
'My greatest dream' - Taylor Swift buys back rights to old music
NEW YORK - Pop sensation Taylor Swift, who was locked in a feud with record executives since 2019 over ownership of her music, has bought back the rights to her entire back catalog, she said Friday.
"All of the music I've ever made ... now belongs ... to me," she wrote on her website, after years of disputes over her first six albums, a number of which she rerecorded to create copies she owns herself.
"To say this is my greatest dream come true is actually being pretty reserved about it," she wrote in the letter to her devoted followers.
"To my fans, you know how important this has been to me - so much so that I meticulously re-recorded and released four of my albums, calling them Taylor's Version."
Those records included the award-winning "Reputation" and "Taylor Swift."
Swift bought back her masters from Shamrock Capital, an LA investment firm, for an undisclosed amount.
The re-recording power move came in the wake of public sparring with industry mogul Scooter Braun, her one-time manager whose company had purchased her previous label and gained a majority stake in her early work.
He later sold Swift's master rights to the private equity company.
'THIS FIGHT'
The situation left Swift publicly incensed: "I just feel that artists should own their work," she said in 2019.
"She's a vocal advocate for artists' rights," Ralph Jaccodine, a professor at the Berklee College of Music, told AFP previously. "She's built her own brand."
Before her public efforts to regain control of her work, Prince, George Michael, Jay-Z and Kanye West all also fought for control of their masters - one-of-a-kind source material that dictate how songs are reproduced and sold - but none had gone so far as to re-record them completely.
The queen of pop, whose recent nearly two-year-long, $2 billion Eras tour shattered records, said that she was "heartened by the conversations this saga has reignited within my industry."
Swift's lucrative tour which wrapped last year was a showbusiness sensation, and will have helped offset the costs of buying back her catalog.
The 149 shows across the world typically clocked in at more than three hours long each.
Tour tickets sold for sometimes exorbitant prices and drew in millions of fans, along with many more who didn't get in and were willing to simply sing along from the parking lot.
"Every time a new artist tells me they negotiated to own their master recordings in their record contract because of this fight, I'm reminded of how important it was for all this to happen," Swift said in her letter.
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The South African
a day ago
- The South African
Taylor Swift reclaims her music masters in landmark deal
Taylor Swift, after years of public battles, heartbreak, and determination, now finally owns her first six albums. This move is a masterclass in standing up for your rights, regardless of how powerful your opponents are. 'All of the music I've ever made now belongs to me,' Taylor announced. 'I've been bursting into tears of joy… ever since I found out this is happening.' The saga began in 2019. Scooter Braun, a music mogul, bought Taylor's former record label, Big Machine, according to the BBC . With it, he got the rights to her first six albums. Imagine working for years, only to see someone else reap the rewards of your creations. Taylor called out Braun for 'incessant, manipulative bullying.' She felt betrayed. 'After 20 years of people dangling the carrot in front of me and then yanking it away, I almost gave up hope that it could ever happen,' she wrote. But she never gave up. In music, whoever owns the master recording controls how the songs are used. Want your hit in a movie, advert, or video game? The master owner decides. Taylor always kept her publishing rights, but without the masters, she couldn't call the shots. 'I do want my music to live on… but I only want that if I own it,' she told Billboard. The price for freedom wasn't small. When Big Machine first sold, the catalogue fetched $300 million (about R5.6 billion). Rumours swirled that Taylor paid up to $1 billion (over R18.7 billion), but insiders say that's too high. Still, it's a staggering sum—proof that music is big business. Taylor Swift didn't just sit back. She fought back. She started re-recording her old albums, releasing 'Taylor's Versions' packed with bonus tracks. Fans loved them. 'The success of the Eras tour is why I was able to buy back my music,' she said. That tour raked in over $2 billion (about R37.5 billion) in ticket sales. This victory is a beacon for artists everywhere, including in South Africa. 'Every time a new artist tells me they negotiated to own their master recordings. I'm reminded of how important it was for all of this to happen,' Taylor said. Let us know by leaving a comment below, or send a WhatsApp to 060 011 021 1. Subscribe to The South African website's newsletters and follow us on WhatsApp, Facebook, X and Bluesky for the latest news.


Eyewitness News
a day ago
- Eyewitness News
'My greatest dream' - Taylor Swift buys back rights to old music
NEW YORK - Pop sensation Taylor Swift, who was locked in a feud with record executives since 2019 over ownership of her music, has bought back the rights to her entire back catalog, she said Friday. "All of the music I've ever made ... now belongs ... to me," she wrote on her website, after years of disputes over her first six albums, a number of which she rerecorded to create copies she owns herself. "To say this is my greatest dream come true is actually being pretty reserved about it," she wrote in the letter to her devoted followers. "To my fans, you know how important this has been to me - so much so that I meticulously re-recorded and released four of my albums, calling them Taylor's Version." Those records included the award-winning "Reputation" and "Taylor Swift." Swift bought back her masters from Shamrock Capital, an LA investment firm, for an undisclosed amount. The re-recording power move came in the wake of public sparring with industry mogul Scooter Braun, her one-time manager whose company had purchased her previous label and gained a majority stake in her early work. He later sold Swift's master rights to the private equity company. 'THIS FIGHT' The situation left Swift publicly incensed: "I just feel that artists should own their work," she said in 2019. "She's a vocal advocate for artists' rights," Ralph Jaccodine, a professor at the Berklee College of Music, told AFP previously. "She's built her own brand." Before her public efforts to regain control of her work, Prince, George Michael, Jay-Z and Kanye West all also fought for control of their masters - one-of-a-kind source material that dictate how songs are reproduced and sold - but none had gone so far as to re-record them completely. The queen of pop, whose recent nearly two-year-long, $2 billion Eras tour shattered records, said that she was "heartened by the conversations this saga has reignited within my industry." Swift's lucrative tour which wrapped last year was a showbusiness sensation, and will have helped offset the costs of buying back her catalog. The 149 shows across the world typically clocked in at more than three hours long each. Tour tickets sold for sometimes exorbitant prices and drew in millions of fans, along with many more who didn't get in and were willing to simply sing along from the parking lot. "Every time a new artist tells me they negotiated to own their master recordings in their record contract because of this fight, I'm reminded of how important it was for all this to happen," Swift said in her letter.


The Citizen
2 days ago
- The Citizen
24 hours in pictures, 30 May 2025
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