
Heidi Montag's husband issues savage clapback to 'wig haters' after her hair disaster at AMAs
Spencer Pratt showed his mastery of social media on Wednesday with his responses defending his wife Heidi Montag from critics of the wig she wore to the American Music Awards on Monday.
A Tiktok fan commented that while they were a huge fan of Montag, 38, they did not love the blonde wig she sported to the award show stemming from Los Angeles.
'I love love love her, but you should've stopped that wig,' the fan told Spencer, who had a classic comeback in the chamber.
Pratt, 41, said in response, 'For the wig haters please pre order HEIDIWOOD now so that future wigs have more budget ❤️��.'
The Hills alum, who is father to two sons with Montag, his wife of 16 years - Gunner, six, and Ryker, one - was lauded with compliments ay his adept verbiage in handling the comment about Heidi's wig.
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Spencer Pratt showed his mastery of social media on Wednesday with his responses defending his wife Heidi Montag from critics of the wig she wore to the American Music Awards on Monday.
The Bachelor alum Demi Burnett joked she was '*taking notes on how to clap back*' adding to Pratt, 'well done my friend, well done.'
A post from E! read: 'If loving her wig is wrong, we don't wanna be right.'
Vanderpump Rules' Kristen Doute wrote 'caption' with an emoji of a coffin, indicating her approval of Pratt's witty and effective reply.
It's been a challenging five months for the couple, who lost their Pacific Palisades, California home in the Los Angeles fires in January.
Pratt, speaking about the rebuilding process in an interview with Variety January 17 said that TikTok had been a lucrative platform in addition to Montag's musical efforts.
He said, 'I made, like, $4,000 on TikTok this week, but on TikTok Live, where people can just give to me direct, I think maybe $20,000.
'So that's phenomenal and life-changing. That's the power of individual supporters, people just backing you and getting behind you.'
Pratt told the outlet that people had misconceptions about his family's finances.
'I know people are like, "You're rich, you will be fine,"' he said. 'Yeah, I wish. Everything in our house was paid for by Heidi and I hustling any way we could. Everything we have worked for was in this house … we are starting at zero now.'
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Live China accuses Trump of violating trade deal
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The Guardian
an hour ago
- The Guardian
The Möbius Book by Catherine Lacey review – beyond the bounds of fiction
From her debut, Nobody Is Ever Missing, to 2023's Biography of X, Catherine Lacey's work has tested the forms and fabric of the novel with brilliant unease. In The Möbius Book, her experiment crosses the blurred border of fiction into something else. Life writing, autofiction, memoir? Whatever you call it, The Möbius Book is deeply serious and engrossingly playful, and it lavishly rewards serious, playful attention. A Möbius strip is a length of any material joined into a loop with a half twist. It's an uncanny shape, common and obvious, easily created and yet awkward to describe geometrically. For literary purposes, a Möbius is interesting because there's intricate structure and constraint but no ending. It goes around again, mirrored with a twist. Lacey's book takes this literally, the text printed from both ends, with memoir and fiction joined in the middle. 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How can a narrator who can play off Proust against Gillian Rose seriously expect to find consolation in the old myths about the baby in the manger and the man rising from death? It's a question Lacey acknowledges, partly as unanswerable: 'We want to speak of gnosis and mysticism without our phones listening to us and populating browser ad space with advertisements for Goddess Retreats and bogus supplements and acupuncture mats.' Even so, the narrator attempts an exorcism, employs an 'energy healer', is seduced by ideas about magic numbers. 'Symbolism is both hollow and solid, a crutch, yes, but what's so wrong with needing help to get around?' The question is not rhetorical. There's a deep ambivalence in this book about needing literary and philosophical 'help to get around', about whether we're allowed to want or need art, which is related to the narrator's lack of appetite and consequent emaciation. 'I was afraid of the line between basic needs and cravings, between living and lust.' The fear of slipping from necessity into pleasure shapes the distrust of fiction. What if storytelling is for fun? What if we don't really need it? What if only what's necessary is true, or only truth is necessary? Inevitably, the fictional half of this book refuses many of the satisfactions of a novel. Like a miniature homage to WG Sebald's Austerlitz, the present action is mostly the recounting of past events, so that most of the characters, times and places appear only through a conversation between friends. There are complicated, triangular relationships in the background, between characters who never quite take shape, whose voices are only – and unreliably – recalled. Third-person narrative always calls into being a narrator, another layer of artifice, and here the slippage between present, past and past historic tenses also constantly reminds us that this story is at once engaging and not real. The questions are constant, implicit, teasing, elaborated rather than answered in the dark mirror of life writing. They don't go away. You can go round again. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion The Möbius Book by Catherine Lacey is published by Granta (£16.99). To support the Guardian buy a copy at Delivery charges may apply.


Daily Mail
an hour ago
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Musk takes hammer to Trump's 'big, beautiful bill' as he makes dire DOGE prediction after White House exit
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Musk spent $288 million supporting Trump's election and became a fixture at the White House, invited into Cabinet meetings and leading the charge to slash federal bureaucracy with DOGE's chainsaw-wielding fervor. But after months of political warfare, Musk's relationship with Washington, and with Trump, has cooled. Lawsuits and protests coupled with a 71 percent crash in Tesla profits followed DOGE's drastic cuts which saw 250,000 federal workers either fired or bought out across every federal department. Musk saw grants slashed and staffing culled at environmental agencies including the EPA and NOAA, despite decades of warning about the risks of climate change. Musk's personal net worth shrank by $100 billion, whilst government workers blamed DOGE for everything from Social Security delays to shuttered national parks. 'It's a bit unfair because DOGE became the whipping boy for everything,' Musk said. 'If there was some cut, real or imagined, everyone would blame DOGE. 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Musk's departure came after CBS previewed the interview in which he criticized the bill in a clip that quickly went viral and reached the Oval Office within hours. The timing was no coincidence: Musk's formal 130-day stint as a 'Special Government Employee' was over - yet until that moment, Musk seemed to imply that he would continue contributing to White House efforts part-time. At an Oval Office farewell event on Friday, both men tried to downplay the rupture. Trump presented Musk with a ceremonial gold key, praising him as a 'very special person.' 'Elon's really not leaving,' Trump said. 'He's going to be back and forth, I think. I have a feeling.' 'DOGE is gonna continue, just as a way of life,' Musk told CBS. 'I will have some participation in that, but as I've said publicly, my focus has to be on the companies at this point.' 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'My frank opinion of the government is that it's just like the DMV that got big, okay?' Musk told CBS. 'When you say, "Let's have the government do something," you should think: "Do you want the DMV to do it?" 'It's not like I agree with everything the administration does. But we have differences of opinion. There are things that I don't entirely agree with. But it's difficult for me to bring that up in an interview because then it creates a bone of contention,' Musk explained. 'So then, I'm a little stuck in a bind, where I'm like, well, I don't want to, you know, speak up against the administration, but I also don't want to take responsibility for everything this administration's doing.' Following the CBS interview, Musk returned to SpaceX's Texas headquarters, where he attended the ninth test launch of Starship. As the massive rocket spiraled out of control and disintegrated upon re-entry, some observers couldn't help but note the symbolism.