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What Happens to Joe in Alien: Earth Episode 2's Ending? Explained

What Happens to Joe in Alien: Earth Episode 2's Ending? Explained

Yahoo2 days ago
Wondering if Joe dies in episode 2's shocking ending? The latest installment left viewers reeling after a tense reunion between Wendy and her brother took a deadly turn. Speculation is now swirling about his fate following a brutal Xenomorph attack.
Here's what happens to Joe in episode 2, what the cliffhanger reveals, and how it sets up the events of the next chapter.
Does Joe die in Alien: Earth Episode 2's ending?
Joe does not die at the end of Alien: Earth episode 2, 'Mr. October,' but his fate is left uncertain.
Moments after reuniting with Wendy, a Xenomorph attacks and pulls Joe away. This echoes an earlier scene in which the creature nearly killed him before Morrow temporarily neutralized it. The episode ends as the Xenomorph takes Joe, setting up a potential rescue attempt in the next installment.
Joe, also known as Hermit, works as a Prodigy medic and is Wendy's biological brother. Their reunion ends abruptly when the Xenomorph strikes again, terrorizing multiple humans on Earth. Although Morrow technically saves Joe once, he shows no regard for human life, focusing solely on securing alien specimens for Weyland-Yutani. The encounter leaves Joe in enemy hands, but narrative clues suggest his story will continue.
At the same time, Wendy's mission in episode 2 is to investigate an 'omelette' of alien eggs aboard the fallen spacecraft Maginot on Kirsh's orders. The eggs are likely ovomorphs containing facehuggers. This suggests the Xenomorph acts as a queen determined to protect them. The discovery triggers a conflict between the Prodigy hybrids, led by Kirsh, and Morrow, who pursues the capture of all loose alien specimens.
Wendy's backstory unfolds through flashbacks. Boy Kavalier saved her life as a terminally ill human named Marcy by transferring her consciousness into a synthetic body. Now the first human-synthetic hybrid, Wendy has superhuman capabilities but remains under Prodigy's control.
Joe's baseball subplot adds personal stakes. He finds a World Series ball signed by Reggie Jackson, 'Mr. October,' which reminds him of his late father's words about seizing key moments. His earlier survival from Xenomorph attacks hints at an important role in future episodes.
Alien: Earth episode 3, 'Metamorphosis,' will begin right after the cliffhanger. Wendy will try to rescue Joe while Kirsh and Morrow battle for control of the alien specimens.
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Humor: How to Choose Your Middle Schooler's Instrument
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timea day ago

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Humor: How to Choose Your Middle Schooler's Instrument

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Now Streaming: Paramount announces seven-year UFC media rights pact

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‘Platonic' bosses keep the friend zone unhinged with Seth Rogen and Rose Byrne, plus streaming recs
‘Platonic' bosses keep the friend zone unhinged with Seth Rogen and Rose Byrne, plus streaming recs

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  • Los Angeles Times

‘Platonic' bosses keep the friend zone unhinged with Seth Rogen and Rose Byrne, plus streaming recs

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It's definitely a creative challenge, but we all know how important friendships are to our overall emotional health, so it stands to reason that they deserve some exploration onscreen too. This season provides an opportunity to explore the intimidation factor of a new significant other experiencing the Sylvia-Will dynamic. How did that make you think about Will's fiancée, Jenna [Rachel Rosenbloom]? Stoller: We originally conceived of 'Platonic' as an anthology series where we were going to explore a different platonic friendship each season. While shooting the first season, we had such a great time making it that we asked Seth and Rose if they wanted to do more of the show together, and luckily for us they said yes. The Jenna character had been created to give Will a happy ending. We knew that to make more episodes of the show we would have to give Will a new conflict. We knew that Sylvia needed to understand Will in a way Jenna just didn't. But we also wanted Jenna to be a legitimate partner for Will. So in the Season 2 writers' room, we reconceived Jenna to just be operating at a slightly different wavelength than both Will and Sylvia. We worked with Rachel Rosenbloom, who plays Jenna and is super funny, to figure out a character that was just a little out of step with both Will and Sylvia. Delbanco: We really wanted to write Jenna as a human, relatable character rather than a one-dimensional 'lame girlfriend' type of comedy villain, because at its core, the insecurity that Jenna feels about Sylvia is a feeling most of us have had before: Who is this woman my boyfriend/fiancé/husband spends so much time with, and how can I be sure he isn't actually in love with her? Likewise, we didn't want Jenna to be someone Sylvia could easily dismiss: In many ways she's good for Will, and intimidating in her own right. There have been so many amazing comedies about introducing a significant other to your parents, and your family, but there's a lot of great dramatic tension to mine when new love interests collide with old friends. What is the backstory with the 'penguini' pet name? What were other iterations before you landed on that one? Stoller: We just tried to think of the most embarrassing thing that Will would have to say in front of Sylvia. And so 'penguini' was born. Hilariously, one of our locations where we shot this season turned out to be right next to a restaurant called Caffe Pinguini. Delbanco: It made us laugh so hard to imagine Seth having to use a private baby-talk, lovey-dovey voice — it just doesn't suit his character, and it's so mortifying to be overheard in that mode. It felt like a strong way to announce that something new was going on with him this season. What have you watched recently that you are recommending to everyone you know? Stoller: I just watched the Billy Joel documentary ['Billy Joel: And So It Goes,' HBO Max]. I've always been a fan of his, but the documentary uncovers a lot of pain and history I was unaware of. It made me revisit his music and understand it in a whole new light. I also just saw the film 'Sorry, Baby' [VOD], which is hilarious, beautifully-shot, moving and even, at times, slightly scary. Delbanco: I recently finished the second season of 'Wolf Hall' [ and I can't stop thinking about it — I loved the novels and was floored that they were adapted for the screen with such incredible depth and power. The finale is still haunting me even though I watched it weeks ago. Main takeaway: I am so freaking glad I wasn't born during the reign of Henry VIII. What's your go-to 'comfort watch,' the movie or TV show you go back to again and again? Stoller: I watch 'Rushmore' [Hulu, Disney+], 'When Harry Met Sally' [VOD] and 'The Shining' [VOD] once a year. The endings of both 'Rushmore' and 'When Harry Met Sally' never fail to make me cry. Every time I watch 'Rushmore,' I notice a new detail. And 'The Shining' casts a hypnotic spell that makes me want to revisit the Overlook [Hotel] again and again. Delbanco: I guess we're an early Wes Anderson household, because 'The Royal Tenenbaums' [Hulu, Disney+] is the movie I see on repeat when I close my eyes. It makes me laugh and also cry in all the right ways, and I love its desultory, romantic mood. I don't think any scene has ever worked for me as well as Gwyneth Paltrow's walk towards Luke Wilson when she gets off the bus. The bus station! Her fur coat! Nico! What could ever top it?

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