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Squid Game 3 review: Lee Jung-jae's show is still deadly but less thrilling

Squid Game 3 review: Lee Jung-jae's show is still deadly but less thrilling

India Today8 hours ago

Let's get one thing out of the way. 'Squid Game Season 3' is not here to merely play but to also give you closure to the deadly game that keeps you hanging by a thread. Will Player 456 survive? Again? What about Player 222? The Front Man? Will Jun-ho (Wi Ha-Jun) finally find the island? The third and final season of Netflix's juggernaut series begins right where it left off, but does it match the emotional depth and layered storytelling of the previous seasons? Well, the answer is as complicated as the games themselves.advertisementDirector Hwang Dong-hyuk returns at the helm, taking his Emmy-winning formula and dialling up the gore and stakes, though not necessarily the emotional tension. In this season, the rebellion is dead, quite literally, and the survivors are thrown back into the inferno. The first new game is a blood-soaked version of hide-and-seek where the only way to survive is to kill. It's brutal, intense, and just like that, you're reminded that no one is safe.From there, we move into a game that reimagines skipping ropes with the finesse of a nightmare. One wrong move, and you plummet from a dizzying height. There's a liability twist that adds pressure, and while the tension is high, the emotional weight doesn't always land. Unlike Season 1, where you found yourself crying for Ali or gasping over Sae-byeok, here you're mostly bracing for impact. There's not a lot of room to breathe or care deeply. advertisement
The cast delivers, particularly Yim Si-wan as Myung-gi. He's magnetic, terrifying, and awfully human all at once. He will make you detest his character with an intensity that compliments his acting prowess. Kang Ha-neul plays his part with the calm precision we've come to expect, while Park Sung-hoon's arc will probably stay with you long after the final credits roll. His portrayal of a transwoman who remains selfless even at the most important part of a survival game is as quietly devastating as it is powerful. Jo Yu-ri (yes, K-pop fans, that Yuri) delivers one of the more memorable standout performances as Jun-hee. Her dilemma and strength as a pregnant woman are equally heartbreaking and stressful.But where 'Squid Game 3' falters is in its attempt to juggle too many threads without giving enough time to the ones that matter. Wi Ha-jun as Jun-ho is criminally underused, and Lee Byung-hun's mystique as the Front Man is watered down by a screenplay that never really lets him take charge in Season 3. Park Gyu-young delivers her best. The emotional pull that Season 1 and parts of Season 2 thrived on, through quiet moments of humanity in an inhuman system, is largely ineffective in the final season.advertisementAnd then there are the VIPs. They return in full force, with a caricaturist accent that is more annoying than impressive. Intended as avatars for the audience's voyeurism, they instead become the series' weakest link, breaking immersion every time they enter a scene. Their presence would've worked better cloaked in mystery.The plot threads with Gi-hun (Lee Jung-jae), now visibly unravelling under grief and vengeance, trying to ground the chaos. But the character who once held the heart of the story now feels like he's on autopilot. You want to root for someone and you do - the baby. Yes, the baby! It says something about the narrative when the only character you're emotionally invested in is the one who can't speak.Visually, the show is top tier. The set design is immaculate, the death sequences are choreographed with unsettling beauty, and the soundtrack does what it needs to do without being overbearing. But aesthetics aside, 'Squid Game 3' often trades meaning for momentum, and not always successfully.Would we still recommend watching it? Absolutely. It's gripping, well-crafted, and occasionally stunning. But does it live up to the emotional gut punches of Season 1 or the revelations of Season 2? Not quite. 'Squid Game 3' is a darker, bloodier beast but one that could've benefited from a little more heart behind the havoc.Streaming on Netflix from June 27, the Korean show has a total of six episodes.- Ends3 out of 5 stars for 'Squid Game 3'.

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Squid Game Season 3 Review: Brutal And Bold, But Emotionally Out Of Reach
Squid Game Season 3 Review: Brutal And Bold, But Emotionally Out Of Reach

India.com

time16 minutes ago

  • India.com

Squid Game Season 3 Review: Brutal And Bold, But Emotionally Out Of Reach

Directed by: Hwang Dong-hyuk Language: Korean Cast: Lee Jung-jae, Lee Byung-hun, Wi Ha-joon, Im Si-wan, Kang Ha-neul, Park Gyu-young, Park Sung-hoon, Yang Dong-geun, Kang Ae-shim, Jo Yu-ri, Lee David, and Roh Jae-won Episode: 6 Rating: 3.5/5 One of the most anticipated K-drama, has finally come to an After four long years of anticipation and the deaths of countless beloved characters, Squid Game Season 3 has finally arrived, and concluded, bringing closure to lingering questions: Will Player 456 survive? What will happen to Player 222? What about the long-awaited backstories? At its core, Squid Game has always been more than just a survival thriller; it's a brutal analysis of greed, desperation and how greed for money turns life into a ruthless competition, where survival is secondary to wealth. Season 3 continues to bring attention to that theme. One of the most powerful parts of the series is the democracy, the moment when the players are asked, 'Do you want to keep playing?' This question becomes especially significant for Player 456, who begins to feel increasingly trapped and gradually understands the dominance, not by the structure of the game, but by the other players' responses. Despite witnessing the violence and loss, the majority consistently choose to continue, driven by greed. Writer-director Hwang Dong-hyuk deserves credit for the way he uses this mechanic to expose not only the characters' desperation but also their evolving moral extent and does an impressive job using that simple question to show who's really in control, not by force, but by making the players believe they have a choice. The series cleverly implicates its audience, positioning viewers as passive VIPs who, despite witnessing the escalating horrors, find themselves invested in the continuation of the game. Season 1 emotionally devastated viewers with tragic deaths and vulnerable character arcs. However, Season 2 stumbled with its slow pacing and messy introduction of new characters leaving a gap in emotional resonance, making it harder to invest in the returning and new faces alike. This emotional disconnect lingers into Season 3, weakening the impact of otherwise powerful scenes. That said, the final season finds some deliverance. While not as gripping or heartbreaking as the original, it is far more unified than Season 2, successfully building tension. Unlike earlier seasons where the focus was on emotional loss, this season shifts the experience to anxiously calculating alongside the players, gripped by the suspense of who will survive and what sacrifices. The performances across the board are strong, with particular praise for Lee Jung-Jae (Player 456) and Kim Jun-hee (Player 222). However, due to the rapid pacing and lack of character depth inherited from the previous season, the emotional connection feels somewhat muted. Visually, Squid Game remains a masterclass in cinematic storytelling. The set design, colour palettes, and framing continue to reflect the series' mixed tones, where childlike games clash with violent despair, making the thriller all the more surreal. While Season 2 pulls the thread a bit too far, nearly unravelling what made Squid Game special, Season 3 tightens the narrative. It doesn't quite elevate the series to five-star territory. Ultimately, while Season 3 may not quite reach the groundbreaking impact of the original, it succeeds in restoring the series' momentum and delivering a satisfying yet jaw-dropping conclusion. Therefore Squid Game remains a compelling and culturally relevant thriller that powerfully exposes the darker aspects of human nature and the corrupting influence of greed, continuing to challenge its audience.

Ali Fazal humorously recalls being handed a Tun-Tuna on 'Khamoshiyan' set, calls Aditya Roy Kapur a better guitarist
Ali Fazal humorously recalls being handed a Tun-Tuna on 'Khamoshiyan' set, calls Aditya Roy Kapur a better guitarist

Time of India

time36 minutes ago

  • Time of India

Ali Fazal humorously recalls being handed a Tun-Tuna on 'Khamoshiyan' set, calls Aditya Roy Kapur a better guitarist

Ali Fazal humorously recalled being handed a tun-tuna during 'Khamoshiyan' despite not being a guitarist. He admitted co-star Aditya Roy Kapur, from 'Metro…In Dino', is a better guitarist. Both actors will star in Metro…In Dino and Netflix's 'Raktbrahmand', created by Raj & DK. Ali Fazal , known for his work in Hindi cinema and television, began his acting journey with a minor role in 'The Other End of the Line' and later appeared in the TV miniseries 'Bollywood Hero'. He gained wider recognition through popular comedies like 'Fukrey', 'Happy Bhag Jayegi', and 'Fukrey Returns'. In a recent interview, he admitted that Aditya Roy Kapur surpasses him when it comes to guitar skills. Life Comes Full Circle with Music Roles In a conversation with Bollywood Bubble about the full-circle nature of his career, especially playing a musician in 'Metro…In Dino', Ali joked, 'So we can say that—when in doubt, they just hand me a tun-tuna, right? That's exactly what happened in Fukrey. I remember we were shooting a song for the film Khamoshiyan, and something just wasn't working—it felt empty." The Guitar Incident on 'Khamoshiyan' Set He recounted how, during the filming of 'Khamoshiyan', someone told him to pick up a guitar despite not being a guitarist himself. He said, 'And then someone said, 'Ali, yeh guitar pakad le.' So there's a part in one of the songs in 'Khamoshiyan' where I'm holding a freaking guitar, and I'm not even a guitar player! I think Aditya is a better guitar player; Aditya apne ' by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Accounting Automation Software Might Help You To Earn More Accounting Automation Software | Search ads Undo Dino' wala. But I like learning. I can learn. I can learn anything.' Upcoming Projects with Aditya Roy Kapur Both Aditya Roy Kapur and Ali Fazal are set to feature in Anurag Basu's film 'Metro…In Dino'. Ali Fazal's recent work includes Kamal Haasan's 'Thug Life'. The duo will also collaborate in the Netflix series 'Raktbrahmand', created by Raj & DK, the acclaimed team behind hits like 'The Family Man' and 'Farzi'.

Two Mizoram journalists part of BBC team that won Emmy for Myanmar docu
Two Mizoram journalists part of BBC team that won Emmy for Myanmar docu

India Today

time44 minutes ago

  • India Today

Two Mizoram journalists part of BBC team that won Emmy for Myanmar docu

Two journalists from Mizoram became the first from the northeastern state to be part of a team that won an International Emmy Award for a BBC documentary on Myanmar's civil war. HC Vanlalruata and Isaac Zoramsanga, contributed to BBC World's coverage titled Myanmar's Civil War, which received the Emmy for Outstanding Continuing News Coverage in Short Form category. Mizoram Chief Minister Lalduhoma congratulated the duo on the "historic moment" and praised their "dedication and courage in reporting" from the conflict zone, ravaged by the years-long civil told India Today Digital that the BBC team of five members, including the two from Mizoram, went to Chin state of Myanmar in 2024, and it took a total of eight days for them to gather the inputs from the ground."I congratulate HC Vanlalruata and Isaac Zoramsanga for their historic achievement as the first from Mizoram to be part of a team that won an International Emmy Award. Your dedication and courage in reporting Myanmar's Civil War make Mizoram proud," Lalduhoma wrote on X on Thursday. Both Vanlalruata and Zoramsanga worked as producers on the BBC project, according to the citation of the provided crucial on-ground reporting support during a 10-day assignment in Chin State, western Myanmar, which shares a border with India. Their efforts enabled the BBC team to access rare conflict zones where ethnic resistance groups have been pushing back against Myanmar's military junta and continue to fight for control of the official X account of the Emmys announced the award saying, "The Emmys for Outstanding Continuing News Coverage - Short Form goes to Myanmar's Civil War (BBCWorld)," posted The Emmys on TEAM WENT TO REBEL HEADQUARTERS, BOMBED VILLAGE IN MYANMARThe 6.5-minute documentary captures how rebel groups have driven the junta out of several regions, while also exposing chilling accounts of torture, abduction, and killings used by the junta to crush dissent and deter young people from joining the resistance."We went to Chin state of Myanmar in 2024 and interviewed the revolutionary groups being trained by the Chin National Army (CNA) at Camp Victoria," HC Vanlalruata told India Today Victoria is the HQ of the CNA and is around 7-8km from the India border, explained was a team of five from BBC India, including Vanlalruata and Zoramsanga, that travelled to Myanmar."We stayed at Camp Victoria for a night then went to a village that had been bombed by the Myanmar military and was being rebuilt," said said it took the team altogether eight days to gather the inputs for the BBC documentary."It is difficult to put into words how thrilled we are. I am overjoyed to see my name on the Emmy list," Isaac Zoramsanga told Meghalaya-based also said that the Emmy news was civil war in Myanmar began in February 2021 when the military, known as the Tatmadaw, staged a coup, overthrowing the elected government of Aung San Suu Kyi by claiming electoral fraud in the 2020 elections without substantial coup sparked widespread protests, which were met with brutal military crackdowns, escalating into armed resistance by pro-democracy groups and Ethnic Armed Organisations (EAOs) like the Arakan Army, which is based in the Rakhine in Mizoram, which shares a 500-kilometre border with Myanmar, have cultural and ethnic ties with those across the international border. In March this year, key Myanmar rebel groups signed a merger pact in Mizoram's capital, Aizawl, in the presence of Chief Minister armed resistance has gained strength in Myanmar, capturing key towns like Paletwa in Chin State, and challenging the junta's control, particularly in border regions. The ongoing civil war has intensified, with the junta facing significant pressure but retaining control over major urban centres, while the resistance continues to expand its influence in rural and India-bordering areas.- Ends advertisement

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