
‘The Tiny Things Are Heavier': A reflection on young adulthood and migration
Through it all, Sommy is haunted by guilt over her brother Mezie's attempted suicide just two weeks before she left her homeland for the United States. She's also frustrated that Mezie answers her frequent phone calls and text messages with silence, leaving her to wonder what he's thinking and where their relationship stands.
Okonkwo astutely captures the awkwardness and insecurities of a young woman from any country or culture starting an independent life as an adult. She also shows how relationships with family members can change when young people reach adulthood and head out on their own.
While still involved with Bayo, Sommy falls for Bryan, who was born to a white mother and a Nigerian father he never knew. After Sommy carries out her deceit for some time, Bayo eventually learns that his roommate is now with someone else and leaves deeply hurt.
Bryan and Sommy form a serious relationship and make plans to visit Nigeria so he can track down his father.
When they finally make the trip, Bryan's quest to finally know his dad turns out to be highly disappointing. Sommy has some luck connecting with her brother, but she sees him with different eyes now that she's an adult.
An unexpected tragedy during the Nigeria visit suddenly changes everyone's future forever.
Associated Press

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Broadcast Pro
a day ago
- Broadcast Pro
Five 2 Media and Nile Entertainment partner for distribution of ‘Remi X Nneoma'
The film will premiere nationwide on Easter 2026, with international screenings to follow. Five 2 Media Entertainment, a Nigerian-based film and production company, has announced that Nile Entertainment has secured global distribution rights for its upcoming feature Remi X Nneoma. The star-studded drama, which explores love, loss and the enduring bond between women, marks a new creative direction for the studio, formerly known for titles such as On the Edge (Prime Video), Full Circle, Extra Mile (AFRIFF Official Selection) and A Night in 2005 (Prime Video). Executive produced by Solate Ovundah-Akarolo (A Night in 2005, Extra Mile) and produced by actress and producer Bikiya Graham-Douglas (The Ministry of Ungentlemanly Warfare, Wrath and Revenge), who also stars in the film, Remi X Nneoma offers a contemporary retelling of the Biblical story of Ruth and Naomi. The project assembles a powerhouse cast led by Bisola Aiyeola, Liz Benson Ameye, Uche Montana and Ifeanyi Kalu. Appearances from screen icons including Eucharia Anunobi, Buchi Franklin, Kunle Coker and Tina Mba further underscore the film's high-profile ensemble. Directed by Lyndsey Efejuku and written by Priye Diri alongside Adelarin Awotedu, the film reimagines a classic narrative through a modern lens. With music supervision by Kalinè, the story navigates themes of grief, resilience and female agency, highlighting the transformative power of solidarity and reinvention. Bisola Aiyeola said: 'Remi is every woman who has ever had to start over. Her strength doesn't shout, it builds quietly and steadily. Playing her was a deeply rewarding experience.' Bikiya Graham-Douglas added: 'This film is a story about transformation. We wanted to tell a story that challenges outdated norms, champions female agency, and reflects the beauty and complexity of real relationships.' Executive Producer Solate Ovundah-Akarolo stated: 'Remi X Nneoma signals a new creative chapter. This project is a testament to how personal journeys, however painful can become universal stories of courage and connection. A film that lingers long after the credits roll.' Remi X Nneoma is slated for a nationwide Nigerian premiere during Easter 2026, with international screenings to follow. With its layered storytelling and acclaimed ensemble cast, the film is expected to be one of the most talked-about Nigerian cinematic releases of the year.


Gulf Today
31-07-2025
- Gulf Today
Tuning for tomorrow: Malaysia's first violin maker carves out a rare craft
Hunched over his workbench, Tan Chin Seng shaves the wooden top plate of a violin, removing thin layers with slow, deliberate strokes. The work is meditative, out of the public eye. For Tan, transforming raw wood into a violin is a labor of artistry and love. The 45-year-old is Malaysia's first professional violin luthier, or maker of string instruments like violins, cellos and guitars. Over the past decade, he has earned international accolades. Now he mentors a new generation of makers in a field still little-known in Southeast Asia. Traditionally, violin luthiers are associated with Europe, where masters like Antonio Stradivari and Giuseppe Guarneri shaped the modern violin. The craft has spread globally, with thriving communities now in China, Japan, South Korea and Taiwan. Malaysian luthier Tan Chin Sang checks a handcrafted violin at his workshop. Associated Press Tan's path to violin-making was unconventional. A computer science graduate who doesn't play the violin, he was helping in his family's food business and co-owned a music school. In 2010, a trip to China to restore an aging violin sparked a deeper fascination with the instrument's construction. Curiosity led him to apprentice with Chinese luthier Han Zhao Sheng, and he built his first violin. 'After completing the first violin, I knew this craft was for me,' Tan said. 'There's woodworking, carpentry, artistic design. There's chemistry, acoustics, physics - everything about violin-making, I like it. Turning wood into music is just amazing.' What followed was, in Tan's words, a 'crazy' devotion. He flew back and forth to Beijing for more training, then traveled to Italy to study under other luthiers. In the early days, he would spend up to 16 hours a day hunched over wood, perfecting every curve and contour. In 2015, he committed to violin-making full time. The process is painstaking, often taking hundreds of hours to create a single violin and requiring intense focus. His studio, Deciso, located in a suburb near Kuala Lumpur, is cluttered with chunks of aged wood, chisels and jars of hand-mixed varnishes. Malaysian luthier Tan Chin Sang works on a violin at his workshop. Associated Press Tan crafts up to 10 instruments a year, using spruce for the top plate — the wood is prized for its resonance — and maple for the back, sides and neck. Sourced from Europe and at an annual wood fair in Shanghai, they are aged for years to ensure tonal quality and prevent warping and cracking. Each violin begins with carving and smoothing the wooden boards to precise dimensions. Tan said the top and back plates are shaped to exact thicknesses that affect resonance. The ribs are bent and assembled, and the scroll is hand-carved at the neck. Varnish - often a luthier's secret blend - is applied in thin layers for protection and tonal influence. The last steps include cutting the bridge and stringing the instrument. Tan's early years were challenging. Some Malaysian clients compared his handmade work to mass-produced instruments. But business grew after he won international awards in Italy and beyond. Today, he builds violins — and occasionally violas and cellos — mainly on commission. Half of his clients come from abroad including France, Germany and Hong Kong. Each violin sells for 12,000 euros ($14,000). Tan's journey has inspired others. While most of his students are musicians and young people, few pursue it as a trade due to the demands of the craft. Still, some have followed in his footsteps including Chan Song Jie, Malaysia's first female violin luthier. Malaysian luthier Tan Chin Sang examines a handcrafted violin at his workshop. Associated Press Today, there are two other full-time violin luthiers in the country, both trained by him. Tan notes that the domestic market is still too small to support many more. 'I would say passion is not enough,' Tan said. 'We're all crazy. Everyone in this workshop — you see — they're all crazy. We just love the work too much.' Over the years, Malaysia's first professional violin maker has earned many international accolades. Now, Tan Chin Seng, whose studio is located in a suburb near Kuala Lumpur, is mentoring a new generation of makers in a field still little-known in Southeast Asia. Meanwhile, Malaysia has recorded 16.9 million international tourist arrivals from January to May of this year, a 20% increase from the same period of 2024, the tourism ministry said. About half of Malaysia's total international tourist arrivals during the first five months of the year were from neighbouring Singapore with 8.34 million visitors, followed by Indonesia at 1.82 million, China at 1.81 million, and Thailand at 1.06 million, the tourism ministry said in a written parliamentary reply on Monday. A handcrafted violin made by Malaysian luthier Tan Chin Sang is seen at his workshop in the outskirt of Kuala Lumpur, Malaysia. Associated Press Arrivals from 'long-haul markets' such as Australia and the United Kingdom also saw increases of 16.6% and 8.7% respectively, compared to the same period in 2024, the ministry added. 'This increase in foreign visitor numbers clearly reflects the effectiveness of various initiatives implemented by the government through strategic approaches, progressive policies such as the visa liberalisation plan, and support and incentives given to industry players,' the ministry said. The Southeast Asian country recorded just over 25 million international tourist arrivals in 2024, falling short of its 27.3 million target. Malaysia is targeting 47 million international tourist arrivals in 2026, with a focus on key markets such as Central Asia, the Middle East, Southeast Asia, Europe, and Oceania, the tourism ministry said. Agencies


Gulf Today
26-07-2025
- Gulf Today
Singer Cleo Laine, regarded as Britain's greatest jazz voice, dies at 97
Cleo Laine, whose husky contralto was one of the most distinctive voices in jazz and who was regarded by many as Britain's greatest contribution to the quintessentially American music, has died. She was 97. The Stables, a charity and venue Laine founded with her late jazz musician husband John Dankworth, said Friday it was "greatly saddened' by the news that "one of its founders and Life President, Dame Cleo Laine has passed away." Monica Ferguson, artistic director of The Stables, said Laine "will be greatly missed, but her unique talent will always be remembered.' Laine's career spanned the Atlantic and crossed genres: She sang the songs of Kurt Weill, Arnold Schoenberg and Robert Schumann; she acted on stage and on film, and even played God in a production of Benjamin Britten's "Noye's Fludde." Laine's life and art were intimately bound up with band leader Dankworth, who gave her a job and her stage name in 1951, and married her seven years later. Both were still performing after their 80th birthdays. Dankworth died in 2010 at 82. In 1997, Laine became the first British jazz artist to be made a dame, the female equivalent of a knight. "It is British jazz that should have received the accolade for its service to me," she said when the honor was announced. "It has given me a wonderful life, a successful career and an opportunity to travel the globe doing what I love to do." Associated Press