartik. Saiyami played the role of a left-handed cricketer, she wanted a left-handed batsman and bowler to train her, reported Deccan Herald. Ghoomer was written and directed by R Balki. It starred Abhishek Bachchan, Angad Bedi and Shabana Azmi in pivotal roles besides Saiyami Kher.
The film was inspired by the story of Karoly Takacs, the late Hungarian right-hand shooter who won two Olympic gold medals with his left hand after his other hand was seriously injured. Radhikka Madan:
4 / 8
In Kachhey Limbu, Radhikka Madan played the role of a cricketer, for which she underwent intense training sessions. To understand the technique, mannerisms, and intricate details of the game, Radhikka Madan underwent proper cricket training to fuse her role with naturalness and honesty. Priyanka Chopra:
5 / 8
Priyanka Chopra brought to life the journey of female boxing champion Mary Kom. The actress performed the boxing sequences herself and did not use a body double. From running, jumping, lifting weights, and doing intense workouts, Priyanka built a body like that of MC Mary Kom in 90 days flat! Parineeti Chopra:
6 / 8
In Saina, Parineeti Chopra captured the journey of the badminton champion Saina Nehwal. To step into the shoes of the Olympian shuttler, she trained herself in badminton for two hours each day and was constantly neck-deep in preparations for the film. Kangana Ranaut:
7 / 8
In Panga, Kangana Ranaut played a National-level Kabaddi player poised for a comeback after giving birth. From understanding the techniques of swift legwork, attack strategies, defence, and learning all the nitty gritties, Kangana ensured to bring authenticity to her role. Fatima Sana Shaikh:
8 / 8
Dangal emerged as a career-defining film for Fatima Sana Shaikh, and she trained extensively for her role in the sports drama. From functional training and kickboxing to watching wrestling videos to understanding the wrestlers' movements and body language, Fatima Sana Shaikh justified her training and execution to the fullest.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Indian Express
26 minutes ago
- Indian Express
EXPLAINED: Why was Indian men's 4x100m relay team disqualified in heats at Asian Athletics Championships
The Indian quartet of Manikanta Hoblidar, Amlan Borgohain, Rahul Kumar, and Pranav Gurav competing in the men's 4x100m relay race at the Asian Athletics Championships in Gumi (South Korea) was disqualified on Friday. The men's 4x100m team, primed for a podium finish, had a confident start in the heats. India finished second behind host Korea as the satisfied team were awaiting the timings before the India team was marked disqualified (DQ) when the official times were displayed. The disqualification came after India were found guilty of exchanging the baton outside the takeover zone, which breaks the technical rule. According to World Athletics rule 24.7, 'The baton shall be passed within the takeover zone. The passing of the baton commences when it is first touched by the receiving athlete and is completed the moment it is in the hand of only the receiving athlete. In relation to the takeover zone, it is only the position of the baton which is decisive. Passing of the baton outside the takeover zone shall result in disqualification.' Reason for India's 4x100m Disqualification Revealed! 🇮🇳💔 India's Men's 4x100m Relay Team was disqualified due to a baton exchange outside the takeover zone between Pranav Gurav and Ragul during the 1st exchange. 📏 This violates World Athletics Rule 24.19, which clearly… — nnis Sports (@nnis_sports) May 30, 2025 (Credit: NNIS Sports) Furthermore, the World Athletics 24.19 reads, 'For all takeovers, athletes are not permitted to begin running outside their takeover zones, and shall start within the zone. If an athlete does not follow this Rule, their team shall be disqualified,' making the changeover done by the Indians invalid. The Indian quartet that competed in the heats were without their two regular members — Gurindervir Singh and Animesh Kujur — who were replaced by Pranav and Rahul. The 24.7 rule comes with a description: 'In determining the position of the baton, it is the whole baton which must be considered. Umpires must be diligent to ensure that they observe any contact with the baton prior to the baton entering the change-zone. If the outgoing runner even touches the baton prior to the baton being inside the zone, the team will be subject to disqualification.' India's 4x100m Men's Relay Team Disqualified from Finals! 😲🇮🇳 Tough start to the day as India's Men's 4x100m Relay Team has been disqualified from the finals at the Asian Athletics Championships 2025. The team featured two new members — Pranav and Ragul — alongside Manikanta… — nnis Sports (@nnis_sports) May 30, 2025 (Credit: NNIS Sports) Earlier, the Indian men's 4x100m relay team was disqualified in a similar fashion in the 2017 Asian Athletics Championship held on home soil in Bhubaneshwar. On Friday, the Malaysian team, too, was also disqualified for the same baton-release violation. India, at the time of writing, sits second in the medal tally with five gold, six silver and 3 bronze for a total of 14 medals behind China.
&w=3840&q=100)

Business Standard
30 minutes ago
- Business Standard
PM Modi meets IPL sensation Vaibhav Suryavanshi, family at Patna airport
PM Modi praised 14-year-old Rajasthan Royals opener Vaibhav Suryavanshi for his record-breaking IPL debut and called his performance a reflection of hard work and determination New Delhi Prime Minister Narendra Modi on Friday met 14-year-old IPL sensation Vaibhav Suryavanshi and his family at Patna airport, capping off his two-day visit to Bihar. Modi praised the young cricketer, whose batting skills have won admirers across the country. In a post on X, PM Modi said, 'At Patna airport, met the young cricketing sensation Vaibhav Suryavanshi and his family. His cricketing skills are being admired all over the nation! My best wishes to him for his future endeavours.' At Patna airport, met the young cricketing sensation Vaibhav Suryavanshi and his family. His cricketing skills are being admired all over the nation! My best wishes to him for his future endeavours. — Narendra Modi (@narendramodi) May 30, 2025 Earlier this month, during the inaugural ceremony of the 7th Khelo India Youth Games via videoconferencing, Modi had highlighted the hard work that underpins Vaibhav's success. 'I have seen in the IPL, the son of Bihar, Vaibhav Suryavanshi's spectacular performance. At such a young age, Vaibhav has set such a great record. There is a lot of hard work behind Vaibhav's performance,' he said. 'To bring his talent to the forefront, he has played many matches at different levels. The more you play, the more you will shine. Competing in matches and competitions as much as possible is very important. The NDA government has always given it the highest priority in its policies,' Modi added. Record-breaking IPL performances Vaibhav Suryavanshi, who plays for the Rajasthan Royals, lit up the 2025 edition of the IPL with his aggressive stroke play. Signed at just 13 years old for ₹1.1 crore during the Jeddah mega auction, he made an immediate impact, hitting a six off the first ball he faced from Shardul Thakur in his debut match against the Lucknow Super Giants. The left-handed batter scored 252 runs in seven matches at an average of 36.00 and a strike rate of 206.55, forming a strong opening partnership with Yashasvi Jaiswal. His standout performance came on April 28 in Jaipur, where he smashed the fastest IPL century by an Indian—reaching the milestone in just 35 balls—during a match against the Gujarat Titans. His 101 off 38 balls helped Rajasthan Royals secure an eight-wicket victory. Suryavanshi's performances earned praise from his teammates and cricket experts alike. Rajasthan Royals captain Sanju Samson hailed his batting display against Gujarat Titans as 'sheer class'. 'I don't have words for Vaibhav. The hundred he got was sheer class. He can hit a slower ball over cover. Today, when the middle overs were going on, he was doing his job very smartly. He has game at such a young age, which is commendable,' Samson said, as quoted by news agency ANI. Vaibhav returned to his hometown following Rajasthan Royals' exit from the playoffs, where he was greeted by his family and supporters.


Hans India
31 minutes ago
- Hans India
‘Shashtipoorthi' review: A heartfelt family drama rooted in values and emotions
Veteran actor Dr. Rajendra Prasad leads the charge in Shashtipoorthi, a touching family drama that delves into the emotional complexities of familial bonds and traditional values. Directed by Pawan Prabha and produced by Rupesh under MAA AAIE Productions, the film also stars Archana, Rupesh, and Akanksha Singh in pivotal roles. Released on May 30, let's see how the film fares at box-office. Story: Shashtipoorthi unfolds around a deeply emotional and value-rich narrative that seems tailor-made for Rajendra Prasad. The story, set against the backdrop of a modern Indian family, explores interpersonal relationships, love, and generational values. The plot weaves through poignant moments of connection, self-discovery, and emotional reconciliation. A romantic subplot also adds depth, offering a sensitive and realistic portrayal of love — something rarely seen in recent cinema. Performances: Rajendra Prasad is outstanding, embodying his role with grace and authenticity. Archana delivers yet another powerful performance that anchors the emotional arc of the film. Rupesh and Akanksha Singh complement the leads well, offering earnest and compelling portrayals. The chemistry and nuanced acting by the entire cast contribute significantly to the film's emotional impact. Technicalities: Director Pawan Prabha makes the film stands out as a message-driven story crafted with simplicity and sincerity. His writing and direction are sensitive and grounded, drawing from relevant societal themes. Music legend Ilaiyaraaja's score elevates the film's emotional resonance. His compositions, including a soulful track sung by Yuvan Shankar Raja, are memorable and fitting. The songs, especially those rooted in classical aesthetics, complement the story beautifully. Thota Tharani's art direction deserves a special mention — his visuals add texture and depth, making the world of Shashtipoorthi feel authentic and vibrant. The production design and visual tone are subtle yet effective. Analysis: Shashtipoorthi is a rare gem — a clean, message-oriented family film that avoids unnecessary commercial gimmicks. It celebrates the essence of relationships and traditions without veering into melodrama. The cast and crew should be appreciated for their sincere storytelling and performances. In an era of spectacle-driven cinema, Shashtipoorthi serves as a reminder that genuine emotions, strong performances, and meaningful storytelling can still strike a chord. A must-watch for those who cherish rooted, heartfelt cinema. Rating: 3/5