Looking for a new TV quiz show? Step into the backyard
It's taken exactly a year, but thank goodness this magnificently sardonic dose of healing humour, that burst onto the National Indigenous Television Network as a standalone special last NAIDOC Week, is back for a proper, 10-episode season. Testing celebrity contestants' knowledge of First Nations history, food and culture, with creative games and challenges, Big Backyard Quiz extends an invitation to all Australians to squirm, laugh and learn.
10 News First's Narelda Jacobs again takes up the mantle of cool, calm, and effortlessly funny quizmistress. And comedian and poet extraordinaire Steven Oliver who, in 2020, launched Australia's first Indigenous quiz show with his SBS arts-focussed format Faboriginal, assumes his position on the floor, facilitating riotous segments such as song-lyric guessing game 'Noongar Boodjaroke', food identifying challenge 'Gourmet Grub', the bullshit-detecting 'True God or Gammin' and the reverential 'Make Aunty Tea'.
Together, they are the perfect hosting duo, his barely containable kinetic energy fizzing around the studio set that is laid with Astro turf and dressed to resemble a typical Australian suburban backyard, with washing on the line and outdoor lounges around a fire pit. At her podium – a plastic outdoor bar table in front of an ocean sunset backdrop – Jacobs holds court, allowing impromptu jokes time to settle as she keeps proceedings rolling along.
The beauty of the show is that it allows non-Indigenous Australians to have a chuckle at their discomfort, in this so very Australian, neutral setting. It is clear, however, exactly whose backyard we are in. There are First Nations in-jokes and language. Much of the humour comes from staring down differences, inequality, prejudice, and this nation's shameful history.
Sometimes the gags are gaspingly close to a line, but in the hands of astute comedians, permission to laugh is granted. The first episode absolutely goes there with regard to racist violence, and the failed Voice to parliament referendum.
First to the party is Shari Sebbens, who is joined by Rhys Nicholson and Nina Oyama. On the opposing side, Meyne Wyatt has Emma Holland and Matt Okine. Having Indigenous team leaders almost have to apologise for the ignorance of their non-Indigenous charges poignantly flips the privilege dynamic.
Appearing later this season are Rove McManus, Ernie Dingo, Tasma Walton and Peter Rowsthorn.
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Canberra Times
an hour ago
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After spending years looking to escape the pressures of city life, engineer Katja Boese and her partner found a property at Lenswood, in the Adelaide Hills, teeming with native wildlife. "Stalls are popping up a lot more in these sort of places because people are trying to support the smaller people, not the big companies." "There's a lot more people trying to become more self-sufficient out here," she says. Ms Frankish likes to think the stall, adorned with bright yellow bunting and sunflower motifs, helps keep the caravanning community connected through items made with homely care. The Evenindee Homestead farm stall, which sits next to a street library, sells plants, soap, wire art, craft, bath salts and dried flowers. Daneve Frankish's stall at Captain Creek was inspired by a two-year trip around Australia. (PR IMAGE PHOTO) "It was nice to be able to stop and support these little communities we were driving through," Ms Frankish, a part-time teacher's aide, says. 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Sydney Morning Herald
3 hours ago
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Perth's big, beautiful movie studio is getting ready for its close-up
It was always expected Western Australia's first purpose-built movie studio would be big. It's one of the reasons the state government decided to shift the $233 million screen facility from Victoria Quay in the heart of Fremantle to the southern edge of Whiteman Park in Perth's northern suburbs. But it is not until you get up close and personal to Perth Film Studios, as it has been rebranded, that you fully appreciate the size of the four state-of-the art boxes that in years to come will host large-scale Australian and international productions that will put our city on the filmmaking map — that is, if everything goes to plan. Taken aback by the size of the facility – in particular the sound stage in the most advanced stage of completion – the first question to Perth Film Studios' British-born chief executive Tom Avison must be: 'What level of production could it not accommodate?' 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You get big fish, you get small fish and everything in between.' Perth Film Studios CEO Tom Avison And in Avison, the WA Labor government and Home Fire Creative Industries – the Perth company that won the much-publicised competition to build and operate the studio – have found a chief executive with recent experience opening a similar facility, Sky Studios Elstree, in London. Sky Studios was a baptism of fire for Avison in his role as director of operations, as the new studio's first production was Wicked, Universal's blockbuster musical that took over eight of the studio's 12 sound stages. 'We had just completed the build when Wicked moved in. Builders out on Friday, production in on Monday,' Avison said. 'It was a challenging time but very exciting and incredibly rewarding. 'It battle-hardens you and your staff and forces you to get up to the highest standards very quickly. 'When a film is green-lit it goes fast. The train is leaving the station and you have to climb on board.' It is doubtful that Perth Film Studios will kick off in the first quarter of next year with a production the size of Wicked. However, if Hollywood wants to shoot a mega-budget musical, or an action fantasy, or a series about the world overrun with the undead, then Avison and his team will be ready. 'We will have conversations with producers who have the biggest projects to those with the smallest,' Avison said. 'And the studio will be a fantastic option for local and national projects. 'A good example are the two recent television series that were filmed in Perth, Ghosts and The Postcard Bandit. We want the Perth Film Studios to become the hub for the Western Australian screen industry.' Avison says that he was lured away from his big job in one of the world centres of film and television production because of the excitement around the WA film industry and the support of the state government, which is backing its investment in the studio with an array of incentives to ensure it doesn't become a 'white elephant'. 'There is an industry here that has been growing organically and successfully and a government that is supporting it,' Avison said. 'And when you factor in organisations like ScreenWest and the crew of highly skilled freelancers you feel that Western Australia is on the cusp of something great. I wanted to be a part of that.' Avison said there was also the understanding that it was not enough to just build a studio: 'You need to build an industry to support it.' Ever since the movie studio was announced by then-premier Mark McGowan during the 2021 state election in a starry press event at Victoria Quay with local stars such as Tim Minchin, Kate Walsh and Ben Elton, the industry has been debating the issue of whether Perth is ready for a movie industry. There are arguments that WA's industry is not mature enough to service a movie studio, and that most of the talent will have to be imported, raising costs and make it less attractive to American studios and other production entities around the globe. Loading Avison disagrees that WA is putting the cart before the horse. 'A movie studio is like a reef,' he said. 'It acts like a centre of gravity. It brings the ecosystem to it. You get big fish, you get small fish and everything in between. 'In the past productions have come here to take advantage of the wonderful locations then go somewhere else for the studio component. They will now be able to do everything here.' He also sees potential for crews returning if they have a good experience in Perth, giving the example of a series production, which could take months. 'That means that the various services that support a production are assured of long-term work,' he said. 'All of this occurs because at the centre of the ecosystem is a movie studio.' The other big challenge is distance. Perth is, as we hear ad nauseum, the most isolated capital city in the world. Loading So, will the production entities in the United States, Europe and, to a lesser extent, Asia be willing to send their projects across multiple time zones to do what could be done on their respective home territories? Adding to the challenge is that, since the rise of streaming services such as Amazon, Netflix and Apple, screen facilities have been popping up across the United States and across the globe, with Sydney recently announcing plans for a second studio. While some aspects of international filmmaking are out WA's control — the rise and fall in the dollar, and Donald Trump's tariffs have added another element of uncertainty — Avison believed the studio would overcome distance by offering a unique, high-quality experience. 'Filmmaking is complex and stressful, with tight deadlines and fixed budgets. So crews need to feel reassured they can do their jobs,' he said. 'We will create an environment that will not just get the job done but will allow filmmakers to flourish. 'We want them to be reassured that they don't have to worry about the basics, and they can put all their energy into their creativity.' While there is pressure on Avison and his team to lure the kind of bigger budget productions that will brush aside the naysayers, he believes it will take time for the studio to build a reputation and drop into the field of view of the global film industry, like Tom Cruise in Top Gun. 'I come from an industry where studios have been there for 100 years,' Avison said. 'That is what we want to build — a facility that is not a flash in the pan something that will serve the local industry for generations to come. We will be ready in the first quarter of next year, but our eyes are also on the future.'
