
Rachel Brosnahan to headline Presumed Innocent season 2
Following her role as Lois Lane in the upcoming Superman film from James Gunn, Rachel Brosnahan will star in the second season of Presumed Innocent from Apple TV+. Besides headlining the series, she will also serve as the executive producer.
While Presumed Innocent delved into the events of the book written by Scott Turow and was released in 2024, season 2 will be based on the upcoming book Dissection of a Murder by Jo Murray which will be published in 2026. Details of the plot are kept under wraps.

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Time of India
an hour ago
- Time of India
Red Tunks returns: James Gunn considers costume options; Zack Snyder looks back on his own Superman challenges
The red trunks are returning, and they've ignited more than nostalgia. As James Gunn gets set to reboot the DC Universe with Superman opening on July 11, one of the most controversial aspects of the classic superhero's uniform has been in the spotlight: to trunk or not to trunk? In a recent interview with Fandango, Gunn revealed the behind-the-scenes debate surrounding Superman's iconic red briefs. Tired of too many ads? go ad free now Interestingly, prior to making the final decision, he consulted Zack Snyder, the director of Man of Steel and other franchises, for his opinion. Zack Snyder admits he tried and failed to make trunks work Snyder, whose take on Superman, who was played by Henry Cavill, discarded the red trunks altogether, revealed that he had tried myriad different takes throughout his tenure at the top of the Extended Universe. "I attempted a billion other versions," Snyder said to Gunn, "but I simply couldn't get there." Gunn explained that he too initially felt similarly reticent, despite coming up with the trunks-wearing iteration of the character. Corenswet's observation shifted Gunn's opinion It was the new Superman actor, David Corenswet, who made Gunn realize the trunks in a different way, according to Gunn. They were testing out different suit designs that were both with and without trunks in the costume test phase. Corenswet had one excellent argument: Superman must be relatable. "He's this hugely powerful alien," Gunn said. "He could be frightening. But he wants children to look at him and not be scared. He wants to be perceived as a symbol of hope, not fear." Corenswet explained the trunks as a visual language that conveys "hope" and not "threat"—comparing the appearance to a professional wrestler, bold and colorful but familiar and non-threatening. A fresh universe with respect for the past As co-head of DC Studios alongside Peter Safran, Gunn is steering the franchise in a new direction. Yet, despite this reboot, there's a sense of continuity in honoring the creative voices that came before. Gunn mentioned that after taking over, he reached out to Snyder, affirming there was no animosity between them. 'We're good,' Gunn assured fans on social media. With Superman established as the launching point for this new universe, it's evident that Gunn is attempting to walk a fine line between legacy and innovation. And yes, Superman will once again take to the skies with trunks intact.


Economic Times
11 hours ago
- Economic Times
Make superheroes great again: Superman can fly, but still can't escape the algorithm
In 1938, Superman leapt onto the pages of Action Comics #1 in red trunks and righteous fury. He stopped locomotives, lifted green Buicks over his head - and he stood for something. Now, in 2025, Superman is back in cinemas next month in James Gunn's eponymous movie with a new actor (David Corenswet).But this time around, Superman's biggest villain isn't Lex Luthor, or General Zod. It's the feed. The Man of Steel's up against TikTok thirst traps, AI-generated Keanu Reeves romcoms, and 11-sec clips of pandas falling off slides. Somewhere in between doomscrolling and watching a makeup tutorial that turns into a philosophy lecture, a trailer for the new Superman movie dropped this week. We nod. We move on. Superheroes aren't just competing for attention. They're auditioning for it. Superheroes are now metadata. The industry doesn't ask: what does this hero mean right now? It asks: how many quadrants can we hit? Is there synergy with the gaming division? Will this trend on social media?And that's how we end up with content that's been audience-tested within an inch of its soul. Every scene exists so it can be screen-grabbed. Every emotion is framed with just enough room for a reaction video. Look, everyone likes a surprise. A good plot twist, a clever reference, even a cheeky cameo. But Easter eggs used to be exactly that - eggs. Now they're the whole no longer enough to tell a story. You have to tease 10 others. A throwaway line about 'the multiverse collapsing' gets picked apart in 300 Reddit threads. Half the audience is watching the movie. The other half is watching for clues. Yes, fans love decoding things. But when every film is a trailer for another film, it stops being storytelling and starts being golden age of superhero films wasn't 'golden' because they were bigger. It was because they were grounded. Arguably, most of them were all franchise films. Batman was already on his 6th outing, Iron Man kicked off a whole cinematic universe. And Spider-Man had a cereal deal before the trailer dropped. But, back then, the films still knew how to stay Dark Knight wasn't juggling timelines. Iron Man was just trying not to get blown up in a cave. Even Spider-Man 2 (yes, the Tobey Maguire one) spent a good 20 mins exploring the emotional fallout of missing rent. Now we get shared universes, cross-promotional world-building, and plotlines with all the narrative weight of a dry PowerPoint transition. The foundation has cracked. It's all scaffolding you strip away the X-ray vision and the flying, Superman is a guy trying to figure out how to do the right thing in a complicated world. He's an alien who's spent his entire life trying to be more human. That's not just good material - it's timeless. The problem is, we've stopped treating it like it reboot wants to 'modernise' Superman. Update the costume. Grayscale the colour palette. Make him question everything. Give him a brooding backstory, and a long stare into the rain. We don't need more reinvention. We need recollection. Superman doesn't need to be made edgier. He needs to be made worth asking: why does a lo-fi 15-sec video of someone making butter chicken from scratch get more love than a $200 mn superhero film? Because one feels like it means something. The other feels like it means something else is coming in was a time when superheroes weren't trying to be viral. They weren't teasing spinoffs. They weren't selling NFTs. They were about values, sure. But they were also weird. They were unpredictable. They were occasionally absurd. A kid bitten by a radioactive spider? A man with a magic hammer? A guy who literally talks to fish? And, yet, it the stories were honest. Not perfect, not polished, not algorithm-proof. Just this: the new Superman film ends. And that's it. No setup for Superman: Epoch. No holographic tease of Brainiac. No slow pan to a glowing green rock in a government bunker. Just the story. Fully told. Curtains down. People might walk out of the theatre... satisfied. When was the last time that happened?Superheroes won't be great again because of better CGI, or cleverer scripts, or tighter multiverse logic. They'll be great again when we stop trying to turn them into streaming architecture. Give us stories. Not strategies. (Disclaimer: The opinions expressed in this column are that of the writer. The facts and opinions expressed here do not reflect the views of Elevate your knowledge and leadership skills at a cost cheaper than your daily tea. Warren Buffett-fan Pabrai is betting big on Edelweiss' Rashesh Shah. Will it pay off? Coal on one hand and green on the other; this company balances both Yet another battle over neem; this time it's a startup vs. Procter & Gamble Move over tariffs, China wields rare earths in an economic war of a different kind Is Zomato under siege? 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Hindustan Times
17 hours ago
- Hindustan Times
Spaceballs 2 announced: 5 similar movies you can watch this weekend
It's happening. Spaceballs 2 is officially in development. Mel Brooks is returning, and yes, original cast members are expected to join the intergalactic chaos once again. The original was a hilarious sci-fi spoof that became a cult classic. Now, decades later, fans are finally getting a sequel. Until that hits screens, here are five movies that bring the same irreverent, genre-bending energy. And they're all available to stream this weekend. Quick refresher on Spaceballs Released in 1987, Spaceballs was Mel Brooks' satirical love letter to sci-fi, poking fun at everything from Star Wars to Alien to 2001: A Space Odyssey. It mixed slapstick, absurdity, and fourth-wall-breaking humour into something that still feels fresh today. And with Spaceballs 2 on the horizon, it's a great time to revisit that brand of comedy. Galaxy Quest (1999) Often described as the best Star Trek film that isn't actually Star Trek, Galaxy Quest follows a washed-up cast from a cancelled sci-fi TV show who get mistaken for real space heroes by an alien race. What starts as a clever parody quickly becomes a heartfelt, surprisingly emotional story about fandom, redemption, and embracing your inner nerd. Streaming: Rent or buy on Amazon Prime Video, Apple TV, Google Play The Hitchhiker's Guide to the Galaxy (2005) This Douglas Adams adaptation leans hard into quirky British humour and absurdist sci-fi. After Earth is destroyed, a completely average guy finds himself bouncing across galaxies with a depressed robot, a two-headed alien, and a stolen spaceship. It's weird, brilliant, and packed with quotable one-liners about life, the universe, and everything. Streaming: Disney+ (in select regions), or rent/buy on Amazon Prime Video, Apple TV Paul (2011) If you loved Spaceballs, you'll appreciate Paul's self-aware sci-fi comedy. Simon Pegg and Nick Frost play two geeky Brits on an American road trip who meet a sarcastic, chain-smoking alien voiced by Seth Rogen. Packed with Easter eggs, Paul is both a parody and a love letter to decades of sci-fi fandom. Streaming: Netflix (in select regions), or rent/buy on Amazon Prime Video, Apple TV Guardians of the Galaxy (2014) A Marvel movie that doesn't take itself too seriously, Guardians blends space opera with punchy humour and retro music. Chris Pratt leads a team of outlaws, including a raccoon with a machine gun and a tree who says three words, on a galactic mission to save the universe. It's chaotic, colourful, and unexpectedly sincere. Streaming: Disney+ Free Guy (2021) Set in an open-world video game, Free Guy follows a background character (Ryan Reynolds) who becomes self-aware and decides to take control of his life, and the game itself. It's clever, high-energy, and filled with visual gags and pop culture nods. Like Spaceballs, it pokes fun at a genre while clearly loving it. Streaming: Disney+, or rent/buy on Amazon Prime Video, Apple TV While you wait for Spaceballs 2... Grab popcorn, rewatch Spaceballs, and queue up any of these picks. They're sharp, silly, and perfect for fans of sci-fi with a sense of humour. Until Spaceballs 2 hits hyperspace, there's plenty of comedic cosmic chaos to explore. First Published Date: 13 Jun, 17:59 IST