
Fujita Mao, inspired by Korean musicians and culture, excited to present his first recital
26-year-old Japanese virtuoso discusses expanding his repertoire beyond Mozart and distancing from social media
Japan's rising pianist Fujita Mao has gained international acclaim for his interpretations of Mozart, including a highly praised recording of the complete Mozart Piano Sonatas, his debut album released in October 2022.
Having performed the complete sonatas at major venues like the Verbier Festival, Wigmore Hall, and concert halls across Japan, Fujita, 26, is now set to showcase a different side of his artistry.
'Mozart is, without a doubt, my favorite composer. More than 50 percent of the concertos I perform are by him, and I'm grateful he composed 27 -- it means I can continue to challenge myself every year. But I also want to expand my repertoire and explore beyond Mozart,' he said in a recent email interview.
For his first recital in Korea, Fujita will take a break from Mozart to perform Alexander Scriabin's 24 Preludes, Op. 11 and Fantasie in B minor, Op. 28, along with Frederic Chopin's 24 Preludes, Op. 28.
'Chopin and Scriabin's 24 preludes form a kind of musical cycle, showcasing a sense of harmonic circulation,' Fujita explained, adding that Chopin admired Bach and Bach's influence can be found throughout Chopin's works, particularly in his harmonic transitions and chromatic progressions.
'Scriabin, in turn, was deeply inspired by Chopin, which makes performing their Preludes together a fascinating contrast. Although Scriabin revered Chopin, he forged his own distinct musical path,' Fujita noted.
'This performance presents an excellent opportunity to explore and compare the two composers' tonal colors, harmonic language, and structural development, offering listeners a deeper appreciation of their musical evolution,' he added.
Fujita also shared his excitment about presenting his first recital in Korea.
'I know many Korean artists, and I've always admired their musicianship. It makes me curious about their cultural and musical upbringing,' he said.
'In 2023, I visited Korea with the Czech Philharmonic, and before that, I performed at the Seoul Arts Center in a gala concert after the Tchaikovsky Competition. I noticed how incredibly focused and passionate Korean audiences are, which makes me even more thrilled to present my first solo recital here.'
Beyond performing, Fujita has a deep personal interest in Korean culture.
'I enjoy Korean films and dramas, and my family and I often watch them together. And of course, I can't wait to try Korean food, especially the spicy dishes,' he added.
Fujita began playing piano at three and won multiple international awards, including at the Rosario Marciano International Piano Competition and the Zhuhai International Mozart Competition. He gained global attention in 2019 when he won the silver medal at the International Tchaikovsky Competition.
His first Korean recital will take place at 5 PM on Feb. 23 at the Seoul Arts Center. Tickets range from 30,000 to 80,000 won.
When asked about his interests beyond music, he shared, 'I've stepped away from social media entirely since last December. I used to follow updates on artists like Lim Yunchan and world orchestras, but I eventually realized that music itself connects us more deeply than online posts. While I still share updates when necessary, I now consider 'social media distancing' my hobby.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
4 hours ago
- Korea Herald
K-pop groups fade from charts — are solo artists the new trend?
Rise of solo artists reflects shifting tastes, diversified platforms and the waning impact of idol group comebacks The Korean music scene is undergoing a notable shift. Once dominated by idol groups, the nation's top streaming charts are now increasingly led by solo artists — signaling changing tastes, industry dynamics and the evolving behaviors of K-pop consumers. As of Tuesday, girl group aespa was the only idol act ranked in the top 10 of Melon, Korea's largest music streaming service. The monthly Melon chart for May showed aespa, Ive, and BoyNextDoor placing at No. 7, No. 9, and No. 10, respectively. In stark contrast, last May's chart was packed with K-pop groups: Illit landed at No. 2, followed by Ive, I-dle, QWER, TWS, aespa and Babymonster — collectively occupying seven of the top 10 spots. A similar pattern emerged on the April digital chart released by Circle Chart, run by the Korea Music Content Association. That month's top 10 included soloists G-Dragon, Jennie, Woodz, Zo Zazz, Hwang Garam and Rose. Only aespa's 'Supernova,' Ive's 'Heya' and Le Sserafim's 'Hot' represented idol groups. On the latest weekly chart, just three groups — aespa, BoyNextDoor and Riize — managed to stay in the top 10. Comebacks fall flat: A lack of impact from new idol songs Despite the sheer number of group comebacks this year, many new releases have failed to leave a lasting impression. NCT Wish, Le Sserafim, TWS, BoyNextDoor, Hearts2Hearts and Kiiikiii are among the teams that either returned or debuted in the first half of 2025. Yet few managed to maintain a stable presence on the charts. 'Frankly, K-pop groups aren't doing well right now,' said music critic Lim Hee-yun on Tuesday. 'Of course, artists like IU are consistently strong, and soloists like Woodz, Hwang Garam and Zo Zazz have made impressive rebounds or gradually built momentum with ballads. But when it comes to idol groups, there haven't been many new songs that truly capture the public's attention.' Many soloists dominating the local charts are former members of mega-popular groups such as Big Bang and Blackpink, whose brand recognition, fan bases and individual artistry contribute to their strong performance. Big Bang's G-Dragon, for instance, ranked No. 1 in Circle Chart's April 'Digital Top 400 Artist Index,' securing 12 songs in the top 400 and accounting for a 5.5 percent share of the entire chart. A format built for focus: Solo tracks resonate in the streaming age Lim believes part of the shift is rooted in the musical format itself. Idol music, often designed around choreographed performances and rap-heavy breaks, can be thrilling on stage but less appealing for passive listening. 'K-pop idol songs can be fun and dynamic with raps and powerful choreography. But as listening experiences, they're often less cohesive,' he said. 'Even if a group has strong vocalists, it can be jarring when a weaker member jumps in with a rap verse mid-song. Solo tracks, in contrast, are built around a single vocal tone and emotional arc — making them more immersive for listeners.' Lim also noted that K-pop fan behavior has changed. Younger fans, in particular, have drifted away from traditional streaming platforms. 'K-pop fans once played a central role in boosting their favorite groups on domestic charts. Now, with so many platforms — social media, fandom apps, exclusive content — their efforts are more spread out. Idol groups no longer dominate the charts like they used to,' he said. jaaykim@


Korea Herald
11 hours ago
- Korea Herald
"The Summer Hikaru Died" Anime Reveals 2nd Main Trailer and New Casts
Unveils the Opening Theme Song "saikai" performed by Vaundy ~Streaming Worldwide Only on Netflix from July 5th~ TOKYO, June 3, 2025 /PRNewswire/ -- CyberAgent, Inc. today has revealed the second main trailer and additional cast announcements of the television anime of up-and-coming award winning author Mokumokuren's "The Summer Hikaru Died" (original published by KADOKAWA, co-produced by CyberAgent and KADOKAWA, animation produced by CygamesPictures). "The Summer Hikaru Died" is a hit horror manga series about an ordinary high school boy, Yoshiki, who experiences various mysterious incidents in his life with Hikaru, a mysterious being who imitates his best friend Hikaru Indo. The story of "whatever it is" and the boy's madness has garnered significant attention, making it a must-see anime film. The newly revealed second main trailer features the opening theme song "saikai" performed by Vaundy which is also unveiled for the first time. Additionally, comments from the new cast members, Yoshiki Nakajima as Yuta Maki and Shion Wakayama as Yuki Tadokoro have also arrived. The Anime "The Summer Hikaru Died" will be available on Netflix worldwide from July 5th, 2025. We will continue to provide additional details. Second Main Trailer: The opening theme song will be performed by Vaundy, a notable artist leading Japan's latest music scene! "saikai" filled with inspiration from reading the original manga, can be heard in the 2nd main trailer. The opening footage of the main story will start broadcasting and distributing from episode 2, so don't miss it! "saikai" by Vaundy Music, lyrics and arranged by Vaundy (SDR / Sony Music Labels) This time, I wrote down the opening theme song " saikai " for "The Summer Hikaru Died". I made it into a song with the same uneasy feeling I got when reading the original manga, not knowing what would happen every time I turned the page. I hope it has become a song that challenges the music of anime in the future. Who would you want to meet again if you had the chance? A multi-talented 24 years old artist who handles all of his own lyrics, composition, and arrangement, as well as design, video direction, and self-production. He started posting songs on YouTube in the spring of 2019. With catchy melodies like "Tokyo Flash" and "Fukakouryoku" and a wide range of genre songs, he quickly became a hot topic on SNS. He has been attracting attention as a symbolic figure of the "Reiwa" era in streaming music, with 17 songs exceeding 100 million plays, setting a record for the most by a Japanese male solo artist. From February 2026, he will also be the youngest male solo artist in history to hold a tour in four major city domes (with an expected audience of about 300,000 in 6 live concerts). With his natural voice that catches the ear and becomes addictive at first listen, and his wide-ranging song sense that suggests extraordinary talent, he is leading the Japan's latest music scene. Yuta Maki (CV: Yoshiki Nakajima) Classmate of Yoshiki. A funster with a shaved head. I'm Yoshiki Nakajima, and I'll be voicing Yuta Maki. Maki shakes up the mood of the story—in a good way! He uses all kinds of tricks (laughs). In this "abnormal" world that clings to you like sweaty summer heat, doesn't the "normal" daily life of Maki and Yuki offer a refreshing contrast? Since the shocking first chapter of the manga, I've been drawn into this world. I hope I can share that feeling with you soon. Please look forward to the anime! Yuki Tadokoro (CV: Shion Wakayama) Classmate of Yoshiki. Childhood friend of Asako Yamagishi. When I first read the manga, I was completely drawn into its unique atmosphere—how it captures the abnormal side of everyday summer life, quietly existing right next to the normal. Even though the characters live like they're walking a tightrope and have long left "normal" behind, that same unchanged normal life is still waiting for them at school. I truly, truly love this world and its atmosphere. I'll do my very best to help bring that feeling to the anime. A hit horror manga series about an ordinary high school boy, Yoshiki, who experiences various mysterious incidents in his life with Hikaru, a mysterious being who imitates his best friend Hikaru Indo. The story of "whatever it is" and the boy's madness has garnered significant attention, making it a must-see anime film. In a certain village Since their childhood, they have grown up together. Yoshiki and Hikaru, childhood friends. the sun shining down on them the chirping sound of a crypto tympana facialis Ice cream on the way home Laughing over trivial things One day in summer, no different from any other day ...... You're not Hikaru after all, are you? Half a year ago, Hikaru went missing in the mountains. A week later, he came back on a whim. The voice, the figure, the thing that looked like Hikaru What was stirring inside... "Hikaru is no longer with us. ...... if that's the case." Starting the days with "something" in the form of a friend, The "same as usual" everyday life. But at the same time... Strange incidents begin to plague the village. Falling into the unknown "something" The curtain rises on a coming-of-age horror story. Original story: Based on the comic "The Summer Hikaru Died" by Mokumokuren, originally serialized in the YOUNG ACE UP published by KADOKAWA Director/Series Composition: Ryohei Takeshita Character Design/Chief Animation Director: Yuichi Takahashi DORODORO Animator: Masanobu Hiraoka Animation Production: CygamesPictures Copyrights must be indicated when posting or using the image materials. Original work information Title: "The Summer Hikaru Died Author: Mokumokuren Previously published: Volumes 1-5 (Kadokawa Comics A)


Korea Herald
14 hours ago
- Korea Herald
Broadcasters pull out all stops for election results coverage
Broadcasters vie for viewership, with high-profile panelists, dynamic visuals and proprietary voting prediction systems South Korea's major broadcasters went all-out for their live coverage of the June 3 presidential election, delivering eight-hour marathon programming that combined high-profile panel discussions and broadcasts with state-of-the-art generative AI. Munhwa Broadcasting Corporation, which led the viewership rating during April's general election, returned with an impressive setup for "Election 2025." The network unveiled the largest LED screen ever used in Korean election broadcasting for displaying election results, expanding from a four-panel display to a six-panel display. Ceiling-mounted wire cameras provided sweeping shots of the studio for dynamic footage. 'Debate M,' a segment of the MBC's election coverage, featured a lineup of prominent figures including author Yoo Si-min, former Korea Economic Daily editor-in-chief Chung Kyoo-jae, Democratic Party of Korea lawmaker Park Joo-min and People Power Party lawmaker Cho Kyung-tae. The panel discussed election dynamics and offered insights into the country's political future. Seoul Broadcasting System has stood out in past elections with its eye-popping graphics that heavily reference popular culture. This year, it leaned into spectacle with a 'Squid Game'-inspired segment in its election coverage program, "2025 People's Vote" (translated). Computer-generated presidential candidates, wearing tracksuits reminiscent of those in "Squid Game," were shown competing in traditional Korean games to depict the race to win the election. SBS also debuted Korea's first extended reality live talk show as part of its election coverage. The segment, titled 'Sseoltongryeong,' changed the filming studio into a fully rendered 3D environment that transported talk show guests to digitally recreated locations such as the National Assembly and the presidential office. Guests on the talk show included younger voices such as YouTuber Oh Chang-seok, host of YouTube political satire-comedy channel "President Namcheon-dong"; Park Sung-min, a former youth secretary at the Blue House; and Park Min-young, a People Power Party spokesperson. Korean Broadcasting System turned to generative AI for its coverage titled "Vote That Changes My Life" (translated) -- a first for the national broadcaster. Images depicting cities that were hotbeds of democratization movements and industrial landmarks served as a backdrop to the broadcast announcing the election results, with the network also operating from a dedicated studio for panel talks at the 'K-Cube,' located in Gwanghwamun, Seoul. KBS' analysis segment assembled a diverse panel of politicians and political pundits including Democratic Party members Lee So-young and Kim Sang-wook, People Power Party's Kim Jae-seop, Reform Party's Chun Ha-ram and former JoongAng Ilbo editorial writer Kim Jin. According to Lee Min-young, head of KBS' Election Broadcast Planning Team, this year's coverage took on a more grounded tone. "Given that this election follows a presidential impeachment, we prioritized the public's call for democracy and a sense of returning to normalcy over celebration,' she said via KBS' press coverage of its election broadcast. Each broadcaster also highlighted its proprietary vote prediction system. MBC utilized its own prediction system which integrated exit polls, historical data and live vote counts to forecast results, while SBS deployed 'Yoo-Hwak-Dang,' combining early exit polling with ongoing vote updates to calculate winning probabilities. Meanwhile, KBS used 'Decision K+,' a system that tracked candidate performance in real-time and categorized their chances of victory as 'likely,' 'certain,' or 'elected.'