Every Leaked Set Pic from 'Devil Wears Prada 2'
Quick reminder before we get into it, pretty much everyone from The Devil Wears Prada is returning for the sequel—including Anne Hathaway, Meryl Streep, Emily Blunt, and Stanley Tucci (but not Adrian Grenier for obvious reasons related to his character being the worst).
According to Variety, The Devil Wears Prada 2 follows Miranda Priestly "as she navigates her career amid the decline of traditional magazine publishing and as she faces off against Blunt's character, now a high-powered executive for a luxury group with advertising dollars that Priestly desperately needs."
Sounds amazing, but let's turn our attention to the main character in this movie: Andy's outfits. We'll be adding to this as filming continues, so gonna break it down by day!
Stay tuned for the next installment.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Elle
4 hours ago
- Elle
The Deeper Meaning Behind the 'My Oxford Year' Ending Montage
Spoilers below. The coming-of-age genre loves to make its characters choose between a relationship and their future. We're seeing it in The Summer I Turned Pretty, with Belly abandoning plans to study in Paris to stay with her fiancé, Jeremiah (who didn't want her to go anyway). Earlier this spring, we saw it in Forever: Justin wants to go with Keisha to Howard University, but she'd prefer that they have their own experiences. There are many other instances of this in pop culture, usually with the girl choosing a boy over her dreams. Cosmopolitan recently pointed out examples in The Hills, Boy Meets World, and more. (And let's not forget how Nate became the villain in The Devil Wears Prada for trying to keep Andy from her job.) Watching these relationships as the audience, it might be easy to scold the women who choose the boy. Like, Girl, stand up! He is not worth it! My Oxford Year, Netflix's newest romance film, complicates that decision with life-or-death stakes. The movie stars Sofia Carson (the streamer's go-to leading lady) as Anna, a big dreamer and type-A planner who takes a gap year to fulfill her childhood fantasy of attending Oxford University. Once she's done with her poetry course, she has a high-profile finance job waiting for her back in the States. But then she falls for her hot professor, Jamie Davenport (Queen Charlotte's Corey Mylchreest), who messes up her plans. Despite their undeniable mutual attraction, Jamie wants to avoid getting into a committed relationship with Anna. Not because he's emotionally unavailable, but because he has terminal cancer and doesn't want to break her heart. He has even opted to not take further treatment, despite his family's objections. Still, he and Anna can't resist each other, and they go for it anyway. They are so in love that Anna finds herself facing a critical decision: Should she still go back to the U.S. for her Goldman Sachs job, or should she stay in the U.K. with Jamie to help take care of him and keep him company for however much time he has left? An integral factor in this situation is that Jamie vehemently does not want Anna to stay. She has such a bright future ahead of her; she shouldn't give it up for a guy she just met and who won't be around for much longer. 'I would never make you make such a bloody stupid decision,' he tells her, also pointing out that there isn't much career growth if she decides to work at the university. When Anna tells him she isn't taking the Goldman job after all, he's furious. But Anna and Jamie's relationship has been quite eye-opening for her. Throughout their time together, her lifelong love for poetry and literature has only deepened. She expresses her dreams of traveling the world. She loves the Henry David Thoreau quote, 'Live life deliberately,' which has long inspired her to plan out every detail of her trajectory. But after encountering Jamie and his carpe diem approach to life, she realizes perhaps Thoreau was referring to something else. Living deliberately is not about planning everything, but about 'being definite about every small moment,' she says in the film. And what is life but not a series of moments? At the end of My Oxford Year, Anna and Jamie make up from their argument and spend the night together, but Anna wakes up to find Jamie nearly unconscious. He has a critical case of pneumonia that will likely kill him. At the hospital, the doctor wants to discuss next steps for treatment with Jamie's parents, but they decide to honor his wishes and let nature take its course. Back at home, lying on what is now Jamie's death bed, he and Anna talk about her future. Now that she's stayed in the U.K., she can go on the 'grand tour' she's always dreamed of. The itinerary includes Amsterdam, to see a hidden chapel; Paris, to get drunk by the Seine; Venice, to ride a gondola; and Greece, to see the Temple of Poseidon and swim in the Aegean Sea. As Anna plans her travels aloud, a tender montage of her and Jamie visiting these sites appears onscreen—until, in the end, it's revealed that she was alone the whole time. When the film jumps back to Jamie and Anna on the bed, it appears he has died right beside her. She might not have Jamie physically with her when she goes on her dream trip, but she does take his lessons and worldview with her as she moves forward with her life. As Carson previously told ELLE, their relationship 'changes her forever and for the better,' because she learns to 'lean into what brings her joy and what always was the love of her life, and that was poetry and literature.' Sure enough, in the film's final scene, Anna is now a professor at Oxford, teaching a poetry class of her own. My Oxford Year argues that choosing your love is choosing your future—especially if that love helps you achieve the dreams you were too scared to chase. In a sense, it eliminates the decision entirely, because you can have both; you can have your cake and eat it too. It's very romantic, it's melodramatic, and it's definitely rare, but it works in the context of a sappy, two-hour Netflix film with Sylvia Plath references and idyllic English settings. But in the cases of Belly from TSITP or Lauren from The Hills (who are both 'the girl who didn't go to Paris'), or any experience rooted deeper in reality, it's not quite the same. Those decisions, and the men involved, require a little more... deliberating.
Android Authority
6 hours ago
- Android Authority
I still love VLC, but this lightweight video player changed the game for me
Andy Walker / Android Authority VLC Player has been my go-to video app for years, dating back to the good ol' Windows XP days. That loyalty progressed to Android, and I still use it across desktop and mobile for my video content needs. While it remains a powerful product, VLC often feels cumbersome when I crave simplicity. Why opt for a piledriver when you need a chisel? I searched for a secondary player for more immediate video viewing tasks a few months ago and discovered Next Player. Although it's not as feature-rich as VLC, this is to its benefit. I believe the veteran player could learn a lot from this underdog. What is your preferred video player app on Android? 0 votes VLC Player NaN % Next Player NaN % My phone's default video player (mention the app in the comments). NaN % Another third-party app (mention the app in the comments). NaN % Next Player excels in design and usability Andy Walker / Android Authority What Next Player lacks in features, it makes up for in design. It's one of the most visually appealing Android apps I've used in ages, fully utilizing Material You and sensible element placements. The app offers two settings menus: one for home screen organization and another for additional tweaks and toggles. I'm never more than two screens away from the home screen, and since I've set up the environment to my liking, I rarely have to revisit these menus. Its clean design initially attracted me, but Next Player's strength is its straightforward functionality. Its clean design initially attracted me, but Next Player's strength is its straightforward functionality. The home screen's organizational options are somewhat customizable, but it displays only folders containing supported content by default. This makes it easy to jump into a directory and start watching content immediately. The video player itself is a core part of the video player experience, and I find Next's interface much easier to use. While VLC often hides important icons behind an overflow menu, Next offers immediate access to core controls on the player screen. VLC Player Next Player I have a habit of accidentally swiping or tapping on the screen or seek bar while watching content, leading me to lock content when it's on my display. Next Player's lock icon is conveniently located at the screen's bottom left corner, whereas VLC's is hidden in its overflow menu. I prefer not to tap multiple times to access this vital setting, so Next Player wins this battle. Overall, Next Player's controls are more relevant to my experience than those provided by VLC. I don't always need to select a subtitle track, but I often want to pop out my video player or adjust the playback speed. Yes, VLC has more options on tap, but the controls I use most aren't readily available. I wish both players allowed users to customize which icons are on screen, but Next Player suits my needs best for now. I don't always need to select a subtitle track, but I often want to pop out my video player or adjust the playback speed. It's also worth mentioning the speed of the two players. I find Next far smoother when accessing anything on the player screen. Single-tapping to bring up or hide icons is performed with a fluid, swift animation. VLC feels decidedly lumbering in comparison. The app also has problems with cut-off icons due to their size or location on my rounded display. Next is far neater in almost every aesthetic aspect. VLC still reigns in some areas, but not all Andy Walker / Android Authority As much as I've grown to like Next Player, I still use VLC to browse my NAS's video files directly if I don't want to use my file manager. It excels at streaming media and casting to supported devices. VLC also lets me browse audio files, create playlists for uninterrupted viewing or listening, or switch to its Android TV app on my Chromecast. These are features that Next Player doesn't have. These features have made VLC a brilliant app, but I'm slowly realizing I privilege usability above these options. Next Player offers just that. Follow
Yahoo
8 hours ago
- Yahoo
‘Weapons' Star June Diane Raphael Explains Pantless Premiere Look: ‘It's a Little C—y and a Little Horror and a Little Scary'
June Diane Raphael turned it out Thursday night at the world premiere of her new movie 'Weapons,' wearing a a pantless black tuxedo look reminiscent of Roxie Hart, the murderess ex-con turned showgirl in the Broadway musical 'Chicago.' 'When you're a part of such a big genre film and such a giant piece of performance art, it's time to leave your pants at home,' Raphael deadpanned. 'I've always said that, you know what I mean? It's time to lose a major piece of clothing. (The 'performance art' was a faux classroom on the red carpet inside the United Theater on Broadway in downtown Los Angeles that featured several child actors pretending to be unconscious at their desks and a couple of boys covered in creepy clown makeup.) More from Variety Why Seth Rogen Is Becoming the New Nicole Kidman Across TV and Film: 'I've Always Been Proud of Having a Lot of Output' Taron Egerton Shaved His Head and Bulked Up to Play an Ex-Con in 'She Rides Shotgun,' but 'There Was No Method Nonsense' Jessica Chastain Enrolls at Harvard Kennedy School to Get Masters Degree in Public Administration Raphael continued, 'It's horror chic. It's horror glam and it's a little cunty and a little horror and a little scary and a little spooky.' An original horror written and directed by Zach Cregger, 'Weapons' revolves around a town's reaction to the disappearance of an entire classroom students who ran from their homes at 2:17 a.m. and vanished into the night, triggering a wave of frantic finger-pointing and accusations ensnaring the children's teacher (Julia Garner.) Raphael, best known for her turn on 'Grace and Frankie' with Jane Fonda and Lily Tomlin, admitted she wasn't exactly a horror fan: 'I am such a scaredy cat. I'm scared right now.' The cast of the Warner Bros film also includes Josh Brolin, Austin Abrams, Cary Christopher, Alden Ehrenreich Benedict Wong and Amy Madigan. As previously reported by Variety, 'Weapons' cost $38 million in a package that included $10 million total for Cregger to write, direct and produce after a frenetic bidding war. Cregger's 2022 summer hit 'Barbarian' made close to $50 million on just a $4 million budget via 20th Century. 'Weapons' is in theaters on Aug. 8. See more photos from the 'Weapons' premiere below. Best of Variety New Movies Out Now in Theaters: What to See This Week What's Coming to Disney+ in August 2025 What's Coming to Netflix in August 2025
