
‘Music is helping reimagine Delhi's heritage and culture of the havelis'
A 2023 study suggests that the newer generations are willing to spend on experiences over material things, and there has been a boom in experiential consumption
As you walk into a haveli, it's hard not to be awestruck by its old-world charm. The intricately carved aalas and taaks evoke nostalgia, while the expanse of the courtyard and high ceilings stir the imagination. But it's the ghungroo, tabla, and soft ambient sounds that brings the space to life. Today, curators and artistes are reimagining these historic havens, turning them into vibrant sanctuaries for music and culture.
'Havelis offer spaces for new forms music'
You Can Also Check:
Delhi AQI
|
Weather in Delhi
|
Bank Holidays in Delhi
|
Public Holidays in Delhi
'Thumris and ghazals were born and popularised in the mehfils held in these havelis,' says Sharad Joshi, musician and co-founder of
Music in the Haveli
. He adds, 'We are reimagining the cultural heritage of havelis – which were once spaces for creative innovation and nurtured new forms arts.' Co-founder Shruti Sinha, adds, 'We are using the havelis to do the exact same thing: provide a space for new forms of local, global and blended music to be created and performed. The idea is to reanimate the haveli to be as alive as it used to be once upon a time instead of a static, unused space.'
Such spaces are always interesting to perform at. As people enter the haveli, they are already open to discover something new. So, when I perform my music in a haveli set-up, I can feel that my audience is really 'listening'
Musician Abhishek Sekhri, who goes by the moniker Goya
'Provide a sense of grandeur'
'We are not reviving but creating a culture of intimate mehfils,' says Abu Sufiyan, founder of
Tales of City
, who recently curated Jahaanuma Mehfil in a 170-year-old haveli Qaiser Manzil in Kucha Chelan. He adds, 'The thought behind creating an experience in a living haveli, inhabited by the Bakht family, is to celebrate the shared heritage and the tehzeeb of Shahjahanabad.'
A glimpse from Jahaanuma Mehfil, held at Kucha Chelan's Qaiser Manzil
Vidyun Goel, director of Haveli Dharampura, says, "Immersive experiences involving music and dance at havelis is opening up our heritage to the entire world. Along with Indian performing arts, dinners, kite-flying and haveli walkthrough sessions, every aspect of Purani Dilli culture is celebrated. The idea is to transport people back in time, and the wholesome experience helps promoting musical traditions as well. The haveli is like a stage for the performers.'
'The haveli is like a stage for the performers' (Pic: @havelidharampura)
Ashna Khanna, from
Kathika Cultural Centre
and Museum, says, 'At restored havelis in Imli Mohalla, music is not just an event but a journey into the heart of heritage. Musicians often tell us that performing here feels like stepping back into a time when music was shared in baithaks and havelis. The courtyard setting, with its graceful archways, traditional colonnades and graceful overhanging chhajjas, creates a natural acoustic chamber that enhances sound and lends a sense of grandeur.'
Performing in a living haveli was a different experience. Sharing personal space with the community, opening it up for a mehfil is a great contribution to preserving heritage
Shaheen Salmani, who sang ghazals like Ranjish Hi Sahi, Hothon Se Chhu Lo Tum, Salona Sa Sajan Hai Aur Main Hun at Qaiser Manzil
Sharad, adds, 'We find that people are connected to their creative side when they are in a haveli or a heritage space. A musical performance in such a space and in such a state of mind of the audience only elevates their experience.'
'Kathika offers that rare blend of aesthetic, heritage and community that allows both traditional and contemporary music to thrive in harmony' (Pics: @kathikaolddelhi)
'Travellers want at least one highlight experience during trips'
Meera Ali, co-curator of Jahaan-e-Khusrau, says, 'Today's travellers often seek at least one meaningful highlight in their trips – especially one tied to heritage or culture. They are eager to know more about their culture and heritage, often feeling they have missed out on these experiences growing up as most families have spent time travelling abroad. Now people prefer short trips to destinations within India (like Lucknow, Neemrana, Udaipur, Jaipur) mainly for the experience of heritage and if that is linked with music, it becomes more attractive.'
Abhishek Sekhri urf Goya played his tracks like Dilli, Mad Scientist and Naad at Kathika recently, as a part of Music in the Haveli project (Pic: Kaatayaayni Pandey)
'As these experiences become popular, interest will grow among those who appreciate heritage and art,' says Sunetra Ghose, who recently attended Goya's music event in a restored haveli in Sita Ram Bazar. The tickets of such experiences start from Rs 2,500 and can go upto Rs 10,000, depending on the space and the artiste
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


India Today
23 minutes ago
- India Today
TV's leading ladies take the lead in pay parity battle
Ever since actor Deepika Padukone walked out of Sandeep Reddy Vanga's 'Spirit', citing concerns over work hours and remuneration, the issue of fair pay has taken centre stage. Her decision sparked a larger conversation, empowering many to speak up and demand a much-needed revision in their fee structures. While Bollywood still grapples with this situation, the scenario is not the same on you read that right! Tables have turned when it comes to remuneration in the world of television. Gone are the days when TV was dismissed as the "small screen." Today, television productions rival Bollywood not just in scale, but also in budgets and actor salaries. While there is ongoing debate about whether TV actors deserve such high pay, it's undeniable that they work under intense conditions, for more days each month, and sometimes portray the same character for years, even a the highest-paid actors in the television space are largely women, with names like Rupali Ganguly, Divyanka Tripathi, Sakshi Tanwar, and Ankita Lokhande topping the list. Do you remember Smriti Irani in 'Kyunki Saans Bhi Kabhi Bahu Thi'? Her character, Tulsi, became iconic, and her popularity undeniably drove the show's massive success, giving her immense bargaining power. Fresh out of modelling and making her debut, Irani gave tough competition to all her Deepti Sadhwani, who was a part of 'Taarak Mehta Ka Ooltah Chashmah', stated that Indian television shows have always been female-driven and that their role in the same defined their negotiation talking to exclusively, she cited past examples and said, 'Women have always had certain leverage in television, especially when their character plays a crucial role in the storyline. If makers believe that removing a female lead will negatively impact TRPs, they know they'll have to negotiate and meet her demands. However, if they feel they can write her off, kill her character, or replace her through a plastic surgery twist without affecting viewership, they won't hesitate to make that move.'There have been instances in the past where shows with a strong fan base struggled on the ratings charts after replacing their popular female Shinde's fan following as Angoori Bhabhi in 'Bhabiji Ghar Par Hai' was unparalleled. Her quirky charm and comic timing made the character iconic and a household name. However, things took a toss for the team after she was replaced with Shubhangi Atre, leaving several fans expressing their disapproval and disappointment. While they were still struggling with Shilpa's exit, another shocker came for fans when actor Disha Vakani, who played the role of Dayaben on 'Taarak Mehta Ka Oolta Chashmah', left the show for her maternity break. Since then, fans have been demanding her to such examples, Sadhwani remarked how 'Kyunkii Saans Bhi Kabhi Bahu Thi' always played around the male characters while keeping the story intact around the female protagonist.'Take the example of Kyunki Saas Bhi Kabhi Bahu Thi, Mihir ki kitni baar plastic surgery hui thi (Mihir's character was recast multiple times) whereas Smriti Irani's role as Tulsi was only replaced once. And now, years later, she's returning for the second season. That wouldn't have happened if her portrayal hadn't left such a lasting impact,' she further shared how a show's popularity often rests on the shoulders of its female lead.'In Anupamaa, Rupali Ganguly is the undisputed hero of the show. The makers might change the actors opposite her, but replacing her isn't an option because she drives the TRPs. Ultimately, it all comes down to how much value you bring to a show,' Sadhwani instances highlight that a show's TRP and popularity are mainly dependent on female Madhura Naik, who has been a part of shows like 'Pyaar Ki Ye Ek Kahaani', 'Forever Yours' and more, begged to differ and had a different story to share. The actor told that she faced pay disparity, which resulted in her backing out of a popular personally encountered this on multiple occasions throughout my career. In fact, I made the difficult decision to step away from 'Tumhari Paakhi' because I was not granted a justified raise, while my co-star Iqbal Khan was being remunerated considerably more. This was despite the fact that Shraddha Arya and I were equally instrumental in driving the show's TRPs.'And that's not all! The actor added that this isn't the first time she's faced such treatment. Despite contributing to the industry in multiple ways, Nayak revealed there has always been a noticeable disparity when it came to recognising and compensating her talent.'At several occasions, I felt I was being paid less. It was quite clear that despite contributing equally to a show's success, there was often a significant gap in compensation. And while one learns to navigate these challenges with grace, it does leave you questioning the fairness of it all,' she females shouldering the responsibilities and working at par with men on the screen, TV has now finally acknowledged their contribution. Despite being the driving force, there have been moments when the actors felt that they were underpaid even when they worked harder or had more screen time than their male things are finally beginning to change. More and more women in the industry are now speaking up, demanding fair pay, and making sure their efforts are we still try to go deeper into the issue, actor Prachi Tehlan, known for TV shows like 'Ikyawan' and her work in South cinema, shared her optimism about the shifting narrative.'Thankfully, the narrative is slowly shifting. Many leading ladies are now voicing their worth and negotiating based on their experience and contribution. It's empowering to see women in the industry standing up for equal pay and pushing for what they rightfully deserve. Change may be gradual, but it's certainly happening,' Tehlan told it comes to remuneration in the entertainment industry, there's often more than meets the eye. While experience and popularity undeniably play a role, the factors that influence how much an actor is paid can be complex and we believe that women are the face of television, actor Hiten Tejwani enlightened us with several factors that could lead to women facing disparity.'There could be several reasons, you know. One of the main ones, as far as I can guess, is popularity, how well-known you are, the number of shows or films you've done, things like that. That could be a factor.'So, the conversation around pay parity in television is long overdue but finally gaining momentum. However, with more female actors now taking a stand, backed by strong examples of their value both on screen and on ratings charts, the tides are clearly Watch


New Indian Express
24 minutes ago
- New Indian Express
Ilaiyaraaja honoured with Vocational Excellence Award in Coimbatore
COIMBATORE: Legendary music composer Ilaiyaraaja was honoured with the Vocational Excellence Award in Coimbatore for his outstanding contribution to Indian music. The award was presented by the Rotary Club in recognition of his decades-long impact on the music industry. During the felicitation ceremony, several organisations and industrialists paid tribute to the maestro with flower bouquets and shawls. Widely regarded as one of India's greatest composers, Ilaiyaraaja's illustrious career spans over four decades, during which he has composed music for over a thousand films, leaving an indelible mark on both Tamil and Telugu cinema. Born R. Gnanathesikan on 3 June 1943 in Pannaipuram, a village in Tamil Nadu's Theni district, Ilaiyaraaja began his musical journey at a young age. His work has not only captivated audiences across generations but also carried deep cultural and political resonance, often reflecting social themes and celebrations.


New Indian Express
38 minutes ago
- New Indian Express
2,000-year-old Roman mosaic marvels sparkle at Humayun's Tomb Museum
NEW DELHI: In an extraordinary cultural event that bridges centuries and civilizations, five ancient Roman mosaics – each over 2,000 years old – have made their historic debut in India at Delhi's Humayun's Tomb Museum. Titled 'MOSAICO: Italian Code of a Timeless Art,' the exhibition marks the first time these rare treasures from Rome's esteemed Capitoline Museums are being showcased on Indian soil. The exhibition has been open to the public from April 12 to August 30, offering free admission to all. Curated by Magister Art and presented by the Italian Ministry of Foreign Affairs and International Cooperation, in collaboration with the Italian Embassy Cultural Centre in Delhi, MOSAICO combines rare ancient artworks with immersive multimedia storytelling. Visitors are guided through seven thematic stations that trace the evolution of mosaic art from ancient times to the present, showcasing celebrated locations such as Pompeii, Aquileia, Ravenna, Palermo, Monreale, Piazza Armerina, and even the sunken city of Baiae. The crown jewels of the exhibition are five original Roman mosaics on loan from the Capitoline Museums – some of which have never left Italy before. These exquisite pieces, rich with historical and artistic significance, offer a tangible connection to the grandeur of the Roman civilization. 'It feels surreal,' said Aditi Sharma, a history student from Delhi University. 'Standing in front of these mosaics is like stepping into a Roman villa. It's humbling to see how art survives empires and still speaks to us.' The innovative fusion of ancient craftsmanship and cutting-edge technology is captivating visitors. 'The projections and ambient sounds made the mosaics come alive. It's not just an exhibition, it's an experience,' said Rahul Verma, a graphic designer. 'You walk through history, guided by light and sound.'