
Review: ‘The Eternaut' — compelling post-apocalyptic sci-fi from Argentina
DUBAI: At first, it seems like 'The Eternaut' is going to be a climate-crisis-focused piece. It's summer and Buenos Aires is boiling in more ways than one — demonstrations against government incompetence rage on the streets while power cuts only increase the oppressive heat felt by residents. Then a sudden fall of deadly radioactive snow kills hundreds of thousands instantly.
The snow continues to fall as survivors quickly work out that to venture outside without full body cover and masks is to guarantee death. A small group of middle-aged friends were enjoying their regular poker night when the snow began to fall, and it is on them that the series centers — particularly Juan Salvo, a veteran of the war between Argentina and the UK over the Falkland Islands (or the Malvinas, as they're called in Argentina).
There are many other survivors, including people in the neighborhood they've known for years, and the show does a fine job of exploring the escalating paranoia as people accustom themselves to their new reality and realize that their acquaintances are potentially as deadly as the snow. There are echoes of the source material's political edge too, as the line between neighbor and enemy blurs.
Juan (a convincingly grizzled Ricardo Darin) manages to find his ex-wife, but their daughter, Clara, is missing — she was at a friend's house when the snowstorm started. Much of the first two episodes is taken up with Juan's unsuccessful search for her. The starkly beautiful cinematography is often breathtaking, and the claustrophobia is palpable, both in the houses of the survivors and in the suits they must wear to go anywhere.
Halfway through the six episodes, though, there's a grinding shift of gears. The apocalypse, it tuns out, was actually the result of an alien invasion, the first wave of which involves giant bugs. Juan's super-smart friend Tano correctly predicts that the bugs are controlled by something more sinister.
That sudden shift means the enjoyable slow-burn grittiness of the opening episodes is lost, as the show becomes more CGI-action-based. It's still gripping, but what had promised to be a unique standout fades into something far more generic.
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Arab News
2 days ago
- Arab News
Highlights from the Venice Biennale of Architecture
Following our in-depth coverage of this year's Saudi and Qatar entries, here are three more must-see pavilions at this year's biennale. For the latest updates, follow us on Instagram @ Bahrain At first glance, Bahrain's pavilion isn't much to look at. A modest modular structure consisting of a raised platform, a suspended ceiling, and a central column, it lacks the artistic clout of other pavilions. And yet, this passive cooling installation designed for public spaces was awarded the Golden Lion for best national participation. 'Heatwave' presents a meaningful and practical response to the climate crisis. By reimagining traditional Bahraini cooling systems, such as wind towers and shaded courtyards, it provides an innovative response to rising temperatures. The pavilion's design integrates a geothermal well that draws in cool air from below the surface, paired with a solar chimney that releases warm air upwards. Together, these elements form what the designers describe as a 'thermo-hygrometric axis,' a system that maintains a mild, regulated indoor climate. In the exhibition space, where excavation for a geothermal well was not feasible, the system relies on mechanical ventilation, drawing air through a canal-facing window and guiding it through a network of ducts and nozzles to create a controlled microclimate. Importantly, it is designed to be scalable and adaptable to a wide range of environments. Commissioned by Shaikh Khalifa bin Ahmed Al-Khalifa, president of the Bahrain Authority for Culture and Antiquities, and curated by architect Andrea Faraguna, the pavilion functions as a full-scale, inhabitable prototype. Aimed primarily at meeting the challenges faced by construction workers in the Gulf, the pavilion's design was developed in collaboration with structural engineer Mario Monotti and thermomechanical expert Alexander Puzrin. Britain 'I call this pavilion a reverse case because it also makes a statement against British colonial rule,' says Yara Sharif, one of the co-founders of the Palestine Regeneration Team (PART). 'After all, they were the ones who initiated the exploitation of Palestinian resources. So having a platform within the British Pavilion is, in itself, a statement — a reverse case that says, 'We are also here to occupy you.' It's also a way to challenge the mental occupation; the idea of portraying Palestinians as passive subjects.' PART's 'Objects of Repair' is a small but vitally important component within the British pavilion's 'Geology of Britannic Repair,' a UK-Kenya collaboration that seeks to expose and rework the entangled legacies of architecture and colonization. In a series of installations, the exhibition proposes earth-bound solutions that resist extractive practices and respond to climate, social, and political upheaval. The British Pavilion received a special mention for national participation. At the core of PART's installation, created by Sharif, Nasser Golzari, and Murray Fraser, lies the Travelling Lab, a project inspired by Gazans' reappropriation of rubble to create new architectural 'skins.' 'The whole idea behind the Travelling Lab is that it continues to develop and evolve as it moves,' explains Sharif, who is also a co-founder of Architects for Gaza. 'We call it a way to cultivate hope, but also to create a matrix of possibilities that may suggest new scenarios and aesthetics to challenge the ones we're familiar with. The aim of the pavilion is not to create a beautiful object; it's to provoke a collision, spark discussion, and to draw attention to a context that is continually being rendered invisible.' Uzbekistan One of the first things you see when entering the Uzbekistan National Pavilion is a heliostat – a mirror system designed to track the sun and reflect its light onto a fixed point. Beyond it lie a control room table, a monumental glass chandelier created by Irena Lipene, and a giant solar screen. All belong to — or are reconstructions of those found at — the Sun Institute of Material Science in Tashkent, one of the city's Soviet-era modernist structures. The landmark building, originally known as the Sun Heliocomplex, is the inspiration behind 'A Matter of Radiance,' the pavilion's exhibition. Curated by GRACE studio's Ekaterina Golovatyuk and Giacomo Cantoni, the exhibition explores the scientific and cultural relevance of the Heliocomplex. In particular, its potential as an international scientific hub. 'This was a catalyst building for its time,' says Gayane Umerova, chairperson of the Uzbekistan Art and Culture Development Foundation, who commissioned the exhibition. 'The architecture was profound. The designers were given remarkable freedom, and I think it's important for us to not only celebrate it, but also preserve it.' Opened near Tashkent in 1987, the Heliocomplex is one of only two major solar furnaces in the world designed to study how materials behave under extreme temperatures. It is also one of 24 key modernist sites spread across the capital, 21 of which have been granted national heritage status. 'It's important for us to show that this is not just a monolith,' says Umerova of the Heliocomplex, which is currently being used for civilian scientific research. 'It's an art object, in a way, but it's a living structure.'


Arab News
15-05-2025
- Arab News
Review: ‘The Eternaut' — compelling post-apocalyptic sci-fi from Argentina
DUBAI: At first, it seems like 'The Eternaut' is going to be a climate-crisis-focused piece. It's summer and Buenos Aires is boiling in more ways than one — demonstrations against government incompetence rage on the streets while power cuts only increase the oppressive heat felt by residents. Then a sudden fall of deadly radioactive snow kills hundreds of thousands instantly. The snow continues to fall as survivors quickly work out that to venture outside without full body cover and masks is to guarantee death. A small group of middle-aged friends were enjoying their regular poker night when the snow began to fall, and it is on them that the series centers — particularly Juan Salvo, a veteran of the war between Argentina and the UK over the Falkland Islands (or the Malvinas, as they're called in Argentina). There are many other survivors, including people in the neighborhood they've known for years, and the show does a fine job of exploring the escalating paranoia as people accustom themselves to their new reality and realize that their acquaintances are potentially as deadly as the snow. There are echoes of the source material's political edge too, as the line between neighbor and enemy blurs. Juan (a convincingly grizzled Ricardo Darin) manages to find his ex-wife, but their daughter, Clara, is missing — she was at a friend's house when the snowstorm started. Much of the first two episodes is taken up with Juan's unsuccessful search for her. The starkly beautiful cinematography is often breathtaking, and the claustrophobia is palpable, both in the houses of the survivors and in the suits they must wear to go anywhere. Halfway through the six episodes, though, there's a grinding shift of gears. The apocalypse, it tuns out, was actually the result of an alien invasion, the first wave of which involves giant bugs. Juan's super-smart friend Tano correctly predicts that the bugs are controlled by something more sinister. That sudden shift means the enjoyable slow-burn grittiness of the opening episodes is lost, as the show becomes more CGI-action-based. It's still gripping, but what had promised to be a unique standout fades into something far more generic.


Arab News
11-05-2025
- Arab News
Argentine officials praise Saudi Arabia's tolerance message at Buenos Aires fair
RIYADH: Jorge Macri, chief of government of the Argentine capital Buenos Aires, praised the Saudi Ministry of Islamic Affairs' pavilion at the Buenos Aires International Book Fair as a unique model. He noted that it effectively expresses Islamic identity through a modern design reflecting the cultural renaissance underway in the Kingdom, according to the Saudi Press Agency. During his visit to the pavilion, Macri emphasized that the ministry's participation strengthened Saudi Arabia's position as the fair's main guest of honor. He added that the cultural and educational events and initiatives offered by the King Fahd Cultural Center enhance social ties between Argentina and the Kingdom. Pilar Bosca, director general for religious affairs in Buenos Aires, also expressed appreciation for Saudi Arabia's efforts in promoting the values of tolerance and moderation, describing the Kingdom as a global model in this regard. During her tour of the pavilion, Bosca expressed admiration for the diverse content presented, which reflects the true essence of Islam. She added that this underscores Saudi Arabia's noble message of promoting moderation, coexistence, and tolerance through modern technology and interactive digital tools that engage all segments of society. The ministry's booth drew wide attendance from fair visitors, who appreciated the rich content blending accurate information with a modern approach, the SPA reported. They praised the message conveyed by Saudi Arabia through the ministry in serving the Holy Qur'an and spreading the call to Islam with wisdom and good counsel. The 49th annual Buenos Aires International Book Fair, organized by the Book Foundation in Argentina, is being held from April 22 to May 12. Riyadh, the capital of Saudi Arabia, is the guest of honor, showcasing the Kingdom's growing prominence in Latin America. Riyadh's pavilion aims to strengthen Saudi cultural presence in the region and present the capital as a cultural model reflecting the Kingdom's transformation under Vision 2030. The pavilion features diverse literary and cultural content, including Spanish-translated publications that help build cultural bridges. The Literature, Publishing, and Translation Commission is leading Riyadh's participation, joined by a Saudi cultural and literary delegation that includes representatives from the Theater and Performing Arts Commission, the Heritage Commission, and the Ministry of Islamic Affairs. Also participating are the King Fahd Glorious Qur'an Printing Complex, King Abdulaziz Foundation for Research and Archives, King Salman Global Academy for Arabic Language, King Abdulaziz Public Library, and King Fahd National Library.