
Machynlleth Comedy Festival returns as shows sell out
Preparations are underway for the 2025 Machynlleth Comedy festival as the annual event is set to return to the Powys town this weekend.
Hundreds of comedians are set to descend on Machynlleth for a weekend of performances between Friday, May 2, and Sunday, May 4, performing in 'every conceivable venue across the town' according to the festival's co-founder.
The lineup includes big names like Stewart Lee, Josh Widdicombe, Ed Byrne, Zoe Lyons, Mike Wozniak, Ivo Graham, Desiree Burch and Jamali Maddix, as well as dozens of underground and emerging performers on the comedy circuit.
The 2024 festival saw up to 8,000 people visiting Machynlleth for the event, with similar figures expected this weekend for the fourteenth instalment of the festival as several shows have been completely sold out.
Festival co-founder Henry Widdicombe said: 'When I look back at the initial vision for the Festival, what I'm most proud of is how the event is talked about by the artists who play it, the crew who work it, and the audience who attend it.
'Knowing the Festival could never grow beyond its current size we've always tried to keep it a special secret for those who love comedy.
'We don't take for granted that visitors have chosen to spend their May Day Bank Holiday weekend with us.
'Our talented crew will be working tirelessly to make the weekend the best of the year. Alongside this we continue to work on improving our access at the festival to ensure that as many people as possible have the opportunity to attend, and we are continuing to reduce our environmental impacts as an event and ask for your help in achieving that.
'In a time that is increasingly challenging for small to medium sized festivals we want to thank our supporters more than ever. Powys County Council's increased level of support for this year's event is a welcome boost, and with Keep It Light Media and Barti Rum continuing their support we're able to bring you the event for another year.
'I believe in the power of small events to bring people together, celebrate life, and provide a valuable reminder to us all to have fun. So let's have a banger.'
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Scotsman
9 hours ago
- Scotsman
Reeling Festival 2025: All the food and drink on-site including Birch coffee
The Reeling Festival is Glasgow's summer celebration of Scottish contemporary folk music and the event will welcome some of the biggest names on the Scottish trad scene to Rouken Glen Park from Friday 6 to Sunday 8 June. The 5,000-capacity event will see the Southside spot spring to life with world-class performances across two stages. The event offers fun for all with a dedicated kids' area, 'The Weeling', as well as high-quality Scottish food and drink offerings from the likes of the popular Skye eatery Café Cùil. As well as Cafe Cuil, there are other top food and drink spots to enjoy all weekend. Festival founder and co-director of Skye Live Festival Michael Pellegrotti said: 'We've built on last year's incredible food offering with returning favourites like Dough Man's Land, Screaming Peacock, Rost, Planet G, and Street Scullery – and we've added newcomers like MacLove, Shawarmarama, and Yu-ca-taco. Whether you're vegan, carnivore, or somewhere in between, you'll eat well here.' The Roll Shop Clare Coghill The Roll Shop is a one-off pop-up from Café Cùil and the chef and food writer behind ThatsYerDinner, is set to bring luxurious crispy rolls to Glasgow's southside as part of the Reeling Festival. The menu is set to include Egg Bhurji with curried scramble and tattie scone, Slow Roast Pork Belly with hoisin 'broon' sauce and pickled cucumber, Skye Crab Roll, Chopped Cheese Haggis Roll, House Fries with Orkney cheddar and onion add-ons available, as well as a Cranachan Donut with a whisky cream. Grant Reekie, chef, food writer and the mind behind ThatsYerDinner, said: 'As the baguette is to Paris, or the corn tortilla is to Mexico City, so is the humble morning roll to Glasgow. No butty, barm, bap or boule comes close. 'The Reeling felt like the natural first home for this partnership. It's a celebration of our city, and like the music at the Reeling, the food should have one eye on tradition and one on the present. 'We've put together a menu that truly showcases what a roll can achieve. Expect international, creative, and, above all, delicious fillings, all served in Glasgow's pride, the morning roll. And yes, there will be chips.' Clare Coghill, founder of Café Cùil, added: 'The morning roll is of course a staple in Scottish culture, but it's also an ideal vehicle for exciting flavour profiles. 'Back when The Reeling first launched in 2022, Café Cuil ran a pop-up restaurant. We're delighted to be returning and knew we wanted to do something special for the festival's third year. What could be more fitting than a homage to a Glasgow delicacy? 'We'll be showcasing cuisines from every corner of Scotland and beyond, and we're beyond excited to share the menu today.' Birch Coffee Mr Pellegrotti said: 'Last year, Birch Coffee was such a hit we had to bring them back – and this year they're coming with more machines and more coffee to meet demand. 'They serve some of the best brews in Scotland, with locations in Portree and Inverness, and it's all run by Niall Munro, son of Runrig's Donnie. A perfect cup of coffee between sets is exactly what you need.' Dough Man's Land Set up by two Glasgow brothers, this converted horse box serves wood fired pizzas, and quickly. Made using fresh, local ingredients, their oven reaches over 500 degrees, so the pizzas cook very fast. When not catering weddings, festivals or corporate events, you can find them on Derby Street in Finnieston. Screaming Peacock It wouldn't be a festival without a burger and chips and luckily, Screaming Peacock are cooking up just that. But these are no bog-standard burgers. From the classic beef to venison and pheasant, the van also has a range of loaded fries. Rost Ròst serves up a range of dishes using Scottish and local produce. Festival goers can look forward to a menu of creative sliders, their own pastramis, slow cooked meats, game, fish, wild foods and salad specials. Planet G This plant-based food truck is the brainchild of Gemma and Marta who want to reduce their environmental impact through plant-based food without compromising flavours and protein intake. On the menu you'll find loaded nachos, haggis pancakes, Italian kebab, truffle gnocchi and loaded smash potatoes among other dishes. Streat Scullery You'll know once you've found Streat Scullery as the team are cooking out of a custom-built American Airstream food truck. The chef behind Streat Scullery is Scott Keenan, a fine dining chef to trade (from kitchens like Cameron House, Braidwoods of Dalry and Number 16 Byres Road), who now spends his days creating indulgent, accessible street food. Expect tacos, bao buns and burgers. MacLove Mac and cheese fans should seek out MacLove. The team here make gourmet macaroni cheese pots from scratch with a three cheese blend and optional toppings that customers can tailor to suit them. Some of the existing favourites include 'Mexican Mac', 'Bacon Mac' and the simple, yet effective, 'Mac Love', which includes crispy onions and parmesan cheese on top. Offering favourites like "Mexican Mac" and "Bacon Mac," the menu also features the straightforward "Mac Love," topped with crispy onions and parmesan cheese for some crunch. Shararmarama This stall will be serving up super tasty middle eastern flavoured delights in street food style. On the menu there's kebab wraps and shawarma fries with lamb, chicken and falafel. Yu-ca-taco When Kim Gemann and Liam Walls returned from travelling in South America to settle in Glasgow, they couldn't believe they were unable to find good Mexican cooking in their new home city. So they began cooking it themselves and their business Yu-ca-Taco began. Starting from a food truck which served alternative, inspiring dishes at festivals, markets and food events, their popularity grew and you can now find them at many events all over Scotland. Expect delicious loaded tacos with meat and veggie fillings and some nachos too.


Telegraph
14 hours ago
- Telegraph
Want to hear our cultural elites blather on about ‘inclusivity'? That'll be £1,300
Ever get the feeling that somewhere, other people are having a high old time at some juicy jamboree – an occasion that poor old off-trend you don't even know is happening? I bring news. There is such an exclusive junket happening – right now! But don't panic, you'll soon be glad you're not there. The SXSW (South By Southwest) Festival, a spin-off from an annual bash that's been running in Austin, Texas since 1987, is taking place this very week. There's a packed programme of film, music, talks and panel discussions, about all manner of supposedly exciting things. Now it's arrived for the first time in London – well, in Shoreditch, which for the benefit of provincials I should explain is the part of London that even Londoners roll their eyes at, and mutter something like 'pretentious twits', only much ruder. The SXSW line-up gives us a fascinating glimpse into the rarified world of the cultural elite. And it is a very exclusive affair; a pass ticket for the whole week will set you back £1,300. I can hear you asking, yes, but what is it actually for? Well, I've had a good look through the acres of bumf, and to be honest I'm still not sure I can give you a good answer. The MD of the shebang, Randel Bryan, tells us: 'SXSW London will build on Austin's incredible legacy, presenting an event that underpins why SXSW is the go-to destination for professionals and creatives seeking meaningful connections, unexpected experiences, and ideas that can help shape the world.' View this post on Instagram A post shared by SXSW London (@sxswlondon) This sentence seems to fold back on itself like a Möbius strip. It's an event that presents itself, which underpins why it's an event…? No, I'm lost. SXSW is like the universe, then, and equally as mysterious – it's here because it's here because it's here. Here's my theory. I think it revolves around nebulous, boondoggling, add-on activities, a work conference for make-workers. There's a lot of talk about marketing, branding, mentoring: the parasitic babble that surrounds actual work, which I'm sure we couldn't possibly live without. You may remember the B-Ark of The Hitchhiker's Guide To The Galaxy, the gigantic spaceship full of absolutely useless people with silly jobs. SXSW is the B-Ark before it blasted off. The schedule is chock-full of the familiar buzzwords of that slice of the upper middle class who have got themselves into these baffling, but enviably remunerated, positions; sustainability, inclusivity, citizens assemblies, patronising the 'queer' community... All the fads, indeed, of 2018. Incomprehensible chat about AI, and tech of all kinds, abounds. There are talks from people with job titles like 'solutions architect' and 'serial entrepreneur', and plentiful satellite activities, from artisanal ice cream tasting to consciousness-raising yoga. After scrolling through acres of this guff, I got a mental image of a taxi screeching up in EC1 and disgorging Edina Monsoon, babbling into her mobile – 'Get off the line Saffy darling, I'm late for Bentley Robles' DJ set, and I've already missed the bloody buggery symposiums on 'Embedding Consciousness Into Business For Global Impact' and 'Next Gen Mycelium Biomaterials', sweetie.' Like you, I don't know what any of that means, but I do know that I want it to stop. It makes one long for Ken Dodd to storm the stage, tickling stick erect, shouting 'How's your belly off for spots, missus!?' Amusingly, Tony Blair and David Cameron turned up on stage unannounced on the first and second days, blithering on about AI nurses and genome sequencing, as if they were in Blake's 7. (This may be the first time Wyclef Jean and David Cameron have shared billing.) Inevitably, these surprise bookings lead to flounce-outs from several of the more tediously politically committed' music acts. Scottish singer Lvra pulled out, having a right pop at SXSW on the way: 'Whilst the music team were pulling together a diverse, 'cool' lineup, the conference team were booking speakers from multiple organisations deeply complicit in the current genocide [sic] of Palestinian people'. Blimey. You just don't get this sort of angst at Butlins. The very idea that this junket is in any way anti-establishment took a body blow when the King turned up on Thursday for a quick saunter around an 'immersive art' show about sustainability. As always, anything that goes out of its way to tell you how vibrant and dynamic it is will actually be clapped-out and moribund, and the louder and more frequently repeated the claim the more it holds true. There are some faces you'd be pleased to see – Björn from Abba or Tina Brown, for example, who have made their packets by bringing genuine joy to the world. But these are lost in the acres of nonsense, puffed up by breathless toot, across the schedule. I stuck a pin in it and found an event dedicated to 'Circular Design Practice.' 'With the growing awareness of waste in the fashion industry,' begins the blurb, 'more designers are adopting circular design principles, integrating sustainable practices into their creative processes. This event brings together key professionals across fashion and textiles to explore the significance of circular design, its challenges and its future role in shaping the industry. Facilitated by Laetitia Forst, circular design specialist.' I think this means that they've reinvented dressmaking from odds and ends. My mum was doing this in 1972, integrating sustainable practices into her creative processes like nobody's business. If only they'd known, they could've booked her. All this makes The Hay Festival, with its Garden Pizza Workshops and a chance to drop in on Alice Roberts and Led By Donkeys, seem positively trad. SXSW is very high-end, the upper upper middle class. More the Camerons than the Goves, you might say. There has been some grousing and grumping online from attendees about the goody bag, which apparently includes a somewhat tacky little Bluetooth speaker – which hardly aligns with the message of 'make do and mend' environmental doom. There are several other similar such events. There was the Avalanche Summit London, which actually took place in that famous London borough Hatfield, 23 miles away in Hertfordshire, but I suppose that wouldn't sound as exciting. This was 'the premier gathering for visionaries shaping the future of blockchain and Web3', and featured events such as 'Deploy, Monitor, and Scale with Zeeve Cogitus'. Coming up soon – in East London again, naturally – is the AI Summit, and an introduction to something called Plan B, which is – apparently – 'an EVM-compatible BTCfi Layer 1 using Bitcoin as gas tokens and built as an Avalanche L1'. Well, I'm glad we got that cleared up. Further afield there was the Soho Summit, hosted by fancy London members club Soho House at their big mansion in the Cotswolds. Soho House is the place where the people who sweat cobs to bring you top TV shows like The Masked Dancer, Genius Game and Mamma Mia I Have A Dream kick back. Again, sorry, you've missed this one. Luckily there's an online précis of highlights. We hear that 'Throughout Thursday and Friday, the Farmyard Bar served a specially curated Seedlip non-alcoholic cocktail menu, and in the Mill Room the Simply Kalmado, created by Melwyn Dela Cruz from Electric House in partnership with Porsche, was available to members.' Mine's a light ale, thanks all the same. Also on the Soho Summit menu? 'Gillian Anderson sat down with Dawn Airey to discuss her multifaceted career as an actor, author and now entrepreneur, which Anderson describes as 'absolutely bonkers'. The conversation explored the passion she brings to every one of her projects, from functional drinks brand G. Spot and characters like The Fall's Stella Gibson, to upcoming film project The Salt Path, set for release this month.' That's nice. Gillian Anderson is forever popping up at these events, for some reason, but they are peppered with celebs − Idris Elba, Ralph Fiennes, Rebel Wilson, James Corden, etc. I suppose it's like a version of ITV's An Audience With … but for people with more money than sense. View this post on Instagram A post shared by Rebel Wilson (@rebelwilson) My favourite morsel from the Soho Summit is the following; 'For bedroom guests, the day came to a close with a relaxed dinner held in the Hay Barn. As members dined, singer Self Esteem performed tracks from her new album, A Complicated Woman.' I'm just not sure how relaxed a dinner could be with someone in the corner breathily intoning, over banging EDM, the lyrics 'Doggy style feels all right'. Enough to put you quite off your pearl barley risotto. I wonder, who in their right mind is actually paying for these events – and what on earth are they actually learning from them? We keep hearing how innovators and big corporates are being overtaxed. Now I'm a confirmed old-school conservative and capitalism fan. But I have to say, if these dafties still have enough cash sloshing about to stage or stump up for these mega-beanos, I for one say let Angela Rayner loose the slavering devil dogs of HMRC on them. I have my own dream – a curated experience of the culture and knowledge that we're actually in danger of losing. Smoking permitted, nay, encouraged – nay, compulsory – throughout. Darts, boxing and snooker. There'll be talks on backache, home brewing and how to run the perfect car boot – hosted by Gloria Hunniford and Roy Chubby Brown. Music will come from Cliff Richard and Bell & Spurling, and good hearty fare will be provided from the trolley service, first come first served. Who's in?


Telegraph
15 hours ago
- Telegraph
‘I couldn't tell where the mud ended and the poo began'
You might have a stereotype of a festival goer in mind: maybe an inebriated groupie in a band T-shirt trying to sneak backstage; a Kate Moss wannabe decked out in cutting-edge fashion, thick eyeliner and muddy wellies; or a millennial know-it-all who can name every single member of every single band, plus their birthdays and pets' middle names. But these days, there's no such thing as a typical festival goer – or even a typical festival. While music festivals such as Glastonbury or Creamfields are well known for drawing huge crowds, there are countless alternatives within the UK, from literary, wellness and family festivals to quirky events such as cheese-rolling, mud-racing and pea-shooting. Research from consumer insights platform GWI reveals that almost one in three Gen-Zers have attended a festival with their parents in the past year, while data from Mintel shows that over-55s account for a fifth of all concert-goers. It's time to rethink who festivals are for, and what a typical attendee looks like: these are the new festival goers. 'After a horrendous Glasto experience, it took me 17 years to return to a festival' Cieran Brown, 42, from Putney, London, went to Into the Wild last year and is now finally a festival convert In 2007, my mother and I decided to go to Glastonbury. She had just been through a tough year after overcoming a health diagnosis, so I thought it would be a fun thing to do together. I was 25 and she was in her early 50s and a festival virgin, but as a self-declared 'lapsed hippy', she was game to enjoy some feel-good festival vibes. We arrived on a Thursday night, pitched up our tents and braced ourselves for the long weekend ahead. What happened over the next four days made me swear off festivals for life. The wettest Glastonbury on record saw torrential rain, accompanied by thunder and lightning, which lasted the entirety of the festival. The pristine green fields of Worthy Farm were soon turned into a swamp covered what could only be described as liquid mud. Getting around the quagmire of a site became almost impossible as the suction and slurping of wellies in mud became a constant. Parts of the site with the highest footfall became no-go zones, such as the front of the Pyramid Stage, which was guaranteed to make you faceplant into the sludge. As for the toilets – let's just say that I couldn't tell where the mud ended and the s--- began. After a couple of days, it became a feat of physical and mental endurance. Despite the hardship, my mum had a blast. No amount of mud was going to stop her from having a good time as she relived her youth in earnest. She got her hair braided with pink dreadlocks, and we got to see some great acts, such as Amy Winehouse, Iggy Pop and the Who. By Sunday, the site resembled a battlefield, and the optimism of day one had long since been replaced with a grinding sense of acceptance. My mum was forced to visit the welfare tent with a suspected case of trench foot, and the final straw for me was when I discovered a giant rat right outside my tent. Some people simply gave up and decided to leave early. We didn't have that luxury, as we had bought tickets that required us to travel to and from the site by coach to reduce traffic. This meant we couldn't leave till Monday morning, and as we queued to board our coach, we were handed emergency 'space blankets' by stewards. After a few hours' wait, which saw chaos and violence erupt, we finally departed for the long, wet drive home. Sitting in my sodden clothes, I vowed never to return and to enjoy festivals from afar – ideally from the comfort of my sofa. However, 17 years later, I once again found myself packing my camping gear and wellies to return to another festival, albeit a slightly smaller one in the shape of Into the Wild – a conscious and 'back to nature', family-friendly event. I was initially hesitant, but my partner convinced me to give it a go and join her and her eight-year-old daughter for three days of workshops, music and community. The main difference between this festival and Glastonbury was its emphasis on workshops celebrating 'connection, creativity and nourishing heart and soul by helping humans to rewild'. On our arrival at the site in Sussex, I felt badly out of place and deeply cynical of the harem pants, crystals, nose rings and man-buns adorning the predominantly white, middle-class crowd. Despite my reservations, we pitched our tents under glorious sunshine and clear blue skies and bedded down. Overnight, however, it started to rain and I began to fear the worst. It was late August and, against my better judgment, we didn't bring a brolly. Despite this rookie mistake, and apart from the occasional wet spell, the weather was largely sunny and warm over the weekend. I tentatively explored the site and attended various workshops over the next two days, including breathwork sessions, laughter yoga, men's sharing circles, drum jams and forest bathing. The biggest challenge was keeping my partner's daughter entertained – she felt too old for the kids' area but too young to join the adults, making it feel like we had a moody teenager reluctantly tagging along. By the end of the weekend, I found myself relaxing as my overworked nervous system was able to switch off and disconnect from the modern world (reception was non-existent). This made me cherish quality time with my partner and her daughter, and to foster new connections, even if some of the more hippyish and woo-woo sections were challenging to my inner cynic. I felt sad to be leaving, and I have since made plans to return with my partner, who will be facilitating at this year's event as a somatic art therapist. As for a return to Glastonbury, I am still on the fence. But I could have my arm twisted by a luxury yurt – weather dependent, of course. 'I went to my first festival in my 60s' Julia Phillips, 70, a group finance director from Gosport, Hampshire, attended her first festival, The Big Retreat, five years ago I have two wonderful children and four beautiful grandchildren who I adore wholeheartedly. I raised my children as a single parent from when they were just five and seven years old. My career really took off when my children were teenagers. I worked in marine engineering and later became the group finance director for a group of construction companies. Life was full – raising my children and building a career took all of my time and energy. As the business grew, so did the hours I worked. I rarely took time off, and in hindsight, that wasn't the healthiest choice. Festivals just weren't on my radar back then. I've always loved the outdoors and I'm passionate about wellbeing and music, so when the opportunity arose to go to one when friends invited me to The Big Retreat, it felt like the right time. I'm always up for an adventure and open to new experiences. I was a little apprehensive. I wasn't sure what to expect – what kind of people would be there, what the facilities would be like, or how I'd manage sleeping in a tent. But curiosity won out. In the end, I absolutely loved it. What touched me most were the people contributing their time and talents, sharing deeply personal stories or resources, but there were also live bands, disco nights and loads of amazing food stalls. I did yoga, went on beautiful walks, danced my socks off in the fitness zone, sang in the church, laughed like crazy in the laughter club, and had some peaceful moments by the estuary, sitting on hay bales. I even tried the ice bath, which was absolutely freezing but the feeling afterwards was incredible. Then I'd dance the night away again. It was full-on joy, pure happiness. There was this amazing sense of togetherness. It really did feel like medicine for the soul. Everyone was open, kind and on the same wavelength. Even the tent and loo situation was better than I expected. It was lovely to say 'good morning' to your tent neighbours and feel like part of a little community. The loos were cleaned regularly, the showers were warm and even the washing-up area turned into a place for a good natter. I wore comfy leggings, vest tops, a warm jumper for the evenings, and switched between trainers and walking boots depending on the day. I had my trusty yoga mat with me everywhere and a water bottle to keep hydrated. While I'd brought snacks and breakfast bits, most of the time I treated myself to food from the stalls. I met people on yoga mats, in queues, during workshops and more, and some of those connections have turned into real friendships that I still cherish. I've always felt young at heart, and the festival had this energy where age just didn't matter. I never once felt like I didn't belong. If anything, it actually made me feel younger. Being around all kinds of people, all doing their thing and enjoying themselves was uplifting. The whole experience was such a lovely reminder that fun, learning and joy don't come with an age limit. I've been back every year since, bar the pandemic, and I've booked to return in 2025, not just to attend but to teach my Move Through the Chakras class, something I was inspired to do thanks to The Big Retreat. Who would have thought that after four years as a festival goer, I'd be performing at one at the age of 70? Life is full of surprises, and I'm here for them all. I have no regrets about not going to one sooner; that's not my nature. I believe in embracing life as it comes and being grateful when you finally discover something that brings you joy. It's never too late. 'I go to festivals with my mum' Emma Chandler, 28, a lawyer from Surbiton, London, took her mother, Helena, 67, a retired analyst, to Glastonbury last year, and clips of them enjoying themselves even made it on to the BBC and went viral on TikTok (@emacrosstheworld). Mum is my best friend – we get on really well and do everything together. So when my cousin suggested we go to Glastonbury all together to celebrate my aunt's 70th birthday, I didn't hesitate. It didn't once cross my mind that it would be embarrassing to go with Mum; I knew it would be amazing, even though she'd never been to one before. Obviously there is always going to be a bit of a culture shock at Glasto – that's half the reason people go. We saw some naked people and some interesting outfits, and there were a lot of drugs. Mum was surprised about how brazen people were, pulling bags out in front of crowds of people. We were all a bit horrified about the loo situation – the smell is something none of us will forget. But Mum was the one giving everyone in the queue loo roll and hand sanitiser. I have to confess we did splash out to go glamping and slept on camp beds, but while it might have been comfortable, nothing could block out the sound of snoring in the tent behind us. The tents were off site, so we had a 10 to 15-minute walk on top of wherever we wanted to go. Regular Glastonbury goers will know that the site is huge, so we ended up doing more than 30,000 steps a day. Thankfully Mum is quite fit, so she was OK, but we took lots of breaks and sat and watched people to save our legs for the headliners. It was just brilliant to see her dancing to drum and bass, pushing her way to the front and getting into daily fancy dress. But the highlight had to be watching Coldplay. The group has massive meaning to my family: my dad and I used to listen to Viva La Vida on full blast driving down the motorway, so experiencing that live with my mum was very emotional. (My dad doesn't like crowds, so he'd never do a festival – he's more of a beach holiday fan.) During their set, she got up onto my shoulders, and that was picked up by the BBC television cameras. People saw her on my shoulders, and loved it. The fact she even got on television was beyond her wildest dreams – she's rewatched the set about 10 times since. I posted our experience on TikTok, thinking it would just be a cute memory – seeing it go viral was crazy. I'd posted a bit before but had never had a response like that. As we drove home, I read Mum all of the beautiful comments from strangers. They called her an inspiration, and that's what she is for me. The thought of her bringing so much positivity and light to more people just made me so happy. I'd recommend anyone taking their mum to Glastonbury.