
Spraying a 69p Aldi buy around patios & doors will repel wasps for good – as ‘monster' nests spotted across UK
Experts have warned that the
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Macro shot of wasps at the entrance of their nest
Credit: Getty
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Britain faces a surge of monster wasp nests as big as space hoppers, an expert has warned
Credit: Credit: Pen News/Lisa Meyer
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Garlic granules can be purchased from Aldi for just 69p
Credit: Aldi
Andrew Dellbridge of Ace Pest Control revealed that the UK is seeing a "population explosion" of the irritating critters, with wasps becoming aggressive towards humans, and even chewing through plasterboard to make nests.
Thankfully,
Josh Novell, garden expert at
'Garlic is a surprisingly effective wasp repellent,' said Josh.
'Its strong smell overwhelms a wasp's senses and naturally drives them away. It's safe, cheap, and easy to use.'
Read more pest stories
Garlic granules can be picked up from Aldi for just 69p, making this an extremely budget friendly hack.
There are a variety of ways you can use the seasoning to banish wasps, including simply placing granules in a bowl and near outdoor seating and food.
Alternatively, fill a spray bottle with water and one to two teaspoons of garlic powder.
Shake the concoction to mix it, and then spray it around patios, door and bins.
Most read in Fabulous
Or, you could even grow your own garlic plants in the garden, to repel wasps all year long.
Josh also warned against the common trap of setting out a jar or jam or sugar to lure wasps.
Killer Asian hornet filmed decapitating and devouring wasp in Kent amid fears of UK-wide invasion
'Sweet traps can attract wasps from neighbouring areas, increasing activity rather than reducing it,' he said.
'You're unintentionally drawing them in.'
Pest control expert Andrew revealed that the
This means that their nests are already surpassing last year's size, with months still left to go until they die off.
Keep pests out all summer
IF you want to ensure that your home is pest free this summer, here's what you need to know.
Hornets and wasps
- hate the smell of peppermint oil so spraying this liberally around your patio or balcony can help to keep them at bay.
Moths
- acidic household white vinegar is effective for deterring moths. Soak some kitchen roll in vinegar and leave it in your wardrobe as a deterrent.
Flying ants
- herbs and spices, such as cinnamon, mint, chilli pepper, black pepper, cayenne pepper, cloves, or garlic act as deterrents.
Mosquitoes
- plants, herbs and essential oil fragrances can help deter mozzies inside and out. Try eucalyptus, lavender and lemongrass.
He said: "By September-October, the right back end of the season before they all die off, we should be in massive nest territory."
"I worry about the big ones", he continued.
"I always try to use a comparison - and the space hopper is as big as it can get.
"And that hums and it's quite a foe."
The expert added that wasps usually become increasingly aggressive in the
autumn
, but this will also be happening earlier this year, with wasps destroying people's
homes
to make way for their nests.
"I had one yesterday," he said.
"Hundreds of wasps piling into someone's house because they literally chewed through already."
He added that the number of wasps in nests has grown dramatically this year.
"This year, whereas you'd possibly have hundreds, or a thousand or so in there, I'm predicting that we'll have thousands in each nest", he warned.
"So you're not going to miss them. We are up for a bit of a challenge I think."

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The Irish Sun
17 hours ago
- The Irish Sun
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Irish Times
a day ago
- Irish Times
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Irish Times
a day ago
- Irish Times
50 years of women's writing: The 21st century – a boom time... or is it?
This series has revisited women's writing of the past 50 years, tracking its recognition and visibility, and in the 21st century there has been undeniable progress. Irish women have fared exceptionally well, with Anne Enright and Anna Burns winning the Booker Prize, Lisa McInerney and Eimear McBride the Women's Prize; and the rise and rise of the cultural phenomenon that is Sally Rooney . Literary gatekeepers, it would seem, have seen the error of their omission and moved to rectify it. It would be cause for celebration were it not for the pesky numbers. In the past 25 years, there have been 17 male Booker Prize winners to 10 female, two of whom had to share. That's a ratio of almost 2:1, or to spell it out, two great male writers to every great woman writer. In the 21st century. Other prizes tell a similar story. Since 2000, nine women have won the Pulitzer Prize for Fiction compared to 16 men (two shared). 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The Baillie Gifford in 2004 could not overlook Australian Anna Funder's brilliant Stasiland: Stories from Behind the Berlin Wall, which sheds light on life in the German Democratic Republic (GDR), 'the most perfected surveillance state of all time', where it was estimated that there was one informer for every 6.5 citizens. [ A breakthrough era for women's writing, from Edna O'Brien's risks to JK Rowling's Harry Potter debut Opens in new window ] Funder placed an ad in a newspaper asking to speak to former members of the secret police force, the Stasi, and received an overwhelming response. Following leads that took her to the most unexpected of places, she writes about the women 'who sit in Nuremberg puzzling together the shredded files the Stasi couldn't burn or pulp', and East Germans such as Sigrid Paul, who found herself on the opposite side of the wall to her baby, who was being cared for in Westend Hospital in West Berlin. Stasiland is not a history, trotting out impersonal facts; rather, it's a collection of essays, and essays digress. Deploying what Edward Hoagland calls the artful 'I' of an essay and other tools of fiction, Funder weaves her own story through the book, revealing life in the GDR in engaging, witty and often highly personal prose, joining the ranks of the many women essayists who made their mark over the timespan of this series: Susan Sontag, Joan Didion, Anne Lamott, Annie Dillard, Rebecca Solnit, Roxane Gay, Rachel Cusk, Sinéad Gleeson and Emilie Pine, to name but a few. The Booker got it right with Milkman, Anna Burns' 2018 novel, which was also named best Irish fiction title of the 21st century in a recent Irish Times survey. I would go one further and take out the word Irish. Milkman is an extraordinary feat of telling the truth, slant, to invoke Emily Dickinson. Who knew that one of the most insightful and enlightening voices of the Troubles would be that of an unnamed teenaged protagonist who likes to read while walking? 'The day Somebody McSomebody put a gun to my breast and called me a cat and threatened to shoot me was the same day the milkman died,' it begins, and if you haven't read it yet, what are you waiting for? The category and methods that have largely defined this series – women and counting – show that progress has been made, albeit from a very low base, yet the gender gap in the literary field stubbornly remains. Not only are women authors seen as producing literature of lower literary value – literary prizes hammer this home again and again – there is even a gendered genre hierarchy. [ The Wardrobe Department by Elaine Garvey: Evocation of youthful self-discovery is well wrought and truthful Opens in new window ] Dutch researcher CW Koolen uses computational analysis and other methods to demonstrate that so-called 'chick lit', usually perceived to have been written by women, is seen as of lesser quality than spy or thriller novels, usually perceived to have been written by men. Counting is dull work, but as long as we live in societies that value and prioritise men's voices and experiences over women's, it remains necessary. (Space does not allow for distinctions of race, ethnicity, sexual orientation, class, economic status, age, education, disability, etc, of the writers discussed in this series, but 'woman' is not a monolith, and over the past 25 years, across forms and genres, women writers have provided essential global sociopolitical perspectives.) This series has been about accountability, but it has also been a celebration of brilliant writing by women that informs, entertains, provokes and inspires. Women like myself, writing in the 21st century, owe an enormous debt of gratitude to our literary foremothers – the essayists, poets, dramatists, critics and novelists – of the past 50 years. Leaning into my personal fiction bias, what other 21st-century flavoured novels would I press into your hand? In no particular order: Lionel Shriver's We Need to Talk About Kevin; 2003's Adolescence; My Year of Rest and Relaxation – the ultimate Millennial read, in which Ottessa Moshfegh's unnamed narrator spends most of the novel sleeping (yet we're still talking about it); Room by Emma Donoghue; Zadie Smith's White Teeth; Jane Urquhart's The Stone Carvers; A Visit from the Goon Squad by Jennifer Egan – playing with all the forms; the Neapolitan novels, of course, by pseudonymous author Elena Ferrante (translated by Ann Goldstein), starting with My Brilliant Friend in 2012; The Weekend by Australian author Charlotte Wood; Theory and Practice by Sri Lankan-Australian author Michelle de Kretser, for anyone who has ever experienced the dubious pleasures of literary theory with a capital T; and there are so many more. Looking back has been a joy. And now I'm looking forward: here's to the next 50 years of women's writing. Paula McGrath is a novelist and assistant professor of Creative Writing at UCD Reading list Stasiland by Anna Funder (2004) – pulling back the Iron Curtain one essay at a time. Wifedom: Mrs Orwell's Invisible Life (2024) – yes, I'm sneaking in Funder's novel, too. Wifedom combines the biography of Eileen O'Shaughnessy, wife of George Orwell, with personal memoir, exploring for both women what it means to be a writer and a wife. Milkman by Anna Burns (2018) – the GOAT, in this writer's humble opinion. Generation (2015) and A History of Running Away (2017) by Paula McGrath – because if you liked this series, you might enjoy the novels ...