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Glasgow Jazz Festival concludes 39th edition with record-breaking performances

Glasgow Jazz Festival concludes 39th edition with record-breaking performances

Yahooa day ago

The Glasgow Jazz Festival has concluded its 39th edition, celebrating the city's vibrant jazz scene.
The event, running from June 19 to 22, showcased a dynamic mix of legendary performers, rising stars, album launches, and community events across Glasgow.
With more than 200 musicians taking part in over 35 performances, the festival saw an increase in audience size compared to 2023, with several shows selling out.
Brian Jackson (Image: knkography) The festival offered a wide range of events, including free jam sessions, one-off collaborations, a children's music workshop, and a book reading.
The festival has supported the music industry's gender equality initiative, Keychange, since 2017, and this year, 75 per cent of performances included female artists.
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Jill Rodger, director of the Glasgow Jazz Festival, said: "The 39th Glasgow Jazz Festival has been one to remember – from packed venues to incredible performances, the energy brought by both artists and audiences has been wonderful.
"Our commitment to inclusivity, giving young and emerging talent a platform, and celebrating all genres of jazz, are at the heart of what we do.
(Image: Campbell Skinner) "I want to personally thank everyone who played a part in making this festival such a success.
"We're already looking forward to what's in store for our very special 40th edition.
"See you next year, Glasgow."
The Glasgow Jazz Festival 2025 was supported by Creative Scotland and the Glasgow 850 Festivals Fund.
The festival is set to return for its 40th edition in June 2026.
For more information, visit www.jazzfest.co.uk.

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28 YEARS LATER Spoiler Review
28 YEARS LATER Spoiler Review

Geek Girl Authority

time2 hours ago

  • Geek Girl Authority

28 YEARS LATER Spoiler Review

Major spoilers ahead for 28 Years Later. You've been warned. * * Director Danny Boyle and writer Alex Garland forever changed our perspective of the zombie movie with 28 Days Later (2002). Even though technically 'the infected' aren't zombies, the idea of a super-fast-moving outbreak of concentrated rage that produces a super-fast-moving monster, confining it to the island of Great Britain and filming with (at the time, new) digital video cameras produced a truly unique, modern spin on the familiar tale. 28 Weeks Later (2007) continued the story, but fans of the original have been waiting for Boyle and Garland to return to the franchise. Now, finally, 28 Years Later brings the original gang back together. Was it worth the wait? Read on to find out. RELATED: Mission: Impossible – The Final Reckoning Spoiler Review 28 Years Later begins in Scotland, where a young boy named Jimmy (Rocco Haynes) sits locked in a small room with his many sisters. They're watching Teletubbies to take their minds off their scary reality. But it isn't long before a group of infected bursts into the house. They attack all the adults and then force their way into the locked room. Young Jimmy manages to escape, but not his sisters. Young Jimmy runs to the nearby church, but the priest (Sandy Bachelor) isn't interested in escaping. He's ready to sacrifice himself. So, he gives Young Jimmy a crucifix, and the boy hides just as the horde busts in and attacks the priest. Text tells us that the virus briefly spread to Europe before being beaten back. Mainland Britain has been quarantined for the entire time, enforced by ships made up of a multi-national coalition. Any survivors left in Britain have to fend for themselves. RELATED: Thunderbolts* Spoiler Review 28 years later, a survivor named Jamie (Aaron Taylor-Johnson) lives on the island of Lindisfarne (aka Holy Island). He and his wife Isla (Jodie Comer) and son Spike (Alfie Williams) are part of a group of survivors who've managed to build a successful agrarian community. As Jamie makes breakfast, their friend Sam (Christopher Fulford) comes by to give Spike a new hunting bow. Jamie and Spike go upstairs to say good morning to Isla, who spends most of the time in bed. She suffers from debilitating headaches and memory loss and spends most of her time in a semi-delirious state. Jamie lets it slip that he's taking Spike to the mainland, which scares and angers Isla. But Spike calms her down, telling her he's just going to school. He leaves her some bacon (always a hugely valuable commodity in the apocalypse) and then leaves with Jamie. As they walk through the village, everyone cheers for Spike. It's his first trip to the mainland, a rite of passage for the teenagers. The village leader, Jenny (Stella Gonet), meets them at the gate to see them off, telling Jamie that, in her opinion, Spike is still too young at twelve. But everyone's rooting for him, so she reluctantly agrees to let them go. Lindisfarne is a unique island in that during low tide, the villagers can walk to the mainland along a strip of land called the Causeway. They have four hours to complete the hunt and return before the tide rolls back in. Jamie and Spike enter the forest and see a huge stampede of deer, which Spike is wowed by. RELATED: Sinners Spoiler Review As they move through the forest, the now-famous recording of the poem 'Boots' by Rudyard Kipling plays, along with found footage of warriors through time shooting arrows. Subliminal shots from both 28 Days and Weeks Later are cut in as well. Then they come across some obese infected, slow-moving crawlers who live on worms and bugs. Spike makes his first kill by shooting one of them in the neck. Yay Spike! Then they kill the rest and continue on until they get to a house. Jamie tells Spike they need to check the place out for anything they can find, even though the place has already been looted many times. They find an infected man hanging upside down. They go to cut it down, but then it springs to life, flailing around. Jamie tells Spike to kill it, but he can't quite bring himself to stab it. When the infected manages to thrash itself free, Jamie takes it out with an arrow. Spike spots a fire burning some ways away, but Jamie says they're not going anywhere near it. A horde of 'evolved' infected find them – still wild but following under the direction of what Jamie calls an Alpha. Jamie and Spike manage to kill most of them, but they run out of arrows as the infected give chase. RELATED: Movie Review: From the World of John Wick: Ballerina They hide in the attic of a house for a few hours. Then, they make a run for the Causeway, starting across even though the water level is up to their knees. The Alpha chases them, and Jamie and Spike shout as loudly as they can to alert the villagers on tower watch. They shoot a huge flaming arrow at the Alpha, taking it down as they open the gates for Jamie and Spike. The villagers throw a big party to celebrate Spike's successful hunt. Loud music plays, and everyone's drunk – including Spike, as the adults shove drinks at him. A hammered Jamie tells the story of Spike's first kill, and everyone cheers. Feeling sick, Spike goes outside to puke. Then he spots his dad going off with another woman (Amy Cameron). He follows them and sees them having sex, which horrifies him. Spike goes home, where Sam's been keeping watch on Isla. Spike tells Sam about the fire they spotted, and Sam knows who it is. It's that of a doctor named Kelson (Ralph Fiennes). Sam says Kelson used to be his doctor, but after the outbreak, Kelson went insane. He gathered hundreds of dead bodies, arranged them in neat lines and burned them. Spike's eager to find Kelson, hoping that he can help Isla. The next morning, Spike asks Jamie if he knew about Dr. Kelson, and Jamie's silence reveals the answer. Angry, Spike asks why he never took Isla to see him, and if he's planning on making the woman he was with the night before his new wife. Jamie ends up slapping Spike and immediately regrets it. Spike takes out his knife, telling Jamie to stay away from him and Isla. Jamie storms out, and then Spike gathers up his bow and arrows. He sets fire to one of the buildings in the village and then runs to the tower and tells the watchman, who says he can't leave the tower. Spike says he'll stay at the tower, and the man runs to help put out the fire. Then, Spike sneaks out of the gate, bringing Isla with him. RELATED: Final Destination: Bloodlines Spoiler Review They cross the Causeway and enter the forest, finding the ruins of a church to rest at. An unusually lucid Isla and Spike talk about his grandfather, kidding around and making goofy faces at each other. Then, Spike says for Isla to rest while he keeps watch. But it isn't long before Spike falls asleep too, and an infected sneaks up on them. Spike has a nightmare, and when he wakes up, it's daylight and the infected's lying next to him, dead. Turns out Isla killed it. Meanwhile, a group of soldiers arrives on the mainland, having escaped their sunken ship. The infected chase and attack, and the surviving soldiers have to kill their infected colleagues. The three surviving soldiers enter a tunnel where they meet another Alpha (Chi Lewis-Parry), whose favorite thing to do is to tear people's heads off with the spine attached. Yow. Two of the three soldiers end up dead. As Spike and Isla keep moving, more infected chase them. They duck into a ruined gas station to hide – but it's full of gas fumes. The surviving soldier, Erik (Edvin Ryding), comes along and shoots inside, lighting the fumes on fire and taking out the infected. They walk together for a while, Erik carrying a weak Isla on his back. Erik thinks Spike lives on the mainland, so he's aggravated when he finds out that Spike doesn't know how to help him get back to the coast. They take a break to rest, and Eric tries to give Spike a quick education about everything he's never heard of – like delivery drivers, cell phones and the internet. The funniest moment in the whole flick is when Erik shows Spike a photo of his girlfriend on his phone. His girlfriend looks like a reality show star / social media influencer with too much lip filler. Spike asks what's wrong with her, and says she looks like a woman in their village whose lips swell up when she eats seafood. The trio then continues on, with Isla getting ahead of Spike and Erik. Isla finds a ruined train and goes inside, hearing a woman screaming. She finds a pregnant infected woman (Celi Crossland) in labor. Going against common sense, Isla helps the woman by holding hands with her while she delivers the baby. Isla grabs the baby, and Spike helps her wash the baby and cut the umbilical cord. RELATED: Movie Review: The Phoenician Scheme The infected woman then goes wild and tries to attack them, and Erik shoots her. He tells Isla to put the baby down so he can kill it. But she and Spike keep telling him that (somehow) the baby isn't infected. Then, the Alpha shows up and rips poor Erik's head off. Spike and Isla run for it, but it doesn't look good for them – that is, until the Alpha gets hit with a tranquilizer arrow. Dr. Kelson appears, looking weird, all slathered in iodine. He introduces himself, telling them he calls the Alpha Samson, and he's developed a morphine cocktail to keep him in check. But even with the drugs, Samson still stays upright. He just sleeps like a horse, I guess. Kelson brings them to his territory, a huge spread of land filled with monuments made of the bones of the dead. The centerpiece is the tower of skulls. Spike asks why he made it, and Kelson tells him what 'memento mori' means: 'Remember you must die.' Kelson then burns Erik's body and retrieves the skull, cleaning it. He then gives it to Spike, telling him to give Erik a place on the tower. Kelson tells Spike and Isla that the iodine he covers himself with is a deterrent to the infected. He also remarks that the infected woman's placenta must have protected the baby. That night, he examines and tests Isla as much as he can. He determines that she's got cancer that's either spread from the brain to the rest of the body or vice versa. Spike is devastated when Kelson tells him he can't cure her. Isla, however, accepts the cruel truth and comforts him. Kelson gives Spike something to put him to sleep, and then Isla goes with him away from camp, where Kelson kills her. By the time Spike wakes up, Kelson presents Spike with Isla's skull. He tells Spike that one must also remember to love: 'memento amoris.' Spike climbs the tower to put Isla's skull on the very top as the sun comes up. RELATED: Drop Spoiler Review Samson then attacks again, and Kelson and Spike jump into a pit where Samson tries to pull Kelson's head off. Spike shoots Samson with the tranquilizer and saves Kelson. Afterwards, Kelson says it's time for Spike and the baby to go home. Spike carries the baby girl (in a shopping basket) across the Causeway and leaves her at the gates with a note for Jamie. The note tells him that the baby, whom he's named Isla, isn't infected, and everyone should take care of her. By the time the villagers find the baby, it's high tide and the Causeway – and Spike – are gone. Jamie goes running out into the water, yelling for his son, but he's long gone. Cut to 28 days later – Spike sits on the beach barbecuing some fish. A horde of infected finds him, and he runs. He manages to kill one but is soon trapped by a stone wall. Then, all of a sudden, a bunch of guys in blonde wigs and tracksuits appear. The lead one asks Spike if they can help. Of course, Spike's like, yeah, so the group attacks the horde, killing them very theatrically with acrobatics, laughing hysterically. The lead blonde guy (Jack O'Connell) introduces himself as Jimmy, the same one from the beginning. He still wears the crucifix the priest gave him and tells Spike that they should be friends. *** The hype for 28 Years Later has been strong, thanks mainly to a beautifully put-together trailer and the use of Rudyard Kipling's 'Boots.' Boyle also let it be known that his penchant for using atypical filming techniques continued by filming mainly on iPhones, designing special rigs and all. RELATED: The Woman in The Yard Spoiler Review That's all cool and everything, but what really matters is the story. 28 Years Later is the first of a planned trilogy, and in that way, the flick fulfills its duties. What it does right is continue what made the original so appealing – the idea of family and trying to keep it going despite the world ending. Families are made by bringing all different kinds together. And it's the idea of losing his family that scares Spike, even more than the infected. Spike is the beating heart of the flick, and Alfie Williams' performance shines like a warm, bright light. He's innocent, compassionate and pure of heart, which is something the world has definitely lost in the post-outbreak reality. It's his journey and his devotion to his mom that keep us intrigued. My issue with the flick is that, given the hype and the directing/writing power behind it, 28 Years Later feels kinda meh. It introduces some interesting characters, like Ralph Fiennes' Kelson, and drops you back into the familiar world you want to be back in. But it doesn't really do anything different. Sure, the infected have mutated, but it's still just the same run-hide-kill cycle over and over. Until we get to the end, and then all of a sudden, a bunch of characters from a Guy Ritchie flick parachute in. Which isn't necessarily a bad thing, but without context, it feels weird just to be weird. I'm willing to give 28 Years Later a pass, given that it's the first chapter of a new trilogy. But if the next flick doesn't do something to differentiate itself from the others, I'm going to be pretty disappointed in something I'd hoped would really rock my horror-fan world. Directed by: Danny Boyle Written by: Alex Garland Release date: Jun 20, 2025 Rating: R Run time: 1hr, 55min Distributor: Sony / Columbia Pictures

London Police Appeal for Help in the Theft of a $200,000 Violin
London Police Appeal for Help in the Theft of a $200,000 Violin

New York Times

time3 hours ago

  • New York Times

London Police Appeal for Help in the Theft of a $200,000 Violin

On a cold February night, David López Ibáñez set out to have a normal evening. Mr. López Ibáñez, 31, went to rehearsal at the London-based Philharmonia orchestra, of which he is a member. Then, he and a friend went to a pub near his new apartment for a drink and a bite to eat. He took his violin off his back and leaned it against a bench. It was there as he ate, just by his side. Then, without his noticing, a person grabbed the violin case, hid it under a long, beige coat and walked out into the night. 'I stood up in disbelief,' Mr. López Ibáñez said in an interview, recounting the moment he realized the instrument was gone, adding, 'It was a companion. It had been on my back and I had been playing music on it for eight years, all over the world.' For a serious musician, an instrument is more than just an object. And this was not just any violin. It was made in 1740 by Lorenzo Carcassi, a master craftsman, in Florence, Italy, and was valued at more than 150,000 pounds, or about $200,000. 'You let your guard down for a second,' Mr. López Ibáñez said, recounting the loss and the scale of what happened. 'It felt like the world was collapsing on top of me.' Want all of The Times? Subscribe.

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