
‘The Institute': Stephen King's New TV Thriller Premieres in London
American writer Stephen King and director Jack Bender have joined forces again for a new TV thriller "The Institute", which premiered in London on Thursday.
Based on King's best-selling 2019 novel by the same name, Bender said after working together on shows such as crime drama "Mr. Mercedes" and sci-fi show "Under the Dome" they were keen to find a new project.
"This show is about the power of youth coming together to rectify the world that all of us adults have screwed up a little bit," Bender said.
As well as directing, Bender, along with King has an executive producer credit on the show, as does Ben Cavell, who also wrote the small screen adaptation.
Joe Freeman, in his first major role, stars as Luke Ellis, a teenager with unusual abilities, who is kidnapped and taken to "The Institution," a facility full of trapped kids with psychological powers.
"He's never acted and he's remarkable .... The minute I saw him on tape, it was: 'Oh, my God, this kid is it. He's so real,'" Bender said of 19-year-old Freeman, the son of actor Martin Freeman.
Asked if his dad, known for "The Hobbit" franchise and "Sherlock" had given him any advice, Joe Freeman said it was not to take anything for granted, as "the job (of an actor) is 99% rejection."
Freeman stars alongside Emmy award winner Mary-Louise Parker as Ms. Sigsby, who runs the institution and Ben Barnes, who plays an ex-cop whose life becomes intertwined with the facility.
"It's a sort of... a slow simmering sort of horrifying thriller rather than a horror," Barnes said.
While the first series covers the book, there are plans to continue.
"We certainly intend to tell much more story... if there's an appetite for it, we will absolutely continue this story because these characters, these actors, this crew... it all feels too good to leave behind," Cavell said.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Asharq Al-Awsat
21 hours ago
- Asharq Al-Awsat
‘The Institute': Stephen King's New TV Thriller Premieres in London
American writer Stephen King and director Jack Bender have joined forces again for a new TV thriller "The Institute", which premiered in London on Thursday. Based on King's best-selling 2019 novel by the same name, Bender said after working together on shows such as crime drama "Mr. Mercedes" and sci-fi show "Under the Dome" they were keen to find a new project. "This show is about the power of youth coming together to rectify the world that all of us adults have screwed up a little bit," Bender said. As well as directing, Bender, along with King has an executive producer credit on the show, as does Ben Cavell, who also wrote the small screen adaptation. Joe Freeman, in his first major role, stars as Luke Ellis, a teenager with unusual abilities, who is kidnapped and taken to "The Institution," a facility full of trapped kids with psychological powers. "He's never acted and he's remarkable .... The minute I saw him on tape, it was: 'Oh, my God, this kid is it. He's so real,'" Bender said of 19-year-old Freeman, the son of actor Martin Freeman. Asked if his dad, known for "The Hobbit" franchise and "Sherlock" had given him any advice, Joe Freeman said it was not to take anything for granted, as "the job (of an actor) is 99% rejection." Freeman stars alongside Emmy award winner Mary-Louise Parker as Ms. Sigsby, who runs the institution and Ben Barnes, who plays an ex-cop whose life becomes intertwined with the facility. "It's a sort of... a slow simmering sort of horrifying thriller rather than a horror," Barnes said. While the first series covers the book, there are plans to continue. "We certainly intend to tell much more story... if there's an appetite for it, we will absolutely continue this story because these characters, these actors, this crew... it all feels too good to leave behind," Cavell said.


Arab News
a day ago
- Arab News
Highlights from Bashir Makhoul's ‘The Promise' at Zawyeh Gallery
'Drift' The Galilee-born British-Palestinian artist's solo show's title, according to the gallery, 'encapsulates a poetic and ambiguous statement of intent — an assertion that is both an event and a transformation. A promise is made and, inevitably, can be broken.' That is the duality at the heart of Makhoul's practice, as is the recurring motif of the house. 'Deep Wounds' This work is part of a series of painted wooden sculptures, each of which bears a carved hollow scar, disrupting its 'wholeness.' 'These wounds are marks not just of trauma but also spaces of beginnings, resonating with Edward Said's notion of origins as an act of cutting open, a rupture that invites multiple directions.' 'My Olive Tree' Makhoul has been experimenting with electroplated 3D printing to produce crystalline machine-generated structures that 'paradoxically resemble organic formations' such as those seen in this work representing Makhoul's own tree which stands between two plots of land he does not own.

Al Arabiya
a day ago
- Al Arabiya
AI-generated Pope Leo sermons flood YouTube, TikTok
AI-generated videos and audios of Pope Leo XIV are rapidly proliferating online, racking up views as platforms struggle to police them. An AFP investigation identified dozens of YouTube and TikTok pages that have been churning out AI-generated messages delivered in the pope's voice or otherwise attributed to him since he took charge of the Catholic Church last month. The hundreds of fabricated sermons and speeches, in English and Spanish, underscore how easily hoaxes created using artificial intelligence can elude detection and dupe viewers. 'There's natural interest in what the new pope has to say, and people don't yet know his stance and style,' said University of Washington professor emeritus Oren Etzioni, founder of a nonprofit focused on fighting deepfakes. 'A perfect opportunity to sow mischief with AI-generated misinformation.' After AFP presented YouTube with 26 channels posting predominantly AI-generated pope content, the platform terminated 16 of them for violating its policies against spam, deceptive practices, and scams, and another for violating YouTube's terms of service. 'We terminated several channels flagged to us by AFP for violating our spam policies and Terms of Service,' spokesperson Jack Malon said. The company also booted an additional six pages from its partner program allowing creators to monetize their content. TikTok similarly removed 11 accounts that AFP pointed out—with over 1.3 million combined followers—citing the platform's policies against impersonation, harmful misinformation, and misleading AI-generated content of public figures. With names such as 'Pope Leo XIV Vision,' the social media pages portrayed the pontiff supposedly offering a flurry of warnings and lessons he never preached. But disclaimers annotating their use of AI were often hard to find—and sometimes nonexistent. On YouTube, a label demarcating 'altered or synthetic content' is required for material that makes someone appear to say something they did not. But such disclosures only show up toward the bottom of each video's click-to-open description. A YouTube spokesperson said the company has since applied a more prominent label to some videos on the channels flagged by AFP that were not found to have violated the platform's guidelines. TikTok also requires creators to label posts sharing realistic AI-generated content, though several pope-centric videos went unmarked. A TikTok spokesperson said the company proactively removes policy-violating content and uses verified badges to signal authentic accounts. Brian Patrick Green, director of technology ethics at Santa Clara University, said the moderation difficulties stem from rapid AI developments inspiring 'chaotic uses of the technology.' Many clips on the YouTube channels AFP identified amassed tens of thousands of views before being deactivated. On TikTok, one Spanish-language video received 9.6 million views while claiming to show Leo preaching about the value of supportive women. Another, which carried an AI label but still fooled viewers, was watched some 32.9 million times. No video on the pope's official Instagram page has more than 6 million views. Experts say even seemingly harmless fakes can be problematic, especially if used to farm engagement for accounts that might later sell their audiences or pivot to other misinformation. The AI-generated sermons not only 'corrode the pope's moral authority' and 'make whatever he actually says less believable,' Green said, but could be harnessed 'to build up trust around your channel before having the pope say something outrageous or politically expedient.' The pope himself has also warned about the risks of AI, while Vatican News called out a deepfake that purported to show Leo praising Burkina Faso leader Ibrahim Traoré, who seized power in a 2022 coup. AFP also debunked clips depicting the pope, who holds American and Peruvian citizenships, criticizing US Vice President JD Vance and Peru's President Dina Boluarte. 'There's a real crisis here,' Green said. 'We're going to have to figure out some way to know whether things are real or fake.'