Drag Me to Hell star Lorna Raver dies aged 81 after lengthy career appearing in ER, Desperate Housewives & Star Trek
Raver died on May 12 but her death wasn't announced until earlier this week.
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Her career spanned decades, which saw her make cameo appearances in shows such as ER, Desperate Housewives, and Star Trek: Voyager.
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The Guardian
16 minutes ago
- The Guardian
Night Always Comes review – Vanessa Kirby gets lost in poverty thriller
There's been a recent overkill of stories told about the super-rich, glossy films and shows set in ostentatious houses filled with characters as superficially on trend as they are painfully out of touch. It felt like needed escapism as we crawled out of the very worst of the pandemic, with The White Lotus, Triangle of Sadness, The Menu and Glass Onion all hitting a sweet spot, but it's grown rather tiring, as Sirens, The Better Sister and Your Friends and Neighbors have felt less eat the rich and more what if we just admired their kitchens instead. It's become especially uninteresting as the gap between the uber-wealthy and the rest of us has widened, food prices up and empathy down. That particular anger pulses through Night Always Comes, a well-intentioned yet often inert Netflix drama based on the 2021 novel by Willy Vlautin. It's told over one awful day, following a desperate, raggedly fatigued woman living on the breadline who must resort to extreme measures to save her family home. It's reminiscent of the Dardennes' similarly fraught, ticking clock parable Two Days, One Night or 2021's underseen Full Time, which turned the day-to-day stresses of an overloaded single mother into a seat-edge thriller. It's notable that these stories tend to emerge within European cinema (the recent German drama Late Shift fits alongside, following an overworked nurse at breaking point), where social-realist stories have found a place less occupied in the US. Perhaps that's why Night Always Comes, while set in and around Portland, Oregon, is made by a British film-maker and led by a British actor, both from a country of artists more comfortable raging against the machine. Director Benjamin Caron, who found small-screen success with episodes of The Crown and Andor, already tackled the wealth divide in his first film, the sleek and twisty con artist thriller Sharper. His primary objective there had been to entertain us (which he achieved, quite spectacularly) but his grimmer follow-up is tasked with a more serious message, an almost two-hour descent into the hellish reality of Lynette, a woman driven to the edge by the direness of her circumstances. He's reunited with his Crown star Vanessa Kirby, a recent Marvel inductee, who had previously shown an impressive fearlessness when pushed close to the edge in the otherwise rather affected Pieces of a Woman. Her determination is persuasive here but the mechanics of the plot less so, forcing her into an episodic series of increasingly less involving and believable situations as she tries to secure $25,000 for the house that's about to be taken away from her family. Lynette's after-dark quest sees her try to get money owed by an old friend (Julia Fox), revisit a shadowy figure from her past (Michael Kelly), get mixed up in a drug deal with a slimy coke hound (Eli Roth), beg for help from an ex-convict co-worker (Stephan James) and return to sex work with a client (Randall Park). The chain of events is kicked off by her mother (Jennifer Jason Leigh) suddenly spending the original $25,000 on a new car, an act so impossibly cruel that the film can't quite find a way to explain it. Lynette is quick-tempered, confrontational and maddeningly impulsive and it's refreshingly unpatronising that the script, from the Mothers' Instinct writer Sarah Conradt, doesn't spend time trying to soften her hard edges. But her desperation shifts too quickly into reckless foolishness and when the pace slows down to allow some more texture to her character, Conradt's only way of doing this is upping the trauma from her backstory. Caron mostly avoids accusations of poverty porn – his direction is propulsive and then restrained in the right moments – but Lynette is written as only being the product of the very worst things that have happened to her and by the end the overwhelming bleakness of her story starts to feel numbing. Night Always Comes tries to be both seat-edge action thriller and searing social issue drama and while Caron is able to squeeze suspense out of the early, frenetic moments, there's not enough emotional weight to the more human final act. It might be glumly of the moment and it's never a bad thing for a tech giant like Netflix to fund films about those grappling with the hopelessness of an impossible system but noble intentions aren't enough to save this one. Night Always Comes is out on Netflix on 15 August
BBC News
37 minutes ago
- BBC News
Jane Austen Festival welcoming Hollywood designer to Bath
A costume designer who has worked on several major Hollywood films is bringing her expertise to an annual festival celebrating one of England's best-known Howell will be hosting workshops at the 11-day Jane Austen Festival in Bath, make-up artist Katelyn Simkins, she will be teaching festival attendees how trim bonnets, make floral headbands to look the part for the various balls and functions at the Howell, who is originally from Texas and was involved with productions such as Green Book and Django Unchained, said: "It's a great opportunity. I get to teach the British tradition of these crafts that have been passed down through generations." Celebrated English novelist Austen lived in Bath from 1801 to 1806, and the annual festival celebrating her work has grown from first being held in 2001 to become a 10-day event in Howell: "There's so many balls – we're offering a service where people can come into us, get the Hollywood treatment."The hair and the make-up, make sure their costume looks good…we're your ladies maids!"'The Art of Adornment' studio by the Jane Austen Museum will be offering experiences including regency-inspired hair artistry, beauty rituals of the era, wardrobe preparation and styling. Ms Howell, who is originally from the city of Austin in Texas, has worked in the industry for 20 designer moved to Bath in January to follow her passion for creating period pieces."I used to come [to Bath] every chance I could get," she said. "I love the size [of the city]."History is so respected here - it makes me feel like I can really lean into it like I've wanted to for a really long time."The first Jane Austen Festival in 2001 took place over a weekend at The Jane Austen Centre in now draws thousands of people, many coming from around the world to be part of the festival, which this year will run from 12 to 21 September, attendees can take part in guided walks, costumed balls, theatrical performances and talks.
Daily Mail
39 minutes ago
- Daily Mail
Model and actor towers over his dashing leading man father on rare red carpet... can you guess the nepo baby?
A budding model and actor towered over his famous dad as they made a rare red carpet appearance together at the NYC premiere of The Thursday Murder Club. The nepo baby has followed in his father's entertainment footsteps and has taken on roles both in front and behind the camera. He attended college at USC where he graduated from the School of Cinematic Arts in 2020. The model has collaborated with a number of luxurious brands such as Yves Saint Laurent and Burberry. He also had the chance to star alongside his leading man father in a Western film that was released two months earlier. Can you guess the nepo baby? A budding model and actor towered over his famous dad as they made a rare red carpet appearance together at the NYC premiere of The Thursday Murder Club - can you guess who the nepo baby is? It is Dylan Brosnan - the son of former James Bond star Pierce Brosnan. The 28-year-old - who is 6'4" - could be seen towering over his famous dad as they attended the screening of Pierce's upcoming Netflix project at the Plaza Hotel. The Tomorrow Never Dies actor shares Dylan as well as son Paris, 24, with wife Keely Shaye Smith - whom he tied the knot with in 2001. He was previously married to first wife Cassandra Harris, who passed away in 1991 after a battle with ovarian cancer. They welcomed son Sean, 41, and Pierce adopted her kids from a previous relationship: Chris, 52, and Charlotte - who also passed away in 2013 at age 41 from ovarian cancer. Dylan was dressed for the occasion in a stylish gray suit which was paired with a white shirt and black-striped tie. He completed his look for the premiere by slipping into a pair of sleek, black dress shoes. Pierce also looked incredibly dashing wearing a pair of black trousers as well as a white blazer. Pierce also looked incredibly dashing wearing a pair of black trousers as well as a white blazer The Mamma Mia! actor also donned a cream-colored shirt as well as a black tie and shoes. A black-patterned handkerchief was placed in the pocket of his suit jacket for a final touch. Both Pierce and Dylan paused for a brief photo session together on the red carpet at the event. Earlier this year, Dylan starred alongside both his father and younger brother Paris in the Western film titled The Unholy Trinity - which was released on June 13. During a recent interview with People, Pierce reflected on the opportunity to work with both his sons and said, 'To be able to share that with them is a gift of time and memory.' He also added, 'We always stayed together tight as a family unit during the days of James Bond, and now of course, as they're older, here to be able to make movies with Dad.' Dylan later told the outlet, 'It's just something we've been around for our whole lives and probably will continue to be around our whole live. 'It's sort of one thing leads to another and it was just really nice to go spend time with Dad and Paris and be a part of that. I would do it again in a heartbeat.' Dylan portrayed the character of a pastor in the film - and later took to Instagram to share a few behind-the-scenes moments from shooting the Western. The USC graduate additionally has both producer and production assistant credits on other projects since 2017, according to his IMDB page. He is also a model represented by Next Management and has a passion for music. Back in 2022, both Dylan and Paris offered their own thoughts on nepotism in Hollywood while talking to E! News. 'I think we need to just be grateful for our blessings,' Paris said, while his older brother explained that they are both still trying to 'pave our own way' in the industry. 'It's always gonna be there and we got to recognize it. At the end of the day, we're just grateful to be here. Dylan's an amazing musician and I'm painting right now, so we're figuring it out. Taking it day by day,' Paris added. Pierce has recently taken on a new role in the Netflix crime comedy film The Thursday Murder Club - which drops on the streaming site later this month on August 28. Other cast members include Helen Mirren, Celia Imrie, Ben Kingsley, Tom Ellis and Daniel Mays. The premise is: 'Four irrepressible retirees spend their time solving cold case murders for fun, but their casual sleuthing takes a thrilling turn when they find themselves with a real whodunit on their hands,' per IMDB. And while walking the red carpet at the film's screening on Thursday, Pierce also offered his advice for the actor who will play the next James Bond during an interview with Extra. 'There are so many great men out there. There's so many wonderful actors. It's a magnificent role. Whoever finds the role, it will change their life.' The Irish star continued, 'Be bold. Enjoy it. Know yourself, be strong, go out there and have a great time.'
