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‘The Hemphill Stringtet Plays the Music of Julius Hemphill' Review: Bowing Before Genius

‘The Hemphill Stringtet Plays the Music of Julius Hemphill' Review: Bowing Before Genius

A cellist bows a short melody that sounds like a question. Her string-quartet mates answer with brief, harmonized phrases. Now they bow together, their harmonies expanding and contracting, with long and short tones in speech-like rhythmic patterns. Soon, the cellist returns to that opening melody, this time plucked. The four players improvise, at first collectively, much like a New Orleans brass band, then one at a time, with wild abandon in spots, the violins reaching high-arched harmonics, the cellist down low, moving like a jazz bassist. Finally, back to those harmonized phrases, this time yet more resolute.
'Revue,' which opens 'The Hemphill Stringtet Plays the Music of Julius Hemphill' (Out of Your Head, available now), showcases the talents of this group's members. Violinist Sam Bardfeld, an especially sensitive player, has reach enough to play alongside creative-music pioneer Anthony Braxton, salsa hero Willie Colón and Rock & Roll Hall of Famer Bruce Springsteen. The distinctive visions of violinist Curtis Stewart, a member of PUBLIQuartet, and violist Stephanie Griffin, founder of the Momenta Quartet, have enriched chamber music's aesthetic and canon. Cellist Tomeka Reid, a MacArthur Foundation grantee who leads her own jazz quartet and a 17-piece improvising chamber orchestra, has revolutionized the role of her instrument in contemporary music.

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Art, Sound and Form Converge in ‘The Rule of Three' Exhibition at otherthings by THE SHOPHOUSE
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Art, Sound and Form Converge in ‘The Rule of Three' Exhibition at otherthings by THE SHOPHOUSE

Summary The Rule of Three, presented byotherthingsbyTHE SHOPHOUSE, explores the symbolic and structural significance of the number three in art. Featuring new works byKarena Lam,Hilarie HonandOlivier Cong, the exhibition examines how triadic principles manifest across different artistic mediums. Each artist contributes a distinct perspective, expressed through ceramics, paintings and music, yet their works intertwine in a unified dialogue, highlighting the interplay between form, material and perception. Throughout history, the number three holds deep cultural, religious as well as artistic significance. From the Holy Trinity in Christianity to the three unities in classical drama, triadic structures serve as foundational principles of balance and progression. InThe Rule of Three, this fundamental principle is reflected in the exhibition's very structure: it features three artists, exploring three distinct mediums, and engaging three modes of sensory interaction. This triadic framework serves as a foundational element, allowing for both individual artistic expression and a cohesive collective harmony within the presented works. Karena Lam's ceramic works embrace the intrinsic qualities of clay, treating it as an active participant in the creative process. Her method is conversational, allowing the material to develop organically, rather than shaping it through strict control. This aligns with the theme of balance, as her pieces reflect a dialogue between artist and medium, intention and organic form. Meanwhile, Hilarie Hon's vibrant canvases delve into the complexities of color and abstraction that directly challenge viewers to navigate the nuances of perception. Like Lam, Hon emphasizes responsiveness to her medium, engaging in an ongoing exchange with the imagery she creates. Olivier Cong's contributions introduce a vital auditory dimension to the exhibition. His compositions create 'made-up folklores' that accompany the totemic sculptures, with urban and folk-inspired melodies complementing Lam's moon jars. Meanwhile, Cong's rhythmic, emotive soundscapes mirror the contrast of noise and silence, akin to the invisible crowds juxtaposed with the solitary traveler figures in Hon's works. The Rule of Threeis currently on view by appointment until June 29, 2025 at otherthings by THE SHOPHOUSE. otherthings by THE SHOPHOUSE31 Sun Chun Street,Tai Hang Hong Kong

‘About Time,' a revue about the joys and struggles of growing older, premiering at Terris Theatre
‘About Time,' a revue about the joys and struggles of growing older, premiering at Terris Theatre

Yahoo

time18-05-2025

  • Yahoo

‘About Time,' a revue about the joys and struggles of growing older, premiering at Terris Theatre

Richard Maltby Jr. has a magical knack for revues, many geared around the work of pop culture icons. He conceived and directed the only two revues to win Tony Awards for Best Musical — the Fats Waller-based 'Ain't Misbehavin'' and 'Fosse,' about the famed choreographer — as well as the popular Johnny Cash revue 'Ring of Fire.' He also does revues based around the many songs he's written with composer David Shire. One of the first hits for Maltby and Shire was 'Starting Here, Starting Now,' a set of songs about relationships that had an off-Broadway run in 1977. Twelve years later, Maltby and Shire followed that with the similarly structured, 'Closer Than Ever,' which dealt with mid-life issues such as remarrying and having established a career. Now the pair are premiering a new revue, 'About Time,' at Goodspeed Musicals' Terris Theatre in Chester from May 24 through June 15. 'It's a trick I happened onto,' Maltby said of his revue prowess. 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‘The Hemphill Stringtet Plays the Music of Julius Hemphill' Review: Bowing Before Genius
‘The Hemphill Stringtet Plays the Music of Julius Hemphill' Review: Bowing Before Genius

Wall Street Journal

time12-04-2025

  • Wall Street Journal

‘The Hemphill Stringtet Plays the Music of Julius Hemphill' Review: Bowing Before Genius

A cellist bows a short melody that sounds like a question. Her string-quartet mates answer with brief, harmonized phrases. Now they bow together, their harmonies expanding and contracting, with long and short tones in speech-like rhythmic patterns. Soon, the cellist returns to that opening melody, this time plucked. The four players improvise, at first collectively, much like a New Orleans brass band, then one at a time, with wild abandon in spots, the violins reaching high-arched harmonics, the cellist down low, moving like a jazz bassist. Finally, back to those harmonized phrases, this time yet more resolute. 'Revue,' which opens 'The Hemphill Stringtet Plays the Music of Julius Hemphill' (Out of Your Head, available now), showcases the talents of this group's members. Violinist Sam Bardfeld, an especially sensitive player, has reach enough to play alongside creative-music pioneer Anthony Braxton, salsa hero Willie Colón and Rock & Roll Hall of Famer Bruce Springsteen. The distinctive visions of violinist Curtis Stewart, a member of PUBLIQuartet, and violist Stephanie Griffin, founder of the Momenta Quartet, have enriched chamber music's aesthetic and canon. Cellist Tomeka Reid, a MacArthur Foundation grantee who leads her own jazz quartet and a 17-piece improvising chamber orchestra, has revolutionized the role of her instrument in contemporary music.

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