Traitors' Alexander Dragonetti opens up about his brother's story as he reveals whether he is 'friends' with fellow contestants
The Traitors finalist Alexander Dragonetti has inspired people to donate more than £70,000 to a charity after he spoke about his brother's story on the show.
In an interview on The UK Tonight With Sarah-Jane Mee, Mr Dragonetti said more than £70,000 had been raised for Mencap, an organisation supporting people with learning disabilities.
"The response has been fantastic. Anybody who supports or raises awareness on what to me is an incredibly important topic, I'm so incredibly grateful. The response has been fantastic."
The former British diplomat opened up about how his late brother, who had Global Developmental Delay and autism, saying for a week a year his brother would go to a summer camp where he also volunteered to help other children.
The 38-year-old described how his brother would be "the centre of attention", adding: "Everyone would flock around and he had this energy where he just drew people to him. And he was also slightly cooler than I was. I just stood there and waved, bathed in his reflected glory. It was such fun for him."
Mr Dragonetti said his brother, who died aged 17, would have been really excited to see him appear on TV as part of the BBC show.
He said while it is "fantastic having special needs children" it can also be "really challenging", adding: "Often parents don't have much of a voice. And if I can create or help to create that voice for parents to help get them the support they need, that would be probably my most proud outcome from the show."
Read more from Sky News:
'I was actually texting Leanne during the final episode'
Mr Dragonetti did not win the latest series of The Traitors. He lost to project manager Jake Brown and former soldier Leanne Quigley, who won the £94,600 prize pot.
But after a tense finale, is he still friends with his fellow contestants?
"We actually are all friends now," he revealed. "I was actually texting Leanne during the final episode, saying 'I'm so sorry to have accused you,' and she was texting me saying, 'Oh my God, I got it so wrong.'
"So we've actually become really close since the end of that. And it's been really nice to get to know each other in a slightly less pressurised way."
Told he had "become the nation's sweetheart" and asked if he was still single, Mr Dragonetti said: "I am. No further comment."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Buzz Feed
3 hours ago
- Buzz Feed
Brad Pitt Reveals "F1" Film Was His Dream Experience
Motorsport fans are about to get a high-octane dose of cinema with F1 — the upcoming highly-anticipated film that's already being hailed as one of the most ambitious racing movies ever made. Directed by Top Gun: Maverick's Joseph Kosinski, F1 stars Brad Pitt as Sonny Hayes, a retired Formula 1 driver who returns to the sport to race for a fictional team called APXGP (pronounced 'apex'). He's joined by British actor Damson Idris, who plays rookie teammate Joshua Pearce. And while the team and characters may be fictional, almost everything else about the film is very, very real. While kicking off the press tour in Mexico City, Pitt called the project 'a dream come true', revealing that he'd been trying to make a racing film for decades. 'For me, it was just a no-brainer,' he said. 'When Joe had this audacious plan to invent us in the racing season, to put us actually in the cars, it was just a dream come true.' Kosinski's vision was clear from the beginning: to make the most immersive and realistic racing film ever made. That meant no faking it — Pitt and Idris had to actually learn how to drive. 'We started this training and we ended up getting to drive for basically two years in the making of this,' Pitt explained. 'By the end of it, Damps and I — I say we were quite tasty… as drivers.' That realism extended beyond just learning how to drive. Pitt and the production team — with major help from seven-time world champion and executive producer Lewis Hamilton — gained access to the inner workings of F1, even sitting in on drivers' meetings to ensure authenticity. Pitt said it was important to earn the respect of the sport and its athletes. 'We had to go in and just try to earn their trust, let them know how much we respect the sport, how much we want to get it right, and how much we want to include them,' he shared. The cars themselves posed another challenge. Pitt described the Formula 1 steering wheel as 'extreme', filled with too many buttons to count. 'The idea of being in the car and dealing with these forces, G-forces, the physics of it all, is just something you cannot fake,' he said. 'It is incredible what these guys can do.' He added that the precision and speed required from F1 drivers was 'staggering', especially considering how tightly packed the grid is during races. 'The idea that these guys can go around a four-mile track and all be within one second of each other — it's awesome,' Pitt said. 'It's a religion for me. The downforce, the way these cars stick — there's nothing I can compare it to.' A huge part of the film's authenticity comes from Hamilton's input — both creatively and technically. 'We would have meetings with him — some 12-hour meetings — as we developed the story and the script,' Pitt said. 'A lot of him is in the film, certainly in the way the story ends. Even in post, he would tell us things like, 'You're in the wrong gear at Turn 6', or, 'Make sure you add the reverb when you go down the straight'. His knowledge is unfathomable.' F1 hits Australian cinemas on June 26, 2025 and judging by the scale, the access, and the passion behind it, it's set to become a defining moment in motorsport cinema.
Yahoo
3 hours ago
- Yahoo
‘Destination X' Premiere Ratings Grow to Reach 4.2 Million Viewers Across NBC, Peacock
The 'Destination X' premiere has grown to reach over 4 million viewers, TheWrap can reveal exclusively. The premiere episode, which first premiered on May 27, has reached 4.2 million viewers across NBC, Peacock and all other platforms, according to Nielsen figures, doubling the episode's initial live-plus-same-day viewership of 2.1 million. 'Destination X,' which airs Tuesdays on NBC, saw a 20% week-to-week uptick in viewership in the key demo among adults 18-49 when comparing the premiere episode to its second installment, which aired June 3. To date, the new unscripted series has reached more than 9 million viewers across all platforms. Hosted by Jeffrey Dean Morgan, 'Destination X' challenges strangers to traverse European countries on a blacked-out bus with the goal of figuring out where they are each week. By the end of the competition series, the final player will find Morgan at the ultimate Destination X and win a cash prize of $250,000. In Episode 3, which premieres Tuesday, June 10, 'Destination X' will introduce two new familiar faces in JaNa Craig ('Love Island USA' Season 6, 'Love Island: Beyond the Villa') and Peter Weber ('The Bachelor,' 'The Traitors'). The official logline for Episode 3 is as follows: 'Love is in the air as the journey continues and the clues get trickier. With romance brewing and red herrings in play, one player's journey ends. JaNa Craig and Peter Weber arrive and immediately shake up the game.' 'Destination X,' which marks the second commission between NBCU and the BBC after 'The Traitors,' is produced by Twofour, part of ITV Studios, and Universal Television Alternative Studio, a division of Universal Studio Group. Morgan executive produces the show alongside Andy Cadman and Emanuel Vanderjeudg executive produce alongside Twofour's Dan Adamson, David Clews and Shireen Abbott. The post 'Destination X' Premiere Ratings Grow to Reach 4.2 Million Viewers Across NBC, Peacock | Exclusive appeared first on TheWrap.
Yahoo
3 hours ago
- Yahoo
Sting says governments have neglected the North East for decades
Sting is in a reflective mood. The Grammy-Award-winning singer-songwriter grew up in Wallsend, Newcastle-upon-Tyne and tells me he is "very proud" of his Tyneside roots. But the musician is less complimentary about the way the North East of England has been, as he puts it, "wilfully neglected by successive governments for decades". As he announces a significant donation to an arts institution in Gateshead, he also told the BBC: "The statistics for child poverty in the area are discouraging". It's clear from our communication that Sting wants to give back to the place and the culture that made him. The former Police frontman is donating an undisclosed amount to the Baltic Centre for Contemporary Art, sometimes described as the Tate Modern of the North East of England. It's nearly 50 years since The Police released their debut album featuring tracks such as Roxanne and Can't Stand Losing You. Those decades have brought him everything a boy who dreamed of musical success could have wished for; he's sold more than 100 million albums worldwide, as The Police frontman and bassist, and later as a solo artist. In 2022, he also made a reported $300m (£222m), selling his back catalogue to Universal Music Group. The years haven't been as kind to the region where he was raised and where a third of babies, children and young people grow up in poverty, according to recent data from the End Child Poverty Coalition. When Sting was born Gordon Sumner in 1951, the son of a milkman and a hairdresser, the North East still had a proud tradition of shipbuilding. He's previously said that his earliest memory was "a massive ship at the end of my street, towering over the houses and blotting out the sun". But after the decline of that industry, Sting - the yellow and black sweater he wore while performing in a jazz band as a teenager earned him the nickname and it stuck - tells me, despite "all the empty promises of 'levelling up'", for years governments have disregarded the North East, "ignoring its significant historical contribution to national life, both industrial and cultural". In response to Sting's criticisms, a government spokesman said it would "fix the crisis we have inherited". It's investing £140m in the seven most deprived towns in the North East, including Washington and Jarrow, as part of a wider £1.5bn investment across the country and told the BBC it is "taking decisive action to tackle the scourge of child poverty". He remembers a childhood rich in culture, despite his humble beginnings. "We didn't have any books in the house", he tells me by email, but "I was fortunate in the 60s to have had access to Wallsend library". He also recalls access to drama at the People's Theatre in Jesmond, one of the oldest non-professional theatre companies in the UK, visits to the Laing Art Gallery and also making his professional debut as a musician in the orchestra pit at The University Theatre. "All of these institutions gave me a sense of the world beyond the shipyard where I was raised." The River Tyne's most famous shipyard, Swan Hunter in Wallsend, shut in 1993. Sting describes the now disappeared shipyard to me as "a real and symbolic victim of Government neglect if not betrayal". He tells me "I had to leave the area to 'make it'" - he moved to London in 1977 and soon after formed The Police with guitarist Andy Summers and drummer Stewart Copeland - but his ties to the North East still apparently run deep. As a young Wallsend local, he tells me his love of music was fostered when he saw the virtuoso Spanish classical guitarist Andrés Segovia perform with the chamber orchestra that was then still called the Northern Sinfonia, at Newcastle's City Hall aged 14. A year later, in 1967, his mind was blown when Jimi Hendrix played the legendary (and long-gone) gig venue Club a'Gogo. The American guitar prodigy had been brought to the UK by the Newcastle-born bass player of The Animals, Chas Chandler. Fifteen-year old grammar school boy Sumner couldn't believe what he was seeing, later describing how he "lay in my bed that night with my ears ringing and my world view significantly altered". In 2023, North Tyneside Council honoured the cultural impact of his work and his connection to the region, granting him the Freedom of the Borough. At 73, he appears to be thinking deeply about the importance of cultural experiences for children growing up in the North East now. He says he has a debt to the region that he needs to pay back, telling me that art involves "the nourishing of creative sparks that can lie dormant in even the poorest households if not encouraged by exposure to human potential". Which brings him to the Baltic, which, like museums and art institutions across the UK, is facing challenging financial times in an era of diminishing public investment. It opened in 2002 in a converted flour mill, a key part of the regeneration of the Gateshead quayside on the south bank of the River Tyne. The Baltic showcases some of the world's best contemporary art - Anish Kapoor and Antony Gormley were amongst the first to exhibit there - and also takes an innovative approach to enticing people into the artspace. There's a café called The Front Room, with free tea, coffee and biscuits sponsored by a local company and breakfast clubs for hungry children in the school holidays. Sewing circles, book clubs, parent toddler groups and others use the space free of charge. In the past, local pit villages and council estates have been leafleted to advertise the Baltic as a centre for everyone. More than 300,000 children and young people take part in Baltic activities and programmes every year. Sting's donation kickstarts its plans to fundraise for a £10m Endowment Fund of private investment to safeguard free entry to the centre and ensure its community work can thrive into the future. "The creative arts are of vital importance to the wellbeing of the community as a whole," he tells me and the Baltic "should be a beacon of hope for regeneration". He's currently on a world tour with his trio Sting 3.0. Amongst a packed schedule across the US, Asia and Europe, with summer dates in the UK including headlining at the Isle of Wight Festival and Latitude, he'll be heading to Tyneside for one night in October for a gala performance at the Baltic to help raise more funds, with tickets at £10,000 a table. He's been musing on his roots for some time. His concept album turned musical, The Last Ship, was inspired by the Tyneside shipyards of his childhood. It wasn't entirely well-received critically - or at the box office - when it premiered in the US in 2014. But it's since toured the UK, including to Newcastle, and Sting will perform in it again early next year in Paris. He wants to sing more widely about the innovative spirit he sees in the North East, telling me: "Geordies are not strangers to innovation, the steam turbine and the locomotive were developed on Tyneside. Britain's success was largely built on these inventions." Sting: AI-written songs don't impress me at all Sting picks up hometown honour after 13-year wait