
Connections: Sports Edition hints for June 6, 2025, puzzle No. 256
Need help with today's Connections: Sports Edition puzzle? You've come to the right place.
Welcome to Connections: Sports Edition Coach — a spot to gather clues and discuss (and share) scores.
A quick public service announcement before we continue: The bottom of this article includes one answer in each of the four categories. So if you want to solve the board hint-free, we recommend you play before continuing.
Advertisement
You can access Friday's game here.
Game No. 256's difficulty: 3.5 out of 5
Scroll below for one answer in each of the four categories.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Yellow: RED
Green: CLIPPING
Blue: COMMAND
Purple: BOILING
The next puzzle will be available at midnight in your time zone. Thanks for playing — and share your scores in the comments!
(Illustration: John Bradford / The Athletic)
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Times
27 minutes ago
- New York Times
Liverpool submit improved €134m transfer offer for Leverkusen's Florian Wirtz
Liverpool have submitted an improved offer of €134million (£113m) to sign Florian Wirtz from Bayer Leverkusen. The bid for the coveted Germany international is comprised of a €118.7m (£100m) upfront fee with a further €15.4m (£13m) in add-ons. Liverpool have no intention to bid as high as the reported €150m (£126.4m) asking price for the playmaker. Advertisement Leverkusen are not keen to allow Wirtz to approach the final year of his contract, which runs through until 2027. The Athletic reported last week that Liverpool had submitted an offer worth up to €130m (£109m) for the 22-year-old. The proposed figure was a top-end amount, comprised of a guaranteed fee and potential add-ons. Wirtz has emerged as a key target for Liverpool this summer and the playmaker is keen on a move to Anfield. The Athletic reported on May 23 that Bayern Munich, who had also targeted Wirtz, were informed he favoured a move to Liverpool. The Merseyside club later entered talks with Leverkusen to sign the attacking midfielder. Wirtz has already visited the north west of England to look for houses to live in, should the transfer proceed. Wirtz played a key role as Leverkusen secured their maiden Bundesliga title with an unbeaten domestic season in 2023-24. He registered 18 goals and 20 assists in that campaign and was named Bundesliga Player of the Season. Wirtz scored 16 goals and set up 15 in the most recent campaign, as Leverkusen recorded a second-placed finish. Since making his first-team debut for Leverkusen in the 2019-20 season, Wirtz has recorded 122 goals contributions (57G, 65A) in 197 matches. He has also earned 29 caps for Germany. Communication had already been opened between Liverpool and Leverkusen this summer after the newly-crowned Premier League champions activated wing-back Jeremie Frimpong's release clause, which is in the region of €35million (£29.6m;$39.3m). The Dutch 24-year-old agreed a five-year contract and The Athletic reported on May 17 he was set to undergo a medical. Additional reporting from Sebastian Stafford-Bloor. ()

Washington Post
35 minutes ago
- Washington Post
What happened in Sean ‘Diddy' Combs's trial: $100K payment, freak-offs and more this week
Drug-fueled freak-offs described in graphic detail, testimony of a $100,000 bribe and the judge's threat to kick Sean 'Diddy' Combs out of the proceedings are among the most prominent moments captured in the sex-trafficking trial of the hip-hop impresario this week. Since May 12, prosecutors have been building their case that Combs allegedly wielded his enormous power in the entertainment industry to coerce women into sex trafficking and used manipulation and bribery to coax his employees and other witnesses into helping him get away with crimes including physical assault and prostitution. In previous weeks, witnesses have included singer Cassie Ventura, rapper Kid Cudi and former Danity Kane singer Dawn Richard. In a case this sprawling and this high profile, it can be tough to keep up — or weed out misinformation. Here's what you need to know.


CNN
35 minutes ago
- CNN
Why ‘Good Night, and Good Luck's' 1950s story of media intimidation is eerily relevant in Trump's America
The historical echoes in 'Good Night, and Good Luck' are extraordinary. Some might even say they're eerie. On Saturday at 7pm ET, viewers around the world can see for themselves when CNN televises the blockbuster hit Broadway play starring George Clooney. The play transports viewers back to the 1950s but feels equally relevant in the 2020s with its themes of unrestrained political power, corporate timidity and journalistic integrity. Add 'Good Night, Good Luck' on CNN to your calendar: Apple / Outlook or Google The real-life drama recounted in the play took place at CBS, the same network that is currently being targeted by President Donald Trump. That's one of the reasons why the play's dialogue feels ripped from recent headlines. Clooney plays Edward R. Murrow, the iconic CBS journalist who was once dubbed 'the man who put a spine in broadcasting.' Murrow helmed 'See It Now,' a program that pioneered the new medium of television by telling in-depth stories, incorporating film clips and interviewing newsmakers at a time when other shows simply relayed the headlines. Get Reliable Sources newsletter Sign up here to receive Reliable Sources with Brian Stelter in your inbox. In the early '50s, Murrow and producing partner Fred Friendly were alarmed by what Friendly called in his 1967 memoir the 'problem of blacklisting and guilt by association.' At the time, the country was gripped by Cold War paranoia, some of it stoked by Senator Joseph McCarthy's trumped-up claims about communist infiltration of the government, Hollywood and other sectors. In a later era, McCarthy would have been accused of spreading misinformation and attacking free speech. Murrow and Friendly thought about devoting an episode to the senator and his investigations, but they wanted a dramatic way to illustrate the subject. They found it with Milo Radulovich, an Air Force reserve officer who was fired over his relatives' alleged communist views. Radulovich was a compelling, sympathetic speaker on camera, and Murrow's report on him not only stunned viewers across the country, but it also led the Air Force to reverse course. 'The Radulovich program was television's first attempt to do something about the contagion of fear that had come to be known as McCarthyism,' Friendly recalled. That's where 'Good Night, and Good Luck' begins — with a journalistic triumph that foreshadowed fierce reports about McCarthy's witch hunts and attempted retaliation by the senator and his allies. Clooney first made the project into a movie in 2005. It was adapted for the stage last year and opened on Broadway in March, this time with Clooney playing Murrow instead of Friendly. Both versions recreate Murrow's actual televised monologues and feature McCarthy's real filmed diatribes. 'The line between investigating and persecuting is a very fine one,' Murrow said in a pivotal essay about McCarthy, uttering words that could just as easily apply to Trump's campaign of retribution. A moment later, Murrow accused McCarthy of exploiting people's fears. The same charge is leveled against Trump constantly. 'This is no time for men who oppose Senator McCarthy's methods to keep silent, or for those who approve,' Murrow said, sounding just like the activists who are urging outspoken resistance to Trump's methods. In April, Trump issued an executive order directing the Justice Department to investigate Miles Taylor, a former Trump homeland security official who penned an essay and a book, 'Anonymous,' about the president's recklessness. This week Taylor spoke out about being on Trump's 'blacklist,' using the same language that defined the Red Scare of the '50s and destroyed many careers back then. 'People are afraid,' Taylor said on CNN's 'The Arena with Kasie Hunt.' He warned that staying silent, ducking from the fight, only empowers demagogues. Murrow did not duck. Other journalists had excoriated McCarthy earlier, in print and on the radio, but Murrow met the medium and the moment in 1954, demonstrating the senator's smear tactics and stirring a severe public backlash. Afterward, McCarthy targeted not just Murrow, but also the CBS network and Alcoa, the single corporate sponsor of 'See It Now.' McCarthy threatened to investigate the aluminum maker. 'We're in for a helluva fight,' CBS president William Paley told Murrow. The two men were friends and allies, but only to a point. Paley had to juggle the sponsors, CBS-affiliated stations across the country, and government officials who controlled station licenses. In a Paley biography, 'In All His Glory,' Sally Bedell Smith observed that two key commissioners at the FCC, the federal agency in charge of licensing, were 'friends of McCarthy.' The relationship between Paley and Murrow was ultimately fractured for reasons that are portrayed in the play. Looking back at the Murrow years, historian Theodore White wrote that CBS was 'a huge corporation more vulnerable than most to government pressure and Washington reprisal.' Those exact same words could be written today, as CBS parent Paramount waits for the Trump-era FCC to approve its pending merger with Skydance Media. Billions of dollars are on the line. The merger review process has been made much more complicated by Trump's lawsuit against CBS, in which he baselessly accuses '60 Minutes' of trying to tip the scales of the 2024 election against him. While legal experts have said CBS is well-positioned to defeat the suit, Paramount has sought to strike a settlement deal with Trump instead. Inside '60 Minutes,' 'everyone thinks this lawsuit is an act of extortion, everyone,' a network correspondent told CNN. In a crossover of sorts between the '50s and today, Clooney appeared on '60 Minutes' in March to promote the new play. He invoked the parallels between McCarthyism and the present political climate. 'ABC has just settled a lawsuit with the Trump administration,' Clooney said. 'And CBS News is in the process…' There, Jon Wertheim's narration took over, as the correspondent explained Trump's lawsuit. 'We're seeing this idea of using government to scare or fine or use corporations to make journalists smaller,' Clooney said. He called it a fight 'for the ages.' Trump watched the segment, and he belittled Clooney as a 'second-rate movie 'star'.' On stage, Clooney as Murrow challenges theatergoers to consider the roles and responsibilities of both journalists and corporate bosses. Ann M. Sperber, author of a best-selling biography, 'Murrow: His Life and Times,' found that Murrow was asking himself those very questions at the dawn of the TV age. Murrow, she wrote, sketched out an essay for The Atlantic in early 1949 but never completed it. He wrote notes to himself about 'editorial control' over news, about 'Who decides,' and whether the television business will 'regard news as anything more than a saleable commodity?' Murrow wrote to himself that we 'need to argue this out before patterns become set and we all begin to see pictures of our country and the world that just aren't true.' Seventy-six years later, the arguments are as relevant and necessary today.