Join Rising Phoenix Entheogenic Temple For A Week Of Grateful Dead Celebrations In San Francisco
Rising Phoenix Entheogenic Temple, a magic mushroom religious facility located in San Francisco, today announced a week of celebrations to honor the Grateful Dead who are scheduled to perform 3 historic concerts at the legendary Golden Gate Park on August 1, 2 and 3, 2025.
Founded in 2024 in San Francisco, Rising Phoenix Entheogenic Temple follows the religion of Entheoism and provides clean, tested, and trusted psilocybin to its members from its two San Francisco Temple locations in Russian Hill and Lower Haight. The Temple on Haight Street is located less than a mile from the historic Grateful Dead House where the band lived and wrote music between 1966 and 1968.
The Grateful Dead have been a cultural icon for decades. Celebrated for their distinctive fusion of rock, folk, and blues, along with their improvisational approach and dedicated fan community, their music has been synonymous with psychedelics for 60 years. Jerry Garcia was an especially strong proponent for curating an atmosphere conducive to spiritual psychedelic transformations at Dead shows through the years.
The upcoming Dead & Company concerts promise to deliver an unforgettable experience for enthusiasts, and Rising Phoenix Entheogenic Temple will celebrate this occasion with an array of exciting psilocybin offerings aimed at elevating its members spiritual and religious connections. Throughout the week, Rising Phoenix will be holding a raffle for one lucky member to win a Dead and Company show experience and psychedelic explorer pack valued at nearly $1,000. Concertgoers that show their Ticket as they make a donation for their sacrament at the Temple can also secure samples as a bonus.
Temple locations (Lower Haight and Russian Hill) are open daily in San Francisco from 10am to 8pm to all sincere believers and members.
About Rising Phoenix Entheogenic Temple
The Rising Phoenix Entheogenic Temple is conveniently located on the historic Haight Street (corner Fillmore) in San Francisco, one of the city's most vibrant and colorful neighborhoods. By becoming a member you can access sacred sacrament, join our events, get self-learning materials, and connect with our community. Membership to the Rising Phoenix Entheogenic Temple is complimentary. You can join at https://app.joinit.com/o/rising-phoenix or learn more about the Temple at www.risingphoenixet.com.
Media Contact Information
Jason Stevens
510-766-6052
[email protected]
https://www.risingphoenixet.com
Source published by Submit Press Release >> Join Rising Phoenix Entheogenic Temple For A Week Of Grateful Dead Celebrations In San Francisco
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USA Today
2 hours ago
- USA Today
One Dead & Company fan's nearly 50-year journey to Golden Gate Park
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Forbes
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Grateful Dead: 60 Years of Celebration
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In Los Angeles, the David Kordansky Gallery has an exhibition of photographs, An American Beauty: Grateful Dead 1965-1995 on view until August 16th, and have also put out a gorgeous coffee table book of the exhibition and that includes many more photographs, curated by Jay Blakesberg and his daughter Ricki Blakesberg, with text by Kordansky high school friend, fellow Deadhead and content curator at Kordansky, poet Stuart Krimko, available at the gallery and online. Wall of Sound, Oakland Coliseum, Oakland, CA, June 8, 1974. Publicity photo from the exhibition and coffee table book: An American beauty - Grateful Dead 1965-1995 Alvan Meyerowtiz/ © Retro Photo Archive, Courtesy of the artist and David Kordansky Gallery The Dead's fans span several generations and have outlived many of the original members including Ron McKernan (Pigpen), Jerry Garcia, and Phil Lesh, From the original line up only Bob Weir (who was the youngest member) and Mickey Hart will perform at this weekend's celebration. Bill Kreutzmann, one of the original drummers now lives in Hawaii where he performs with Mahalo Dead, and Grateful Mahalo. In Golden Gate Park, Weir and Hart will be joined by their Dead & Co, confreres John Mayer, Jeff Chimenti, and Jay Lane. Opening acts for each night are Billy Strings, Sturgill Stimpson, and Trey Attanasio. I saw the Dead many times in high school, several times later while Garcia was still alive and have, more recently, been to several Dead & Co, and Wolf Brothers Shows. If I try to think back to what made the band compelling in its original incarnation, surely part of it was the stamina of the band. The New Riders of the Purple Sage often opened the evening with Jerry Garcia sitting in on pedal steel. They would play for two hours or so, and then the Dead would come on and play for anywhere between three to five hours. What grabbed the audience, then and now, was the feeling of being taken on a voyage, or in many cases a trip, where the evening was one long performance, and it became a game or a matter of insider cred to guess what song they were playing and admire how it morphed into what they would play next. They played a lot of cover songs but when they did, it was always as if it was their song to begin with, and their interpretations could add a layer of emotion be it wistful, joyous, or boastful. Grateful Dead, Mary Poppins Umbrella Festival and Be-In, El Camino Park, Palo Alto, CA, July 2, 1967. Publicity photo for An American Beauty: Grateful Dead 1965-1995, David Kordansky Gallery © Ron Rakow/ Retro Photo Archive, Courtesy of the artist and David Kordanasky Gallery In those early days, when Pigpen was on the keyboards and was one of their main vocalists, Good Morning Little School Girl , could be a drawn-out blues jam heavy with lascivious intent. And when they played St. Stephen was an almost reverent incantation into the darker reaches of the universe. Garcia was like some great artisanal weaver, threading the notes and sweet tones of his guitar into the band's rhythms, playing his electric guitar in ways inspired by his bluegrass and blues background. When the Dead ended the night playing Not Fade Away and Johnny B. Goode you were satisfied but wanted to come back for more. No two performances were alike, and the shows were not all equally good in quality, but attending allowed you to discuss various set lists, songs, etc.… They drew one further into the Dead's world. At times, there was a feeling one had at those shows, an experience, that I can only compare to what golfers, surfers, and skiers are chasing – that moment when you leave the specific and become part of the whole. Dead fans have been chasing those moments since the 1960s. Deadhead dancing at Grateful Dead concert in Lewiston, ME on September 6, 1980. Publicity photo from the exhibition and coffee table book An American beauty - Grateful Dead 1965-1995 © Jay Blakesberg, courtesy of the artist and David Kordansky Gallery The Grateful Dead were pioneers in allowing audience members to tape their performances and take as many photos as they liked. Many articles and even a Harvard Business School case study have been written about how while other bands focused on record sales, the Grateful Dead gave priority to touring. The Dead focused on audience engagement. 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Yahoo
5 hours ago
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See Trey Anastasio Perform ‘Scarlet Begonias' and ‘Fire on the Mountain' With Dead and Co
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