Together Trailer Previews Dave Franco & Alison Brie Body Horror Movie
Neon has released a new trailer, previewing more of the mysterious body horror movie starring Dave Franco and Alison Brie.
The new trailer details the relationship between Tim (Franco) and Millie (Brie). As the couple move into their first home together, things began taking a scary turn as they begin coming together in unexpected ways.
Check out the Together trailer below (watch other trailers):
Along with Brie (Mad Men, Glow) and Franco (The Disaster Artist, The Rental), Together also stars Damon Herriman (Once Upon a Time in Hollywood, Better Man). Brie and Franco produce the movie for Picturestart alongside Erik Feig and Julia Hammer, while Tim Headington and Max Silva produce for Tango, Andrew Mittman for 1.21, and Mike Cowap for Princess Pictures. Tango, Picturestart, and 30West financed the film.
Executive producers include Tango's Lia Buman and Neil Shah, Picturestart's Samie Kim Falvey, 1.21's Kai Dolbashian, Princess Pictures' Laura Waters and Emma Fitzsimmons, and 30WEST's Micah Green, Daniel Steinman, and Sarah Hong.
In addition to playing Turdy Campbell in Mad Men and Ruth Wilder in GLOW, Brie is also known for starring as Annie Edison in Community and voicing Diane Nguyen in BoJack Horseman. Her filmography includes 2012's The Five-Year Engagement, 2016's How to Be Single, 2017's The Post, 2020's Promising Young Woman, 2020's Horse Girl, and more. She also had roles in both The Disaster Artist and The Rental, while she'll soon be seen playing Evil-Lyn in Masters of the Universe.
Franco, meanwhile, can be seen in films such as 2012's 21 Jump Street, 2013's Now You See Me, 2014's Neighbors, 2018's If Beale Street Could Talk, 2024's Love Lies Bleeding, and more.
The post Together Trailer Previews Dave Franco & Alison Brie Body Horror Movie appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.
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Yahoo
32 minutes ago
- Yahoo
‘The Life of Chuck' cast reveal their favorite Stephen King works, including Mark Hamill's love of the ‘terrifying' ‘Pet Sematary'
Filmmaker Mike Flanagan and all of the main cast members from The Life of Chuck spoke with Gold Derby about their movie adaptation of Stephen King's novella from his 2020 book If It Bleeds. The film won the 2024 People's Choice Award at the Toronto International Film Festival, and was later acquired by Neon. It's due in theaters on Friday. Tom Hiddleston, Jacob Tremblay, and Benjamin Pajak play the adult, teenage, and child versions of Charles "Chuck" Krantz, a modest accountant who grew up his dream to be a dancer. He's the central figure in the bittersweet story that's told in reverse over three acts. Flanagan wrote, directed, and produced the film that matches the tone of other non-horror adaptations from King, including Stand by Me (1986), The Shawshank Redemption (1994), and The Green Mile (1999). More from GoldDerby Tramell Tillman could make Emmy history as the first Black Best Drama Supporting Actor winner New 'Freakier Friday' trailer, Mia Goth set for 'Star Wars: Starfighter,' Samuel L. Jackson heads to Taylor Sheridan's 'NOLA,' and the rest of today's top stories 'Survivor 50' spoilers: Jeff Probst on the 'competitive, dramatic' first challenge and what the 24 players told him at the marooning The stellar cast is rounded out by Chiwetel Ejiofor as Marty Anderson, Karen Gillan as Felicia Gordon, Mark Hamill as Albie Krantz, Annalise Basso as Janice Halliday, Mia Sara as Sarah Krantz, Matthew Lillard as Gus Wilfong, and Kate Siegel as Miss Richards. SEE 'One of the best ever': Tom Hiddleston and Mark Hamill on why they fought to be in Mike Flanagan's 'The Life of Chuck' Mike Flanagan: What a question! I will say, I think my favorite movie adaptation is The Shawshank Redemption. My favorite book is impossible to answer. The Dark Tower series for me is something that connects them all — I think that's his magnum opus. My favorite story to read though is The Life of Chuck, which is way up there. Hearts in Atlantis makes me cry tears of joy. The Green Mile novel is astonishing. Tom Hiddleston: For movies, it's The Shawshank Redemption. It made a big impact on my whole life. It changed how I think about life, actually, when I watched it. It hit me at a very formative time, when I was a teenager. The compassion in the film, and the way it lands, and what redemption really is. The last 20 minutes of that film are some of the most moving from a motion picture I've ever seen. Mark Hamill: There are so many different types of Stephen King novels. The most terrifying novel to me was Pet Sematary. I saw The Shining and walked straight from the theater to a bookstore to buy the book, so I could figure out what the hell I just saw. But I also like his books that aren't about supernatural or horror. The Body comes to mind, The Green Mile, and Shawshank Redemption. It's an embarrassment of riches. Benjamin Pajak: I love If It Bleeds. I'm kind of biased, but I just love the stories in it. Every story in there has a place in my heart. I read it when I got cast, and I hadn't really known Stephen King before I found out I'd be in the movie. I immediately just felt connected to his writing when I read the book. Chiwetel Ejiofor: There are very few films that I genuinely feel envious of people if they haven't seen them, 'cause I envy that first time that they watch it. I still have that feeling about The Shawshank Redemption. It's one of those films that you just want to watch somebody's face in the third act. Karen Gillan: The Shining is probably my favorite film of all time. I love that film. I'm a Stanley Kubrick fan. It's just so terrifying and brilliant, with its exploration into this man's descent into madness. I know that Stephen King wasn't the biggest fan of the movie adaptation, but I am! Annalise Basso: The Green Mile. Mia Sara: Probably Stand by Me, because it's great. Matthew Lillard: I'd go with Shawshank. The Shawshank Redemption is one of the best movies ever made. And then, the first book I ever read for my own pleasure was Christine. So, it's a toss-up between those two. Kate Siegel: I love The Shawshank Redemption. I love it when Stephen King is singing about hope, and all of the ways hope can grow in the grossest of places. And The Green Mile is beautiful. Neon Flanagan: I'd probably go with Bobby Darin, "Mack The Knife." And I don't think it's because it expresses me — I'm not a serial killer. But that song, for whatever reason, just always gets me moving. Hiddleston: I can think of two off the top of my head. It's not possible to listen to this song without smiling: "Volare" by the Gipsy Kings. It makes people want to dance. And the other one is an old dance track from the late '90s called "Lady" by Modjo. Hamill: I only did one Broadway musical, and I learned, these people are the hardest working people in show business. They act, they sing, they dance. They sent me to dance class six weeks before rehearsal for a turn-of-the-century musical where I had to learn clog dancing and so forth. I was very proud of myself. I would have to pick something from The Music Man. I love "Ya Got Trouble (In River City)" — I thought that was a fantastic number. It'd have to be something that a layman could learn in an afternoon. Pajak: I'd probably say "Stayin' Alive." That's the first thing that comes into my head. I feel like that just has so much energy, and people would recognize that song and start dancing with me. If I'm the only one dancing, I would completely be embarrassed in 10 seconds. Ejiofor: I'd probably go for some sort of early song, like "All Night Long." Just give me Lionel Richie and just go for it. Gillan: Go-to song of expression? "No Regrets" by Édith Piaf, and I'm going to be dancing hard to that. Hard. Basso: I'm so overwhelmed, I'm short-circuiting! Dance for me is so in the moment, that when I dance it feels like the music is a character. Although you can dance on your own, this is why I love flamenco so much, because the shoes are an instrument and you can carry that wherever you go and you can make your own music. Sara: Prince, "Kiss." That's my favorite song! My husband and I had just been to a huge family wedding, and that's the song we like to dance to. Lillard: "Give It to Me Baby" by Rick James. I did a movie called She's All That, and "Give It to Me Baby" was the song, so I'd probably just pull it back from the classic. Siegel: Oh, what a great question! The one that comes to mind is "High Hopes" by Panic! At the Disco. A lot of my heart is maudlin, so I might do "Moon River" and just hobble about. Neon Ejiofor: I thought it was just so richly conceived. It's sometimes difficult when you don't know when a story is going, and then you do, and you think, "How did that plane land for me? How did that all work?" Because it's kind of a big concept. And I just felt like there was just a real ease to this, it fit it into place, and it made sense. It felt profound in exactly the right way, and satisfying narratively. Gillan: I just found it so profound and moving, and it really made me go away and question how I'm living my own life and spending the precious time that I have. And those are really valuable questions to ask yourself. I really wanted to be a part of something that can maybe spark that conversation. Basso: I always ask myself at the end of a script, or at the end of completing a project, what did I learn from this? That's what my dad taught me. He's like, "Learn as much from your wins as you do from your losses." With this, at the end of reading the script, I was like, "What brings me joy?" And it just brought me closer to that. Sara: I cried, and then I called Mike, and I cried on the phone with Mike, and I said, "That's so beautiful." Lillard: The funny thing is, as you were reading it, 'cause it's backwards, it doesn't really have the impact, which really speaks to the power of Mike Flanagan. We were in Toronto and won the Audience Award — a hugely prestigious award, and we were very honored to win it — but sitting in that theater with 2,000 people, I'll never forget it goes to black to transition to the second act, and you could hear a pin drop in that theater. The power of that beat was such that it took everyone's breath away, and that was really the first time I knew we were in for something special. Siegel: It made me feel human. Right now, it's very hard to feel your humanity, because we're being inundated with a lot of information all the time that is in extremes. It's very overwhelming, and there was something about this script that allowed everything to feel like it's people. And yes, there are rights and wrongs, and there is good and bad in the world, but also there's you, and you get to be a person, too. You deserve that. The Life of Chuck arrives in theaters on June 6. It will be eligible at the 2026 Oscars. SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby Stephen King movies: 14 greatest films ranked worst to best From 'Hot Rod' to 'Eastbound' to 'Gemstones,' Danny McBride breaks down his most righteous roles: 'It's been an absolute blast' Benicio Del Toro movies: 12 greatest films ranked worst to best Click here to read the full article.
Cosmopolitan
3 hours ago
- Cosmopolitan
When 'The Life of Chuck' Will Be Available to Stream and How to Watch
When you hear about a Mike Flanagan and Stephen King collab, you're definitely thinking that these kings of horror are getting ready to give us the scare of our life. But, shockingly, The Life of Chuck is anything but! Based off a small story by the iconic author, Mike Flanagan brings this hopeful science fiction story to the big screen! Oh, and did we mention that it stars Tom Hiddleston? Yeah, you're definitely going to want to watch for yourself! Here's everything you need to know about watching The Life of Chuck. The new Neon film came out as a limited release on June 6th and will soon move nationwide on June 13! Since it's a limited release for it's initial release, you might have to travel a bit if you want to see it on the big screen during its first weekend. Fans in Phoenix, Los Angeles, San Fransisco, Denver, Chicago, Boston, and New York can catch the movie starting on June 6. Fans at other cities will have wait June 13, but like all of our favorite films, it won't be on the big screen forever. Make sure to grab tickets ASAP before it leaves your local theater! Since it just came out in theaters, it's still a little too early to catch it on the smaller screen, but that doesn't mean you won't be able to watch it soon! Like most Neon films, there's a good chance that it'll land on Hulu after the two studios struck up a deal to them there. An exact date hasn't been announced yet, but we'll keep an eye out! But if you're not a subscriber, you can still rent or buy it at home via online stores like Prime Video, iTunes, Fandango at Home, YouTube, or Google Play. Or if you're a huge fan, you'll also be able to buy it on Blu-ray and DVD!
Los Angeles Times
7 hours ago
- Los Angeles Times
For ‘The Life of Chuck,' the road from TIFF to the Oscars could be a long march
If a movie inspires you to get up in the middle of a Koreatown steakhouse and do the robot with your waiter, isn't that worthy of some kind of award, even if it's not an Oscar? I'm Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. Let's talk about 'The Life of Chuck,' the latest Stephen King adaptation, a film possessing the pedigree of an Oscar best picture contender. The last 12 movies to win the Toronto International Film Festival's People's Choice Award have gone on to earn an Oscar nomination for best picture. It's a list that includes eventual Oscar winners like '12 Years a Slave,' 'Green Book' and 'Nomadland.' Two years ago, Cord Jefferson's 'American Fiction' premiered at Toronto and parlayed the momentum from its People's Choice prize into an adapted screenplay victory for Jefferson. Suffice it to say, it's a prime precursor. Which makes the arrival of 'The Life of Chuck,' last year's People's Choice winner, all the more of a curiosity. Neon, the indie studio behind best picture winners 'Anora' and 'Parasite,' bought the film out of Toronto after it won the award, voted on by festivalgoers. With not enough time to craft a marketing or awards season campaign, the studio slotted the movie for the summer of 2025. It opens in limited release today — you can find it in five theaters in the Los Angeles area — and will expand nationwide next week. 'The Life of Chuck,' adapted from a 50-page Stephen King story published in 2020, is feel-good tale about the end of the world. It is indeed about the life of Chuck, a prototypical King everyman, an ordinary accountant we don't meet until the the second part of the movie's backward-moving triptych. But we know about him because in the film's opening section, the one with the world ending and California tumbling into the sea (Steely Dan was right!), Earth's inhabitants are inundated with baffling billboards and ads featuring a picture of Chuck, thanking him for 39 great years. We eventually learn that Chuck, played as an adult by Tom Hiddleston, is a remarkable dancer and has lived a life filled with loss. In between the tragedies, there were moments of pure, unadulterated joy. The movie, faithfully adapted and competently directed by Mike Flanagan (the man behind Netflix's 'The Haunting of Hill House' and other horror tales), wants to leave you with the message that such moments are enough. And also to remind you that when these occasions come, we should recognize them and store them away as found gold. It's an original story arriving in a summer movie landscape dominated by sequels and retreads. Call it counterprogramming. Critics have been split, which isn't surprising. You either suspend disbelief and settle into this movie's vibe or you find yourself unmoved and checking the time, thinking that, in the momentary pleasure department, a root beer float would go down easier. I liked it well enough, but given the choice, I'd probably opt for the ice cream. For 'The Life of Chuck' to be an awards season play, moviegoers will need to fall for it as hard as audiences did at Toronto. That feels like a long shot, though maybe the film's sweetness and optimism will resonate in the current moment. Times film critic Amy Nicholson was mixed on the movie and yet, as I mentioned at the outset, it did make her 'make magic out of the mundane' and boogie with a waiter. She sent me the video. Don't let her tell you otherwise ... she's a dancing machine. Want to catch the Envelope in person? RSVP for our free live screening and Q&A with the stars of 'Landman,' Billy Bob Thornton, Ali Larter, Andy Garcia and Jacob Lofland. When: Saturday, June 7 at 2 The Culver Theater Since I'm being a little wistful here, let me call your attention to a recent column I wrote about the late, great Linda Lavin, a singular talent who never won an Emmy. That may surprise you, particularly if you were around when Lavin headlined the long-running CBS sitcom 'Alice,' in which she played a widowed mom working as a waitress while pursuing her dream of singing. The series ran from 1976 to 1985, piling up more than 200 episodes, a spinoff for Polly Holliday (Flo, the 'kiss my grits' sass-flinger) and a lasting reputation for presenting an early, understated feminist role model. Alice wasn't nearly as brash as Bea Arthur's Maude or quite as lovable as Jean Stapleton's Edith Bunker, but like her contemporary Mary Tyler Moore, she could turn the world on with her smile. Lavin, who died in December at 87, did earn two Golden Globes for the role and, after 'Alice' ended, she won a Tony Award in 1987 for lead actress in a play for her turn as a Jewish mother navigating a changing world in Neil Simon's 'Broadway Bound.' 'It was one of the greatest stage performances I have ever seen, and I told her that the first day I met her,' says Nathan Lane, who had the opportunity to share his enthusiasm with Lavin when they worked together on the Hulu sitcom 'Mid-Century Modern.' Lane recalls watching the play and choking up when Lavin absent-mindedly wiped off a phone receiver — her character was always cleaning — right after a wrenching phone call. 'She could do anything and make it look effortless,' Lane says. 'Working with her was the happiest experience I've ever had in television.' In Emmy history, 33 actors — 22 men and 11 women — have been posthumously nominated. Most recently, Treat Williams earned a nod last year for his supporting turn in the FX limited series 'Feud: Capote vs. the Swans.' Ray Liotta was nominated in 2023 in the same category for 'Black Bird.' And in 1978, Will Geer received three posthumous nominations, including his last season on 'The Waltons.' (He lost all three.) Lavin has a legitimate case. She elevates 'Mid-Century Modern' every time she's onscreen with her vitality and comic timing. In April, she picked up a comedy supporting actress nod from the Gotham Television Awards. You can read the entire column, which includes some terrific stories from 'Mid-Century Modern' showrunners Max Mutchnick and David Kohan, here. Have a great weekend. Hope you find a moment to dance.
