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Who is Beena Tripathi aka Rasika Dugal's husband? He graduated from IIM, quit high-paying job to become actor; Name is…

Who is Beena Tripathi aka Rasika Dugal's husband? He graduated from IIM, quit high-paying job to become actor; Name is…

India.com24-07-2025
Mirzapur's Beena Tripathi aka Rasika Duggal has a popularity because of the kind of projects she has picked. A few of her fans know that she is married to a man who is not only a successful actor but has also made the unique journey from being a banker to an actor. Like Rasika, he is also an actor. Apart from this, he is also a writer and cinematographer.
The actor we are talking about has featured in films and web series like ' Ek Main Aur Ekk Tu', 'I Me Aur Main', 'Sherni', 'Sunflower ', among others. The actor is an MBA from IIM Ahmedabad, and it was after working in a bank in New York that he decided to take his passion for acting forward. He took theatre classes at the Lee Strasberg Theatre and Film Institute and later quit his job to try acting in India. Initially planning a sabbatical, he ended up doing theatre, advertisements, and other projects, eventually becoming a full-time actor, transitioning from banking to acting in a fulfilling journey. Who is Rasika Duggal's husband?
Actress Rasika Duggal married Mukul Chadda in 2010 after dating for 3 years. He had notable film roles in 'Satyagraha' and 'Gurgaoin'. It was the OTT platform that gave him fame. His breakout role came as Jagdeep Chadda in the Indian adaptation of The Office. He further earned praise for his role in 'Sunflower' as Dr. Ahuja.
Mukul Chadda left his high-paying job to become actor
Actor Mukul Chadda once said in an interview to TOI, 'I wasn't happy doing what I was doing. Theatre is something I was always inclined towards. Even while in New York I'd take part-time classes at Lee Strasberg Theatre and Film Institute. We did shows, and we would rehearse on weekends. I just never thought of it as a career then. When I quit my job and came to India, I took a sabbatical. During my sabbatical, I did theatre. The plan was to try it out for a year or two and see what happens next. Karte karte, I did it for longer and after I did a bunch of advertisements and other stuff I realized that it was paying the bills so I could continue doing it. I sort of accidentally stayed on this course and then at some point I realized that I'm a full-time actor now. From a banker to an actor, the journey has been an exciting one!'
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‘Laughter Queen' with Rs 30 crore net worth, grew up in extreme poverty: ‘Mother cleaned toilets, we ate salt and roti'
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‘Laughter Queen' with Rs 30 crore net worth, grew up in extreme poverty: ‘Mother cleaned toilets, we ate salt and roti'

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Feel humbled: Makers of God Vulture and Human on winning National Award
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Is Tollywood normalising open discussions on period pain?
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KOLKATA: Debates over open discussions of menstrual issues have recently swept through Tollywood. The portrayal of period pain in 'Dear Maa' marks the first time a Tollywood film has addressed menstrual concerns such as cramps, while also emphasizing the importance of men's empathy and support during menstruation. Many have praised this initiative, noting that the screenplay—written by two men—signals a shift in how Tollywood approaches these topics. Director Aniruddha Roy Chowdhury recalls studying in a coeducational school where he was forever empathetic to such concerns. 'I have a big number of friends from the opposite gender. They had no inhibitions about talking about cramps with us. No one raised their eyebrows if I offered a gentle massage to help them deal with period pain. Since my cinema is a reflection of my personal experience, writing such a scene with Shakyajit (Bhattacharya) where a spouse offers a hot water bag came naturally to me,' the director said. Dialogue writer Sakyajit Bhattacharya, who co-wrote the story and screenplay with the director, said, 'We are all used to partners having cramps and mood swings. Writing this scene came naturally. Everything was completely internalised and not intended as a statement. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Use an AI Writing Tool That Actually Understands Your Voice Grammarly Install Now Undo We didn't write anything to please the audience. Sometimes, we ourselves need to come up with things that start a conversation. While many have told me about the scene where the protagonist mentions that the feeling of motherhood doesn't come naturally to her, nobody separately pointed out this scene to me. ' You Can Also Check: Kolkata AQI | Weather in Kolkata | Bank Holidays in Kolkata | Public Holidays in Kolkata Kolkata-based author and screenwriter Samragnee Bandyopadhyay told TOI that having such a scene definitely facilitates normalising dialogues on such issues. 'It is also because the scene came naturally and not in an underlined didactic tone! It is commendable that two men wrote the script. This just shows that all the genders are trying to get empathetic towards each other,' Bandyopadhyay said. She also recalls a scene from 'Brahma Janen Gopon Kommoti' where there was a song sequence and the protagonist played by Ritabhari Chakraborty offered a hot water bag to the house help who was having a cramp that day and was finding it difficult to mop the floor. 'A male director, Aritra Mukherjee, directed the film although the screenplay and the dialogues were written by two women,' she added. Yet, it might be too early to celebrate since not a single viewer has pointed at this scene while talking to the director and writer when they discussed what they liked about 'Dear Maa'. Instead of interpreting it as a sign of subtle awkwardness, Bhattacharya would rather see it as an index of how normalised this subject has become for viewers. M any have wondered if 'Dear Maa' will help normalise conversations about menstruation, somewhat similar to Akshay Kumar's 'Padman' and his advertisement that combine anti-smoking messages with menstrual hygiene advocacy. Tumpa Mukherjee, assistant professor of sociology at Women's Christian College, views this as a welcome change. 'Speaking about these issues is still taboo in many strata of our society. Not just men, women too are still uncomfortable about sharing these details. There is an awkward silence about this even among the upper middle class. To not worry about how the audience will take to this depiction is a welcome change. A Bollywood hero like Akshay Kumar has done a film like 'Padman' and also the commercial promoting menstrual hygiene. Having more Bengali films where male protagonists are empathetic to such issues will depict a shift in the way society normalises these things,' Mukherjee said. Interestingly, not everyone is comfortable with the idea of such open discussions with men other than their spouses. The month when "Dear Maa" was released also saw a reaction from acclaimed actress Mamata Shankar. In an interview, she expressed her reluctance to encourage open discussions about sanitary napkins with men other than her spouse. Her son, musician and actor Ratul Shankar, is fine with the idea of showcasing such scenes between couples in Bengali cinema. 'Offering a hot water bag to my spouse is as normal as offering a hot water bottle. I am fine with that depiction on screen. I am open to cinema's depiction of men who are empathetic to their spouse's period pain, though I do not support any exaggeration or attempt to turn it into activism."

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