
Pixar suffers its worst box office opening ever as $150M movie Elio bombs with $21M debut
DreamWorks' live-action take on How to Train Your Dragon continued its run atop the box office, but a new Pixar film made franchise history... in the worst way.
How to Train Your Dragon dropped a decent 56.3% in its second frame to win with an estimated $37 million, followed by 28 Years Later with $30 million and Pixar's Elio with $21 million in second and third places, respectively.
Elio's box office debut was the worst opening weekend for any modern film in Pixar history, according to Variety.
The debut is not only below Elemental, which debuted in June 2023 with $29.6 million, but below Pixar's first film ever, 1995's Toy Story, which opened in November 1995 with $29.1 million.
Elio - which follows a young boy mistaken as an ambassador for Earth after he invited aliens to come visit - received a good marks from critics and moviegoers on Rotten Tomatoes, with ratings of 84% and 91% respectively.
The film earned only $14 million in overseas markets for an abysmal worldwide total of $35 million.
The film opened in 3,750 theaters, earning a middling $5,600 per-screen average, with the film's box office projections putting it between $25 million and $30 million, though fans clearly didn't show up as much as previously believed.
Elio was produced under a $150 million budget, and with a $35 million global debut, it seems unlikely that it could turn a profit, barring some kind of box office miracle.
'This is a weak opening for Pixar,' says David A. Gross, who runs the FranchiseRe movie consulting firm.
'These would be solid numbers for another original animation film, but this is Pixar, and by Pixar's remarkable standard, the opening is well below average,' Gross added.
How to Train Your Dragon remained perched at the top of the box office its second week in theaters, in spite of some tough new competition.
The live-action adventure starring Miles Thames, Nico Parker and Gerard Butler earned less than half of the $84 million it collected on its opening weekend, but garnered a respectable $37 million in ticket sales.
Fans of the franchise breathed fire into international showings, which earned an additional $53 million, for a global total so far of $358,189,295.
Second place went to the fright flick 28 Years Later, which earned $30 million from 3,444 theaters for a solid $8,710 per-screen average.
Jodie Comer and Aaron Taylor-Johnson star in the apocalyptic thriller about a group of survivors living on an island nearly three decades after a rage virus has infected most of the world.
It will be interesting to see how long this newcomer remains popular at the box office as critics have given the fright flick a strong 89-percent rating on Rotten Tomatoes, whereas audiences gave it a much less enthusiastic 65-percent score.
28 Years Later is the sequel to 2002's 28 Days Later, with Alex Garland returning as scriptwriter and Danny Boyle reprising his role as director.
The thriller scared up some $45 million domestically and nearly $30 million overseas for a debut total of $74.9 million.
Disney's live action Lilo & Stitch dropped to fourth place, earning $9.7 million across the US.
The family friendly romp has been one of the most successful of 2025 so far with global earnings of $910.3 million, coming in behind A Minecraft Movie with $953.5 million and the Chinese animated fantasy film, Ne Zha 2, which has earned nearly $2 billion worldwide.
Mission: Impossible - The Final Reckoning rounded out the top five with $6.55 million domestically. The last film in the Tom Cruise lead franchise never found its footing at the box office after debuting in a distant second behind Lilo & Stitch.
International audiences have been more welcoming to the film, paying more than $362 million to see the nearly three hour long action flick for a global total of $540.8 million.
Second place went to the fright flick 28 Years Later. Aaron Taylor-Johnson stars in the apocalyptic thriller which earned $45 million domestically and nearly $30 million overseas for a debut total of $74.9 million
Materialists, the romantic comedy starring Dakota Johnson, Pedro Pascal and Chris Evans plummeted from third place to sixth its second weekend in theaters.
Critics loved the mature love story, but it hasn't caught on with audiences amidst all the competition from family friendly and action films.
Materialists collected nearly 50-percent than its opening weekend take, pulling in a mere $5.8 million.
The rom-com hasn't gained much traction around the planet either, making only an additional $7.5 million internationally.
Ballerina, starring Ana De Armas as an assassin bent on revenge, followed in seventh place.
The action thriller from the world of John Wick bowed this week with a little more then $4.5 million in ticket sales.
In spite of good reviews from audiences, Ballerina has not fared well with ticket buyers domestically, although on the international stage it's collected another $49.7 million for a worldwide total of more than $100 million so far.
Karate Kid: Legends starring the original 'Kid' Ralph Macchio along with martial arts master Jackie Chan waxed on at number eight with $2.4 million in ticket sales
Karate Kid: Legends starring Jackie Chan and Ralph Macchio waxed on at number eight with $2.4 million in ticket sales.
Final Destination: Bloodlines crash landed at number nine with $1.88 million.
Newcomer Kuberaa, the latest offering from India, debuted at number 10. The morality tale about a beggar who undergoes a radical transformation to make his way in the world garnered $1.75 million.
Brad Pitt will speed into the box office race next weekend with the highly anticipated F1: The Movie, along with the scary M3gan 2.0, giving some competition the family friendly offerings that have made their mark on the summer blockbuster season.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
30 minutes ago
- Daily Mail
Diddy seen in intimate photos revealed by ex-girlfriend as trial enters final stretch: Live updates
Among evidence photos to become public this week in Diddy's trial is a trove of intimate snaps from the mogul's relationship with 'Jane'. Photos see Diddy on the beach, getting a massage, at dinner and doing beauty treatments throughout the course of the relationship. Prosecution in the trial are expected to rest their case as soon as today, where the defense is said to call on no witnesses. Closing arguments are expected to begin Thursday. The prosecution claims Combs used his fame and power, as well as violence, to force his girlfriends into his 'freak-off' sex marathons. The defense says prosecutors are trying to criminalize sexual activity between consenting adults. They admit their client was involved in domestic abuse, but argue he has not committed the federal crimes of sex trafficking and racketeering conspiracy. Combs, 55, has pleaded not guilty to the charges. Trove of intimate photos revealed by ex-girlfriend 'Jane' Among evidence photos to become public this week is a trove of intimate snaps from Diddy's relationship with 'Jane'. Photographs show the rapper on a beach, in cars, at dinner and relaxed on balconies as they spent time together. Others are more explicit - they depict his collection of lingerie and dozens of bottles of Johnson's baby oil and Astroglide.


Telegraph
35 minutes ago
- Telegraph
Addison Rae is pop's next It girl – but she can't escape her Maga past
How do you make the perfect popstar? In 2025, as the world's obsession with social media shows no sign of fading, a powerful singing voice or natural dance ability can almost play second fiddle to 'vibes': namely model-worthy good looks, cool clothes and a few million followers on TikTok or Instagram. Enter Addison Rae, a former TikTok creator once derided by her Gen Z fanbase for cosying up to Donald Trump who is being hailed as the future of pop. She even has the stamp of approval from one of music's most respected heavyweights, Lana Del Rey, whom Rae will support at two shows at Wembley Stadium next week. Born and raised in Lafayette, Louisiana, the 24-year-old one-time cheerleader first broke through in 2019, when her videos on TikTok – mainly consisting of flirty dance routines and chatty 'Get Ready with Me' videos – went viral and gained her almost 90 million followers; making her the fifth-most followed person on the app at the time. Fast forward six years and her debut album Addison is now taking the world by storm, catapulting her into pop's big leagues not far behind superstars Sabrina Carpenter, Chappell Roan and Charli XCX. Thanks to TikTok, Rae (real name Addison Rae Easterling) is one of the internet's most recognisable faces among young people; her fame also helped to rake in lucrative brand deals that allowed her to drop out of Louisiana State University, relocate to Los Angeles and make a go of social media full time. She jumped on the TikTok bandwagon long before many other wannabe influencers got wind of how much money was in it – but such a massive platform created its own problems. Despite still being a teenager, her looks, relationships and career choices became public property, ripe for debate between thousands – if not millions – of online fans. The scrutiny only increased after she moved into the 'content creator' mansion the Hype House (later the subject of a Netflix documentary) in 2019 and started to produce videos with fellow creators the D'aMelio sisters and Alex Warren. They became, seemingly overnight, America's most famous group of young people. To fans, they were role models – ordinary teenagers and 20-somethings who had made millions just by using their phones. But to scoffing critics, the group were emblematic of the end of American decency and ambition: young people who had chosen easy cash over education or purposeful work. Being a part of the Hype House is far from Rae's sole controversy. At the height of the Black Lives Matter movement in 2020, a video resurfaced from four years earlier which showed Rae calling BLM a 'cult'. Aged 19 at the time, she was quick to apologise, and blamed her 'privilege' for her failure to understand 'the social injustices facing the Black community'. Some of her young fans attempted to cancel her again the following year, when footage emerged of her filming herself approaching Trump (who was not in office at the time), with a beaming smile, at a UFC fight between Conor McGregor and Dustin Poirier in Las Vegas. @dylangg Trumpison rae slayed idc 👏 ♬ original sound - Dylan G. Rae had clearly misjudged her audience – progressive teenage girls and 20-something women who can be fiercely judgmental if their idols' politics and values don't align with theirs – while failing to grasp how quickly such a volatile platform as TikTok could turn against her. The online backlash was immediate: US comedian Chris Klemens wrote on X 'Oopsies Addison… your Republican is showing', while angered fans on TikTok called for brands to drop her and other fans to unfollow her. Rae's politics have been a bone of contention with her Gen Z audience for years: fans accused her of registering to vote as a Republican in 2019 – which she vehemently denied. It's likely why she was so careful to brush over the conservative politics of ex-boyfriend and fellow TikTokker Bryce Hall, who has publicly expressed support for Trump. Rae's success also made her family famous – and similarly subject to scrutiny. Her parents Sheri Nicole Easterling and Monty Lopez, who featured prominently in Rae's early videos, split in 2022 after allegations of infidelity on both sides. Her mother Sheri's alleged fling with rapper Yung Gravy – 20 years her junior – was the subject of countless social media posts, videos and online comment pieces about the ethics of age-gap relationships. So, how did Rae manage to turn her fortunes around? It wasn't easy. In 2021 she released her first single Obsessed to largely negative reviews. Later that same year she had a stab at an acting career, and took on the lead role in Netflix original comedy She's All That (2021) – more damning zero-star write-ups followed. But as business-savvy as ever, Rae abandoned the cheesy dance routines – and bad music – to reinvent herself as a Gen Z 'It girl' with a sexy, provocative wardrobe, a love for partying (she smokes! Do you know how rare an American popstar with a love for cigarettes is!) and all the right friends, revolving in the coolest circles. A case in point is British star Charli XCX, who had one of 2024's most successful albums with her messy ode to club culture, Brat, and has become one of Rae's closest friends in the industry. Charli recruited Rae to collaborate on a remix version of Brat – on track Von Dutch – but it was when she invited her to join her on stage at Madison Square Garden in September that things properly blew up. Rae's apparently improvised scream during the song's performance went viral, while her debut rendition of future hit Diet Pepsi established her as a rising star to watch. Diet Pepsi, an atmospheric, sensual track about falling head over heels, has obvious echoes of Lana Del Rey's early work – particularly on her seminal 2012 album Born to Die – and marked Rae's major label debut, with Columbia Records. It peaked at a modest number 54 on the Billboard Hot 100, but it did what it needed to do: the world became interested in what Rae's music had to say. A year later, after numerous acclaimed singles – Aquamarine, Headphones On, Fame is a Gun – that fuse club beats with bubblegum pop escapism, and spin-off music videos praised for their artistic vision, Rae dropped her eponymous debut album. In the few weeks since it was released, on June 6, the album (titled Addison) has shot up the charts around the world, premiering at Number 2 on the UK Albums Chart (beaten only by Pulp's first new record in 24 years, More) and prompting her first ever solo headline tour to sell out in a matter of minutes. Even Pitchfork, that perennially hard-to-please, hipster-seeking judge of good taste, loved it: the site's 8.0 score surpassing what its critics gave modern classics including Amy Winehouse's Back to Black (6.4) or Del Rey's Born to Die (5.5). Other leading media sites, from Rolling Stone to the New York Times, wrote glowing reviews and profiles that hailed her as the future of pop. I've had it on repeat since it came out, especially the addictively bratty Fame is a Gun, in which Rae deplores the dark side of becoming public property. Unlike other modern popstars who can sometimes take themselves too seriously, Rae genuinely seems to be having fun, and it's infectious. To less ardent fans, however, she is merely another manufactured popstar being granted opportunities less connected – but more deserving – new artists would kill for. Without her TikTok-fame and millions of followers, they ask, would Columbia Records really have jumped through hoops to sign her? Further, her debut album's aesthetic similarities to Britney Spears's early material has been labelled derivative, while her revealing outfits worn live on stage and on red carpets have left some clutching their pearls in horror. She doesn't seem to care. In a recent interview with Elle magazine, Rae seemed sure of her gold-plated future: 'I feel like I've surpassed Addison Rae. It's just Addison now… In life, everyone acts. We're all putting on a show, aren't we?' It is striking that after the success of her debut, Rae is gearing up to support Del Rey. Remarkably, not only has the former never performed in a stadium, but she is yet to even do a traditional gig – her live shows have thus far taken place in crowded, sweaty nightclubs or at corporate events. Such an overnight success story inevitably leads to criticism and 'industry plant' accusations; digs levelled at Del Rey herself over a decade ago, when the world's music press dismissed her as an inauthentic poser. Today, of course, she is considered one of pop's foremost talents. View this post on Instagram A post shared by LANA DEL REY (@honeymoon) And it's not the only similarity between the pair. Del Rey, who last year married an alligator tour guide from Rae's home state of Louisiana, has long flirted with idealised, all-American patriotic imagery, from backdrops covered in the Stars and Stripes to her embrace of the art of Norman Rockwell – all of which has led to liberals accusing her of being regressive. Criticism has largely failed to dent the star power of Del Rey; only time will tell if a newcomer like Rae can weather the same storms, but the feverish response to the music she's released thus far suggests she can. She's managed the unthinkable, after all: switching from cringey TikTokker to the coolest girl in pop, as hyped among music snobs as beloved of her original tween audience. It says a lot that, while at Primavera Sound festival in Barcelona earlier this month, I heard multiple people say how much they wanted Rae to make a guest appearance with Charli XCX, rather than the latter's more established collaborators Lorde or Billie Eilish (I joined in their disappointment when she didn't). If Rae continues to rise at this rapid pace – while appeasing a fanbase seemingly ready to cancel her at the click of a button – who knows: in a few years time, she might just be headlining Wembley Stadium solo.


Daily Mail
an hour ago
- Daily Mail
EXCLUSIVE The unassuming $370,000 studio that hides a remarkable secret
While this studio apartment may look unassuming, the $370,000 gem sits inside a star-studded tower once home to Hollywood royalty. Don't let its size fool you - the 304-square-foot studio comes with serious star power.